Tag Archives: 3 stars

Station Eleven by Emily St John Mandel

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Stars: 3 out of 5

This is a difficult book to rate or review. I really liked parts of it, but other parts left me indifferent to mildly irritated.

I liked the melancholy vibe of the book, and that’s best translated in the chapters detailing Arthur’s life as well as what happened to all the people whose lives he touched. It was interesting to see how they spent their last days before the world as we know it ended… and what those who were lucky enough to survive made of themselves in the new world that rose from the ashes.

I admit that I was less attached to the characters from the Traveling Symphony. Where people from Arthur’s time seemed pretty well developed, the members of the Symphony didn’t have much depth past their names and functions. I mean, I can’t even remember who was who, apart from Kirsten and Arthur, and I just finished the book. So to me, those chapters dragged, and I found myself loose interest more often then not and putting the book aside.

My biggest problem is that I don’t get the point of the whole Prophet subplot. Even with the spoiler discovery of the Prophet’s identity, his existence in this book doesn’t particularly make sense. He is way too milquetoast to be an antagonist in this book, and the way this whole situation ended is rather… anticlimactic. There was this whole buildup to this confrontation between the Symphony and the Prophet that didn’t happen in the end.

All in all, it was a decent story about loss and grief, and lost dreams, and how different people cope with surviving the end of the world, but to me, it was lacking a secret ingredient that would have made it perfect.

Dead Country (The Craft Wars 1) by Max Gladstone

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Stars: 3 out of 5

I love the world of the Craft that the author so carefully crafted (pun totally intended). However, I didn’t love this book as much as I loved the previous ones in the series. 

It took me a while to figure out why. This book has all the right ingredients: a compelling protagonist (and I love Tara), a mystery that threatens something she cares about, so the personal stakes are front and center, and another facet of this complex world carefully painted and shown to the readers. I should have loved this as much as I loved the previous books! But instead, this book left me mildly irritated while I was reading it, and a bit dissatisfied when I finished.

The biggest reason is that, as much as I like Tara Abenati, she shines when given good secondary characters to bounce her ideas off of. Even though the previous book was mostly about Kai, Tara’s brief appearances were memorable. Or her interactions with Abelar, Shale, and Selene in Alt Columb. Characters make good stories, and good characters make excellent ones.

Unfortunately, secondary characters are sorely lacking in this book. And by that I mean the relationship that is front and center in this story – the one between Tara and Dawn. I was actually looking forward to seeing how Tara in the role of a mentor for once. To see how she would approach this responsibility and what kind of teacher she would choose to be. And the answer is – a rather boring one. 

Yes, I understand that the theory of the Craft is important to the story, but I think the lectures are a bit overdone here. It bogs down the story and kills the momentum. I mean, there is literally nothing going on in this book between the first attack of the Raiders on Tara’s village and the last stand during which the Father is kidnapped. And that’s about a third of the book. I admit that my attention started to wander in that section, and I had to put the book away for a bit and read something more exciting before I came back to it.

It would have been okay if Dawn was a more fleshed-out character. As it stands, we don’t know anything about her apart from the fact that she wandered onto this farm with her father, and was not treated well after he died. We don’t know about her dreams, her fears, or what she is like when she isn’t trying very hard to be the best student Tara could want. Try as I may, I can’t picture her in my head. She is not a person, but a concept. I don’t feel a connection to her like I felt for other characters in previous books. 

And without that connection, everything that happens in the end of the book, and it supposed to have the impact of a gut punch… feels flat. 

Same with Tara’s home village. I know I was supposed to grow to care for it by the end of the book and understand why Tara would fight so hard to save it, but I was mostly irritated with everyone instead, including Tara. And since I didn’t care for the stakes, I wasn’t fully invested either.

Don’t get me wrong, this is still a solid entry in the Craft series and it advances the story. It’s just not the strongest entry to date.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Mothtown by Caroline Hardaker

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Stars: 3 out of 5

This is a hard book to review. I’m not sure if I liked it or hated it, to tell the truth. The narrative is a jumbled mess with the concept of an unreliable narrator pushed to the limit. It did, however, leave an impression on me, and that’s usually an indication that it’s a good book even if it’s not really a book for me.

Let’s talk positives first, shall we? The prose is beautiful. The author knows her way with words and how to paint an immersive picture. It’s beautiful and haunting at the same time. The descriptions worm into your mind and slowly seed a sense of malaise the longer you read the book. Things aren’t quite right, you can feel it, but most of the time, you can’t really put your finger on what’s wrong. This is a psychological horror story, so there will be no jump scares and splatter gore, and it’s exactly how I like my horror books.

However, this book is also a jumbled mess, which makes it confusing and frustrating, and you don’t get all the answers by the end of it. 

The biggest issue I had was the split timeline. We get the Before chapters following the 10-year-old David dealing with the disappearance of his grandfather and then his slow descent into a full-blown psychotic break. But we also have the After chapters that follow David as he is trying to retrace his grandfather’s steps and find the door he used to escape this world.

Problem is, at the beginning of the book, we don’t know that the After chapters and the Before chapters are about the same person, and we have no emotional connection to the narrator. So I didn’t really care about what happened to this strange person running from some pursuers in a very strange world. It was, as I already mentioned, confusing and even a bit irritating.

I liked the chapters with young David the best. I can relate to his struggle to accept that his grandfather is gone, especially since he was the only person who talked to the kid. I mean, the rest of his family sure didn’t. I was a lot less invested in the older David, even though I could empathize with his slow unraveling. 

I think my biggest issue is that the After chapters are pretty much useless to the story. If I understood well, they were just hallucinations born from DAvid’s broken mind during a dissociative state. There were no doors to other worlds, no strange liminal land called Mothtown. Or was there? There is no clear answer to that.

Also, if all of this was just in David’s head during a mental breakdown, what of all the vanishing people? Is that real? Or is that also part of his delusion? There is never a resolution to that particular plotline. It just gradually disappears from the narrative. 

All in all, even though I loved the prose of this book, the story was way too confusing and jumbled for me to enjoy fully. I don’t mind working for my answers, but I need to get at least some of them by the end of a book.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Grease Monkeys: The Heart and Soul of Dieselpunk

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Stars: 3 out of 5.

I have a love-hate relationship with anthologies. They can be a lot of fun if the stories held within are entertaining and written by authors who have the knack for writing compelling stories in the least amount of words possible. Trust me, it’s a hard art to master. On the other hand, they can be a slog if most of the stories are lackluster at best and uninspired at most. Then it turns into an exercise of frustration reading them, because I feel bad skipping a story I don’t like, especially since I’m not guaranteed that I would like the next story, or the one after that either… Yet, for some reason, I keep requesting anthologies every time I see them on NetGalley, and I read every single one of them.

In this case, the anthology is rather meh. Most of the stories felt rather uninspired. And a few only vaguely touched on the theme. I came expecting fun stories of mechanics with grease on their coveralls and under their fingernails, and a knack for fixing anything with the right size wrench and a few curse words. But a lot of stories concentrated more on their political messages than that particular theme. I felt like I was being preached to instead of entertained. And a short story is NOT the right medium to get your political, philosophical, or moral point across. There are simply not enough pages to establish the world, and the stakes, and make us care for the characters and the message you want to deliver. 

Also, there were fewer mechanical shenanigans than I wanted in a dieselpunk anthology. 

The two stories that stood out for me were “Nobody’s Hero” and “The Return of the Diesel Kid”. They were written by different authors, but seem to share the same world, where superheroes, called Capes, and their sidekicks are a common occurrence. Those stories didn’t take themselves seriously, but were really fun to read. I thoroughly enjoyed our non-powered mechanics saving the day in both of them.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Traitor of Redwinter (The Redwinter Chronicles 2) by Ed McDonald

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Stars: 3 out of 5.

I must admit that I liked book 1 better than the continuation. Don’t get me wrong, it’s still a solid book, and it packs an emotional punch in the end, but it was just not as entertaining as the first book. I think it might be suffering from the dreaded middle book in a trilogy curse.

But all jokes aside, I think I would have liked this book better if I hadn’t been so irritated by the main character for about 80% of the story. This is how long it takes Raine to pull her head out of her ass, and by the time she does it, it’s too late to change anything and to save a lot of people. Raine spends most of this book in a spiral of self-loathing and self-destruction. She hates what she is becoming, but can’t help using the forbidden Sixth gate anyway. So she goes on a bender including drugs, alcohol, and mindless sex. 

And even that would have been okay, though reading about it got old fast to be honest. The issue is that she lashes out against everyone who tries to get close to her, especially people who love her the most. She is truly horrible to everyone around her. I’m honestly surprised that she still has friends left by the end of the book. And yes, I understand why this is happening. I even understand her actions and her reaction, but that doesn’t make it for a fun read. For most of the book, I wanted to smack some sense into her and tell her to quit the self-pity party.

The other issue I have with this book is that the middle section drags a bit with nothing much happening while the dominos are set in place. We start with such an explosive event that has Raine and her friends fleeing for their lives, but then they get back to Redwinter and… We get more studying, and practice combat, and Raine going to bars and gambling dens with Castus, and people (maybe) plotting something. As I said, there are a lot of words, but minimal action. It took me a while get through that part of the book. I even had to put it down and walk away for a couple weeks. 

The last portion of the book kicks things in to overdrive though. Different plotlines collide with devastating results, and the true traitor of Redwinter is revealed. The ending was heartbreaking, and too many good people perished in the battle. 

I will absolutely check out the third book when it comes out, because I need to know that bOvitus gets what he deserves, and with extreme prejudice. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

A Mirage in the Memory by Simon Tull

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Stars: 3 out of 5.

I like the concept of this book. This is a post-apocalyptic world where some humans have been turned into vampires… then exterminated normal humans. Now the world is ending, the civilization is crumbling, and the immortal vampires linger in sun-shielded cities under the tyrannical rule of a handful of families. 

I was fascinated by the few glimpses we have of this world and I would have loved to learn more. Unfortunately, the author gives us only crumbs of information. Though I understand that this is a prequel, so maybe the events that led to the current state of affairs are explained in the main books.

My issue with this book is that even though the world is fascinating, I simply couldn’t empathize with the protagonist. Yes, he is haunted by the things he has done and the lover he was forced to leave behind, but it felt rather flat for me. I think I would have felt more invested in his plight if the author had introduced me to his relationship with his wife a bit more. Maybe in flashbacks or something. Or if I got to experience the event that made him leave her behind instead of just seeing it mentioned here and there. As it stands, I had no clear feel for their relationship, and no clue why he left her, or why he felt guilty about it. 

I also need to mention that a lot of the choices the protagonist makes in this story are… questionable, to say the least. Not to mention that the ending is a complete downer. I mean, nothing was accomplished. Thibault is still as much of a slave as he ever was, AND he still doesn’t know where his wife is or if she is even still alive. So what was the purpose of all this?

I was honestly more interested in the side characters, like the burned hacker or the android mod builder. Them, I wouldn’t mind reading about. Thibault? Not so much.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The September House by Carissa Orlando

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Stars: 3 out of 5.

This was excellent until about 3/4 through the book. I honestly thought this would be a solid 5 start book, but then the ending ruined everything, at least for me. But let’s talk about the good parts first.

This was a very unusual haunted house story, because unlike many other stories I read, the inhabitants or said haunted house (well, at least Margaret) aren’t trying to get rid of the ghosts. They learn how to cohabit with them instead. I don’t think I’ve seen that done before, but then I haven’t read a lot of haunted house stories.

And to be honest, I wouldn’t be able to live like that, because despite the matter of fact way Margaret talks about the hauntings, things in this house are pretty horrible. Sure, it’s bearable 11 months out of the year, but the things that happen every September are a little bit too much to coexist with. I mean, walls that leak blood for a whole month? Constant screaming that won’t let you sleep? A ghost that bites if you come to close to him? Visions of horribly mutilated children haunting you all month? Thanks, but no thanks.

I think it’s more a testament to how horrible Margaret’s life has been even before the haunted house that she manages to settle into this and survive, even thrive most of the year in a house of horrors like that. And the more you learn about Margaret’s live with her “loving” husband, the more you understand why she prefers to live with ghosts. Heck, one of them basically does all the house chores and even cooks for her most of the year.

What I liked about this book was the ambiguity of the situation. Especially when Margaret’s daughter arrived and couldn’t see or hear any of the hauntings. I loved that even Margaret started doubting herself. Are the ghosts in this house real or are they simply a figment of her imagination? Especially since there is a history of mental illness in her family. And honestly, who would have blamed her for loosing her mind after everything she’d had to endure from Hal? I was perfectly okay if the story chose to take that direction, because that would have made Margaret even more endearing to me. 

Unfortunately, the author chose to take a different route and ramp up the fear factor in the last third part of the book to rather ridiculous levels. I mean, those deaths at the end were absolutely useless. They didn’t drive the story forward, they didn’t serve any purpose except for shock value. And even then, not much shock value, because the readers didn’t particularly care about those policemen. We literally met them in the previous chapter. 

It also made the ghosts seem extremely overpowered, which… well, I can only suspend my disbelief so much. It also raised a lot of questions as to how that haunting works. How is a ghost able to cook actual meals? How is it able to learn how a cellphone works? Or why the other members of the Vale family aren’t haunting this house, when all the other victims of Master Vale seem to be stuck there? Also, why didn’t Hal appear as a ghost?

Honestly, you shouldn’t think about this book too much after you are done reading, because the more you question this, the more holes you see in the reasoning and the narrative, and the more disappointing the book gets. I would suggest that you just enjoy it for what it is and don’t question it too much. After all, it’s a very good book almost all the way through. Too bad the ending was so disappointing. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Redspace Rising by Brian Trent

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Stars: 3 out of 5.

I have a hard time reviewing this book. On one hand, I loved the worldbuilding. It’s complex and interesting, and brutal, to be honest. In a way, it reminded me of Altered Carbon. On the other hand, I honestly couldn’t care less about the protagonist or the other characters. Hence my dilemma, so I will just rate it middle of the road, I think.

This book illustrates perfectly that the value of a human life goes down significantly when technology is advanced enough to achieve near immortality. Why care about the body if your consciousness is backed up on a regular basis, and you can be decanted into a new clone in a matter of days? It opens the door to great deeds of selflessness, but also to horrible abuse. Just thinking about the torture row on Phobos makes my blood boil. Imagine torture that can last forever, because every time you die, they just decant you into a different clone and start all over again. 

On this one, I wish we would have had a chance to explore the theme of identity a bit more in this book. What happens if there are several versions of you running around at the same time? Who is the real one or the “prime”? What rights do the clones have? How do you decide whose memories and experiences merit a backup and whose don’t? Unfortunately, even though we have a character living in two bodies, that particular concern is never explored.

As I had mentioned, by biggest problem was that I couldn’t empathize with the protagonist. In many ways, Harris Alexander Pope is a blank slate. I understand that this was done on purpose, since even the character himself doesn’t know who he really is or what he wants, but it makes it hard for the reader to form an emotional connection. Since Harris doesn’t his own mind or even his motivation in most cases, it’s hard to decide if we should root for him or not. What does he want in life apart from meet up with his brother? Unknown. Why is he pursuing the Patriots so relentlessly? Unknown. Why does he always repeat the same speech word for word before he kill them? Un… no, wait, that is known, but that would be a big spoiler.

It doesn’t help that the supporting characters are rather unlikeable, apart maybe from Umera. And the bad people are so villainous they come across as caricatures. I mean what’s with the supposedly great general and strategist who finishes all his sentences with an exclamation point and loves to drone on and on and on… like he is giving a lecture? I couldn’t take him seriously even if I wanted to!

I also wasn’t satisfied with the ending. I mean, yes, it’s a win for humanity – they get a chance to expand beyond the solar system, but is it a win for Harris? I wouldn’t be so sure. He is still stuck in his hunt and destroy loop, and he honestly doesn’t have any dreams or desires aside from that. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Dungeon Crawl (The Twenty-Sided Sorceress 8) by Annie Bellet

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Stars: 3 out of 5.

It wasn’t as good as the previous book, which I kind of expected. After all, last book was the culmination of a story arc that had started in book 1 – the final confrontation with Samir. It would be hard to beat that emotional punchline. 

But even with low expectations, this book felt more like a side-quest than an actual main instalment into the series. Oh, don’t get me wrong, it was a fun and quick read, and we had zombies! And teamwork! And Nazi werewolves! And both Jade and Alek were awesome in their own ways as well. But it felt a little bit.. pointless, maybe? There were really no stakes in this for Jade and her crew. 

She could have walked away from that house as soon as she discovered that something was amiss. It wasn’t a matter of life and death. In fact, I would argue that the attack on Alek was more important than the house robbery, because it had deeper-running ramifications, so it should have been explored more. Instead, it was treated like a side quest in the main dungeon crawl. 

I still thoroughly enjoyed the book though, mostly because of the characters and their interactions. The bander is priceless. You can really see that these people know and love each other and trust each other implicitly as well. It was fun to see them play to their own strengths and tackle difficult situations together. It also shows big emotional growth from Jade, because she finally trusts her friends enough to stand up for themselves and not have to lie to them to protect them. 

I just hope that there is a bigger story still to tell in the last two books of the series and that this instalment was just the calm before the storm that is about to descend on our unsuspecting crew of gamers. Either way, I will be there for the ride.

What Song the Sirens Sang (Gideon Sable 3) by Simon R Green

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Stars: 3 out of 5

I think I am getting a bit disappointed with this series. It’s like the author follows exactly the same blueprint for every book in it. There is a big heist to be accomplished and a big bad horrible person to be robbed (because our protagonists are good guys and only rob those who had it coming). So Gideon puts his crew together, makes a plan, and they merrily waltz into danger and impossible odds… and everything turns out just fine in the end. 

Oh, don’t get me wrong. It’s still a fun ride. The books are action-packed and not awfully long, so they make for a fast read and don’t overstay their welcome. Problem is, there isn’t much substance there either. 

My biggest problem is that we are on book three of the series, but we’ve had zero character development from Gideon or Annie Anybody for that matter. We’ve seen other members of their crew change and evolve (and fall again, as is the case of the Damned in this book), but the protagonist and his girlfriend? Nada. 

We still have no clue who the protagonist was before he stole the name and fame of Gideon Sable. We still don’t know Annie’s backstory and what made her feel like she needs to be anyone other than herself. Heck, we didn’t even learn much more about their relationship prior to the protagonist becoming Gideon. And when they happen to ask each other a question about those times, they just gloss it over, deflect, or say “I don’t want to talk about it.” Well, it’s all good and jolly, but as a reader, I can’t connect to a character that doesn’t evolve, or who never shows me what makes him or her tick.

But there is still a lot of fun to be had with this world. It’s fantastical and slightly horrifying. I loved the Low Road where the souls of the Dead travel to their next destination. It wasn’t at all what I pictured it to be. The author also has a knack of introducing awesome new side characters. It’s a pity that most of the time they outshine the protagonist at every turn.

As it stands, I might give this series one more try and pick up the next book, but if we don’t get any character development for Gideon or Annie, I might throw the gauntlet.