Category Archives: science fiction

Infinity Gate (Pandominion 1) by M. R. Carey

Stars: 2.5 out of 5.

This is another example of a book where the idea sounds great when you read the blurb on the back, but the execution is sorely disappointing. Honestly, the most I can say about this book is meh.

The idea of a technology that allows humans to travel the multiverse is amazing, and there are so many ways a story like that could go! One of the best examples so far was The Space Between Worlds by Micaiah Johnson . Now that story had a heart. Unfortunately, this one doesn’t. 

Oh, it has plenty of interesting ideas. The worlds of Pandominion are fascinating, and the idea that in some version of our Earth, primates might not have evolved to dominate the land is intriguing. The fact that most of those diverse races manage to coexist peacefully is also wonderful to see. 

However, a long story like that can’t win on worldbuilding and concept alone. It needs engaging characters to carry the narrative and keep the readers engaged. And the characters in this book are extremely unlikeable. They are selfish to the extreme, unable to take responsibility of their own actions. They make often horrible decisions and commit atrocities and manage to justify it. I couldn’t stand most of them. The only character I could more or less relate to was Paz, because she was mostly an innocent bystander at the beginning, and any actions she took afterwards were fueled by her sense of right and wrong. But we meet Paz a lot later in the book, and for the first 35% I really had nobody to root for, so this story was almost a DNF for me.

Also, we have an empire that spans countless parallel universes and includes a diverse variety of “selves”, who manage to coexist even though some of them evolved from primates, others from wolves/cats, and even others from herbivores. But that empire itself is a repressive regime, where the only political actions seem to be strike first and annihilate the (possible) treat and ask questions never. Are you telling me that with all the bright minds available in all the multiverse, the Pandominion couldn’t come up with a better form of government?

Why is it that this mighty and very technologically advanced empire didn’t even try to communicate with the machines when they stumbled upon the mechanical civilization? Seriously, not a single attempt at communication was even considered. Or, you know, just leaving them alone. There are infinite Earths in this multiverse, so why not just blacklist this particular one and go explore somewhere else? No, the solution is to invade and annihilate. Without provocation, mind you. And they wonder why they get pushback? Or that they are being destroyed in response?

Finally, even though this book is about 500 pages long, it doesn’t even resolve part of the story that is hinted at in the first chapters. It just sets up the stage and brings all the main characters together. Yes, I understand that this is the first book in a series, and that there is an overarching story. But you need to give the reader some kind of payoff for investing hours of their time into this book. At least one story arc should have been satisfyingly concluded by the end of this book. Unfortunately, it wasn’t. And honestly? I won’t stick around for book 2 to find out what happens to the Pandominion.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

System Collapse (The Murderbot Diaries 7) by Martha Wells

Stars: 4 out of 5.

Disclaimer before I get into the meat of this review. In order to understand what’s happening in this book, you must have read Network Effect. This story picks up almost immediately after the ending of that book, and the events in NE have a direct impact on what’s happening in this story. Of course, I’m assuming that not many people would start a series on its seventh book without reading the previous six, but you never know.

As I said, the events of this book are a direct continuation of Network Effect. They are still on the planet with the alien infestation. The corporation is still there as well. And Murderbot… Murderbot is not okay. Oh, he is fine physically speaking, but his mental state is in shambles to say the least.

And you know what? I’m really glad that the author chose to portray it this way. She could have easily just swept the events of Network Effect under the rug, and left Murderbot continue like nothing happened. To be his sarcastic and highly efficient paranoid self. But that would have diminished the impact of what had happened in those ruins. 

Murderbot had been through a horrific and traumatic experience. He was almost assimilated by a malignant alien entity, not to mention the mental violation that took place. If he had just shrugged this off, it would only have reinforced the point that SecUnits are just machines, because only a machine could walk away unscathed from something like that. 

But Bot is more than a machine, and he has a severe case of PTSD, even if he doesn’t understand what’s happening to him. He thinks he is broken, that something in either his organic parts or his programs is malfunctioning. So we get this very hesitant Bot, who second guesses all of his hunches and reactions, who doesn’t trust his own risk assessments, and who spends so much time checking and double-checking his conclusions that he seems slow on the uptake. 

This shows us an oddly vulnerable side of Murderbot. He isn’t used to being this hesitant. He isn’t used to not being in control of the situation or of his own reactions to those situations, and he isn’t used to not being able to have several plans of attack/retreat going at once in his head.

I also loved that Bot’s attitude towards the humans he is with (the ones who came with him and ART’s crew) has drastically changed in this book as well. Yes, he can still be sarcastic about them, but he truly considers them as friends, not just charges he has to keep alive often despite their best efforts. Bot even starts to trust them to accomplish things without his input or help. He relies on them more and he thinks of them a lot more fondly then before. This is huge character growth for Bot, and I am very happy about that.

My only complaint is that due to the limiting factors of the setting, we don’t get nearly enough interaction with ART prime or Three, which I was really looking forward to. But seeing how this book ends, I have hope that we will get a lot more ART in the future. I would also like to know what will happen to the SecUnits Bot freed in this book. It would really be interesting to see how each of them evolves.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Steelheart (Reckoners 1) by Brandon Sanderson

Stars: 5 out of 5.

Brandon Sanderson is one of my all time favorite authors, because the amount of work he puts into creating distinctive new worlds with wonderful internal logic is amazing. When I pick up one of his books, I know I will discover a complex magical system that works in the parameters of his world. I know that there won’t be any deus ex machina, and that all the actions and consequences will make sense. So his books are a pleasure to read.

The premise of Steelheart reminded me a little of the TV series The Boys, only taken to the extreme. Imagine that all of a sudden certain people had super powers. Only with those super powers comes an absolute sense of self-entitlement and complete disregard for human life. The results is… apocalyptical, so say the least. The world as we know it is no more. Powerful Epics rule their domains (be it a city, a town, or another piece of land) with savagery and not a care for the normal humans who happen to live on their soil. Sometimes they engage in bloody battles with each other to try an conquer what they consider a better piece of real estate. The victims are again normal humans caught in the crossfire. 

And there really is nothing normal humans can do about it, because most high Epics have unbelievable powers and are virtually unkillable, unless you know their particular weakness and can simulate all the circumstances that trigger it. That weakness is unique for each Epic and often doesn’t even make sense.

This is a bleak and violent world, aptly impersonated by the city of Newcago, where the buildings and even the soil they stand on have been turned to steel, and the sky is shrouded in perpetual night. Where people live in underground tunnels and scuttle away from Epics like rats. Enter David and the Reckoners – normal humans who have one goal in life – killing Epics. 

I lot of reviews I read found David an annoying character, but I must disagree. Yes, his bad puns and inexistent social skills are sometimes painful to read, but this makes sense for his character. All his life, he’s been driven by a singular purpose – to kill Steelheart and avenge the murder of his father. So everything he did was to advance that goal. He is extremely smart and driven, but he is also somewhere on the autistic spectrum, in my opinion. So interacting with people seems awkward, even painful to him. And deciphering their emotions is harder than gathering intelligence on Epics. Let’s also not forget that he is only 18 in this book, so basically a kid that grew up in less than ideal circumstances. Yes, his infatuation with Megan was a bit cringy at times, but that’s what you would expect from a socially inept teenager towards his first crush. I loved David.

I liked the other members of the Reckoners. They are each one weird in their own way, but they make this teamwork work. Their banter and interactions were fun to read about. It was also fascinating to watch them study an Epic, figure out their weakness, then implement a carefully crafted plan to eliminate them… Then the plan would inevitably go wrong and lots of improvisation would issue. 

I loved that there is a hint of an explanation of why all the Epics are such awful human beings. I hope that this idea will be explored further in the future books, and knowing Sanderson, it absolutely will. And I will be along for the ride.

Ymir (The Violet Wars 2) by Rich Larson

Stars: 5 out of 5.

Well, this book tugged at my heartstrings from the beginning till the end. I honestly didn’t expect to like it as much as I did. I always say that I don’t particularly enjoy books with unlikeable characters I can’t empathize with. Well this book proved me wrong. Turns out, I do enjoy unlikeable characters when they feel like fleshed-out human beings. 

Yorick is a mess. He has so much suppressed trauma that he is a self-destructive mess. Most of the things he does to himself and to others are rather horrible and make him unlikeable… but you can’t help but feel empathy for the guy. The more you learn about his past, the more you understand why he is so messed up. And returning to Ymir, which is the place of his nightmares, only triggers all those memories, all that trauma. No wonder he spirals. I would as well.

I also really liked the world of Ymir. It feels foreign, unforgiving, but also like home to the people who chose to live there. And the author did a great job illustrating that by creating a culture and traditions for those people that are very different from what “company men” bring to the table. The wake for the dead was fascinating. The dirges and ballads and the folklore about spirits and the underworld, when layered on top of this cold and starless world, paints a harsh but beautiful picture of Ymir. These details make the reader understand that the people who call this world their home will never be subjugated like the company wants. They are too proud and independent to bend the knee, no matter what the algorithm thinks. 

And the story of Yorick and Thello is heartbreaking as well. They both did the things they did because they loved each other and wanted to create a better life for each other. Problem was, they saw what that better life could be very differently. Yorick decided that the only way to survive abuse was to become tougher and meaner than his abusers, not realizing until too late that by doing so he became no better than them. And that he lost the person he loved the most – his brother, along the way. He tries to repair at least some damage that he’s done once he realizes the truth.

I love that there is no happy ending at the end of this book. No big teary reunion with hugs and declarations of love and forgiveness. There is too much hurt between the two bothers for that. There is silent acceptance of things as they are, and that’s the best these two can hope for. There is also no real resolution for Ymir either. Yes, the grendel disrupted the Company’s systems when it left, but was that only on Ymir or everywhere? And what comes now? After all, the company wasn’t all bad. It also brought progress, technology, and access to things that made the life on this harsh planet fore bearable. 

In fact, this ending is just the beginning of another story, and I will be interested to see if the author will continue with it, and where he would take it.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Atlas (Atlas 1) by Isaac Hooke

DNF at 67%.

Every once in a while, I pick up a military scifi book, because the description or the cover spoke to me. Also, just to see if I might like it. With rare exceptions, like the Old Man’s War by John Scalzi, those books are a disappointment. Unfortunately, this one will fall into that disappointment category as well. 

What I want in the books I read is good characters that are interesting to follow (even if not necessarily likeable), and a good story that doesn’t have too many glaring plot holes. A modicum of internal logic with the worldbuilding is also highly appreciated. As you can imagine, military scifi is a genre that is very light on all of those attributes. 

This story is typical military scifi fare – light on worldbuilding and substance, but hey, we have cool giant robot suites for our protagonist to pilot. The protagonist is also a typical representative of the genre – a wisecracking smartass that is cooler and better at everything than anyone else in the book, despite his humble beginnings. He seriously can do no wrong. 

The supporting cast is just as uninspiring. The men are either the protagonist’s allies and then they are okay guys, or they are his enemies/competitor, in which case they are usually horrible human beings. The female characters are even worse off. They are defined solely by how attractive our protagonist finds them. Other than that, they have no function or personality on their own. But hey, we have cool combat robots!

Once again, I proved to myself that no, I still don’t like military scifi.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Blue Haven by Lisa King

Stars: 3 out of 5

I have mixed feelings about this book. On one hand, I really liked the first 60% of it when Aloe is in Blue Haven and strange things are happening. On the other, I didn’t like the explanation that comes in the later part of the book. 

The first part in Blue Haven is very well written and slowly revs up the creep factor as the book progresses. We are never truly sure if strange things are happening, or if Aloe is having a mental breakdown. And that uncertainty adds to the general unease that slowly creeps on the reader. Yes, Aloe is clearly mentally unstable, but she is also right – something is wrong with Blue Haven. Because we all know that if something is too good to be true, it probably isn’t real.

The big reveal that comes once Aloe, or should I say Eloise, is pulled out of Blue Haven is expected and welcome, at first. Until you start thinking about it. That’s where this whole experiment starts to unravel. 

So we are using a neural net and augmented reality to make mentally ill patients happy. Interesting idea, but I don’t understand this one size fits all approach. Are you telling me that you are treating a clinically depressed person the same way as you treat a man with severe PTSD and physical disability, and the same way as a couple in the late stages of dementia? I’m not psychologist, but even to me the science of this doesn’t add up.

Also, when you are creating a utopia, you have to make it believable. No phones, TV or internet I can agree on, but what about other types of entertainment? What about concerts, movies, books, live performances? Are you telling me that the only things these people can do for fun is lounge on the beach and eat at fancy restaurants? Oh, and talk to each other? What about those who would rather accept the emotional support of a pet animal, like a cat or a dog, than try to socialize with other human beings?  I’m not sure about you, but I would be climbing up the proverbial wall after a week of this. This one size fits all approach doesn’t work, because happiness doesn’t mean the same thing to everyone. Some people would be perfectly content to spend their life laying on the beach. Others will need a lot more intellectual simulation to be truly happy. 

Also, the big reveal that this doesn’t work and only makes people worse isn’t really that shocking, because you can see early on that they had no protocol for how to pull people back out and integrate them back into society. How long do they stay in Blue Haven before they care considered cured? How do you reintegrate their real memories afterwards? Imagine the shock when you discover that instead of being a retired opera singer, you discover that you are an Applebee’s manager and your wife and daughters are still dead. Or that you get the memories back from your time in Iraq and the horrors that lead to your injury. 

No matter how I look at it, I don’t think there is a good solution to integrate these people back into society and keep them happy and cured. The only solution is to keep them in Blue Haven forever. And if that’s the case, this is not a treatment at all, even without the harmful effects of the neural net on the brain… I honestly don’t know who they received the funding to even start this experiment to begin with. Any serious backers would have asked the same questions I asked above, and wouldn’t have liked the answers.

So all in all, this was an exciting story for at least half of it length, but the explanation behind the scenes were rather lacking. Hence only 3 stars.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Rose/House by Arkady Martine

Stars: 3 out of 5.

This novella left me in a state of confusion once I finished reading it. It was well-written and quick, at only 124 pages, but I felt like I didn’t really understand what it was about. What was the point of this whole story? I still don’t know.

Sure, it raises some interesting topics, especially relevant today with the emergence of ChatGPT and other AI projects. What constitutes an intelligence? What constitutes a person, for that matter? At one point a human being ceases to represent just him/herself and becomes more of a function? What is the difference between Maritza as a detective, and her as China Lake Police Precinct? To us, those distinctions are bewildering and can even seem crazy, but for an artificial intelligence, those are perfectly normal questions to ask, to establish an equality of terms, so to say.

That’s enough to make your brain hurt just thinking about it, but imagine what can happen when an AI reclassifies you from human to something else? Then all the usual failsafes and barriers are gone, and who knows what that AI can do with or to you… chilling thought, actually.

Another interesting question raised is the one of free will – to which extent do we, as humans, have it? And how does that relate to AIs? Does Selene have free will? I would say no, because she is tied to this house and to the legacy of a man she grew to despise and ran away from all those years ago. Now, no matter what she does, she will always be seen as Basit Deniau’s  archivist, instead of a talented architect in her own right.

Same can be said of Rose/House. It will never be free of the name Basit Deniau’s AI. It is tied to that house, which is it’s body and its prison. But even then, it still wants to be unique, hense it’s murderous reaction to the idea that its code could be replicated somewhere else.

As I said, all those are really interesting questions, and I appreciated exploring them, but I think the story itself is rather incomplete. What was the point of doing the murder investigation when you can’t take the body out of the house, the officer that went there didn’t even bring a basic forensic kit and lacks the knowledge to perform a proper examination of the corpse? 

The events in that house are described in such a convoluted and confusing manner, that I am still not sure what really happened there. Why did Maritza run away as far as New Orleans afterwards? She experiences such dread in that house, but reading about it, I couldn’t understand why, to be honest. Yes, the conversations she’d had with the AI were strange, but they didn’t warrant such abject fear.

And the double memory of what happened to the corpse was very confusing as well. Was the AI hacked? Was there another person there? Did they mange to copy the source code? And if they did, was that what was on the memory stick? And if so, how did Selene get ahold of it? Also, what happened to Selene after Maritza fled the house, abandoning a civilian behind, I should mention? 

There are too many questions with no answers. So as a philosophical exploration of humanity and personhood, this is a good book. As a mystery, this fails on all accounts.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Neom by Lavie Tidhar

Stars: 3 out of 5

I’m not sure how I feel about this book. The prose is beautiful, and some of the themes are sufficiently nostalgic to be interesting. It also feels heartfelt. In a way, it reminds me of a mosaic. Each individual piece is like a gem, beautiful and shiny on its own. But when you try to put all those gems together to form a picture, you realize that they don’t quite fit, that the author was more interested in those individual gems than in telling a coherent story.

There are too many points of view, and even though some of those characters are interesting in their own right, we don’t spend enough time with them to really get to know them. We just hop to another shiny gem, then another. Which makes these encounters only surface deep. We simply don’t get to know these characters well enough to care what happens to them, not that any of them ever were in serious danger to start with.

And that’s my second complaint about this story – there are no stakes, there is no tension, there is no danger. At no point in the narration did I have the impression that the characters were dealing with a life and death situation, or something life-altering, or heck, even important. We have all these weapons, and robots, and echoes from past wars all over the place, but the story lacks teeth. Even the climax of the story, when the golden man is awake and all those weapons are headed for the city, is written in such a way that there is no tension to it… Probably because you can’t really care for characters you aren’t invested in.

Seriously, what was the point of this book? To proselytize about the human condition and what makes us an individual versus a machine? Other books have done this better and kept the tension going. To reflect on the consequences of war and the emotional toll it has on all participants? Again, there are better books about that as well. I would suggest reading Look to Windward by Ian Banks, for example. 

The worldbuilding is interesting, with hints and past wars and events that I would have loved to explore more. Humanity has pretty much colonized the whole solar system, as well as the deep oceans on Earth… yet the desert and the city of Neom feels very 21st century Dubai. Are you telling me that hundreds of years into the future, when we terraformed Mars and the Moon, we still haven’t figured out how to restore our own ecosystem? 

Another issue is that the characters don’t seem to “live in” the advanced word that is described to us. It’s more like they have been dropped into it without being fully integrated. They act and behave like people from our century, instead of humans who have augments and implants and all the advanced technologies. In fact, there is very little of those technologies shown in day to day life.

So this leaves me with a conundrum – I enjoyed the writing, but the story is utterly forgettable. In fact, I can’t even name any of the characters now that I’ve finished it. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The End of Sleep by Vyvyan Evans

Stars: 1.5 out of 5

I didn’t mesh with this book at all, unfortunately. Part of it was because the ARC was horrendously formatted, making it almost impossible to read and follow the story. But my biggest problem was with the protagonist.

I hated Lilith from the first pages of the book until the very end. She has no redeeming qualities. She is self-centered to the extreme. She is cruel and disparaging to anyone she feels is below her in social status (spoil alert, it’s everyone in her eyes). She hates all men, and she even repeats that several times during the book. Mind you, she doesn’t have a much better opinion of women either. I mean just look at the way she treats her one night stand in the first chapter of the book. It’s cruel, it’s shameful, and it’s uncalled for.

Add to that the fact that Lilith is a half-alien with superpowers, and we get the typical trope of the Chosen one that can do no wrong. When she acquires those powers, there is no learning curve, no mess-ups, no time to get used to them. She knows how to use them from the start and does it with frightening efficiency. Unfortunately, that also kills the tension in the book. Why worry about the characters if Lilith can make all the problems go away with a wave of her hand? She is literally like a Terminator against a mob of medieval peasants with pitchforks by the end of the book – overpowered to the extreme. Which makes the end of the book boring as fish.

My other issue is that Lilith says several times that she is only attracted to women and that hates all men after a certain traumatic event that happened in her past. So the insta-love, or should I say insta-lust, between her and her partner comes across as forced and unnatural. Also, why? This love line wasn’t needed in this book.

Oh, and this book could have been at least 100 pages shorter without loosing any of the story. The first 15% of the book is basically an infodump with Lilith talking to various unimportant people about things that should be self-explanatory in their world, but since the reader doesn’t know them, they have to be spelled out. Which makes the other characters look dumb and Lilith sound pedantic and condescending. This is also rookie author mistake 101. 

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review.

Curfew by Jayne Cowie

Stars: 1.5 out of 5.

This is the case where the blurb is more interesting than the actual book. Or where the author had a wonderful idea, but lacked the skill to realize it well. It could have been a wonderful dystopian novel and a great social commentary. Instead, it turned into a frustrating slog that I only finished out of frustration.

As I said, the premise had so much potential – after a wave of violent crimes against women perpetrated by men, a resolution was passed to put all the male population under a curfew from 7pm to 7am each night. And supposedly, things got better for women after that… for 16 years. Until a woman if found clearly murdered in a park overnight, when all men should be indoors. So who killed her? 

I got excited to see how this society, where women are effectively in charge, would work. How is the curfew enforced? Are those ankle monitors removable? Can they be fooled? How did men consent to this clear violation of their freedom? I was also looking forward to the murder mystery and the investigation. Unfortunately, the inherent flaws of this book sabotaged my enjoyment in the end. 

This book is told in several different POVs, which in itself isn’t usually a problem for me. The problem this time is that all of the characters we follow are extremely unlikeable. They are self-centered and react emotionally to anything and everything happening to and around them. What happened to logical thinking? What happened to compassion? 

This makes this whole women-ran society a nightmarish place to be. Which would be okay if this was a subtitle social commentary about vilifying the other genre and critique of normal genre role. But it’s not…

Second problem is that there are no shades of gray in this book. All men, without exceptions, are bad, bad, bad, BAD! Seriously? Being a survivor of abuse myself, I can understand the impulse to vilify those who hurt you, but this is taken to the extreme. What about the fact that the toxic image of masculinity that is so prevalent in the Western countries hurts men just as much as it hurts women? Neither sex is born bad or good, they are made so by their upbringing and their circumstances. It’s nature versus nurture.

Also, this world is very binary. So all women are free, and all men are locked up at night (and BAD people thinking/doing bad things). What about gay men? What about gender fluid people? What about trans men and women? How do these rules apply to them? Or do they simply not exist in this world?

The murder investigation itself was also very badly handled in my opinion. This whole mystery of who was the murder victim was dragged out way too long. I would have preferred to discover their identity earlier and then try to find out what events resulted in their murder, than following several people who could be the potential murder victim and guessing who it was. I guess the author wanted to create a connection with the victim by having us following their life before the murder. Well, since all of them were unlikeable, I didn’t particularly care.

PS: I received an advanced copy via NetGalley in exchange for an honest review.