Category Archives: Space opera

books, Reviews, science fiction, Space opera

Stars and Bones (The Continuance 1) by Garreth Powell

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Stars: 2.5 out of 5

My mind is divided about this book. On one hand, I liked the idea behind it, the symbiosis between humanity and the intelligent ships they live on. On the other hand, it was all a bit too… simplistic, I’d say?

In this story, humanity didn’t earn anything they have. All they did was try to self-destruct in a final conflagration of atomic fire. One person made a breakthrough in space travel and got the attention of a cosmic being so advanced it might as well be a deity. Heck, they even call it the Angel of Benevolence in the book. Nothing of what happens after that was earned. The arks the humans live on? Created by the Angel. The artificial intelligences that pilot and run them? Also created by the Angel. All food and shelter is provided to everyone involved. Oh, and humanity is pretty much condemned to roam the cosmos in these arks for all eternity without ever setting on another planet. 

Doesn’t the author realize that this would literally be the end of our species? Slow death by apathy. If there is nothing to aspire to, nothing to invent or better ourselves for, then there is really nothing to live for. It reminds me of that experiment researchers did with a mouse colony back in the last century – they provided them with ideal conditions where food and shelter was abundant… and the colony died out. They just stopped reproducing or even interacting with each other. They ate, they slept, and they slowly gave up on life.

I would understand if there was something to strive for – get a good education, and you will be taught how to pilot a ship. Continue scientific research into space travel, study alien ruins or something else. But when everything is provided, and all the decisions are made for you… I’m not sure this is a future I want to live in.

My other issue is the characters. They are barely developed enough to be more than cardboard cutouts. Heck, the different ship envoys have more personality than the human characters. Which, seeing what I talked about in the previous paragraphs, kind of makes sense. Eryn was the only more or less fleshed-out character in this book. The rest were labels. Lee is the love interest. Then there is the annoying teenager whom she has to care for because she is her sister’s child. Then there is Frank, the genius who discovered warp travel… and who is pretty much useless for the rest of the book. I barely remember any of the other character names because they were introduced only to advance the plot and then die off-screen, like the wannabe reporter Tessa.

The story would have been more interesting if the characters had more agency. As it is, Eryn is sent on a wild goose chase to find a McGuffin (who is Frank in this case), even though the McGuffin is useless to this particular problem. Then the deus ex machina that is the Angel puts something into her brain and sends her on another quest to deliver this payload to the enemy. And that wins the day. End of story. Never mind the fact that over three-quarters of the arks had been corrupted by the time it’s done, which means the Continuance is a ghost town with critically low population. None of that is addressed at the end of the book.

In summary, I went into this book looking for a space adventure that would keep me entertained and characters I could root for. I was rather disappointed instead.

books, Reviews, science fiction, Space opera

The Relentless Legion (The Divide 3) by J.S. Dewes

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Stars: 3 out of 5

I loved the first two books in this series. In fact, I rated both of them 5 stars, so I was both excited and apprehensive to pick up the final book in the trilogy. Would the author be able to stick the landing? Will the ending be a satisfying payoff for having invested so many hours into this story? Would the characters I grew to love get the futures they deserved? Would all the plotlines be tied up neatly (or messily, I don’t care, as long as they are not left hanging)?

The answer is meh… kind of?

The biggest issue with this book is the pacing. The first two books were characterized by an almost breathless pacing where action was non-stop, and things went from bad to worse, yet the characters still persevered and somehow managed to snatch victory out of the jaws of defeat. This made for very tense, but also immersive reading. I remember finishing each of the first two books within 2-3 days of starting them. This book, though… let’s just say that it took me two weeks to get to just over 50%, after which I put it down and didn’t touch it for half a year (set aside in June, and finished end of November).

The reason is that it’s boring. Almost nothing happens for Rake or Cavalon for the first 50% of the book. Yes, we get some action in Jackin’s POVs, but… let’s just say that he is not having the best of times, so those passages are quite heavy, and with nothing to compensate for it in Rake and Cav’s POVs, it makes for a long read. They are basically stuck in that ancient fortress, twiddling their thumbs and talking circles around what they could/should/might do. And when the action finally picks up, it’s not because of a decision that Rake made, but because it was forced on her by Augustus. 

And then in the last quarter of the book, the pace suddenly revs up to 100mph, and everything careens towards the ending like a car without brakes. The ending is a jumbled mess. Too many deus ex machina moments and wins that are literally handed to our heroes on a silver platter. Why spend over half a book trying to find the cure to the mutagen, when it will be handed to them on a thumb drive in a parallel universe? Why portray Augustus as the big bad for three books just to resolve this situation in less than a chapter? Everything feels rushed and half-baked in the ending. I would have rather the author sped up through the first slogging part of the book and took more time bringing all her plots to the resolutions they deserved.

The biggest strength of these books has always been the characters. I love Rake, and Jackin, and Cavalon as our protagonists. I grew to dearly care for them, as well as the side characters like Mesa, Griffin, Puck (oh, Puck)… So as far as the characters go, this book does a good job with them. 

Cavalon especially gets a huge boost in character development. He finally overcomes his fear of abandonment, his impostor syndrome, and realizes that just because he is Augustus’ clone doesn’t mean he will become another Augustus. I loved watching him grow a spine and take charge of his own destiny.

Jackin gets a good send-off as well, though I feel like the horrors he went through in captivity weren’t addressed as thoroughly as they should have been. There is no way he would be this okay after all this, as he is portrayed to be. I know the author wanted to have a happy ending for everyone, and I really want that as well, but it’s just not realistic. He needs therapy. He needs rehab. His road to being physically and mentally okay would be a lot longer than it is portrayed to be.

My biggest disappointment, though, is what the author did with Rake. She was such a driving force in the previous two books! Yes, she had moments of doubt and despair, but she always knew when to act and get shit done. And it feels like the author took all of her agency in this book. She isn’t acting, she is reacting. She is reacting to Jackin being back, she is responding to Augustus attacking the fortress, and she is reacting to the information Kaize gives her about the generation ships. In fact, the only time she seems to act on her own is when she takes Jackin to get his implants removed and when she decides to strike at the heart of Augustus’ empire at the very end. 

Other than those instances, she is just spinning her wheels for three-quarters of the book, and it seems like everyone around her is trying to push her to do something, anything, and she just… procrastinates, is not the right word. Overthinks everything, maybe? And because of that, the final promotion Lurgen tosses at her doesn’t feel earned. She is portrayed as this great leader who is able to galvanize people and persuade them to follow her into a literal insurrection, but nothing in her actions in this book supports that. The previous books? Yes, absolutely. This book? It’s like she is a different person. And that’s so disappointing, because she has always been my favorite character.

I am, however, glad that we avoided the dreaded love triangle. I loved her friendship with Cav. They really felt like siblings more than colleagues or friends. 

So in summary, this is an okay ending to an otherwise great series.

PS: I received an advanced copy of this book via Netgalley in exchange for an honest review.

books, Post-Apocalyptic, Reviews, science fiction, Soft Science Fiction, Space opera

We are Legion (We Are Bob) (Bobiverse 1) by Dennis E. Taylor

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Stars: 4 out of 5

This was a rather unique premise for a story. At least, I haven’t encountered this kind of story before. I have read plenty of books about real AI and sentient starships, but not one where the digitalized consciousness of a real person is put into a starship. 

The world in which this story takes place is a rather bleak one, and I would really hope that humanity can do better. Though, judging by everything happening around the world right now, I might be giving our race too much credit. I think humanity has an infinite potential for self-destruction. Unfortunately, I can very well see humanity going into an all-out nuclear war just to prevent a nation from sending out a probe ahead of others. It’s not science fiction anymore, it’s a fact of life.

Fortunately, Bob is a very endearing character who brings much-needed levity to what otherwise would be a very depressing book. His positive outlook and curiosity are what made this book fun. All the problems he encounters don’t discourage him at all. He approaches them as challenges to overcome. In that sense, this book reminded me of The Martian and Project Hail Mary by Andy Weir. The protagonist has the same vibe – ready to McGiver his way out of any situation. 

Granted, it feels like some of the problems Bob faces are non-problems at all, because he overcomes them so easily. I understand that this is a world 100 years into the future, but some of the technological advances seem implausible with the state of science and technology we are at now. Unless there are some significant breakthroughs in the next 100 years, and a lot more money is invested into research. It’s even less plausible in a country that reverted to fundamentalist Christianity like FAITH. 

But the story is engaging enough that I was willing to overlook the parts that stretched my disbelief a little too much. I was invested in the exploration of every star system the new Bobs go into. Heck, I was on the edge of my seat during the first contact story and the migration Bot initiated with the Deltans. 

My only issue, and the reason this book didn’t get 5 stars, is that it ends on a cliffhanger. None of the story arcs were brought to a satisfying conclusion, but just left in media res, to be picked up in the next book. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Empire of Silence (The Sun Eater 1) by Christopher Ruocchio

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Stars: 4 out of 5

This is a promising start to what shapes up to be a very interesting series.

The worldbuilding is very detailed, and the hints we see at a larger universe are very enticing. You can really believe there is a galaxy-spanning empire somewhere beyond the little planetary system where the story takes place. And not just the Old Earth empire that Hadrian was born into, but the other political forces as well. We meet representatives of some of them in this book, and I am looking forward to seeing more in the next books.

I liked Hadrian as the protagonist, even though he was a bit annoying in his whininess sometimes. But at least he was self-aware of that particular trait of character and even self-depricating sometimes. And I mean, as far as a coming-of-age story goes, the universe sure threw him a few curveballs, so a little bit of self-pity is justified.

I was surprised at just how bleak this world is. It’s a rigidly stratified society where your status and just how good a life you will lead depend on your genetic code. If you were born into an aristocratic house, you would live a life of luxury that many dream of… But even then, even nobile houses are but pawns to the empire and the Chantry that controls all technological advances. I mean, even the nobile children are conceived in vats, their genes carefully selected and edited by the Chantry.

The Chantry has absolute power in the Empire, because it can simply refuse procreation privileges to a noble house and effectively eliminate that house in a generation or two. Or they can declare them heretics and glass the whole planet from orbit with weapons and technologies only they possess.

And the commoners? Well, they live in abject poverty, at least on the two planets Hadrian visited in this book. No genetic modifications for them, or even advanced medical practices. Just hard work, servitude, and blood sports.

Honestly, by the end of this book, I wasn’t sure if I was rooting for humans or for their alien enemies to eliminate them. And the jury is still out on that one.

But all in all, I am excited about continuing this series in the next book.

books, Reviews, science fiction, Space opera

The Blighted Stars (The Devoured Worlds 1) by Megan E O’Keefe

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Stars: 3 out of 5

I loved the worldbuilding in this novel, although it presents another rather bleak view of humanity’s spacefaring future. REminds me a little bit of Murderbot, actually. Only, instead of everything being owned by corporations, we have the MERIT families who have all the riches and privilege, and power. The rest of humanity is either working for those families on more or less favorable terms or living in poverty.  And the fact that the shroud is destroying the few habitable planets and forcing humanity into space stations only increases the inequality and the dependence on the MERIT families. 

So it was interesting to watch this story unfold from both the perspective of Naira, who grew up on one of those destroyed worlds and then had to claw her way up from the dregs of society on a space station, and Tarquin, who has always been the spoiled son of Mercator – one of the most prominent MERIT families. Add to that he fact that Naira hates Mercator, and for good reason, and is also considered a terrorist, the author could have made a very interesting story out of the clash of their worldviews. 

Unfortunately, the author opted to follow the path of having them romantically involved instead, and that basically killed the book for me. Don’t get me wrong, I appreciate a good romance between my protagonists if it’s well done and organically woven into the story. And I would point to pretty much any series by Ilona Andrews as an excellent example of that genre. 

There is nothing organic about the way Naira and Tarquin’s romance develops. In fact, it’s so unnaturally done that it’s painful to read about. It feels shoe-horned into the story because the author felt like romance was needed. It wasn’t, though. They could have gone from enemies forced to collaborate to escape a dying planet to slowly becoming grudging allies or even friends. But romantic feelings between those two? Nope, can’t see that. Naira had more chemistry with her Conservator accomplice. So much more, in fact, that the author promptly killed him off. 

My other issue is that once the whole plot finally comes to light, it sounds rather far-fetched. I will try not to give too many spoilers, but humanity in thrall to a fungus? 

The pacing of the book is also rather uneven – we get good action scenes that propel the plot forward, but then we get bogged down in the minutiae of squables between survivors, everyone discovering their budding feelings for each other, etc. Not to mention pages spent in Naira and Tarquin’s heads while they analyze their own feelings, feel inadequate, or reflect on what was and could have been. I found my interest flagging until I would put the book down and read something else, and had to force myself to come back and read a few more pages.

It was a good concept, but the execution didn’t work for me, so I will not be continuing with this series. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Lords of Uncreation (The Final Architecture 3) by Adrian Tchaikovsky

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Stars: 4.5 out of 5

This is a fitting conclusion to an epic trilogy. I must say that Mr. Tchaikovsky created a truly unique world. I don’t think I’ve ever read a book with concepts of real and unreal (or similar) that are so well integrated into the story. This world feels lived in. It has an inner logic and it works. 

Things have gotten from bad to worse since the end of the previous book. You would think that a treat of truly galactic proportions would unite people, right? You couldn’t be more wrong. Humanity fractures and splinters, because each faction has its own idea of how exactly humanity will be saved, one which leaves them in power over the rescued remnants, of course. And none of those ideas include taking the war to the slavemasters of the Architects. 

I even understand why. Fighting something so unimaginable and unreachable is daunting, to say the least. It’s much easier for the human psyche to find a smaller enemy and concentrate on them. Hence Hugh and the Parthenon are at each other throats again. And the Boyarin want their Arcs back. The galaxy is a mess even without Architects popping up at random solar systems to turn inhabited planets into tragic art. 

And the crew of the Vulture God is still stuck in the middle of it all. Though I’m not sure if they are a crew anymore since only Oli and Kit are technically on the ship itself. Idris and Kris are on the Eye, where Idris is killing himself, trying to find the mysterious Masters who send the Architects out into the real. Solace is also there with the Partheny Ints, but it seems like everyone has their own agenda now. Until all hell breaks lose, that is. 

If I had one complaint about this book it’s that the first 30% of it or so drags. I understand that all the pieces had to be put on the board and set in motion, but it made for a rather boring read. However, once the attack on the Eye happens, things pick up. And after Anku brings the hammer down on the whole system, the action doesn’t let down until the end. 

All in all, I liked how things got wrapped up in this book. And the fate that befell the Lords of Uncreation was a fine example of poetic justice. I was a bit surprised bout Oli, but it makes sense and is in tune with her character. Solace had a huge crisis of faith in this book, and I’m happy with the choice she made. Also, she is a badass. The only non-Int to stand in the middle of creation, face a very alien and overwhelming force, and not give ground. “Pret at combattre” indeed. 

I am also happy with Idris’s arc. It felt at times like he was drifting through the story as a passenger more than an architect of the events, and he would make a lousy action hero, but he saved the world in the end. And now Kris might even save the Ints from indentured servitude, but either way, unspace is a lot more welcoming for them from now on. And I like the concept of Saint Idris.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review. 

books, Reviews, science fiction, Space opera

Dark Space by Rob Hart

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DNF at 50%

I love good science fiction or space opera novels. I love space exploration and humanity spreading to the other planets of our solar system before reaching for the stars. So this book should have been right up my alley, right? Well, I’m sad to say that it’s been a massive disappointment instead.

The book is split into two POVs from two characters located in different places – one is on a starship going for an inhabitable planet orbiting another star, and the other is on the Moon. While I liked the Moon storyline well enough, the whole deal with the starship left me frustrated to indifferent. 

I was frustrated with the absurdity of the premise and how all the characters behaved there. Are you telling me that the captain and most of the crew would choose to cover up an attempt to not only sabotage their mission but to destroy the ship and kill them all? That they would retract the transmission to Earth, falsify the investigation results, and act like those who question them are crazy or insubordinate? This makes no sense.

And when I wasn’t frustrated with characters acting like stupid children, I was bored because I could care less for them. Because they have less substance than a cardboard cutout.

The conspiracy on the Moon was more interesting, even if the protagonist there wasn’t very likable either but the main issue there is that I didn’t buy into the premise or the stakes of the story.

The author hints that this is not the near future, so it’s not like this is happening 20-30 years from now. Humanity has a functional base on the Moon. There is talk of space stations and even a foothold on Mars… yet we are still being divided along national lines? Why would a person born on the Moon care about Russia or US or China’s interests versus the interests of the Moon?

In that respect, The Expanse series did politics so much better. Forget national interests. People defend and identify with places they are born in. That’s why we have Earth and Mars at odds with each other, and the Belters squabble and scrape and never quite manage to unite. That makes sense. What we have in this book? Not so much. 

In the end, I stopped reading because I realized that I didn’t care to discover who tried to sabotage the mission or why. And I didn’t care AT ALL about the first contact with an alien civilization whose individuals conveniently speak English. That the tepid interest I had in the Moon storyline didn’t justify wasting more of my time on this book.

There are other excellent space opera books out there, but this one just isn’t for me.

PS: I received an advanced copy of this book via Netgalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Ghostdrift (The Finder Chronicles 4) by Suzanne Palmer

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Stars: 5 out of 5.

When we last saw Fergus, he had been saved from imminent and very painful death by the Asig, while he in turn saved the known galaxy. But all is not sunshine and roses in this book. Yes, Fergus is alive and even whole, but he is the most wanted man in the humanity settled cosmos, with a hefty price on his head and a lot of powerful enemies. So he has been in hiding. Which means that he has been alone with is cat and no contact with his family and friends. But when one such friend finally comes calling and asks for his help to free another friend from pirates, of course he will say yes.

Suzanne Palmer has a gift for creating likeable characters. I mean, we are dealing with a ship full of pirates here, yet I grew rather fond of all of them in the end. I think this is also due to the fact that Fergus always tries to see good in people, or at least to find ways to coexist with those he has no choice but to interact with due to various circumstances. It also helps that all of the characters are painted in different shades of gray and all have their own needs, wants and motivations. The villains aren’t even just for the sake of being evil, they have their own reasons behind their actions. The good guys aren’t always exactly good either. Everyone is human and bound to make an absolute mess out of things.

I also liked the main mystery of this book – a missing ship, possible rogue active jump points. A solitary planet in the middle of the Gap between two sections of the galaxy. Oh, and new kinds of aliens, who turn out not so evil in the end after all. Oh, and Fergus being his usual “interesting” self. We get more Asig as well, and get introduced to some of the other humans they changed.

I had a lot of fun with this story, and I am looking forward to following Fergus on his future adventures.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Redemption Ark (Revelation Space 2) by Alasdair Reynolds

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Stars: 2.5 out of 5.

This is the third book I read by this author, and I’m beginning to see a trend: the worldbuilding is excellent. The ideas are fascinating and thought-provoking. The faraway future of human space exploration and settlement the author paints is definitely worth exploring further. But the characters, oh the characters… the author can’t write engaging characters to save his life.

It was a slight issue for me in the first book of the series, Revelation Space, but the new world was interesting enough to dive into that I overlooked the lack of engaging characters to follow. It was also visible in the prequel Chasm City, but at least that book gave me some answers about other things raised in book 1, so I let is slide. But this problem came to the forefront in this book, because the main storyline is most definitely character driven. Unfortunately, I didn’t have any good characters to latch on to. And by good I mean interesting and realistic, or even engaging. 

I couldn’t care less for Clavain and his identity crisis, mostly because he came off condescending and thinking himself smarter and better than anyone else in the universe… while making some rather stupid assumptions and decisions. I also didn’t like Skade and couldn’t really understand her motivations for being as she is. You would think that it would be better explained, since she is the main villain. But even her story was put aside halfway through, when Clavain and his crew got busy with the big confrontation with the Triumvir. 

Speaking of which, what was that even about? We spent pages upon pages talking about the importance of the weapons, and everyone is fighting for control and possession of said weapons… only to just leave them and run at the end? What was the point of this book exactly then? If they were essential for the fight against the Inhibitors, then why didn’t anyone bother to scoop them up before they turned tail and burned it out of the dying system?

As it stands, the book dragged for me. In fact, it took me the better half of last year and then a couple months in 2024 to finish it, simply because I would start losing interest after 10 pages or so and put the book away. I had to force myself to come back to it every time and finish it. I will still give book 3 a try to see where this story is going, but I hope it will be a much tighter book with at least a couple characters I can latch into.

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The Jinn-Bot of Shantiport by Samit Basu

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DNF at 60%

I love the cover of this book. It’s what drew me to it in the first place. The content, however, was rather disappointing. 

Part of it is due to the rather non-existent worldbuilding. There is the city of Shantiport that might or might not be sinking, and it’s implied that it’s part of a bigger inter-galactic civilization, but we don’t get much more details than that. What planet is this on? How is this civilization organized? Why are people fleeing it? Is it really sinking? There are hints here and there, but they never form a coherent picture. 

Problem is, since I can’t see the overall picture, I don’t understand the stakes. And since I don’t understand the stakes, I can’t really get invested in the characters’ fights. Will a revolution be good for Shantiport? How is that better or worse than what they have now? 

Another reason for my gradual lack of interest with this book is that the author chose to tell this story through the eyes of dispassionate (at least at first) observer. Yes, Moku ends up getting involved in the action and even taking sides, but it was a little too late for me. Since Moku can’t read Lina or Bador’s minds (after Bador blocks him), he can only observe their actions and speculate to their motives. Problem is, they show very little, especially Lina, who had to live with constant surveillance all her life and learned to show a blank mask to the world in most occasions. 

It’s an interesting concept in theory, but a boring read in execution. I can’t empathize with a character if I have no clue what their motives are. Both Lina and Bador appear shallow and self-centered at times because of their actions, since the reader isn’t privy to their motivations. Which also means that some of their actions come a bit out of the left field as well.

The pacing of the book is also very slow. The action sequences are fun, especially Bador’s intervention during the fight between two giant robots, but they are few and far between. What we have most of the time are pages upon pages of dialog (and sometimes monolog) that go absolutely nowhere. And since the characters are under surveillance, they speak in riddles, which makes those passages even more convoluted and, honestly, boring to read.

I am very disappointed in this book. The cover drew me in and promised something fun and original, but the content let me down.

PS: I received an advanced copy via NetGalley in exchange for an honest review.