Characters, random musings, writing, writing advice

Write What You Love.

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Since the beginning of my writing adventure, I have often heard it said that you should write what you know. And I agree with this statement.

Of course, it doesn’t mean that you need to be a quantum physicist in order to describe a new form of space travel in your science fiction books, but you need to at least do your research and consult with one to make sure that your ideas are not too farfetched. It also means that when you are creating your own world and magic system, you need to think it through, put down the ground rules and stick to them throughout your book.

So this is sound advice, but lately I have come to the realization that there is another piece of advice that works even better for me – Write what you Love.

I know this might be self-explanatory and some of you will think that I’m reinventing the wheel here, but I felt like this was an important realization I wanted to share with my readers. So let me explain what I mean by that statement.

 

  1. Write in the genres you love reading.

What books do you enjoy reading? What TV shows, movies or video games you like the most? Chances are, that’s the genres you will find the easiest to write in because you know them inside out by now. Also, if you are excited about something, if you love your idea and your genre, your readers will feel that. Hence, your book will be better for it.

For example, I really love fantasy and science fiction, with a dash of paranormal, a good mystery, and a sprinkle of horror from time to time. Now if I look at the works I’ve finished so far, what do I see? Of Broken Things is a science fiction mystery. The Choices we make is definitely set in a fantasy world. Mists of the Crossworlds is also a kind of weird fantasy. And The Eye of the Norns cycle leans more towards dark fantasy and horror.

Those are all the genres I love reading, so I naturally gravitated towards them because that’s the kind of stories I love telling. Would I be able to write a non-fiction self-help book or a romance? Probably… If I REALLY put my mind to it. I would suffer every step of the way and the end result would probably not be worth reading though.

snoopy-writing

  1. What characters do you like? What characters do you feel the most involved with?

We all have our preferences, certain types of people that I would find absolutely fascinating, or could relate to, but would leave you unmoved and bored. And this is wonderful, because this means that no matter how strange, or damaged, or bookish your characters are, there will be someone out there that would love them. This also means that when we write about the characters we love, they tend to come out more “alive” because we are invested in them so much more…

I have a funny (and eye opening, at least for me) story about that.

I had an interesting discussion with one of my best friends and fateful beta readers the other day. We are both fans of the Dragon Age games and, girls being girls, we were talking about the different romance options. I told her that I found it weird that I found the romance with Cullen in DA: Inquisition so satisfying when I couldn’t stand romancing Alistair in Dragon Age: Origins. I always picked Zevran over him (and Fenris over Anders in Dragon Age II).

So I told her, “I guess I’m just a sucker for strong, if slightly damaged men.”

And she answered, “Duh, it’s kinda evident from your own work.”

I must admit that I had never thought about it before, but after she said that, I went back to analyze my own characters and I had to admit that she was 100% right. Aiden, GMS798, Sky, Brand, Gabriel, all of them are exactly what I told her – strong if slightly damaged men. So I think this example perfectly illustrates the truth of this statement.

cropped-pen-and-paper.jpg

  1. Forget the genres, write what you love or genre hopping is permitted.

A lot of writing and publishing advice tells us to pick a genre and stick with it, because that’s what your audience would come to expect from you. I might be stating a controversial opinion here when I say bull&$#!

Write what you like. Does your story shape out to be a hybrid between fantasy and science fiction? Go for it. After all, Iain M Banks did exactly that with Inversions and it turned out to be an excellent book. You feel like adding a good murder mystery to your fantasy world? Why not? You don’t feel like writing science fiction stories your whole writing career and want to try your hand at horror? Go ahead.

My point is, write what you love. As long as you love the story you’re telling and the characters you are writing about, the readers will feel it. They will love or hate your characters, depending on their personal preferences, but they will stick around to find out what happens to them regardless.

 

books, Fantasy, Reviews, Urban fantasy

The Secret Dead by SW Fairbrother.

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Stars: 4 out of 5.

Did I mention that I love discovering new exciting series to read? It makes me feel all warm and fuzzy inside, because I know that I still have several more books to spend exploring this new world. The Secret Dead is one of those books. It’s the first one in the London Bones series and it’s a very strong beginning of what promises to be an excellent series.

SW Fairbrother has created a very complex world where the supernatural has coexisted with the “natural” for centuries (or maybe even from the beginning, it’s not quite clear). So everybody considers this as a natural order of things, even though conflicts still arise between different factions. There are laws and regulations in place to facilitate interactions between normal people and supernatural people, though some are better enforced then others.

And of course, there is the small matter of the necroambulation virus that turns people into flesh-hungry zombies after they die. 98% of those who contract it (either via a bite from a zombie or via sexual contact, like an STD) die within 24 hours, then they reanimate and unless they keep consuming human flesh, they slowly lose their mind and become nothing but rotting shambling corpses. The other 2% survive and become carriers and live the rest of their lives knowing that they will turn zombie as soon as they die. There is no cure.

What I like about this new take on zombies is that in this world this virus has existed for generations, and society has tried (and often discarded) several different ways of dealing with it, including burning their newly zombified neighbors in their homes along with all their families. This option was later discarded for being too barbaric. Now the zombies are just thrown into a huge underground pit to rot in the dark, which isn’t a much better solution, one might argue…

Anyway, this whole situation creates a wonderfully complex world that I absolutely loved exploring. And I also loved the protagonist because she is so not the typical female heroine that we so often see in this genre. Vivia Brisk is a hag, a death witch who can travel the world of the dead at will. Problem is, her body dies every time she does that, so she comes back to a more or less advanced state of decomposition, depending on how much time she spent in the Underworld. And even without that unfortunate side effect of her abilities, she is no beauty even in the best of days.

But despite of that, she is a very engaging character that I enjoyed following. Despite a rather gloomy family situation and not particularly sunny future prospects, she never feels sorry for herself, never whines or moans or wallows in self-pity. She goes on with her life, trying to do her best with the cards she’s been dealt, and I can’t help but respect her for that…

My only complaint, and the reason this book got 4 stars instead of 5, is that the ending feels rushed. After a slow and steady build-up of the rest of the book, everything is sort of jammed in the last 20 pages or so. And it ends in a huge cliffhanger. But I didn’t even mind the cliffhanger that much because I am getting the next book in the series anyway.

So in case you haven’t yet noticed from the glowing review above, yes, I definitely recommend this book. Buy it, read it, enjoy it!

need advice, random musings, writer's block, writing, writing advice

The fear of the blank page.

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I had to go back to the drawing board and re-outline my novella Mists of the Crossworlds, because I have realized that there was more to the story than I first thought… like at least 10k words more. This novella is slowly turning into a novel.

But this post is not about yet another transformation this ever-changing story is putting me through. Now that I’m forced to continue this story, I am faced with of the banes of a writer’s existence – the fear of the blank page.

When I first started writing, I thought this was a disease plaguing only new writers, but a year and a half and several finished projects later, I still get paralyzed by the sight of a blank page. The first 200 words of so of each daily session are the hardest to write. Sometimes they feel like pulling teeth. I have a detailed outline. I know where my story is supposed to go. And usually, once I get going, I can put up to 1k words on paper in one session without problems, but those first 200… they are always hard.

Before I started panicking, I dived into the wast ocean of the Internet and discovered that I’m not alone in my plight! That was strangely reassuring, actually. I think all of us creative types (writers, artists, painters) have this moment of fear when we begin something new. We stare at this yet unmarred page (or canvas) and we get scared to waste it, to create something unworthy. We forget for a moment that this is just the first draft, that any mistakes we make now can be corrected later. And no matter how many books you wrote and sold, how much money or recognition we gained, this fear will always be there…

I think it’s important to recognize that and not let it paralyze you. So I decided to analyze what helps me get past this fear and write anyway.

Sometimes, just sitting down and putting pen to paper, no matter what mood you are in, helps, because after those first excruciating 200 words, the story finally starts flowing again.

But sometimes  summoning the enthusiasm to write isn’t as easy. I found that reading good books on writing helps me fall in love with the process all over again. I have two books that I always come back to whenever I am in need of a pep talk. I’m gonna post them here in the hope that they might help somebody else as well.

First of all, I need to mention this book, because without it I wouldn’t be writing today. On Writing by Stephen King gave me the courage necessary to start that very first story a couple years ago. It will probably never see the light of day again, but It nudged me into the right direction. It’s a wonderful view into the life of an author, and while it doesn’t have a lot of technical stuff about the whole writing process, it has a lot of motivational and heartwarming insights. I still come back to it whenever I am in need of inspiration.

Another wonderful book to have on your bedside table, or on your Kindle is Write, Publish, Repeat by Sean Platt, Johnny B Truant and David Wright. It has a lot of nuts and bolts of how to write and publish books, but also funny stories and plenty of encouragement. I think this book is a must read even if you are not planning on self-publishing your stories. I find it extremely motivating.

Another wonderful motivator is going to other writers’ blogs and reading their stories or hopping on Twitter and talking to a few fellow writers about it. Writing a solitary process, yes, but it doesn’t mean we are alone in this struggle. We all have good and bad days. We all get paralyzed by the sight of a blank page from time to time. So reaching out and just talking about it with people who understand exactly what you are going through helps a lot.

So there you have it. My struggle with the blank page and my ways of coping with it. What about you? Do you get blocked by the fear to start something new? If so, how do you get past it? I want to hear from you!

books, Dark fantasy, Fantasy, Reviews, Urban fantasy

Time Patrol (Area 51: The Nightstalkers) by Bob Mayer.

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Stars: 3 out of 5.

This book has a lot going for it. It has time travel / time slip. It has secret organizations dedicated to correct attempts to change our timeline in the present and the past and other secret organization protecting unsuspecting citizens from things that go bump in the night. And all this is supported by some interesting and not too farfetched scientific explanations… All in all, it was an entertaining read.

So why did I only give this book 3 stars? Several reasons, some of which are probably due to the fact that I am new to the series and have never read any other books about the Nightstalkers.

I am not familiar with the characters. I haven’t had time to get to know and love this rag-tag team. So Scout was the only person I could more or less emphasize with because she is also relatively new to the team and gets a little bit of character development. All the others? I could care less if they live or die, so even the death of one of them in the first third of the book didn’t have the dramatic effect it probably should have had on me.

So my first advice would be: don’t make my mistake and go read the first 3 books in the series before getting to Time Patrol. I’m sure that for a reader who has followed the Nightstalkers through many adventures and learned about them in the other books, the death I am talking about was a blow.

My other problem with this book has nothing to do with the fact that I’m not familiar with the world or the series. I found the pacing to be very slow, especially in the first third of the book. We start with the Time Patrol disappearing, but then we have several chapters describing how the various members of the Nightstalkers experience little time slips and inconsistencies due to that disappearance.  While that might be relevant to the story, it also completely kills the forward momentum, because by the time we finally get back to the Time Patrol, it’s 100 pages down the road and I have been yawning through the last 30 of them.

But this complaint put aside, I actually liked the world Bob Mayer has created. The idea of a Time Patrol that would track and correct attempts at changing our timeline throughout history needs to be explored more. I loved the fact that the time patrol has agents in different times, or that arts is the surest way to communicate and send messages about possible changes in the timeline, because art, unlike anything else, survives the ravages of time.

I also loved the concept of parallel universes or timelines and the space between, where things and people who disappear from our timelines sometimes end up. In fact, I liked those concepts so much that I’m debating about going back and getting the first book in the series to familiarize myself with this team and this world some more.

So my final verdict for Time patrol is – very good book for those who are already familiar with the series, but will probably be off-putting for those who aren’t, like me.

PS. I received an advanced copy of this book via NetGalley.

editing, first draft, Mists of the Crossworlds, My Works, writing

Mists of the Crossworlds – the story changes yet again.

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Not over

First of all, I wanted to thank all the wonderful people who had agreed to beta read this story. Your advice was priceless and very insightful, and I owe you big time! You took the time out of your busy life to journey with Lori through the mists of the crossworlds and bring back your impressions, and the story will only get better because of them.

… and the result of it is that the story will change yet again. Oh, all of my beta readers loved the Mists in its present iteration, and I could probably publish this novella as it is, but upon reading the comments, I realized that there was yet another layer to the story that begged to be explored. So I decided to postpone the release to see where else this story could take me.

If you have been following this blog for a while, you probably know that Mists is one of my works that had undergone the most transformation since its inception a year ago. It had started as a measly 4k words short story which described how Lori lead a caravan through the crossworlds. Then It grew to 8k and sent Lori looking for her friend and bringing him home. But then I decided that Theo wasn’t a lot puppy and that having him brought back home safely wasn’t really the end, so they went on another wild adventure that jumped the word count of Mists to 20k and transformed it from a short story into a novella. And now this new layer will add at least another 10k on top of that.

I’m afraid that by the time I’m finally done with them, Mists would have grown to the size of a novel. I am a bit baffled. I have NEVER encountered a story that just kept throwing new content at me every time I thought I was done with it before. It’s almost like it doesn’t want to be finished or something…

Bangs her head on the desk

Sobs hysterically in a corner

Goes back to the drawing board to outline the rest of the story

So yep, I’ll keep you posted on the progress of this one. Now the tentative release date for Mists is June 1st.

On the bright side, I finally found a beautiful cover for it once it’s done and ready to go out into the world, and you are the first to see it. Ta-da!!!!

 

Mists of the Crossworlds.
Mists of the Crossworlds.

Isn’t it beautiful?

And now I’m going back to my dark writing cave to put some more words on the page. I have a vague idea where this story wants to go, so I need to work out the details. Hopefully, once I’m done with this rewrite, Mists will be truly and finally finished and ready to be published. I wouldn’t hold my breath on that though, since I’ve said that at least twice before…

books, Fantasy, Reviews, Urban fantasy

Vision in Silver by Anne Bishop.

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Stars: 5 out of 5.

This is the third book in the excellent Others series by Anne Bishop. I have already reviewed the first two books, if you are interested in my opinion – Written in Red and Murder of Crows.

I love this series, I love the wonderfully complex world Anne Bishop has created and the diverse and engaging characters, both Other and human, so I was waiting for this new book with barely concealed excitement. I must admit that I wasn’t disappointed.

Meg and Simon and everybody else in the Lakeside Courtyard are back, and we get a glimpse into other parts of this fascinating world as well.

The story picks up right after the events of the last book and in part deals with the consequences of what happened. I love the fact that Anne Bishop didn’t gloss over the liberation of cassandra sangue and the issues that resulted from this. It would have been so easy to just say, “they were all freed and everything is well for them now.” Well it’s not, and it couldn’t have been.

Most of them have lived all of their lives in a controlled environment, have never been outside of the compound and are not prepared to cope with this huge change. Plus a lot of other  compound owners panic and dump their charges on the side of the road before the Others reach them. So we see a lot of scared and overwhelmed girls let loose in a world they fear and don’t understand.

The results are predictable and rather sad. A lot of the cassandra sangue choose suicide instead of trying to face this new frightening world. They cut too deep and bleed out, spilling prophecies and riding the waves of bliss into their death. Others try to adapt, but they don’t know how, and their new guardians, whether Other or human, are just as clueless about how to help them.

So they turn to Meg and Simon for help, because Meg is a cassandra sangue, but she managed not only to flee her compound and make it to the Lakeside Courtyard, but also to adapt enough to be able to perform her job and interact with others without shutting down every time the information input became too much. I loved reading about how Meg and her human pack start picking apart her routine and analyzing what helps her cope and how it can be applied to the other girls as well. And it works.

The other huge topic in this book is the growing tension between the Others and humans and the rise of the Human First and Last movement. The author does well to instill tension into every word – the whole continent feels like a huge powder keg ready to explode into blood and violence. And the reader knows that humans have the most to lose if that happens, even if they seem to have forgotten that. So it puts even more emphasis on the tentative truce and cooperation between the Lakeside Courtyard and the Lakeside police, because it sets an example that humans and Others can in fact work together. But will that small step be enough to steal the hand of those who roam the Wild Country if they decide that the monkeys have no place on their land anymore?

If you have read my review of Murder of Crows, you probably know that my main complaint had been that there since Meg can predict almost anything that happens to the people she cares about, the reader doesn’t have a sense of urgency or dread when bad things are afoot. Well, that changed in this book… and I won’t say anything else in order not to spoil you.

This is a wonderful series and I would recommend it to everyone. If you are new to the world of the Others, pick up the first book, Written in Red and enjoy. If you are already familiar with the series, fear not, Vision in Silver delivers everything it promised and more.

PS. I received and advanced copy of this book via NetGalley.

Characters, Video Games, writing, writing advice

All good characters should have scars.

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When you read the title of this post, you probably thought, “What is she talking about? Has she jumped off the deep end?” Nope, I’m doing well, thank you, and I promise that the title will make sense after you’ve finished reading the post.

dragon-age-inquisition-characters
All the wonderful characters in Dragon Age: Inquisition.

I have been playing Dragon Age Inquisition for the past two weeks or so, and yes, I know that I’m really late to the party and the game came out in October last year. I was in the middle of my first draft of Choices, so I didn’t want to have any distractions. Getting DA: I was my reward for finishing it.

Now I am a big fan of the Dragon Age series and I’ve played all the games and expansions since DA: Origins. Bioware managed to create a complex and compelling world worthy of some good epic fantasy novels. I enjoy roaming around the different zones and collecting books, letters and codex entries, but you know what keeps me coming back to those games? The characters.

I think I spend more time in camp or in Skyhold talking to all my companions and learning their stories then I do exploring different locations, doing quests and killing baddies. I’ve been knowns to stop dead in my tracks just to listen to the random party banter and switch the companions I run with around just to see how they interact with each other. To me, unlocking a new dialogue option for Zevran, Cassandra, Cullen or Fenris or any other companions is more exciting than defeating a new boss.

So to me the success of Dragon Age franchise has everything to do with the complexity of the characters, and you know what gives them this complexity? Scars.

Cullen battles his lyrium addiction every day.
Cullen struggles with his lyrium addiction every day.

And I’m not talking only about physical scars here, though some of the companions have plenty of those as well. And all those physical scars tell a story. Both Cassandra and Cullen are fighters and their faces and bodies are scarred by countless battles. Iron Bull lost his eye saving the life of one of his Chargers. Fenris in Dragon Age 2 has a different form or scars – the lyrium tattoos that his master branded into his body…

No, what makes all those characters interesting are the psychological scars all of them bear on top of those physical ones. They make them seem more human and fallible and also so much more endearing. We all have scars. They define us and determine how we interact with the rest of the world. They make us unique. They make us real.

The procedure of branding Fenris with lyrium was so painful that he forgot everything he was before that.
The procedure of branding Fenris with lyrium was so painful that he forgot everything he was before that.

That’s why nobody wants to read about perfect characters – they are not interesting. Perfection provokes detachment instead of empathy. Would I want to hang around someone who has a perfect life, always does the right thing just because, and never seems to struggle with anything? Hm… probably not. So why would I spend hours reading about them or interacting with them in a game?

Scars give the characters depth and purpose other than following your main character around. They hint at a life outside of the story you are reading / playing. Each one of Dragon Age companions could be the hero of their own story. In fact I WANT to read their stories or play through them.

And so Cullen fights the ghosts of his memories at night and the demons of his lyrium addiction during the day. Solas has a whole pantheon of ghosts and regrets to deal with every day. Varric jokes and hides behind words, but his devotion to Bianca hints on a heart that had been deeply wounded and is still bleeding. Cassandra might come across as harsh and unbending, though as nails, but she hides a much softer romantic side under all that armor. Dorian jokes and jests, but cares deeply about his home and what’s happening there. And Liliana has evolved from a young and somewhat idealistic bard from Orlais into this cold and uncompromising master spy, the Nightingale that everybody fears and respects…

There is nothing left of the young bard Leliana we saw in Dragon Age Origins in this master spy.
There is nothing left of the young bard Leliana we saw in Dragon Age Origins in this master spy.

 

That’s what makes Dragon Age such a great game and keeps you coming back to it even if you’ve already invested over a hundred hours into the game. You come back for the story, but you also come back for all those side stories and character interactions.

I think this is a lesson every writer should remember. If you want to keep your readers engaged and make them stick with you until the end, you need an interesting story, but I think (and some of you might disagree of course) that characters are much more important. Create a protagonist and secondary characters that the readers invest in and they will follow them even through the moments when the story slows down because they will want to spend time with them and get to know them better. Give your character scars.

 

books, Fantasy, Reviews, Urban fantasy

The Flex by Ferrett Steinmetz.

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Stars: 4 out of 5.

Another wonderful book. Frankly, I have been spoiled with good books so far this year.

Flex has a very interesting concept of magic that I hadn’t encountered before. The ‘mancers in Flex are not officially (or unofficially) trained magicians we grew so accustomed to in other fantasy books. No, each one of them has their own particular flavor of magic or ‘mancy. There are illustromancers and musicomancers, videogamemancers and bureaucracymancers. This is a fascinating concept that a person’s believes and obsessions define his or her magic and the set of rules within which it works.

I also loved the fact that the use of magic is not free in this world. Every time there is a Flex, or the active use of magic, there will be a Flux later, or pushback when the laws of nature reascertain themselves and make the practitioner pay for breaking them. The bigger the Flex, the bigger the subsequent Flux, and it usually hits the things or people the ‘mancer cares about the most. So no wonder why ‘mancers in this world are mostly solitary and rather unhappy people – everything they love turns to ash between their fingers the more they use their magic.

Why don’t they stop? You could ask. Well, ‘mancy is like a drug, an addiction. And for a lot of these people, the Flex is the only time they are truly happy, they truly feel alive. So they are willing to risk the Flux just to experience this euphoria even for a little while.

I loved the fact that all the ‘mancers in this book are neither really good nor really evil. They are all broken people who found refuge from the ugliness of this world in their magic. They can do horrible things, but even the worst of them can create ‘mancy that’s absolutely beautiful.

Our protagonist, Paul Tsabo, had spent his life hunting down rogue ‘mancers and handing them over to the Government to be “refactored” – a horrible procedure where their mind is erased and they become no more than puppets linked to a human controller… and then he became a ‘mancer himself. When his daughter is horribly burned in an explosion orchestrated by a ‘mancer bound on destroying human civilization, he must take it upon himself to hunt him or her down and make them pay.

I liked Paul. He is not the typical action hero. He doesn’t rush into danger with guns blazing. He is not good in a fight – too scrawny, not a very good fighter. But he is extremely good with the paperwork. He is the king of forms, the god of bureaucracy. I loved the fact that he stayed true to himself throughout this book. The author didn’t make him discover sudden mad fighting skills or extreme marksmanship. Paul remains a paper-pusher, but his papers can rewrite the world.

My only gripe with Flex is that the author doesn’t give us hardly any background on the origins of this magic. One of the characters attributes the surge of ‘mancers to the birth of the Internet and the ever growing list of obsessions people have. Yet the author also hits that ‘mancers existed even in the previous centuries, way before the invention of the Internet. In fact, a full on magical battle during World War II opened a huge broach over Europe and transformed the whole continent in to a smoldering landscape full of demons.

It’s implied that ‘mancers started being hunted down and “refactored” after that incident, but the author doesn’t explain how it was before that. How did ‘mancers deal with their Flux? How did society deal with them? I would have loved to have a bit more details. I would also have loved to see more of that strange world than just New York. Hopefully, the author will expand his universe in the next book.

But even as it stands, Flex is a definite must read. It’s well written and fast paced, and the story is really interesting.

PS. I received an advanced copy of this book via NetGalley.

Mists of the Crossworlds, My Works, need advice, writing

A call for Beta Readers.

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helpwanted

Those of you who follow my blog more or less regularly know that I have several projects in various stages of competition.

I’ve just finished the first draft of The Choices we Make, a 110k words novel, so I needed to relax and switch focus for a bit. This I have been editing and outlining smaller projects, like the short stories in my Eye of the Norns Cycle.

I have concentrated most of my efforts on my novella Mists of the Crosswords, and I have taken it as far as I can take it on my own. But before I start looking for a professional editor to go over it with a fine tooth comb and fix my wonky grammar and punctuation, I need a fresh set of eyes on the story. This is where you come in.

This is a call for a few brave souls dedicated beta readers. I am looking for someone who will take the time to go over my story and tell me what works and what doesn’t, whether I left a plot hole big enough to drive a truck through, or if the actions of my characters stopped making sense all of a sudden. In other words, anything that jumps at you from the page and that I just don’t see anymore because I went over this story so many times.

I would like to point out that accepting to beta read is a hard job and can’t be taken lightly. Yes, you get to read a brand new book before anybody else, but I expect you to put some effort into it and give me constructive feedback. And I will need that feedback before the deadline.

The Mists of the Crossworlds is a fantasy novella aimed mostly towards Young Adults. Here is the blurb:

Lori has the ability to shift into the crossworlds, the strange plane that connects different words together. She guides merchant caravans for the Guild who has absolute monopoly on crossworld travel. But one day, her best friend goes missing and the mists start calling her name. Lori is faced with a though choice:  will she hide from those voices in the safety of the Guild Tower, or will she dare step off the beaten path in order to save the person that matters to her the most?

  •  All beta readers will receive a .docx file and a Beta Reader’s questionnaire that should help them focus on the areas I need most feedback with.
  • Please write your comments and suggestions directly in the file using Track Changes.
  • I would need all feedback and questionnaires sent back to me by March 9th. The novella is only 22k words long, so I think two weeks should be plenty of time.

All beta readers who accept this task and provide constructive feedback will be mentioned in the  Acknowledgement section once the book is published. They will also receive a free short story as a thank you gift.

If you are interested in beta reading it for me, please either put your email address in the comments to this post, or email me directly at elorenalory@gmail.com.

books, Fantasy, Reviews, Urban fantasy

Murder of Crows by Anne Bishop.

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Stars: 4 out of 5.

With Murder of Crows, we are back in the world of the Others, and I am very happy about that! This is a fascinating world and Anne Bishop lets us explore it a bit further in this second book of the series. I have also reviewed the first book in the series, Written in Red.

A lot happens in this book. We learn more about the origins of the drugs “feel good” and “gone over wolf”. We discover that there are human settlements on the Others land that are under the Others’ control. The people who chose to live there did so because they were persecuted by other humans for being different. The Others granted them asylum from persecution in exchange for work and goods. Those humans, Simple Life folks and Intuits, are not considered “meat” per se, but they are not considered friends either – they are simply tolerated as long as they don’t break the rules.

It was interesting to look at the settlements and the human / Others interaction outside of the Lakeside Courtyard. It was also a stark reminder that humans are just tolerated on this continent, and that there are a lot more dangerous terra indigene inhabiting the deep wild country that would not hesitate to wipe them off the land if provoked. It also served to emphasis just how progressive Simon is as the leader of the Lakeside Courtyard. He actually tries to work with the human authorities instead of just dealing with most of the problems the terra indigene way –  eat the intruder, throw the personal belongings out of the Courtyard for the police to find.

Speaking of the humans in the Lakeside Courtyard, we also see changes that are a direct consequence from the previous book. Meg has been accepted by all the inhabitants of the Courtyard. She is part of the Pack, even though she isn’t terra indigene, but she isn’t “smart meat” either. This is a source of confusion for Simon and and some of the other members of the Business association until they decide that she is just The Meg and leave it at that.

Another big change is that the humans working in the Courtyard become Meg’s human pack, so they transition from being just employees who are not eatable unless they misbehave to people the Others feel obliged to protect, especially when the rest of the human population of Lakeside turns on them and dubs them Wolf lovers.

And the Others finally turn their attention to the cassandra sangue  and those who keep them and bleed them for profit. The consequences of that attention will be life-changing for everyone concerned…

I loved this book. I got to spend more time with all the characters I grew to love in Book 1 and watch their relationship develop and become stronger. I got to see more of this fascinating world of Others and discover a bit more about its inhabitants.

So by now you are probably wondering why I only gave this book 4 stars instead of 5? I have one problem with it, but it’s a problem significant enough to deduct a whole star, because it tarnished my enjoyment a little.

There are a lot of things happening in this book, and a lot of different forces threaten Meg and the Courtyard inhabitants, as well as some of the other terra indigene we encounter, but there was almost no suspense, at least not for me. And the reason for this being that Meg would always have a prophesy that would warn them beforehand about the bad stuff coming their way, so that they are prepared. I understand that it’s part of who she is and what this whole world is about, but it kills the suspense. I don’t worry about the characters anymore, because I KNOW nothing will happen to them, no matter how threatening the danger is…

It could have been easily rectified though. Meg is only one blood prophet. The Controller has a whole compound full of them. Why don’t the bad guys get prophesies before they set out to do anything as well? That way they would at least see what would work and what would fail miserably. Or we could have the Others fail to interpret Meg’s visions correctly, or understand the warning only AFTER the fact. If some of the evil plans actually succeeded and there had been casualties among the cast we grew to love, I would have been more invested in the story. It’s hard to be worried about characters when the author portrays Meg’s power as infallible.

But despite that, I enjoyed Murder of Crows and I would definitely recommend it. Can’t wait for Book 3 to come out.

My dreams and stories. The life of a writer.