Tag Archives: 3 stars

books, Reviews, science fiction, Space opera

The Relentless Legion (The Divide 3) by J.S. Dewes

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Stars: 3 out of 5

I loved the first two books in this series. In fact, I rated both of them 5 stars, so I was both excited and apprehensive to pick up the final book in the trilogy. Would the author be able to stick the landing? Will the ending be a satisfying payoff for having invested so many hours into this story? Would the characters I grew to love get the futures they deserved? Would all the plotlines be tied up neatly (or messily, I don’t care, as long as they are not left hanging)?

The answer is meh… kind of?

The biggest issue with this book is the pacing. The first two books were characterized by an almost breathless pacing where action was non-stop, and things went from bad to worse, yet the characters still persevered and somehow managed to snatch victory out of the jaws of defeat. This made for very tense, but also immersive reading. I remember finishing each of the first two books within 2-3 days of starting them. This book, though… let’s just say that it took me two weeks to get to just over 50%, after which I put it down and didn’t touch it for half a year (set aside in June, and finished end of November).

The reason is that it’s boring. Almost nothing happens for Rake or Cavalon for the first 50% of the book. Yes, we get some action in Jackin’s POVs, but… let’s just say that he is not having the best of times, so those passages are quite heavy, and with nothing to compensate for it in Rake and Cav’s POVs, it makes for a long read. They are basically stuck in that ancient fortress, twiddling their thumbs and talking circles around what they could/should/might do. And when the action finally picks up, it’s not because of a decision that Rake made, but because it was forced on her by Augustus. 

And then in the last quarter of the book, the pace suddenly revs up to 100mph, and everything careens towards the ending like a car without brakes. The ending is a jumbled mess. Too many deus ex machina moments and wins that are literally handed to our heroes on a silver platter. Why spend over half a book trying to find the cure to the mutagen, when it will be handed to them on a thumb drive in a parallel universe? Why portray Augustus as the big bad for three books just to resolve this situation in less than a chapter? Everything feels rushed and half-baked in the ending. I would have rather the author sped up through the first slogging part of the book and took more time bringing all her plots to the resolutions they deserved.

The biggest strength of these books has always been the characters. I love Rake, and Jackin, and Cavalon as our protagonists. I grew to dearly care for them, as well as the side characters like Mesa, Griffin, Puck (oh, Puck)… So as far as the characters go, this book does a good job with them. 

Cavalon especially gets a huge boost in character development. He finally overcomes his fear of abandonment, his impostor syndrome, and realizes that just because he is Augustus’ clone doesn’t mean he will become another Augustus. I loved watching him grow a spine and take charge of his own destiny.

Jackin gets a good send-off as well, though I feel like the horrors he went through in captivity weren’t addressed as thoroughly as they should have been. There is no way he would be this okay after all this, as he is portrayed to be. I know the author wanted to have a happy ending for everyone, and I really want that as well, but it’s just not realistic. He needs therapy. He needs rehab. His road to being physically and mentally okay would be a lot longer than it is portrayed to be.

My biggest disappointment, though, is what the author did with Rake. She was such a driving force in the previous two books! Yes, she had moments of doubt and despair, but she always knew when to act and get shit done. And it feels like the author took all of her agency in this book. She isn’t acting, she is reacting. She is reacting to Jackin being back, she is responding to Augustus attacking the fortress, and she is reacting to the information Kaize gives her about the generation ships. In fact, the only time she seems to act on her own is when she takes Jackin to get his implants removed and when she decides to strike at the heart of Augustus’ empire at the very end. 

Other than those instances, she is just spinning her wheels for three-quarters of the book, and it seems like everyone around her is trying to push her to do something, anything, and she just… procrastinates, is not the right word. Overthinks everything, maybe? And because of that, the final promotion Lurgen tosses at her doesn’t feel earned. She is portrayed as this great leader who is able to galvanize people and persuade them to follow her into a literal insurrection, but nothing in her actions in this book supports that. The previous books? Yes, absolutely. This book? It’s like she is a different person. And that’s so disappointing, because she has always been my favorite character.

I am, however, glad that we avoided the dreaded love triangle. I loved her friendship with Cav. They really felt like siblings more than colleagues or friends. 

So in summary, this is an okay ending to an otherwise great series.

PS: I received an advanced copy of this book via Netgalley in exchange for an honest review.

books, Horror, Reviews, Zombies

How We End by L.M. Juniper

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Stars: 3 out of 5.

Reading zombie books is my guilty pleasure, and I realize that there is only so much you can do with the genre before you run out of fresh ideas and start repeating common tropes, even inadvertently. 

How We End surprised me in the beginning with how different it was from other zombie books: people cooperated and helped each other when faced with the horrors of zombie apocalypse, instead of being complete arsholes, as they are usually depicted in other books. In a way, this was a story of found family and overcoming hardships together more than a zombie survival book. Seven strangers are thrown together during the first outbreak in London, and they decide to stick together and try to survive this nightmare. It was refreshing to see this aspect of humanity brought to the forefront, rather than the cruelty, looting, and killing that are usually prevalent in zombie books.

The characters are also pretty interesting, though only two of them, Liv and Jake, get any sort of development or story arc. The rest are more there for support and to add necessary survival skills to the group. Like how convenient that the American couple stranded with them are a cop and a restaurant owner who can cook pretty much anything and knows how to forage? And for some reason knows exactly what kind of edible wild plants and mushrooms are available in the UK, even though he is from Louisiana and was a tourist in London? 

And here we come to the crux of my issue with this book – everything is a bit too convenient. Need a car? Fareena knows how to hotwire them! Need a houseboat to use the canals? Fareena’s aunt used to live in one, so she knows how to navigate them! Need to stock up on food for the winter? Rob can forage! And cook! And pickle! And smoke meat! Need a water filtration system? Another member of the group used to be a cosplayer who loved to tinker with stuff… don’t ask me how that translates into knowing how to make filtration systems. Oh, and Jake was a doomsday prepper with a stocked pantry and a bugout bag ready to go!

There is never a struggle or mad dash for survival, unless it’s needed by the story to fridge a character. And even then, some characters survive against impossible odds when others just get offed seemingly immediately. How was Frances okay after an infected clawed all over her face and scalp? I distinctly remember the author mentioning blood and wounds… yet this is never mentioned again once they get on the boat. Jake has traumatic bruising on his arm… which is conveniently glossed over and never talked about again. More importantly, it never impedes him from doing anything.

And the action comes to a grinding halt in the last quarter of the book, once they all get to Jake’s parents, and what we get is a long group therapy session with absolutely nothing else happening. Then the author remembered that this was actually a zombie book and decided to end it with a bang… so they go on a hospital raid… for no reason. Yes, they would eventually need meds, but going into ground zero for infection half-cocked with people they had never worked with before is the epitome of stupid. Not to mention, the action sequences in the hospital dragged way too long. 

By the time they reached Jake’s parents’ house and everything that happened there, I was rapidly losing interest in the story. The hospital raid didn’t really do anything to help with that. The book went from a solid 4 stars to about 2, so I rounded it up to 3 because the first half of the book had promise.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

The Blighted Stars (The Devoured Worlds 1) by Megan E O’Keefe

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Stars: 3 out of 5

I loved the worldbuilding in this novel, although it presents another rather bleak view of humanity’s spacefaring future. REminds me a little bit of Murderbot, actually. Only, instead of everything being owned by corporations, we have the MERIT families who have all the riches and privilege, and power. The rest of humanity is either working for those families on more or less favorable terms or living in poverty.  And the fact that the shroud is destroying the few habitable planets and forcing humanity into space stations only increases the inequality and the dependence on the MERIT families. 

So it was interesting to watch this story unfold from both the perspective of Naira, who grew up on one of those destroyed worlds and then had to claw her way up from the dregs of society on a space station, and Tarquin, who has always been the spoiled son of Mercator – one of the most prominent MERIT families. Add to that he fact that Naira hates Mercator, and for good reason, and is also considered a terrorist, the author could have made a very interesting story out of the clash of their worldviews. 

Unfortunately, the author opted to follow the path of having them romantically involved instead, and that basically killed the book for me. Don’t get me wrong, I appreciate a good romance between my protagonists if it’s well done and organically woven into the story. And I would point to pretty much any series by Ilona Andrews as an excellent example of that genre. 

There is nothing organic about the way Naira and Tarquin’s romance develops. In fact, it’s so unnaturally done that it’s painful to read about. It feels shoe-horned into the story because the author felt like romance was needed. It wasn’t, though. They could have gone from enemies forced to collaborate to escape a dying planet to slowly becoming grudging allies or even friends. But romantic feelings between those two? Nope, can’t see that. Naira had more chemistry with her Conservator accomplice. So much more, in fact, that the author promptly killed him off. 

My other issue is that once the whole plot finally comes to light, it sounds rather far-fetched. I will try not to give too many spoilers, but humanity in thrall to a fungus? 

The pacing of the book is also rather uneven – we get good action scenes that propel the plot forward, but then we get bogged down in the minutiae of squables between survivors, everyone discovering their budding feelings for each other, etc. Not to mention pages spent in Naira and Tarquin’s heads while they analyze their own feelings, feel inadequate, or reflect on what was and could have been. I found my interest flagging until I would put the book down and read something else, and had to force myself to come back and read a few more pages.

It was a good concept, but the execution didn’t work for me, so I will not be continuing with this series. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Fantasy, Reviews, Urban fantasy

Spring’s Arcana (The Dead God’s Heart 1) by Lilith Saintcrow

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Stars: 2 out of 5.

I loved American Gods, and as a Russian myself, I LOVE Slavic folklore, so picking up this book was a no-brainer for me. And I was on board and invested for the first 50% of it, but  then it just.. dragged… and dragged… and slowly plodded its way to the end. And I realized that I didn’t like any of the characters anymore. Also, the book literally ends without any denouement. Nothing is resolved, nothing is learned, it’s just one big road trip that just… stops. I guess the story is to be continued in the next book?

Also, comparing it to American Gods does it a big disservice. This book is not even remotely as well plotted and written as American Gods. It’s boring and it drags. 

I guess this has a lot to do with this author’s writing style – Lilith Saintcrow decides to describe absolutely EVERYTHING that our protagonists see, feel, smell, taste, etc. It is too much description that bogs down the action to a glacial pace. Dima and Nat are riding in a muscle car, for God’s sake, why is it going so slow through the story?

And there isn’t much story there to speak of. Girl goes to see big bad Baba Yaga, who promises to make her mother better again if she brings back something her mother stole. Girl agrees and goes on a road trip with a deity of thieves and assassins. Girl meets some other divinities along the way and reaches a well. The end. Oh, she learns a secret that wasn’t a secret to anyone but her as well.

There is no tension, there are no stakes, there is no sense of urgency even to that particular road trip. Dima keeps telling her that hungry and not very nice powers are hunting Nat and want to either take what she finds or kill her, or both at the same time, yet we never encounter any of those powers. They aren’t ambushed during this trip even once (and no, the encounter with Friendly doesn’t count). Nat doesn’t have to fight for her life. Dima doesn’t have to defend her or show his divine powers. It’s all tell, but not show. I’m told the stakes are high and the road is dangerous, but I don’t see it.

My other issue is with Nat herself. I was sympathetic to her in the beginning and rooting for her to finally come into her own power and stop wilting in the shadow of her horrible mother. But it never happened. I mean, how stupid can you be not to put two and two together and realize what is happening to your mother and what only two outcomes could be to this issue? Especially when people hint at that over and over again. But she just refuses to listen… or ask any questions that could help her navigate this weird world she finds herself part of? Also, you have to be very good at self-delusion to refuse to come to any conclusions from the clues you gather. It literally takes hearing it from a horse’s mouth to make it clear to her what her mother has planned for her.

Also, the worldbuilding is wobbly at best. We have divinities, but some of them are old concepts like Winter and Spring, and some are gods of murder and thieves, or cowboys, or corrupt cops. And then they are literary divinities? How does that work exactly? Is there a hierarchy of power? That’s never explained.

And since when is Baba Yaga the lady of winter? She is the crone. She is the witch. Wise and mysterious. Helpful sometimes, other times cruel, but I don’t remember her having power over winter. The Slaves had Ded Moroz for that. And he wasn’t the jolly old fellow bringing gifts to kids on New Year’s Eve. No, he was the old man in a coat made of frost that could freeze you with a glance if he deemed you disrespectful… For some reason, that de Winter business really grated at my Russian soul. Baba Yaga is powerful enough on her own. She doesn’t need to steal other deities’ powers. 

All in all, I am really disappointed with this book. I will read the next one because I had requested it from NetGalley before I read this one, so I might as well see where the story goes. However, I doubt that I will check out other books by this author anytime soon.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

books, Military science fiction, Reviews, science fiction

Rubicon by J. S. Dewes

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Stars: 3 out of 5

I loved this book… until the twist at the end and the cliffhanger ending. Honestly, it destroyed the book for me. That ending made everything that came before it useless. All the sacrifices, all the shit Valero went through was literally for nothing because the author decided that a particular twist at the end would be a clever thing to do.

Yes, I’m pissed. I was deeply emotionally invested in these characters. I was rooting for them. Ending a book this way feels like a slap in the face. Why the heck did I spend hours of my life reading this when NOTHING the characters did had any meaning?

Adrienne wasn’t a particularly likable character in the beginning, but there was a reason for that. That reason was revealed to the reader in all its traumatic glory very early on. Rezoning is a horrible technology that leaves a scar on one’s psyche. Imagine doing it 96 times in 10 years. Frankly, I’m surprised she isn’t more messed up than she is.

It was a rewarding journey to see her overcome the apathy, to face her demons, and start finally experiencing human emotions again – care for others, open up enough to love someone, and create friendships. Be scared of zeroing out her friends.

In this light, the ending pisses me off even more, because all her sacrifices have been for nothing. There is no emotional payout at the end of this book.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Post-Apocalyptic, Reviews

Station Eleven by Emily St John Mandel

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Stars: 3 out of 5

This is a difficult book to rate or review. I really liked parts of it, but other parts left me indifferent to mildly irritated.

I liked the melancholy vibe of the book, and that’s best translated in the chapters detailing Arthur’s life as well as what happened to all the people whose lives he touched. It was interesting to see how they spent their last days before the world as we know it ended… and what those who were lucky enough to survive made of themselves in the new world that rose from the ashes.

I admit that I was less attached to the characters from the Traveling Symphony. Where people from Arthur’s time seemed pretty well developed, the members of the Symphony didn’t have much depth past their names and functions. I mean, I can’t even remember who was who, apart from Kirsten and Arthur, and I just finished the book. So to me, those chapters dragged, and I found myself loose interest more often then not and putting the book aside.

My biggest problem is that I don’t get the point of the whole Prophet subplot. Even with the spoiler discovery of the Prophet’s identity, his existence in this book doesn’t particularly make sense. He is way too milquetoast to be an antagonist in this book, and the way this whole situation ended is rather… anticlimactic. There was this whole buildup to this confrontation between the Symphony and the Prophet that didn’t happen in the end.

All in all, it was a decent story about loss and grief, and lost dreams, and how different people cope with surviving the end of the world, but to me, it was lacking a secret ingredient that would have made it perfect.

books, Fantasy, Reviews

Dead Country (The Craft Wars 1) by Max Gladstone

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Stars: 3 out of 5

I love the world of the Craft that the author so carefully crafted (pun totally intended). However, I didn’t love this book as much as I loved the previous ones in the series. 

It took me a while to figure out why. This book has all the right ingredients: a compelling protagonist (and I love Tara), a mystery that threatens something she cares about, so the personal stakes are front and center, and another facet of this complex world carefully painted and shown to the readers. I should have loved this as much as I loved the previous books! But instead, this book left me mildly irritated while I was reading it, and a bit dissatisfied when I finished.

The biggest reason is that, as much as I like Tara Abenati, she shines when given good secondary characters to bounce her ideas off of. Even though the previous book was mostly about Kai, Tara’s brief appearances were memorable. Or her interactions with Abelar, Shale, and Selene in Alt Columb. Characters make good stories, and good characters make excellent ones.

Unfortunately, secondary characters are sorely lacking in this book. And by that I mean the relationship that is front and center in this story – the one between Tara and Dawn. I was actually looking forward to seeing how Tara in the role of a mentor for once. To see how she would approach this responsibility and what kind of teacher she would choose to be. And the answer is – a rather boring one. 

Yes, I understand that the theory of the Craft is important to the story, but I think the lectures are a bit overdone here. It bogs down the story and kills the momentum. I mean, there is literally nothing going on in this book between the first attack of the Raiders on Tara’s village and the last stand during which the Father is kidnapped. And that’s about a third of the book. I admit that my attention started to wander in that section, and I had to put the book away for a bit and read something more exciting before I came back to it.

It would have been okay if Dawn was a more fleshed-out character. As it stands, we don’t know anything about her apart from the fact that she wandered onto this farm with her father, and was not treated well after he died. We don’t know about her dreams, her fears, or what she is like when she isn’t trying very hard to be the best student Tara could want. Try as I may, I can’t picture her in my head. She is not a person, but a concept. I don’t feel a connection to her like I felt for other characters in previous books. 

And without that connection, everything that happens in the end of the book, and it supposed to have the impact of a gut punch… feels flat. 

Same with Tara’s home village. I know I was supposed to grow to care for it by the end of the book and understand why Tara would fight so hard to save it, but I was mostly irritated with everyone instead, including Tara. And since I didn’t care for the stakes, I wasn’t fully invested either.

Don’t get me wrong, this is still a solid entry in the Craft series and it advances the story. It’s just not the strongest entry to date.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Horror, Reviews

Mothtown by Caroline Hardaker

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Stars: 3 out of 5

This is a hard book to review. I’m not sure if I liked it or hated it, to tell the truth. The narrative is a jumbled mess with the concept of an unreliable narrator pushed to the limit. It did, however, leave an impression on me, and that’s usually an indication that it’s a good book even if it’s not really a book for me.

Let’s talk positives first, shall we? The prose is beautiful. The author knows her way with words and how to paint an immersive picture. It’s beautiful and haunting at the same time. The descriptions worm into your mind and slowly seed a sense of malaise the longer you read the book. Things aren’t quite right, you can feel it, but most of the time, you can’t really put your finger on what’s wrong. This is a psychological horror story, so there will be no jump scares and splatter gore, and it’s exactly how I like my horror books.

However, this book is also a jumbled mess, which makes it confusing and frustrating, and you don’t get all the answers by the end of it. 

The biggest issue I had was the split timeline. We get the Before chapters following the 10-year-old David dealing with the disappearance of his grandfather and then his slow descent into a full-blown psychotic break. But we also have the After chapters that follow David as he is trying to retrace his grandfather’s steps and find the door he used to escape this world.

Problem is, at the beginning of the book, we don’t know that the After chapters and the Before chapters are about the same person, and we have no emotional connection to the narrator. So I didn’t really care about what happened to this strange person running from some pursuers in a very strange world. It was, as I already mentioned, confusing and even a bit irritating.

I liked the chapters with young David the best. I can relate to his struggle to accept that his grandfather is gone, especially since he was the only person who talked to the kid. I mean, the rest of his family sure didn’t. I was a lot less invested in the older David, even though I could empathize with his slow unraveling. 

I think my biggest issue is that the After chapters are pretty much useless to the story. If I understood well, they were just hallucinations born from DAvid’s broken mind during a dissociative state. There were no doors to other worlds, no strange liminal land called Mothtown. Or was there? There is no clear answer to that.

Also, if all of this was just in David’s head during a mental breakdown, what of all the vanishing people? Is that real? Or is that also part of his delusion? There is never a resolution to that particular plotline. It just gradually disappears from the narrative. 

All in all, even though I loved the prose of this book, the story was way too confusing and jumbled for me to enjoy fully. I don’t mind working for my answers, but I need to get at least some of them by the end of a book.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

books, Fantasy, Reviews

Grease Monkeys: The Heart and Soul of Dieselpunk

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Stars: 3 out of 5.

I have a love-hate relationship with anthologies. They can be a lot of fun if the stories held within are entertaining and written by authors who have the knack for writing compelling stories in the least amount of words possible. Trust me, it’s a hard art to master. On the other hand, they can be a slog if most of the stories are lackluster at best and uninspired at most. Then it turns into an exercise of frustration reading them, because I feel bad skipping a story I don’t like, especially since I’m not guaranteed that I would like the next story, or the one after that either… Yet, for some reason, I keep requesting anthologies every time I see them on NetGalley, and I read every single one of them.

In this case, the anthology is rather meh. Most of the stories felt rather uninspired. And a few only vaguely touched on the theme. I came expecting fun stories of mechanics with grease on their coveralls and under their fingernails, and a knack for fixing anything with the right size wrench and a few curse words. But a lot of stories concentrated more on their political messages than that particular theme. I felt like I was being preached to instead of entertained. And a short story is NOT the right medium to get your political, philosophical, or moral point across. There are simply not enough pages to establish the world, and the stakes, and make us care for the characters and the message you want to deliver. 

Also, there were fewer mechanical shenanigans than I wanted in a dieselpunk anthology. 

The two stories that stood out for me were “Nobody’s Hero” and “The Return of the Diesel Kid”. They were written by different authors, but seem to share the same world, where superheroes, called Capes, and their sidekicks are a common occurrence. Those stories didn’t take themselves seriously, but were really fun to read. I thoroughly enjoyed our non-powered mechanics saving the day in both of them.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Dark fantasy, Fantasy, Reviews

Traitor of Redwinter (The Redwinter Chronicles 2) by Ed McDonald

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Stars: 3 out of 5.

I must admit that I liked book 1 better than the continuation. Don’t get me wrong, it’s still a solid book, and it packs an emotional punch in the end, but it was just not as entertaining as the first book. I think it might be suffering from the dreaded middle book in a trilogy curse.

But all jokes aside, I think I would have liked this book better if I hadn’t been so irritated by the main character for about 80% of the story. This is how long it takes Raine to pull her head out of her ass, and by the time she does it, it’s too late to change anything and to save a lot of people. Raine spends most of this book in a spiral of self-loathing and self-destruction. She hates what she is becoming, but can’t help using the forbidden Sixth gate anyway. So she goes on a bender including drugs, alcohol, and mindless sex. 

And even that would have been okay, though reading about it got old fast to be honest. The issue is that she lashes out against everyone who tries to get close to her, especially people who love her the most. She is truly horrible to everyone around her. I’m honestly surprised that she still has friends left by the end of the book. And yes, I understand why this is happening. I even understand her actions and her reaction, but that doesn’t make it for a fun read. For most of the book, I wanted to smack some sense into her and tell her to quit the self-pity party.

The other issue I have with this book is that the middle section drags a bit with nothing much happening while the dominos are set in place. We start with such an explosive event that has Raine and her friends fleeing for their lives, but then they get back to Redwinter and… We get more studying, and practice combat, and Raine going to bars and gambling dens with Castus, and people (maybe) plotting something. As I said, there are a lot of words, but minimal action. It took me a while get through that part of the book. I even had to put it down and walk away for a couple weeks. 

The last portion of the book kicks things in to overdrive though. Different plotlines collide with devastating results, and the true traitor of Redwinter is revealed. The ending was heartbreaking, and too many good people perished in the battle. 

I will absolutely check out the third book when it comes out, because I need to know that bOvitus gets what he deserves, and with extreme prejudice. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.