The Soul of Iuchiban (The Legend of the Five Rings) by Evan Dicken

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Stars: 2.5 out of 5

I usually love books set in the Legend of the Five Rings realm, because that world is so rich in history, mythology, and lore that it sucks me right in. Add a few compelling characters and an interesting goal for them to achieve, and you have me hooked and happily exploring Rokugan with them.

Unfortunately, this wasn’t the case in this book. Now, I realize that this is the continuation of The Heart of Iuchiban, so the story follows directly after the events of the previous book ended. If you haven’t read the first book, it would be very difficult to understand what is going on and who is who. In fact, I would say that you shouldn’t start with this book at all. You need to have read The Heart of Iuchiban to fully appreciate the story in this book.

But even that isn’t really the main problem. Plenty of other stories are told in duologies, and I loved the second books in the series just as much as I loved the first ones. My issue is that about 70% of the book feels pointless. Characters start off in different parts of Rokugan and seem to wander aimlessly for three-quarters of the book until they all meet back in the Imperial City and the action really picks up. 

I mean, what was the point of Naoki’s journey back to the Twilight Mountains? The only positive outcome out of that trip was to pick up Seiji. Other than that, it just feels like an aimless road trip designed to add page time to an already long book. I’m sure the author could have found another way of getting Seiji to the Imperial City and have the main characters meet. Heck, make them meet in the basement of horrors, just like they met with Quadan! That would have worked just as well. 

And while most of the book drags and meanders in these pointless detours, the last few chapters rush towards the resolution at a breakneck pace. So much so that you don’t have a chance to breathe and understand what is happening and how the characters jump to the conclusions they jump to.

Also, for an immortal sorcerer who prides himself at being smart and planning for every possibility, Iuchiban’s actions in the end were pretty dumb. And I am going to avoid spoilers here, but why lock them up for just asking about names when NOBODY had any suspicion about you? Just let them attend the ceremony and continue as planned, and nobody would have been the wiser. And why leave such an important artefact as one of your original names in the hands of someone who has the power and will to use it against you?

All in all, I enjoyed this foray into Rokugan, as I always do with these books, but a lot less than many other series set in this world.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Spring’s Arcana (The Dead God’s Heart 1) by Lilith Saintcrow

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Stars: 2 out of 5.

I loved American Gods, and as a Russian myself, I LOVE Slavic folklore, so picking up this book was a no-brainer for me. And I was on board and invested for the first 50% of it, but  then it just.. dragged… and dragged… and slowly plodded its way to the end. And I realized that I didn’t like any of the characters anymore. Also, the book literally ends without any denouement. Nothing is resolved, nothing is learned, it’s just one big road trip that just… stops. I guess the story is to be continued in the next book?

Also, comparing it to American Gods does it a big disservice. This book is not even remotely as well plotted and written as American Gods. It’s boring and it drags. 

I guess this has a lot to do with this author’s writing style – Lilith Saintcrow decides to describe absolutely EVERYTHING that our protagonists see, feel, smell, taste, etc. It is too much description that bogs down the action to a glacial pace. Dima and Nat are riding in a muscle car, for God’s sake, why is it going so slow through the story?

And there isn’t much story there to speak of. Girl goes to see big bad Baba Yaga, who promises to make her mother better again if she brings back something her mother stole. Girl agrees and goes on a road trip with a deity of thieves and assassins. Girl meets some other divinities along the way and reaches a well. The end. Oh, she learns a secret that wasn’t a secret to anyone but her as well.

There is no tension, there are no stakes, there is no sense of urgency even to that particular road trip. Dima keeps telling her that hungry and not very nice powers are hunting Nat and want to either take what she finds or kill her, or both at the same time, yet we never encounter any of those powers. They aren’t ambushed during this trip even once (and no, the encounter with Friendly doesn’t count). Nat doesn’t have to fight for her life. Dima doesn’t have to defend her or show his divine powers. It’s all tell, but not show. I’m told the stakes are high and the road is dangerous, but I don’t see it.

My other issue is with Nat herself. I was sympathetic to her in the beginning and rooting for her to finally come into her own power and stop wilting in the shadow of her horrible mother. But it never happened. I mean, how stupid can you be not to put two and two together and realize what is happening to your mother and what only two outcomes could be to this issue? Especially when people hint at that over and over again. But she just refuses to listen… or ask any questions that could help her navigate this weird world she finds herself part of? Also, you have to be very good at self-delusion to refuse to come to any conclusions from the clues you gather. It literally takes hearing it from a horse’s mouth to make it clear to her what her mother has planned for her.

Also, the worldbuilding is wobbly at best. We have divinities, but some of them are old concepts like Winter and Spring, and some are gods of murder and thieves, or cowboys, or corrupt cops. And then they are literary divinities? How does that work exactly? Is there a hierarchy of power? That’s never explained.

And since when is Baba Yaga the lady of winter? She is the crone. She is the witch. Wise and mysterious. Helpful sometimes, other times cruel, but I don’t remember her having power over winter. The Slaves had Ded Moroz for that. And he wasn’t the jolly old fellow bringing gifts to kids on New Year’s Eve. No, he was the old man in a coat made of frost that could freeze you with a glance if he deemed you disrespectful… For some reason, that de Winter business really grated at my Russian soul. Baba Yaga is powerful enough on her own. She doesn’t need to steal other deities’ powers. 

All in all, I am really disappointed with this book. I will read the next one because I had requested it from NetGalley before I read this one, so I might as well see where the story goes. However, I doubt that I will check out other books by this author anytime soon.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Rubicon by J. S. Dewes

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Stars: 3 out of 5

I loved this book… until the twist at the end and the cliffhanger ending. Honestly, it destroyed the book for me. That ending made everything that came before it useless. All the sacrifices, all the shit Valero went through was literally for nothing because the author decided that a particular twist at the end would be a clever thing to do.

Yes, I’m pissed. I was deeply emotionally invested in these characters. I was rooting for them. Ending a book this way feels like a slap in the face. Why the heck did I spend hours of my life reading this when NOTHING the characters did had any meaning?

Adrienne wasn’t a particularly likable character in the beginning, but there was a reason for that. That reason was revealed to the reader in all its traumatic glory very early on. Rezoning is a horrible technology that leaves a scar on one’s psyche. Imagine doing it 96 times in 10 years. Frankly, I’m surprised she isn’t more messed up than she is.

It was a rewarding journey to see her overcome the apathy, to face her demons, and start finally experiencing human emotions again – care for others, open up enough to love someone, and create friendships. Be scared of zeroing out her friends.

In this light, the ending pisses me off even more, because all her sacrifices have been for nothing. There is no emotional payout at the end of this book.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.