Tag Archives: ARCs

books, Fantasy, Reviews

The Butcher of the Forest by Premee Mohamed

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Stars: 5 out of 5

This is a wonderful fairy tale in the best tradition of the Brothers Grimm and Hans Christian Andersen. The true and harsh tales, not the sanitized Disney versions most of the modern children grew up with.

Veris has to venture into an enchanted forest to rescue the children of the man who was responsible for her parents’ death. This already presents a huge moral dilemma for her, because she hates the Tyrant and everything he represents, but she also understands that the children are innocent, even if they are his.

Because these enchanted woods are not the Disney fairy tale woods. They are dark and ancient, and cruel, but they have rules. Follow those, and you might, just might survive the trip and even come back whole.

I loved the description of the woods and the horrors and wonders that call them home. The author uses language like a scalpel to craft mesmerizing images of beauty and horror at the same time. These woods are alien, their inhabitants even more so. And I was genuinely afraid for Veris and the children, because what can mere mortals do against something this ancient and powerful?

We need more stories like this.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Fantasy, Reviews, YA

Abeni’s Song by P. Djali Clark

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Stars: 5 out of 5

I don’t usually read YA as a rule, probably because I am a few decades past the age when those particular stories were interesting to me. However, I had fun reading this one because it’s very well-written and avoids the pitfalls of other young adult books – insufferable heroines, children who seem to be smarter and better at everything than adults, or dreaded love triangles. 

This is more of a fairy tale and a coming-of-age story or even a hero’s journey story, and it plays by the rules of those genres. Yes, Abeni can be annoying and quick to judge others, brash and even stupid at times, especially at the beginning of the story, but she grows and matures as we follow along. This is very much a journey of self-discovery for her. It’s also a story of found family, of seeing past differences and finding friends in unexpected places. And about courage as well. Not only the courage to confront an evil that terrifies you because it’s the right thing to do, and there is nobody else to do it, but also the courage to take a long, hard look at your own motivations and shortcomings and acknowledge that you were wrong.

I like how we see Abeni growing up and assuming the role of protector for the newly reborn Asha, even though she is still a child herself. Yes, it’s terrifying, and Abeni tries to pass that duty to others, like Asha’s sister, but she still does what she feels is right in the end. 

And no hero’s journey would be complete without trials and adventures. Some are scary, some are sad, and some are there to remind us that there is always a light even in the darkest places. I loved the episode in the Vale of Lost Things. It is an amazing place to visit, though I wouldn’t want to stay there permanently. 

I also liked that Abeni had to confront how anger and resentment can warp people when she confronted the Goat Man. In a way, she could have chosen the same path. He’d even said that she had a lot of anger burning inside her, and that the Witch King could use that anger. I think it’s one of the reasons why she was so upset about how the villagers treated Songu and why she agreed for him to come with them at the end of the book.

Abeni started this book losing everything – her family, her friends, her home. She ended the book having found new friends as well as a purpose in life. And I think she also learned several valuable lessons.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Dark fantasy, Fantasy, Reviews

Grave Empire (The Great Silence 1) by Richard Swan

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Stars: 5 out of 5

I really loved this book! And I think I found a new favorite dark fantasy series to follow. Also, I didn’t realize that this was a continuation series to a previous series called Empire of the Wolf, though from what I saw, Grave Empire happens several centuries into the future, so knowledge of the prequel isn’t a must. In any case, I will definitely go back and read that series as well while I wait for the next book.

What I liked the most was that the world feels lived in. You can feel the weight of centuries and the lore and history that comes with it. I was also surprised to see that this particular world is in the throes of the industrial revolution, instead of the usual medieval setting so common to fantasy worlds. It was fun to see how stage coaches and steam engines would coexist with magic and horrors from beyond the grave.

The protagonists were also fun to follow. I felt sorry for Peter, who felt like a fish out of water most of the time. He didn’t want to be an officer or be sent so far from home. He only accepted the commission because his late father bought it for him, and he really didn’t feel particularly welcome at home anymore. He is faced with unimaginable horrors, on top of all his doubts about being a coward or an incompetent officer, and he ends up… something else. I’m sure he will have a crucial role to play in the next book.

Renata is a lot more independent and opinionated. She also has nerves of steel. Nothing in her training as a diplomat would have prepared her for the horrors she had to face by the end of this journey, yet she persevered where a lesser person would have lain down and waited for the end. And the hidden reservoir of grit in that girl surprised everyone, even herself.

The only character I really didn’t care about is Lamprecht. He is simply despicable. And I don’t understand why Yelena was helping him in his research for so many years. Why didn’t she put a stop to it as soon as she realized that he wanted to bring one of the vacants back to Sova with them? I know that he is set up to be the villain in the next book and a foil to Renata and Peter, but the man really has no redeeming qualities, whereas the other two are pretty multifaceted people. It makes me almost a caricature instead of a character.

I loved the hints at different other races and their origins, and how science and progress can coexist with religion when the existence of the afterlife is a scientifically proven fact. I would have loved to learn a bit more about Nema Victorianism and how it differs from Nema Conformism, and why those differences are considered so big that nations go to war because of them. I understand that it’s a nod to the splintering of the Christian church back in the day, but I would have loved more details.

All in all, though, I am looking forward to the next book. The board is set, the pieces have taken their places; let the best player win.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Horror, Reviews, Zombies

How We End by L.M. Juniper

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Stars: 3 out of 5.

Reading zombie books is my guilty pleasure, and I realize that there is only so much you can do with the genre before you run out of fresh ideas and start repeating common tropes, even inadvertently. 

How We End surprised me in the beginning with how different it was from other zombie books: people cooperated and helped each other when faced with the horrors of zombie apocalypse, instead of being complete arsholes, as they are usually depicted in other books. In a way, this was a story of found family and overcoming hardships together more than a zombie survival book. Seven strangers are thrown together during the first outbreak in London, and they decide to stick together and try to survive this nightmare. It was refreshing to see this aspect of humanity brought to the forefront, rather than the cruelty, looting, and killing that are usually prevalent in zombie books.

The characters are also pretty interesting, though only two of them, Liv and Jake, get any sort of development or story arc. The rest are more there for support and to add necessary survival skills to the group. Like how convenient that the American couple stranded with them are a cop and a restaurant owner who can cook pretty much anything and knows how to forage? And for some reason knows exactly what kind of edible wild plants and mushrooms are available in the UK, even though he is from Louisiana and was a tourist in London? 

And here we come to the crux of my issue with this book – everything is a bit too convenient. Need a car? Fareena knows how to hotwire them! Need a houseboat to use the canals? Fareena’s aunt used to live in one, so she knows how to navigate them! Need to stock up on food for the winter? Rob can forage! And cook! And pickle! And smoke meat! Need a water filtration system? Another member of the group used to be a cosplayer who loved to tinker with stuff… don’t ask me how that translates into knowing how to make filtration systems. Oh, and Jake was a doomsday prepper with a stocked pantry and a bugout bag ready to go!

There is never a struggle or mad dash for survival, unless it’s needed by the story to fridge a character. And even then, some characters survive against impossible odds when others just get offed seemingly immediately. How was Frances okay after an infected clawed all over her face and scalp? I distinctly remember the author mentioning blood and wounds… yet this is never mentioned again once they get on the boat. Jake has traumatic bruising on his arm… which is conveniently glossed over and never talked about again. More importantly, it never impedes him from doing anything.

And the action comes to a grinding halt in the last quarter of the book, once they all get to Jake’s parents, and what we get is a long group therapy session with absolutely nothing else happening. Then the author remembered that this was actually a zombie book and decided to end it with a bang… so they go on a hospital raid… for no reason. Yes, they would eventually need meds, but going into ground zero for infection half-cocked with people they had never worked with before is the epitome of stupid. Not to mention, the action sequences in the hospital dragged way too long. 

By the time they reached Jake’s parents’ house and everything that happened there, I was rapidly losing interest in the story. The hospital raid didn’t really do anything to help with that. The book went from a solid 4 stars to about 2, so I rounded it up to 3 because the first half of the book had promise.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Dark fantasy, Fantasy, Reviews

The Witch Queen of Redwinter (The Redwinter Chronicles 3) by Ed McDonald

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Stars: 2 out of 5

I don’t think I have ever been this disappointed by the conclusion of a series before. This book was a huge letdown both as a standalone and as a book destined to wrap up Raine’s story. It was messy, it was dragging, and it lost all of my goodwill by the time we arrived at the end.

The biggest issue is the fact that the stakes went sky-high in between book 2 and book 3, even though only about six months passed between the events of book 2, when Raine and companions ended up in the Fault, and the beginning of this story. Yet all of a sudden, the world is ending, all other nations have fallen, the Fault is bleeding back into the real world, and ancient monsters stalk the forests and mountains again. 

How did that happen so quickly? We didn’t even know this danger was looming on the horizon. It was never forshadowed in the previous books. As far as I know, the stakes in the previous books were localized to Redwinter and this one particular Crown. There were no hints of a bigger conflict brewing anywhere. When I picked up this book and started reading about all of these catastrophes happening, I really thought I had missed at least one more book in the series that would have built up to this conflict. You simply can’t introduce such huge portions of new lore in the last book and not leave your reader lost and dissatisfied. 

And even despite all these new revelations piling up on top of me from the beginning of the book, this story is boring and feels like an ever-ending road trip of little significance. I understand why the author decided to split Raine into two; otherwise, there would have been no way of showing what was happening in the real world while she stumbled her way through the Fault, feeling sorry for herself. But the unintended consequence is a disconnect between the reader and the two Raines. Who am I supposed to care about? Who is the real Raine and who isn’t? Also, neither of the two is particularly likable.

This split narrative also kills any forward momentum in this book. The moment you get invested in something happening to emo-Raine in the Fault, the chapter ends, and we are thrown back into the real world and dominatrix Raine being awful and not caring about anyone or anything. It’s hard to follow two separate stories when they constantly switch places, but also when you are less and less invested in either one.

The other issue is that I didn’t particularly like what Raine has become in this book. Neither of her two incarnations was likable. The one in the Fault continues to be whiny and woe-me, my destiny is so hard, I love those two people, but I can’t have them. Doom and gloom, and somebody, please, put her out of her misery! 

And the author’s solution to this dilemma? A trisome… Yeah, no. Hard pass.

The Sarathi Raine in our world is everything wrong with death witches in the first place. The way she throws away lives like kindling is simply disgusting. And I can’t forgive what they did to Castus, who was the best character in this quagmire, hands down. He deserved better.

By the time the ending finally arrived, I was done with this book and mentally exhausted. Also, any connection or ties I had to these characters were long gone. Yes, I was glad that Ovitus finally got what he deserved, but the rest of them? Couldn’t care less. I also didn’t need this chapter-long excursion into the past to show us how the Queen of Feathers interacted with all other Dark Queens to set up the tools of the last battle. Those were just names and voices in Raine’s head in the previous books. I had no connection to them. Why did I have to waste time on this?

I am sad. I loved the first book in this series. It was well-written and hinted at an interesting world to explore. Then book two focused on teenage feelings instead of developing the lore and foreshadowing the events to come. Now, book three tried to stuff too much information into one book and failed horribly.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

The Blighted Stars (The Devoured Worlds 1) by Megan E O’Keefe

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Stars: 3 out of 5

I loved the worldbuilding in this novel, although it presents another rather bleak view of humanity’s spacefaring future. REminds me a little bit of Murderbot, actually. Only, instead of everything being owned by corporations, we have the MERIT families who have all the riches and privilege, and power. The rest of humanity is either working for those families on more or less favorable terms or living in poverty.  And the fact that the shroud is destroying the few habitable planets and forcing humanity into space stations only increases the inequality and the dependence on the MERIT families. 

So it was interesting to watch this story unfold from both the perspective of Naira, who grew up on one of those destroyed worlds and then had to claw her way up from the dregs of society on a space station, and Tarquin, who has always been the spoiled son of Mercator – one of the most prominent MERIT families. Add to that he fact that Naira hates Mercator, and for good reason, and is also considered a terrorist, the author could have made a very interesting story out of the clash of their worldviews. 

Unfortunately, the author opted to follow the path of having them romantically involved instead, and that basically killed the book for me. Don’t get me wrong, I appreciate a good romance between my protagonists if it’s well done and organically woven into the story. And I would point to pretty much any series by Ilona Andrews as an excellent example of that genre. 

There is nothing organic about the way Naira and Tarquin’s romance develops. In fact, it’s so unnaturally done that it’s painful to read about. It feels shoe-horned into the story because the author felt like romance was needed. It wasn’t, though. They could have gone from enemies forced to collaborate to escape a dying planet to slowly becoming grudging allies or even friends. But romantic feelings between those two? Nope, can’t see that. Naira had more chemistry with her Conservator accomplice. So much more, in fact, that the author promptly killed him off. 

My other issue is that once the whole plot finally comes to light, it sounds rather far-fetched. I will try not to give too many spoilers, but humanity in thrall to a fungus? 

The pacing of the book is also rather uneven – we get good action scenes that propel the plot forward, but then we get bogged down in the minutiae of squables between survivors, everyone discovering their budding feelings for each other, etc. Not to mention pages spent in Naira and Tarquin’s heads while they analyze their own feelings, feel inadequate, or reflect on what was and could have been. I found my interest flagging until I would put the book down and read something else, and had to force myself to come back and read a few more pages.

It was a good concept, but the execution didn’t work for me, so I will not be continuing with this series. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Dystopian, Horror, Reviews

The Monsters in our Shadows by Edward J Cembal

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Stars: 4.5 out of 5

Oof, this was a depressing book to read, and up until the very last chapter, I really didn’t know if the author would give us even a sliver of hope at a decent ending.

The world is bleak – most of the world (at least the continental USA, from what I see) has been eaten by Shivers. Those are monsters that appear out of a person’s fears, depression, despair, and grow closer and closer, until they literally eat the person who created them. They are like our darkest emotions made manifest, and the more we experience those emotions, the closer they get, and the closer they get, the more negative emotions we experience. It’s a vicious circle that ends in death and blood.

As it stands, only the village of Atlas is left, the last refuge where what’s left of humanity hides behind high walls from the horrors roaming the Deadlands. It’s a bleak and run-down village in the middle of a downtown of some unnamed pre-Shiver city where humans try to survive under a constant cloudy sky where the sun hasn’t shone in years and no rain ever fell. Only thunder, no lightning, no rain.

I would say the saving grace of this book is Anthem, our protagonist, because even though his world is bleak, and the work he does is even bleaker, he harbors a wealth of compassion and a sliver of hope that refuses to die even in the most dire circumstances. We experience the horrors of this world through his eyes, and he has the knack of seeing beauty and peace even in the darkest times. And a child-like wonder for new things, like the man playing piano in the middle of a dead city, or the peaceful surface of a lake undisturbed by human activity. Yes, Anthem can be whiny and depressed, and downright annoying throughout the book, but his refusal to give up, to lie down and let his Shiver eat him is what makes us root for him.  

My only complaint about Anthem is that he can be rather obtuse sometimes. Or maybe naive? Like his insistence to see the best in people, no matter what. Him trying to reason with Doubleday even when it was obvious to everyone else that the man wouldn’t listen. On the other hand, this willingness to negotiate and try to get his point across is what helped him get what he wanted at the Spit, and help the afflicted of Atlas in the end, so I can’t fault him for that.

I would also say that the story has plenty of twists and turns, and I honestly couldn’t say where we were heading most of the time. Like I said, I wasn’t even sure we would get a good ending, since the events leading to it were depressing. 

All in all, it’s a wonderful reflection about mental illness and depression, and how sometimes we let our negative emotions eat us from the inside. Here, those emotions are made manifest, just waiting to consume us.

I loved the main message of this book as well – that no matter what, no matter how dark the times and how bleak your world is, hope might be just one step away. You just have to be courageous enough to take that step, and then another, and then another one.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Fantasy, Reviews, Sword and Sorcery, Uncategorized

The Soul of Iuchiban (The Legend of the Five Rings) by Evan Dicken

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Stars: 2.5 out of 5

I usually love books set in the Legend of the Five Rings realm, because that world is so rich in history, mythology, and lore that it sucks me right in. Add a few compelling characters and an interesting goal for them to achieve, and you have me hooked and happily exploring Rokugan with them.

Unfortunately, this wasn’t the case in this book. Now, I realize that this is the continuation of The Heart of Iuchiban, so the story follows directly after the events of the previous book ended. If you haven’t read the first book, it would be very difficult to understand what is going on and who is who. In fact, I would say that you shouldn’t start with this book at all. You need to have read The Heart of Iuchiban to fully appreciate the story in this book.

But even that isn’t really the main problem. Plenty of other stories are told in duologies, and I loved the second books in the series just as much as I loved the first ones. My issue is that about 70% of the book feels pointless. Characters start off in different parts of Rokugan and seem to wander aimlessly for three-quarters of the book until they all meet back in the Imperial City and the action really picks up. 

I mean, what was the point of Naoki’s journey back to the Twilight Mountains? The only positive outcome out of that trip was to pick up Seiji. Other than that, it just feels like an aimless road trip designed to add page time to an already long book. I’m sure the author could have found another way of getting Seiji to the Imperial City and have the main characters meet. Heck, make them meet in the basement of horrors, just like they met with Quadan! That would have worked just as well. 

And while most of the book drags and meanders in these pointless detours, the last few chapters rush towards the resolution at a breakneck pace. So much so that you don’t have a chance to breathe and understand what is happening and how the characters jump to the conclusions they jump to.

Also, for an immortal sorcerer who prides himself at being smart and planning for every possibility, Iuchiban’s actions in the end were pretty dumb. And I am going to avoid spoilers here, but why lock them up for just asking about names when NOBODY had any suspicion about you? Just let them attend the ceremony and continue as planned, and nobody would have been the wiser. And why leave such an important artefact as one of your original names in the hands of someone who has the power and will to use it against you?

All in all, I enjoyed this foray into Rokugan, as I always do with these books, but a lot less than many other series set in this world.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Fantasy, Reviews, Urban fantasy

Spring’s Arcana (The Dead God’s Heart 1) by Lilith Saintcrow

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Stars: 2 out of 5.

I loved American Gods, and as a Russian myself, I LOVE Slavic folklore, so picking up this book was a no-brainer for me. And I was on board and invested for the first 50% of it, but  then it just.. dragged… and dragged… and slowly plodded its way to the end. And I realized that I didn’t like any of the characters anymore. Also, the book literally ends without any denouement. Nothing is resolved, nothing is learned, it’s just one big road trip that just… stops. I guess the story is to be continued in the next book?

Also, comparing it to American Gods does it a big disservice. This book is not even remotely as well plotted and written as American Gods. It’s boring and it drags. 

I guess this has a lot to do with this author’s writing style – Lilith Saintcrow decides to describe absolutely EVERYTHING that our protagonists see, feel, smell, taste, etc. It is too much description that bogs down the action to a glacial pace. Dima and Nat are riding in a muscle car, for God’s sake, why is it going so slow through the story?

And there isn’t much story there to speak of. Girl goes to see big bad Baba Yaga, who promises to make her mother better again if she brings back something her mother stole. Girl agrees and goes on a road trip with a deity of thieves and assassins. Girl meets some other divinities along the way and reaches a well. The end. Oh, she learns a secret that wasn’t a secret to anyone but her as well.

There is no tension, there are no stakes, there is no sense of urgency even to that particular road trip. Dima keeps telling her that hungry and not very nice powers are hunting Nat and want to either take what she finds or kill her, or both at the same time, yet we never encounter any of those powers. They aren’t ambushed during this trip even once (and no, the encounter with Friendly doesn’t count). Nat doesn’t have to fight for her life. Dima doesn’t have to defend her or show his divine powers. It’s all tell, but not show. I’m told the stakes are high and the road is dangerous, but I don’t see it.

My other issue is with Nat herself. I was sympathetic to her in the beginning and rooting for her to finally come into her own power and stop wilting in the shadow of her horrible mother. But it never happened. I mean, how stupid can you be not to put two and two together and realize what is happening to your mother and what only two outcomes could be to this issue? Especially when people hint at that over and over again. But she just refuses to listen… or ask any questions that could help her navigate this weird world she finds herself part of? Also, you have to be very good at self-delusion to refuse to come to any conclusions from the clues you gather. It literally takes hearing it from a horse’s mouth to make it clear to her what her mother has planned for her.

Also, the worldbuilding is wobbly at best. We have divinities, but some of them are old concepts like Winter and Spring, and some are gods of murder and thieves, or cowboys, or corrupt cops. And then they are literary divinities? How does that work exactly? Is there a hierarchy of power? That’s never explained.

And since when is Baba Yaga the lady of winter? She is the crone. She is the witch. Wise and mysterious. Helpful sometimes, other times cruel, but I don’t remember her having power over winter. The Slaves had Ded Moroz for that. And he wasn’t the jolly old fellow bringing gifts to kids on New Year’s Eve. No, he was the old man in a coat made of frost that could freeze you with a glance if he deemed you disrespectful… For some reason, that de Winter business really grated at my Russian soul. Baba Yaga is powerful enough on her own. She doesn’t need to steal other deities’ powers. 

All in all, I am really disappointed with this book. I will read the next one because I had requested it from NetGalley before I read this one, so I might as well see where the story goes. However, I doubt that I will check out other books by this author anytime soon.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

books, Military science fiction, Reviews, science fiction

Rubicon by J. S. Dewes

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Stars: 3 out of 5

I loved this book… until the twist at the end and the cliffhanger ending. Honestly, it destroyed the book for me. That ending made everything that came before it useless. All the sacrifices, all the shit Valero went through was literally for nothing because the author decided that a particular twist at the end would be a clever thing to do.

Yes, I’m pissed. I was deeply emotionally invested in these characters. I was rooting for them. Ending a book this way feels like a slap in the face. Why the heck did I spend hours of my life reading this when NOTHING the characters did had any meaning?

Adrienne wasn’t a particularly likable character in the beginning, but there was a reason for that. That reason was revealed to the reader in all its traumatic glory very early on. Rezoning is a horrible technology that leaves a scar on one’s psyche. Imagine doing it 96 times in 10 years. Frankly, I’m surprised she isn’t more messed up than she is.

It was a rewarding journey to see her overcome the apathy, to face her demons, and start finally experiencing human emotions again – care for others, open up enough to love someone, and create friendships. Be scared of zeroing out her friends.

In this light, the ending pisses me off even more, because all her sacrifices have been for nothing. There is no emotional payout at the end of this book.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.