books, Reviews

The Park (Evenstad Media Presents Book 1) by Voss Roster.

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Stars: 1 out of 5

The Park is the perfect example of how to bomb what could have been an interesting story.

The premise is fun, even though it’s been done before. We’ve had something similar in Hunger Games or Battle Royal, but there is always a way to put a new spin on an old story.

Evenstad Media kidnapped 12 randomly selected people and put them in an enclosed trailer park with cameras everywhere. Only one can come out alive and win the big price. If done well, it could have been an action packed adrenaline ride or a grim illustration of human greed and our society’s unhealthy fascination with reality shows and violence.

So I was actually very excited to pick up this book after I read the short summary on NetGalley. I love dystopian stories like that. Unfortunately, the author made some bizarre narrative choices that totally ruined this book for me.

Those survival stories where it’s a fierce battle of one against all have to grip the reader immediately and keep their unwavering attention until the end. This is best accomplished if the book is narrated in first person present tense. That creates the illusion that you are right there with the character, and the present tense implies that whatever is happening on the page is happening in real time. So your heart starts pumping when the character gets into a sticky situation because you don’t know if he or she will survive it in one piece. That’s what makes readers turn the pages. That’s what makes them engrossed in this kind of story.

But what do we have in The Park? For some reason, the author chose to tell this story entirely in the form of emails and journal entries. Which… just doesn’t make sense. A journal entry is by definition written after the scene its recapping already happened, so there is no suspense, no action. If the character is here to write the journal entry, we already know that they survived whatever encounter they’ve been through, so there is no worry about them. Also, I don’t know about you, but I don’t enjoy reading a summary of an action scene after the fact. Drop me in the middle of a fight and I’ll be engaged, but try to tell me about it after the dust already settled, and I will probably fall asleep before you are done.

That’s by itself wouldn’t be a deal killer if the characters in this book had a distinct voice, but unfortunately they don’t. I don’t understand why the author chose to tell the story through at least 12 different POVs (or even more, since we have the 12 participants and the people in Everstad, the media, etc.) It’s hard to pull off even 2-3 distinct POVs before all protagonists start sounding the same, but 12+? That would be a feat worth of the Guinness Records book.

Unfortunately, that feat didn’t happen here. The characters have no voice. Zero. Nada. They all sound the same. They are so similar in fact, that I was quickly confused whose entry I was reading and what their previous entries were about. Add to that the fact that we get almost no background on any of the 12 participants and no real character development and you have 12 cardboard cutouts that I, as a reader, found very difficult to root for.

So no memorable characters to root for and no action to speak off makes for a very boring story.  I finished it, because I don’t write reviews for books that I didn’t finish, but I will not recommend this book. There are plenty of other stories in this genre out there that are better written.

PS. I received and advanced copy of this book through NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Alliance (A Linesman Novel) by S. K. Dunstall.

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Stars: 5 out of 5.

 

First of all, can I squeee like a fangirl that the second book in this series if finally out? OMG OMG, I’m so happy!!!! Ahem, now that I got that off my chest, let’s proceed with the review, shall we? 🙂

 

I read and absolutely loved Linesman, the first book in this series, and you can read my raving review here if you want, so I had been waiting for Alliance with bated breath. I am happy to say that I haven’t been disappointed. I burned through that book in three days, and I would have finished earlier, but I had to work, eat, sleep, and exercise as well. I absolutely loved it! I would have given it 10 stars if I was judging books in a 10 star scale.

 

But let’s stop digressing and dive into the story, shall we?

 

Alliance picks up a few weeks after the end of Linesman. There’s been a major power shift in the different fractions that share the known space, with several words forming the New Alliance and going against Gate Union. The conflict hasn’t degenerated into a full blown war yet, but it’s mostly because Gate Union is confident that they can suffocate the New Alliance by cutting their access to the jump gates. And the New Alliance is still trying to figure out how to use the alien ships they had discovered in book 1. Because the problem is that Ean managed to link several human ships to the Eleven (the alien line ship), but he has no idea how to unlink them and let them move separately. They all jump together or not at all. Kinda hard to wage a war when your fleet can’t break formation isn’t it?

 

I love that we start this book exactly where the previous one left off, because this is such a complex word and Linesman raised to many interesting questions about the true nature of lines and the way linesmen interacted with them. I’m happy that the author chose to explore that further in Alliance. And we finally learn what line seven does! It’s not as useless as everyone had assumed for nearly 500 years, and proves to be quite crucial in some rather tense situations.

 

I also loved that we got more development into the relationship that grows between a captain and his or her ship. It was hinted in the first book that a captain bonds with his ship and that the lines end up reflecting a bit of the captain’s distinct personality. That’s why Captain Helmo immediately noticed when Ean touched on of the lines on the Lancastrian Princess without his approval in book 1.

 

In Alliance, we discover that captains pretty much bound with their ship for life, that’s why once you assume captainship of a ship, you never move anywhere else. Ship = Captain, hence the instances of “mad ships” when captains die in an accident or are killed, and why captains usually don’t survive the destruction of their ship.

 

And here comes Captain Selma Kari Wang, the only survivor of a vicious attack on her ship. She lost her legs, she lost her crew, she lost her ship, and with that, she lost her soul and her will to continue living. But to her dismay, the New Alliance wants to put her on the alien ship Eleven. Putting an experienced captain on a brand new ship is never done, but political struggles in the New Alliance play so that nobody asks her about her opinion on the matter. So she is sent on a ship she doesn’t want or care about, that nobody else understands either, when all she wants is to crawl in a hole and die.

 

Of course, she clashes with Ean, who has a dilemma now. He knows that the lines are more sentient than anybody has ever thought, and that ships need a captain and crew to be happy. But they need a good captain and a close-knit crew. He knows that the alien ships are lonely and crying to be manned and used. He knows that there is a deficit of captains out there and that the crewing of such a strategic ship will be mired in political jostling and problems. But he can’t accept a captain that doesn’t want or appreciate her ship, or who is borderline suicidal…

 

But those problems have to be put on the back burner when somebody seems very determined to kidnap Ean, and when Gate Unions keeps jumping suicide ships into the Eleven’s fleet in an effort to destroy it in one swift explosion.

 

All my favorite characters are back, some minor characters from book one get more development and step up to play major roles, and we are introduced to a few awesome new characters as well, like Selma Kari Wang.

 

The story is fast-paced and full of tense moments, so much so that I couldn’t put it down. I HAD to start the next chapter and see where the story was going as soon as finished the previous one.

 

So if you are looking for a cracktastic sci-fi series to start, I would recommend picking up Linesman and Alliance at the same time, and you are guaranteed at least a week of exciting reading.

 

PS. I received an advanced reader copy of this book from NetGalley in exchange for an honest review.

random musings, Slice of life

In Memoriam – Alan Rickman.

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Alan Rickman

Alan Rickman would have turned 70 yesterday. Unfortunately, Fate decided differently, and he passed away on January 14, 2016, after loosing a battle against cancer.

But I couldn’t let this date pass without honoring one of my favorite actors at least in some way, so today I decided to talk about some of Alan Rickman roles that I loved the most. He has been in so many movies, theatrical plays, and radio shows, and even lent his beautiful voice to audio books, that it’s impossible for me to list them all. And I probably haven’t seen all of them either. So I will concentrate on those that I particularly loved.

  1. Hans Gruber in Die Hard.

I think this was one of the first Alan Rickman’s movies I’ve seen and I was 11 years old then. It just goes to show how impressed (and terrified) I was of Hans Gruber that I remember him even after all those years. Hans was magnificent in his ruthlessness and baddassery with a slight touch of crazy. One of the best villains ever.

Die Hard

2. The Sheriff of Nottingham in Robin Hood Prince of Thieves.

It just goes to show how good Alan Rickman was at playing villains that he managed to transform this rather one dimensional character into somebody I in turn hated, despised, and pitied. He gave the Sheriff of Nottingham a touch of humanity and more than a few doses of insanity. Compared to how dull Robin Hood himself was in this movie, the Sheriff was a joy to watch.

Robn Hood prince of thieves

3. Colonel Brandon in Sense and Sensibility.

As good as Alan Rickman was at playing a villain, he was absolutely swoon worthy as a romantic character. Colonel Brandon was a man of few words, but his eyes spoke volumes. He could melt your heart into a puddle with just one long soulful look. I kept yelling at Marianne to open her eyes and grab on to the treasure that this man was instead of chasing after Willoughby.

Sense and Sensibility

4. Metatron in Dogma

And if you thought he was excellent at playing villains or romantic heroes, you haven’t seen anything until you’ve seen him in Dogma. He was awesome as Archangel Metatron, The Voice of God. He was so full of sass and sarcasm and quick wit that I’m not gonna include a picture here, but a whole video clip instead. You’re welcome.

5. Professor Snape in Harry Potter.

This is probably the most iconic role Alan Rickman ever played. I’m safe to say that for my generation,  and for younger generations, the name of Professor Snape will always be associated with Alan Rickman. He embodied that character so perfectly, that I can’t imagine anyone else as Severus Snape.

Severus Snape

 

And there you have it, my five favorite roles Alan Rickman played. What are yours? He was a wonderful actor and human being who touch countless hearts. Our world grew a little duller now that he is gone.

Happy Birthday, Maestro! I miss you.

books, Post-Apocalyptic, Reviews

Oasis (The Last Humans book 1) by Dima Zales.

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Stars: 5 out of 5.

This is the first book I read by Dima Zales and I must say that I’m impressed. I will definitely pre-order the second book in the series and check out his other works.

Theo is one of the Youths living in Oasis, the last stronghold of humanity on an Earth that has been destroyed by the Goo. Life is good in the Oasis. Everybody is happy and healthy, since all sicknesses, both physical and mental, have been eliminated.

So everything is sunny in Theo’s world… only Theo has a problem – for the past few weeks, he’s been hearing a voice in his head. His imaginary friend calls herself Phoe and insists that she is real and not a figment of his imagination. And to make things worse, his best friend Mason confides in him that he committed not one, not two, but three horrible infractions that would surely land him in a world of trouble with the Adults. 1. He fell in love with a girl. 2. He confessed to that girl. 3. He feels depressed because she rejected him in horrified horror.

They decide to sleep on it, but when Theo wakes up the next morning, Mason is gone and nobody in the Oasis remembers that he even existed, except him. That’s when Theo’s search for the truth begins as well as his race against the clock, because the Elders know that he is different from other Youths now and difference will not be tolerated.

I loved how fast paced this book was but how at the same time we were given just enough information to understand Theo’s world as well as the backstory. And it was dolled in in small chunks throughout the story so that the reader didn’t feel overwhelmed and bored by info dumps.

We begin our journey firmly in Theo’s head and it’s very easy to relate to his emotions and problems. He doubts his own sanity because of Phoe, and he doubts Phoe’s very existence as well, but his biggest problems is that he cannot talk to anyone about this because he will be punished for being different. And when Mason goes missing, he ends up utterly alone with nobody to turn to except Phoe. The reader goes through the journey with him, from his disbelief, to his growing horror the more he peels the veil of lies he’d been fed all his life and discovers the grizzly truth about Oasis.

It is true that apart from Theo and Phoe, not many other characters are particularly developed, but they don’t need to be. This story is centered around those two characters and their quest for the truth behind Phoe’s nature, so having an extended cast of characters would only have distracted the reader from that quest.

And while the story itself is nothing something new or earth-shattering, it’s very interesting nonetheless. Mr. Zales created a complex world, and all the revelations we discover throughout the book feel logical. At least, I never had a WTF moment while reading this, even if I had a few “why didn’t I think about that, it was staring me in the face” moments.

So if you want to read a different kind of dystopian story than the usual end of the world / postapocalyptic formula we see in many books of the genre, I would strongly recommend Oasis.  I’m very excited to read the next book in the series and see what Theo and Phoe will do now that they know the truth.

PS. I received an advanced reader copy of this book from NetGalley in exchange for an honest review.

Characters, Creativity, Reviews, tv shows, writing

Signal – what Korean dramas can teach us about telling a compelling story AND keeping you on the edge or your seat.

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With this blog post, I want to continue my series of posts about what Asian dramas can teach us about storytelling. You can check out my first post about it here.

This time I want to use the example of Signal, an ongoing Korean drama that, so far, is the best example of a crime procedural done right. It tells us a compelling story which includes an overarching arc relating to the characters, but also the “cases of the day” so to speak and it manages to do so with so much heart and suspense that you can’t help but get invested in every case. More than that, it makes each hour long episode a heart-pounding, edge of your seat, adrenaline ride.

Signal, a Korean Drama by TvN.
Signal, a Korean Drama by TvN.

Here is a brief synopsis of Signal:

Park Hae-Young, a young profiler and detective in 2015, manages to connect with Lee Jae-Han, a detective from the past with the help of an old walkie-talkie. Together they try to solve cold cases.

That sounds intriguing, but nothing stellar, right?

Well let’s add some more details to that. The walkie-talkie only works at 11.23pm and stays on for about one minute. And it doesn’t do that every day either. Neither cop knows when the connection will be possible again.

Also, while time for Hae-Young is linear, for Jae-Han it’s not. The first radio transmission connecting the two detectives happens in August 2015 for Hae-Young and in August 2000 for Jae-Han. At that time, Hae-Young has no idea what’s going on and thinks this transmission is a giant hoax, but Jae-Han knows exactly whom he is talking to and even calls the present detective by name, like they had spoken several times before. The next transmission Hae-Young gets though connects him with a Jae-Han from 1989, back then just a rookie cop, and it’s Hae-Young’s turn to persuade the other detective that he is not pulling his leg.

Moreover, Lee Jae-Han, the cop from the past, went missing shorty after that very first (or very last, depending on the point of view) transmission in August 2000. His official file says that he had been under investigation for embezzling money and fled the country, but the more Hae-Young digs into that, the more he suspects that it was just a carefully crafted cover up. So this is the first mystery driving this series. What happened to Jae-Han and what can both cops do to change his fate?

And finally, any changes made in the past tend to generate a ripple effect that leads to unforeseen (and often disastrous) consequences in the present.

Butterfly effect.
Butterfly effect.

When Hae-Young warns Jae-Han about the location of the next victim of a serial killer, Jae-Han manages to save her, but because of that the killer accelerates his killing spree and 3 more people die that were alive in the unaltered version of events. And one of those new victims was someone Jae-Han liked.

When Jae-Han begs Hae-Young to give him some tips about a string of burglary cases that remained unsolved even in 2015 and uses those profiling tips to catch the culprit, the repercussions are even more severe – the culprit’s daughter dies in front of his eyes in the past and he goes on a revenge killing in the present that takes the life of another cop…

This sense of immediate repercussion adds urgency and suspense to the stories, because you never know if by messing with time, the protagonists will make things worse or better. They might save lives, but they might make it so that more lives are lost as well. So both have to choose just how much to reveal and how much to leave out during each of their radio transmissions.

Timey wimey stuff
Timey wimey stuff

What adds to the suspense of this series is the fact that all the cases, even the case of the day, are tied to the members of the cold case squad one way or another either by what happened in the past or by the ripple effect of the time-altering intervention, so the viewer can’t help but be emotionally invested in the investigation because all the main characters in this series have their own backstories and lives which we get only small glimpses now and then, but which make them more than just “member X of the cold case squad” but real people with their own problem, aspirations, and heartaches.

Take the very first case, for example. Fifteen years ago, a 10 year old girl was kidnapped from in front of her school and found dead a few days later. The culprit was never found and the statute of limitation on that crime expires in 3 days. This case is very important for Hae-Young, because he was the only witness of that kidnapping, because he was the girl’s classmate and happened to see a woman lead her away. He even went to the police station right away, but nobody would talk to a 10 year old boy. He came back year after year, but nobody was interested to listen to what he had to say. That case shaped his character – he became a profiler and a cop to right a wrong, but he despises cops he works with, because in his experience, they are more worried about closing cases quickly and looking good in the public eye than actually trying to find the truth. So he doesn’t mince his words and clashes with most of his colleagues. There is no love lost between him and the other detectives, even though his profiling instincts (and the help of a magic walkie-talkie) help them solve cases.

This is how you make a series that grabs you by the throat and doesn’t let you go – engaging characters that feel like real people instead of walking labels, intricate and interesting story with stakes that are actually important for the characters, and a certain amount of unpredictability that is still consistent with the inner logic of this created world.

books, Fantasy, Reviews, Urban fantasy

Midnight Taxi Tango (Bone Street Rumba book 2) by Daniel Jose Older.

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Stars: 4 out of 5.

This is the second book in the series, but it can be read as a standalone without problems. I haven’t read the first book in the series, Half-Resurrection Blues, but the important points of what happened in it were mentioned in book 2, so I didn’t feel lost and confused. Plus, from what I understood, Midnight Taxi Tango covers a different story, so prior knowledge of the world and the characters is not needed.

I really enjoyed this book. More than I thought I would based on the description, actually, and it was all thanks to the wonderful characters Mr. Older has created. They are real. They are larger than life. And their emotions are sincere. You can’t help but root for them and follow them along in their search for the truth.

But those characters are also why I gave this book 4 out of 5 stars. No matter how much I tried to ignore it, Carlos got on my nerves way too much. I understand that he is going through a rough time – he’d killed the brother of the woman he loved, and she in turn tried to kill him then ran off into the sunset. I get it. What got on my nerves is how whiny he is about it. He spends most of the book either brooding about that, or trying to look for her, or brooding about his lost memories. And when the shit hits the fan and he realizes that both his woman and his babies (that he had never seen before) are in danger, he totally loses his shit. It takes the vigorous intervention of the other two protagonists to wipe him back into shape… I can live with brooding, but it gets old real fast.

Not to mention, that I really didn’t like his reaction when he learned a certain uncomfortable truth at the end of the book. I won’t mention it here because it’s a huge spoiler, but Carlos, man, why to be a douche to the woman you love…

So thank God for Kia and Reza, the other two protagonists who share the POVs in this book, because those two women are absolutely amazing. Though, kicking ass and taking names, but without becoming a cliché. Without them to kick Carlos in the nuts every now and then or drag him along kicking and screaming, he wouldn’t have made it to the end of the story.

I loved that they both had their own character and back story and agency, and never became the standard kickass female who suddenly transforms into a damsel in distress in need of rescuing by the male protagonist by the end of the book. No, both Kia and Reza did their fair share of rescuing instead. And they were the ones who collectively killed the big bad in the end, not Carlos. Kudos to strong women how they are supposed to be! I wish there were more of them out there.

And I need to mention the world these characters inhabit as well, because I found it quite interesting. It’s urban fantasy, so it’s New York pretty much like our own, but with the addition of ghosts and other unsavory supernatural entities, like the Resurrected (people who were killed, but inexplicably came back to life, or half-life, again), and the creepy bug-guys who are the baddies in this book. And those supernatural entities try to stay hidden, so most of the normal people don’t know they exist, especially since very few people have the ability to see ghosts.

What I liked about the ghosts in this world is that they are not just forlorn and powerless souls who spend their time mourning their deaths. They have powers, they can interact with the living world if they want to, and they can be deadly. So it makes sense that there would be an Agency responsible for keeping the ghostly activity in check. Though after finishing this book, I’m not so sure that their intentions are all that honorable…

Anyway, I would recommend this series for anyone who likes urban fantasy and is looking for a new take on the genre. And I am definitely looking forward to the next book, though Mr. Older, please make Carlos finally grow some balls? Or let’s just ditch him and focus on Kia and Reza. On, and that awesome librarian as well!

PS. I have received an advanced reader copy of this book via NetGalley in exchange for an honest review.

Characters, first draft, writing, writing advice

Outlines – When it’s time to throw the map out of the window.

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Roadmap

So remember when I talked about the importance of outlines and that having a roadmap will help you get to your destination faster while writing the first draft… Yeah, well somethings things happen that throw a wrench into the well-made plan and you are left scrambling to put pieces back together. And they usually form different pattern in the end.

 

It’s like when you plan out a route to get somewhere only to get halfway and discover that the bridge is out. Now you are left trying to negotiate a myriad of backroads to get to your destination, and your GPS is out. Scary right? But admit that it’s also a bit exciting. Because just like driving, spending several months simply following along a rigid outline can become boring.

 

I know I was getting a bit tired of my well-planned out story when I finished Part 2 of Shadow Hunters and started on Part 3. And that’s when the writing gods threw a wrench in my plans and made my writing time exciting again.

 

It all started when a character whom I didn’t have any big plans for decided to not only appear early, but also to take an active role in the story.

 

When he showed up, I said, “Well hello there! What am I supposed to do with you?”

 

He smiled and blew up my carefully constructed bridge leading to the final destination.

 

So now I and the rest of the characters are stuck on the backroads of the story. We see the destination, but what stretches between us and shining light called THE END is terra incognita.

 

But you know what? I’m looking forward to my writing time again now. I know that I can still use some of the plot points and scenes I had outlined, but they will have to be arranged differently and probably have an unexpected outcome. But a lot of this Part 3 will be totally new. Who will live? Who will die? How will the situation be resolved? Shit, I have no idea now! How cool is that?

 Terra-Incognita

So this is my long-winding way of saying that while having an outline is important because it lets you really think your story through to the ending, sticking to it like glue can be a bad thing. Use it as a guideline, but never be afraid to step off the beaten path.

 

When a character starts doing something unexpected? By all means, let him! And cheer him on too, because chances are, he is giving you narrative gold. When a carefully planned scene suddenly reaches an unplanned outcome, don’t delete it and try to rewrite so that it fits your outline. Let it run its course and see where it leads. Even if it doesn’t quite make sense at the time, even if that means you will have to rewrite parts of the story you have already written down afterwards. Let it flow, because this is your story telling you how it wants to be written.

 

So throw away the map and jump into the unknown with a smile on your face, just don’t lose sight of the end game! You might meander a little and take a detour or two, but you will certainly find some hidden gems along the way.

 

Write on, my friends, write on.

WordCount

books, Dark fantasy, Fantasy, Reviews

City of Blades (The Divine Cities) by Robert Jackson Bennett.

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Stars: 5 out of 5

Before I dive into this review, I need to mention that I absolutely loved the first book in the series City of Stairs, which I also reviewed. So I opened City of Blades with a certain amount of trepidation. Would it live up to the hype of the first book or would it leave  me disappointed? Well, I’m happy to say that this book is everything I loved in book 1 and then some!

Imagine a world where gods are as real as the mortals who worship them. Where they actually listen and respond to their worshipers. Where miracles are part of the everyday life. Where divine intervention is as common as rain or wind. This is the Divine Empire who ruled the continent and its colonies with a firm and bloody hand  for millennia…

Until Saypur, a small insular nation, invented a weapon that could kill the Divinities. Now the Empire crumbles as its gods lie dead and its great cities are in ruins, with entire chunks simply vanishing into oblivion when the miracles sustaining them stopped working. Saypur firmly believes in science and technological progress and everything remotely divine is outlawed, and worship is a crime deserving capital punishment.

The first book dealt with the aftermath of that great war that saw the death of all Divinities and changed the world in some spectacular ways. The second book asks another important question. Each God had created some kind of afterlife for their worshipers, so what happens to those afterlives and those countless souls when that Divinity dies? And what happens to the dead now that there is no afterlife waiting for them?

The protagonist of this book is someone we’ve already met in City of Stairs – General Turyin Mulaghesh, and I must say that she is just as kick ass as she was in the first book, but now that we can actually look inside her head, she also because a lot more human and endearing.

Mulaghesh is a woman adrift – she quit her post as General and went into early retirement, but the problem is that she doesn’t know how to be anything but a soldier. So all she can do is slowly drink herself to death and hope that alcohol will keep the nightmares at bay and let her sleep once in a while. When Shara offers her a chance to get back into action, she gripes and whines, but goes anyway.

I love Turyin. She is tired and disillusioned, and tormented by the past battles she fought and the people she killed. And then she lands in Voortyashtan, a city in ruins, a city whose god is dead, a city that is most hated by the Saypuri because Voortya was the goddess of war and death whose Sentinels terrorized their land for centuries. Only certain events let her believe that the goddess of death might not be as dead as she seems, and that the dead themselves don’t want to stay quiet anymore.

I think City of Blades is a bit darker than City of Stairs, because it deals with darker topics, like the meaning of war and when our actions done during war time cross the line between necessity and into atrocity. It deals with death and loss and hope and redemption. Our protagonist is broken and the city in which she arrives is broken as well, but maybe both can glue some pieces together and find a semblance of peace by the end of the story…

I am in love with this world! I want to know more about it, I want around Bulikov and Voorthyashtan, I want to read the old stories and have a chat with Shara over a steaming cup of a spicy Saypuri drink. And it’s all thanks to Mr. Bennett’s wonderful imagination and amazing writing. My only complaint is that I’m done with book 2 and I have to wait a year for book 3. Write faster Mr. Bennett!! 🙂

I am a fervent advocate of this series and I will recommend it to everyone who wants an original world populated by interesting characters and who wants to read a gripping story that asks some thought-provoking questions.

And you don’t need to have read City of Stairs to enjoy City of Blades, because it can be read as a standalone, but I would highly recommend reading both books.

PS. I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Fantasy, Reviews, Urban fantasy

Broken Dolls by Tyrolin Puxty.

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Stars: 5 out of 5.

 

I didn’t expect to love this book as much as I did. The premise sounded rather quirky, so it could have gone either way for me. I’m so glad that I decided to give it a chance though, because it was blast to read! In some places Broken Dolls reminded me of another excellent book I had read – The Singular & Extraordinary Tale of Mirror & Goliath, which I have reviewed here. It has the same quirky and slightly psychedelic feel to it.

 

This is the story of Ella, and Ella is a doll, though she knows that she has been human before, she just doesn’t remember what it was like or anything from her past life. All she knows is the dusty attic and the big chest she lives in, the old tape recorder she plays with during her Imagination Time, and the ancient black and white TV she watches sometimes. The only person she ever interacts with is the Professor, who, even though he always tells her that she is special, nevertheless forbids her from leaving the attic and never explains anything.

 

She doesn’t remember how long she’s been a doll, but her peaceful and boring life changes when the Professor creates Lisa, another living doll. Lisa is a Goth and a rebel and she remember her human life. And she will stop at nothing to get her human body back and make the Professor pay for what he’s done to her.

 

At first, Ella thinks that Lisa is crazy and is scared of her, but then Ella meets Gabby, the Professor’s granddaughter and everything changes. Gabby is sick and Ella has the sinking feeling that the Professor will try to change her into one of his living dolls. And Ella will do everything in her power to save her new friend. So the good little dancing doll rebels for the first time in her memory.

 

What I loved about this book was its unpredictability. You start the book with the idea that you have the plot pretty much figured out – crazy evil Professor praying on little girls and turning them into dolls for his crazy evil pleasure. And for the first part of the book, Mrs. Puxty does a good job to cultivate that assumption… until she starts slowly revealing little details that make us doubt what’s going on and wonder if what we are seeing is perhaps not the whole truth. And in the end we discover that all of our assumptions were wrong and the villains are not who we had expected. What can I say? That was brilliant!

 

Nobody is who they seem to be when we first meet them, apart maybe for Gabby, but she is a 10 year old child, so not really capable of much deception. So it was fun for me to discover different sides to all these characters and to constantly have to revise my opinion of them. And the best part is that the author does those reveals in a very natural way that flows seamlessly with the story.

 

I also loved Ella, even though I came to hate her by the end. Well, hate is kind of a strong word. Let’s just say that I disliked the person she was when she wasn’t a doll. I won’t go into many more details because that would be a spoiler, so to know more, you need to pick up this book and read it for yourself.

 

The book is also well written and the story was fast paced and kept me on the edge of my sit. I devoured it in one day because I just couldn’t put it down! It’s also not very long, only about 150 pages, so that helped.

 

Anyway, I would definitely recommend this book. You want something fast-paced and interesting to read while curled up on your couch with a cup of hot chocolate? Broken Dolls is a book for you.

 

PS. I have received an advanced reader copy of this book from NetGalley in exchange for an honest review.

Characters, characters rebellion, first draft, writing, writing advice

Evolution of a character or not all princes are jerks.

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Paiting a new world, what's more exciting then that?
Paiting a new world, what’s more exciting then that?

Last week I talked about the importance of listening to your characters and letting them evolve. Today I thought that I would give you an example of that, since I had to let the characters take the reins in my current WIP – Shadow Hunters.

 

When I was outlining and plotting Shadow Hunters, I knew that my protagonist would be a prince. Not only that, but that he would also be a jerk. After all, this kingdom lives under absolute monarchy, which means the king and the royal family have a heck of a lot of power. On top of that, there is a rather rigid caste system with the royal family on the very top of the food chain.

 

So it made sense that a guy who was born with a golden spoon in his mouth and had servants cater to his every whim would grow up to be a self-absorbed and entitled jerk. So his initial character journey was to meet a girl from a very different environment, fall in love and slowly become a decent human being through a series of more and more staggering trials and obstacles.

 

With that plan in hand, I started writing my first draft and my protagonist immediately rebelled against me. He absolutely didn’t want to be a jerk. After fighting with him for the first three scenes of the first chapter, I threw the towel and let him drive the narrative. And I discovered some very interesting facts about my prince.

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Yes, Akemi’s family is all powerful and his father rules the kingdom with a firm hand, but Akemi himself is the youngest of five children. As such, he is so far down the inheritance line that nobody even considers him a contender. His eldest brother is the Heir in waiting destined to succeed to their father and has been trained as such. His sister is the perfect lady destined to be married off to form an alliance with one of the neighboring kingdoms. He could go into the military, but his second brother already beat him to it and he is, by all accounts, an exceptional warrior. And even the scientific field is covered with his last brother the genius inventor.

 

Akemi couldn’t even enter the clergy because there is no clergy per se in this world. And it’s not like he has a particular talent for anything. So in the eyes of his family, he is useless. He grew up seeing indifference in his parent’s eyes and annoyance from his eldest siblings.

 

On top of that, he learned at a very young age that no friendship is free. All the kids that wanted to be his friends in the past and even now that he is studying at the Royal College want something in exchange for that friendship. It’s either status, influence, money, or a way to get closer to his more influential siblings, and once they get what they want, they will jump ship in a heartbeat.

 

So Akemi learned to wear a mask of indifference and condescending aloofness and not let anyone close enough to see his real face. Heck, he doesn’t bother to learn the names and faces of most of his followers because they change from week to week. He remembers 3-4 that stayed longer than most and even gets attached to them more than he should, despite knowing that it’s a bad idea that would only lead to heartbreak.

Guidelines

So instead of a self-absorbed jerk, I discovered a decent and even rather kind guy who is just so lost and disillusioned about his place in this world that he hides behind a mask. His family thinks he is useless, so he ends up believing the same, and just kinda floats with the current, not making much effort to find a road to follow in life.

 

So his journey through the book transformed as well. Instead of being just a plain love story where guy meets girl and she makes a human being out of him, he embarks on a journey of self-discovery. Throughout the events of this story, Akemi discovers where his allegiances lies, what his dreams are, and how far he is willing to go to protect those he loves.

 

I don’t know about you, but I find that kind of story a lot more interesting than the one I had planed to write in the beginning.

 

My dreams and stories. The life of a writer.