This is my favorite book in the October Daye series so far. It’s well written and the plot is fast-paced and keeps you on the edge of your sit until the end. I think it’s because the problems that October faces in Late Eclipses are a lot more personal than in the previous books.
This time, she isn’t investigating a murder on behalf of her liege, Duke Sylverster Torquill, or trying to save lost children. This time, disaster strikes a lot closer to home – Lily, Lady of the Tea Gardens and October’s closest friend, gets struck by a mysterious illness, leaving her fiefdom in disarray. What is more, someone is very determined to pin that on October…
We get a bigger insight into the world of the fae and their hierarchy in this book, which is always interesting. I love how Seanan McGuire manages to weave her fae into the modern world without it feeling cheesy or unbelievable. Her world is complex and interesting, and it’s one that I enjoy exploring with every book.
October undergoes a tremendous leap in character growth in this book, probably because this case is so personal to her. She is forced to face her own fears about being a changeling, finally decide on her place in the world of the fae, come to terms about her feelings for Tibald and face an old enemy.
In the end of this book, October emerges changed both physically and mentally, but I think she becomes stronger and more mature. And we finally discover why she is always referred to as Amandine’s daughter. The answer wasn’t what I had expected, I must admit!
I’m also glad that we finally got to close one of the long-running story lines – the kidnapping of Sylvester’s wife and daughter, that had started this whole mess in book 1. We don’t know the whole story just yet and the main perpetrator hasn’t been caught, but at least, everybody got some answers… and some heartbreaks.
I am interested to see how October will handle her new status and the fact that she now has a fiefdom and people who depend on her. I am also looking forward to watching how her relationship with Tibald will develop. I would also like to see the path May, October’s fetch, will chose for herself now that she isn’t an exact copy of the original.
All in all, I absolutely loved this book. This series just keeps getting better and better.
I have been lucky to read some good books lately and Rubberman’s Cageis one of them. When I was given a free copy of this book in exchange for an honest review, I was a bit cautious at first. The title and the cover looked a bit ominous. I knew it would be either post-apocalyptic or dystopian, but I was afraid that it would be dark and dreary as well. I’m glad that this fear turned out to be unfunded.
This is the story of a young man named Lenth who has lived his whole life in a room with his three Brothers and a Rubberman watching over them through the grated ceiling above. This room is all he’s ever known. To him, that’s the extent of the world. But one night the shackle that they all have to put before they go to bed malfunctions and one of his Brothers is shocked until he dies. He is gone the next morning and there is a stranger sleeping on his bed instead. Everyone else takes this change in stride, but Lenth just can’t let go. He wants answers. He wants to find his missing Brother, and he wants to see what’s beyond the grated ceiling that the Rubberman walks.
The book follows Lenth’s journey in search of his missing brother while he explores this strange world full of rooms with Brothers and Rubbermen. It is a coming of age story, because Lenth is as innocent as a child. He can’t read; he’s never seen a woman and doesn’t know what they are; he has no concept of death. He is told that his brother died, but when he can’t grasp the fact that death if final, that you can’t repair a dead person. He thinks that he just needs to find him and wake him up…
This is also a chilling tale of a society how has regressed so much that they are reduced to repeating rigid tasks and protocols that had been set up years ago and the meaning of which has long been forgotten (and became obsolete). Nobody really knows why they need Rubbermen, or why men and women are kept separately, or how all the machinery really works. They know just enough to maintain the status quo. The sad part is that nobody questions it. Brothers think that Rubbermen know what they are doing and why. Rubbermen are persuaded that the Providers have that knowledge because they are clueless themselves, and so on.
So it was an interesting and rather endearing read. The book is well written and I liked Lenth, with his child-like candor and curiosity while he explores this ever-growing world. My only gripe is that it almost seems too easy for him to do so. He manages to get from level to level without too many problems and none of them really life-threatening. And everybody treats him well, considering. You would think that in a society where Brothers are constantly shackled in place (in bed, in the shower, on the treadmill, at the workstation) and shocked when they disobey, the reaction of those who find one just wandering around would be more violent.
All in all though, I think it’s a solid and entertaining story that I thoroughly enjoyed reading. I would definitely recommend it to my friends!
Today, I want to talk about another protagonist I love dearly – Yuna from Final Fantasy X. And no, I will not mention Final Fantasy X-2, even though I played it. For me, the story was finished with the ending of Final Fantasy X, and that’s how it will stay.
Yuna from Final Fantasy X (property of Square Enix)
Now, those of you who played this game might object and say that Tidus is the real protagonist of FFX, not Yuna. I beg to differ. Yes, it’s very much Tidus’s story and we discover the world of Spira through his eyes. But it’s also Yuna’s story, because everything Tidus does revolves around her quest to defeat Sin and bring the much needed Calm to Spira. Everywhere she goes, he follows. She calls the shots in this journey.
I must admit that Yuna is one of my favorite characters, because she is so unlike what is usually considered a kickass heroine. She is not a fighter, for one. She specializes on healing and support magic, letting her stronger companions do the attacking. And if they need additional fire power, she can ask one of her Summons for help. She is not a bubbly happy silly girl like Rikku either. In fact, she is the most subdued and level-headed from all the women in the party.
In fact, she comes across as kind of bland and boring at the beginning of the game. When I saw her during my first playthrough, I thought, “Oh great, another damsel in distress that Tidus will have to constantly save throughout the game.” Oh boy was I wrong.
Under that shy and non-conflictual exterior hides a will of steel, an endless well of courage and an unwavering moral compass. Yuna is the glue that keeps the group of ragtag adventurers together. And she doesn’t need saving, even when Tidus thinks otherwise, like during that famous wedding scene, when they rush to her rescue all guns blazing only to discover that she already had a backup plan. I laughed so hard at Tidus’s face when she told him, “Don’t worry, I have wings.” and just jumped off the tower.
I also loved her whole backstory and her motivation. She is a Summoner. Summoners are respected and worshiped in Spira, and for good reason. During the Calm, their duty is to perform the ritual sending of souls to the Farplane. It’s an important duty, because without that souls will linger on Spira and eventually come to resent the living and turn into monsters.
Sin from Final Fantasy X (property of Square Enix)
But this is not why the Summoners are so revered. When the Calm ends and Sin comes to terrorize Spira again, they are the only ones who can defeat him and bring another Calm. A Summoner wishing to challenge Sin has to undertake a pilgrimage through all the temples of Spira to gain the support of all the Aeons. Once they accomplish that, their journey lays into the ruined city of Zanarkand to obtain the Final Aeon and be able to defeat Sin and gain the title of Grand Summoner.
Sounds easy, doesn’t it? Just a sight-seeing journey through the beautiful land of Spira with an epic battle at the end. That’s what Tidus thinks at first too… Only there is a reason why the title of Grand Summoner can only be awarded posthumously. Only the Final Aeon can defeat Sin, but it kills the Summoner in the process as well.
This little revelation shines a whole new light on Yuna’s character. She knows that her journey is one way only. She is well aware that death awaits her at the end. But she chooses to step on this path and see it through no matter what. Not for glory, not for fame, not for respect, but for the people of Spira. Yuna chooses to sacrifice her own life to grant her world another 10-20 years of Calm. Even when she is declared a heretic and excommunicated by the Temples, when she loses the support of the people she wants to save, she still presses on…
I fight for Spira. The people long for the Calm. I can give it to them. It’s all I can give. Defeating Sin, ending pain… this I can do.
Yuna from Final Fantasy X.
And she never feels sorry for herself or cries about her life. In fact, she goes out of her way to help others and cheer her companions up when they feel down, even though for her this journey is one big farewell to the world she loves so much.
For me, Yuna is the perfect example of inner strength. She might not carry a kickass sword or unleash waves of fire upon enemies, but she never breaks, no matter how hard her life gets. She is also the perfect example of a female character who has agency. She doesn’t just let the current carry her through the story, she swims with it (and even against it in the end) instead. She makes her own decisions and chooses her own path.
The Sending Ritual.
I would really like to see more characters like Yuna in books and movies, but for some reason her type is extremely rare.
Dark Star is one of the strangest books I’ve read in a while. It’s written entirely in epic verse, even though the story it tells is more reminiscent of a noir movie than an epic ballade. I admit that this format was rather off-putting at first. I almost closed the book when I saw it. I’m glad I didn’t.
This book is like a dark vortex – it moves slowly at first, luring you with a false sense of security, then sucks you in faster than a whirlpool. Once you start reading, you cannot put it down. And the epic verse gives this story a fascinating depth as well: the format doesn’t allow for wasted words, so the author has to make all of them count. As a result, they have a bigger impact on the reader, highlighting the story like the beam of a good flashlight. Once I started reading it, I simply couldn’t put it down.
Vox is a world of eternal darkness, a planet revolving around a start that’s just a dark hole in the sky, absorbing all light. The city of Vox is powered by three Hearts that had been taken out of the starships that had crashed on this inhospitable world. Light is a precious commodity in this world. People could kill for a functioning lightbulb. And light is growing dimmer and dimmer with each passing year, so it’s no surprise that when one of the Hearts is stolen, the city is plunged into chaos.
But for Inspector Virgil Yorke, the theft of the Heart is not as important as the discovery of a dead girl with so much light in her veins that she glows brighter than any lightbulb even in death. And he will investigate the circumstances of her death with the tenacity of a pit-bull, especially since everyone in the precinct wants this death to be swept under the rug…
It’s rare for me to write a raving review for a book. It seems like no matter how much I enjoy a story lately, I can’t help but find some flaws in it that dampen my enthusiasm. Dark Star is the rare exception to that rule. There is absolutely nothing I can critique here. I loved every single world of this strange epic poem.
I loved Yorke. He is broken. He is hopeless. He is drowning in darkness and haunted by his own ghosts just as Vox is drowning in the non-light of its dark star with light-starved people haunting its streets. He is the best possible guide through this dark world. No wonder that his first name is Virgil. Like Dante’s Virgil, he is leading the reader through his own version of dark hell, and you can’t help but stick for the ride, because no matter how broken and disenchanted Yorke is, he is also very human. I liked him. I understood him. I empathized with him. And I knew that even if he found out who had killed Vivian North and why, it would not change his own circumstances.
Yes, Dark Star does not have a happy ending, not entirely. It just brings a little bit of light and maybe some peace to the tortured souls of Vox before the end. And allows Virgil Yorke to finally let go of his ghosts…
Do you want to read a wonderful book with a profound story that touches you? That reads like a song, a strange and haunting melody that will stay with you long after you close the book, like the memory of light in a dark room? Then pick up Dark Star. Don’t let the unusual format put you off. This is a must read and re-read in my books.
PS. I received and advanced copy of this book courtesy of NetGalley.
Last week, I came across the following trailer on my Facebook wall and, at first, I couldn’t believe my eyes. This is something that I had dreamed about ever since Sony came up with Playstation 3, and it will finally become a reality, after almost 20 years.
Now I have a confession to make. Final Fantasy VII is one of my favorite games of all times, and certainly my favorite amongst all of the Final Fantasy games (with Final Fantasy X coming close second).
I still remember the first time I played it. I had just graduated from high school and started my first year in college along with three of my high school friends. We were extremely busy with studies and all of us also worked part time to pay for school, but we had a rule: we always met on Saturday nights to spend time together. Since we were broke college students, we rarely went out. We met at my place instead, because I was the only one who had moved out of my parents’ house at that time. I was also the only one to own a Playstation.
We would play table top RPG games or watch TV, or just talk about the books we read, things we did during the week. And sometimes we would play games. I remember that I picked up Final Fantasy VII in a second hand game store in 1998 almost as an afterthought. I had never heard of the Final Fantasy series before, or never played a JRPG game. It was cheap and we had ran out of games to play on Saturday nights, so into the bag it went.
Needless to say that we were hooked from the very first Saturday night, my friends and I. I don’t think any other game had managed to absorb us so completely before (and very few did after). We would spend the whole evening playing, then the rest of the week talking about it and discussing boss strategies, best places to level those pesky materia, which equipment was best for which character and so on and so forth. We spend a lot of wonderful hours together drinking tea or wine when we could afford it, eating whatever we could cook and discovering the wonderfully complex story of Cloud and company…
I have played many games since then, and I have replayed Final Fantasy VII several times as well and it never gets boring. I love the world. I love the story this game tells. I love all the characters, even if I’m not a very big fan of Cloud. And I will always be grateful to Squaresoft for creating the most wonderful antagonist of all times – Sephiroth. I even wrote a whole blog post about him about a year ago, if you want to check it out.
So when I think about this game, I think about wonderfully detailed characters and an amazing plot, but also hours of laughter and good times I spent with my best friends. So yes, I’m excited about FF7 coming back, even if my friends are a continent away now and living their own lives. I can’t wait to play it. I’ll even buy a PS4 just for that.
But I am also a bit scared of this new take on a game I love, because Square Enix announced that it wouldn’t just be a remastering of the original game, but a remake. Remake means new vision. Remake means telling the story in a different way and often changing it to fit this new vision. What if I start playing this new Final Fantasy VII and absolutely hate what they’ve done with the story? Would it taint my love for the characters and the story of the original as well? So I will be waiting for this release with an equal part of excitement and fear, and hope for the best… and wish that I could gather all of my friends around my PS4 and TV one more time and share this game with them like in the good old times.
This is the first book in a new series and as such, it has the thankless task of introducing a brand new world and new characters while keeping it interesting with a good plot. Because of that, I always try to be more lenient when reading and reviewing them.
All in all, The Shadow Revolution was an entertaining read. The plot moved along at a steady pace with the right balance of action and explanation to keep it interesting but also give the reader time to breathe between action-packed scenes.
I liked the two main protagonists as well. Simon Archer is a spell-casting scribe as well as a dandy, well known in the upper society circles for his romantic conquests. Kate Anstruther is an alchemist as well as a true lady who never loses her composure even in the heat of battle. It was interesting to see those two very different people try and work together and slowly move from grudging mutual respect to admiration and then even affection.
However, that’s where the good ends and the problems start. There isn’t much to say about the supporting characters, which was disappointing. I almost felt like they were a collection of stereotypes.
Nick Barker, Simon’s mentor and friend, prefers getting drunk in a pub than risking his life battling the things that go bump in the night. It’s hinted that he is powerful and rather old, but nothing in his behavior throughout the book really shows that.
Then we have Imogen, Kate’s younger sister, who is a carbon copy of one of the air-headed sisters from Pride and Prejudice. She is rebellious against the control her sister has over her life and sure of her own feminine powers over men at the beginning of the book, then vulnerable, driven mad and otherwise useless for the rest of the book. Basically, Imogen gets fridged just to drive Kate’s character development and involvement in the whole story, which is a cheap move, in my opinion.
Malcolm MacFarlane is another walking stereotype – a Scottish monster-hunter who embodies all the tropes about Scotsmen that I hate. He is loud, he is rude, he is boorish and uneducated, oh, and he has a short temper. Really? I’ve lived a year in Edinburgh, I can assure you that not all Scottish people are like that. In fact, most of them are not. It’s like saying that all Russians are drunks, or that all French wear berets and those ridiculous striped sweaters. I call that lazy worldbuilding.
Speaking of worldbuilding, it’s next to non-existent. I know that it’s hard to find the right balance in a book between showing the reader this new world the author has created and not boring them to death with info dumps, but the authors went into another extreme – they put no world building whatsoever. It feels like they decided that just indicating that their story takes place in Victorian London is enough. Well, it’s not.
The world is a jumbled mess in this book. We have Victorian Society. We have magicians. We have werewolves. We have other creatures. But how all that works, we have no idea. The authors didn’t deem it important to explain the rules of their own world. So there are scribes and alchemists and other kinds of magicians, but what kinds? How do they differ? How do they coexist? No clue. There are brief mentions of an Order of mages that existed before, but is gone now, other than that – nothing. I don’t need long info dumps. I’m more than willing to stick along for the ride and progressively discover more about the world, but I need at least some breadcrumbs to keep me going. I need to understand the rules to still be interested in the story. Here, I felt like the characters were just running through cardboard decoration, not a living breathing world.
As I said at the beginning, this is the first book in a series, so I’m willing to give it the benefit of doubt. Hopefully the next one will flesh out this world a bit more. If not, I don’t think I’ll stick with this series.
PS. I received an advanced copy of this book courtesy of NetGalley in exchange for a honest review.
I received a free copy of this book in exchange for an honest review, and I really wanted to like this story more than I did.
The premise sounded interesting enough: A young man decides to undertake an epic quest which had been passed from father to son for 500 years. The quest is to find and kill the fantastic beast called Jabberwocky. Even though he has never been further away from home than a 2 days travel distance, he is enthusiastic about what he believes to be the biggest adventure of his life. He will encounter many strange and fantastical creatures on his journey and realize that his quest is not as much about a mystical monster, but about discovering his own worth.
So yes, this had the potential to be a very good tale of self-discovery where the hero, young and idealistic in the beginning of the story, slowly grows up and becomes a real man. Unfortunately, the realization fell short of my expectations.
I feel like a need to put a disclaimer here. I love stories with a strong and memorable voice. If the protagonist doesn’t jump from the page and straight into my head in the first chapter, chances are that I won’t finish the book. Unfortunately, Jabberwocky has no voice.
Oh, don’t get me wrong, it’s well written. The descriptions are beautiful and often even nostalgic. It feels though, that the author sometimes gets carried away by the strange places he is describing and the action slacks off. It’s a short novella, but I had to force myself not to skip ahead in some passages.
My problem is that I couldn’t empathize with Astreus. I couldn’t “see” him. Even after I finished the story, he remained a faceless name for me. It’s hard to follow a character you don’t care about.
I think the main reason for this is that the writing is too formal and indifferent shall I say? The author uses exactly the same voice to describe the city of cats and the island of immortals. But in the first place, Astreus just spends some time helping a cat in exchange for information on the Jabberwocky, whereas on the island, he encounters his first love and his first betrayal that almost brings him to suicide. Where is the passion and the desperation of this? I felt absolutely nothing.
My other problem is that the dialogues feel stilled and staged. Once again, everybody Astreus encounters talks the same, whether it’s a cat or an old noble who spent most of his life locked in his castle. A highly educated cat with a passion for chess cannot use the same words and phrases as a noble who barely knows how to read and write.
It’s a quick read and I liked exploring some of the places the author’s vivid imagination has created, but the novella would have been much more enjoyable if the writing had a bit more “life” to it.
Since I had absolutely loved the Alpha and Omega series (you can read my review of Book 1 and Book 2), I decided to give this older series a go as well. They are set up in the same world after all, and some of the characters play a recurring role in both series.
What can I say? I was happy to come back to this world Mrs. Briggs created, because it’s fascinating and the worldbuilding is very well done. It’s a world where the fae have come out into the light of day, and now the whole world is trying to live with the consequences. And the werewolves might be forced to do that as well, because with the medical and technological advances, it’s getting harder and harder to keep their existence a secret. I was also happy to learn a bit more about pack structure and the complex hierarchy between the dominants and the submissive wolves and what it meant to be an Alpha.
I was NOT impressed with the role of women in this structure. They are basically just an addition to their male mates (oh, not traditional relationships are also frowned upon). So if a dominant female mates with a submissive male, she is treated like a submissive wolf on the very bottom step of the hierarchy ladder. And if she is not mated, she is treated like an object to be protected / courted / dominated. Not cool, Mrs. Briggs, not cool at all.
I love Mercy. She is a fun character to follow – she is smart, independent, stubborn and tough as nails. She also loves to do a bit of mischief from now and then, so it’s no wonder that she shifts into a coyote. My problem with this book is that, unless the author plans on making the werewolf packs undergo a significant shift in mentality when they reveal themselves to the human world, if Mercy accepts to become a werewolf’s mate, she will lose everything that makes her such a great protagonist to follow. She would become just one more female to be protected and robbed of her own agency.
And she understands that, that’s why she’s resisting tooth and nail and rejecting the advances of a certain very determined Alpha… yet she still lives next to Adam, the Alpha of the local pack, and allows Samuel, who is another werewolf and who she used to have (possibly still has) a crush on to move in with her. And no matter how much she resists and snarls, she still allows both of them to manipulate her and try to decide what’s best for her.
This is a very worrying tendency that I really hope not to see in the next book. I am also extremely surprised to see this kind of one-sided approach to relationships in this book, because it’s diametrically opposite to the relationship Anna and Charles have in Alpha and Omega, and they are part of the same world, after all.
The other thing that dampened my enthusiasm for this book is the love triangle between Mercy, Samuel and Adam. Or is it a rectangle, if you take Stefan the vampire into consideration as well? But that’s a particular pet peeve of mine. Call me naïve or deluded, but I believe that if you can’t choose between two people you supposedly love, then you don’t love either one of them. But that’s a personal quirk, and plenty of people love reading about love triangles it seems – just look at the YA shelves.
Anyway, I liked Moon Called, but definitely not as much as I loved the Alpha and Omega series. I will probably give the second book a go, but if the worrying tendencies I’ve seen in this book persists, I might drop this series altogether and just read about Charles and Anna.
This book is a rare mixture of post apocalypse and anti-utopia with magic and even zombies thrown into the mix. It takes an exceptionally good plot and a strong protagonist to make such an mixture work, at least for me, but Karina Sumner-Smith hit the bulls eye with this novel.
This is a story about choices and consequences. It’s about growing up and realizing that sometimes the wellbeing of another person is more important than your own comfort. But more importantly, this story is about a true friendship between two very strong but very different girls. Xhea is a girl without magic in a world where everything and everyone lives and breathes magic, but she can see and talk to ghosts when normal people don’t even believe that they exist. Shai is one such ghost, but a ghost that is vibrating with magic when no ghost should be able to generate any.
There isn’t much backstory about the world Xhea and Shai live in, which actually makes sense, because Xhea has no way of knowing what brought in the cataclysm that left the extensive ruins she lives in. There are the Towers – beautiful floating semi-organic structures where those who were lucky enough to be born with strong magic live. They live in symbiosis with those Towers: they create and maintain them with their excess magic and in exchange the Towers give them a home and a place to belong. There is a complex web of politics and commercial treaties as well as non-aggression pacts between the Towers. Their citizens live sheltered lives of privilege compared to those who inhabit the Lower City.
Anyone who doesn’t possess enough magic to be useful to a Tower is cast down to try and carve a life out of the crumbling ruins of the ancient City that sprawls on the harsh and barren ground below the towers. But even here, on the ground, the level of your magic is important and the stronger spell casters are recruited by the communities living in the husks of several skyscrapers. There, much like in the distant Towers above, magic is the only currency. You can get a meal and a place to sleep for a few renai – plastic pieces infused with the caster’s magic. You can get more if you sign a servitude contract with the skyscraper that sheltered you.
Xhea doesn’t fit into this world no matter how much she would love to because she has no magic at all, not a glimmer, not a drop. To everybody else in this society she is worse than useless – she is a burden, an oddity that is to be ignored or eliminated. She manages to stay on this side of starvation by offering her services to those who want to get rid of their ghosts, or who want to talk to them. Business isn’t booming because not many people believe in ghosts, even if the more magically sensitive can sort of feel their presence next to them. Xhea is jaded and bitter and very much out for herself… until a well-dressed man from the Towers asks her to keep the ghost of his daughter for a few days in exchange for renai and food rations.
I loved Xhea. She comes across as rude and selfish at the beginning of the book, but, as I described earlier, she has every reason to be. She’d had to survive on her own for most of her life, and the only time she really cared for someone, that person ended up abandoning her. But she evolves. She changes. She goes above and beyond what’s asked of her to help Shai once she discovers what fate awaits the ghost.
Shai is a wonderful character as well. She could have been a typical damsel in distress – stuck and helpless, waiting for Xhea to save her, but the author managed to give her agency as well. Which is no small feat considering that she is already dead at the beginning of this story. Yes, Xhea saves Shai, but Shai saves Xhea as well. They are two broken children who had been hurt by the world around them but who manage to comfort each other and draw strength from one another even in the face of very unfavorable odds.
The book itself is very well written. Xhea has a distinctive voice that drew me into the story from the first page and kept me engaged and interested until the very last one. I liked this world and I wouldn’t mind discovering more about it in the next books. And I definitely want to know what happens to Xhea and Shai in the next book.
In other words, I will definitely recommend this book to my friends. It’s a must read.
I fell in love with this book. Absolutely and totally. But this will also be one of the hardest reviews I’ve had to write so far. Not because the book is bad obviously, since I loved it, but because it’s so different from anything else I’ve read recently. Heck, I don’t even know what genre to put this book into. Gothic? Fairy tale? Horror? New weird? It’s all of that and none of it at the same time. The Singular & Extraordinary Tale of Mirror & Goliath is a genre of its own, that can be summarized by three words: Weird, wicked, wonderful.
First of all, this book tells several different stories, some shorter, some longer, but all of them are intertwined and influencing each other.
The first story is about Mirror who is and isn’t a little girl. When she was 12, her grandfather locked her inside a big clock painted with ladybirds. When Constable Goliath rescued her out of the clock several months later, she was no longer human, but something else entirely. What, nobody knows, not even her. And Goliath himself is not entirely human either. He is a shapeshifter who can become may other things, like a great big bear or a giant eagle.
The second story is about Mr. Loveheart, who used to be an ordinary little boy until the day his aunt poisoned his mother, and Mr. Fingers, the king of the underworld, killed his father and took him into his domain. Now Loveheart has eyes black as tar, wears red hearts on all his clothes and isn’t entirely sure that he still has a heart. He is also pretty sure that he is at least half-mad.
When Mirror appears in London, Mr. Fingers sends Loveheart to find her, because he wants to eat her heart and capture the soul she holds inside her. The soul from inside the grandfather clock.
This books reads like a fairy tale in parts, but not the sanitized and cheerful version of fairy tales that we got used to see from Disney. No it’s the real deal, the Brothers Grim and Andersen tales where the Little Mermaid sacrifices her life to save her Prince in the end and he never even learns that she loved him.
It’s also part horror story, because some really horrible and macabre things happen to all the characters. I mean, the little girl who became Mirror died inside that clock before she became something else. And one of Mr. Fingers other “sons” is the famous Jack the Ripper.
I loved the language in which this story is written. It’s simple and clear, but beautiful and poetic at the same time. I could really see, feel and smell everything the author described. And those pictures were strangely beautiful and scary at the same time.
This whole book was similar to one of those strangely vivid dreams you have sometimes. Dreams that are so real that they cling to you like smoke tendrils even after you wake up and leave you with the feeling that you had touched a secret world in your sleep.
I admit that this kind of book is not for everyone. Some will probably hate it or think it’s too weird for them. But I would definitely recommend it to everyone who used to love fairy tales when they were a child. My opinion: definitely a must read and re-read!
PS. I had received and advanced copy of this book from NetGalley in exchange for an honest review.
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Name
Description
Duration
comment_author
Used to track the user across multiple sessions.
Session
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
_gac_
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
