Category Archives: books

Fair Game (Alpha and Omega 3) by Patricia Briggs.

Stars: 3.5 out of 5

 

A lot of things happened in Fair Game. The werewolves have finally announced their existence to the world, much like the fae had done over 50 years ago. With the light of the media scrutiny trained on them, the werewolves have to be on their best behavior, so the offenses that ended up with just a trashing or verbal warning are now punishable by death. And it falls to Charles, the Marrok’s enforcer, to carry out the execution.

 

Charles has never been keen about killing, but at least before he agreed that the crimes were on par with the punishment. Now, they are not, but he still has to kill those werewolves for his father’s sake. So instead of being angry at his father for making him do this, his anger turns into self-loathing. Charles is spiraling down into depression and Anna doesn’t know how to help him. Thankfully, the Marroks sends them to Boston where a series of murders point to a serial killer. They will be part of a joint task force between FBI, werewolves and fae, because all the victims were half-fae, but the latest one was a werewolf.

 

There are many things that I liked about this book. First of all, we get a greater insight into this interesting world and about human interaction with the other species. It was interesting to see the contempt and indifference with which they treated the fae and how the justice system was designed to protect humans first and foremost. Which brought us to the conflict at the end of the book that I won’t talk about because major spoilers 🙂

 

Of course, the situation is in part the fae’s fault as well, since they chose to only show the least powerful and non-lethal of their kind making the humans believe that the fae were pathetic weaklings happy to live in their reservations that anyone could bully around. I’m interested to see how the next book will read now that the stakes are up and the fae are done playing nice.

I also loved the giant step forward in character development Anna took since book 1. She was a scared and broken girl in book one, beaten almost to the breaking point. She started dealing with some of her psychological problems in book 2, notably her fear of Alphas and other dominant werewolves, as well as discovering what it means to be an Omega. In this book, we see her finally into her own. I love the person Anna has become. I love that even though she is usually a mild and non-conflictual person, she never covers or bows down to other werewolves or humans or fae. I love that she has her agency and that she isn’t afraid to act upon it. She drives the story of this book, with Charles and the other characters just getting dragged in her wake.

 

So why did I give this book only 3.5 stars then? Because despite the awesome world development and character progress for Anna, there are some flaws that I simply couldn’t overlook. And the biggest one of them is Charles. He was an awesome character in the first 2 books, but I think that the whole angst over killing others was overdone and dragged for way too long. It had started in book 2 and got only exacerbated in book 3. I get it that he feels like a murderer now. I get it that he feels like some of the executions he was forced to carry out were unjust. But he’s been doing that for most of his life, so why break now all of a sudden? And especially, why try to sever all emotional ties with the person who acts as your anchor? I felt like we were rehashing problems that had already been discussed and solved between Charles and Anna in book 2. So while this book was a progress for Anna’s character, it was definitely a regression for Charles. I had to fight the urge to yell at him for the first 3/4 of the book.

 

The second thing that really rubbed me the wrong way is the fact that Anna gets kidnapped… again. Good God, how many times is it now? One or two per book? It’s really getting old. Why does she always have to be rescued by Charles? She is a big bad werewolf as well, please let her get out of a sticky situation on her own for once! I especially hated it in Fair Game because her kidnapping served no other purpose than to make Charles realize that he needs to screw his head back the right way. Really? This is such an old trope that I had to roll my eyes.

 

So all in all, it’s a solid new installment in a series that I still love, but it’s weaker than the first 2 books, in my opinion, even though I appreciated the new world developments. I just hope that the next book will be better and kidnapping-free.

Linesman by S.K. Dunstall.


Stars: 5 out of 5.

I must admit that I absolutely loved this book. It’s one of those books that grabs you from the first page and doesn’t let you go until you are done with the story. Needless to say that I spent a few sleepless nights finishing it up and was rather useless at work the next day because I just couldn’t put it down.

Humanity has spread through the cosmos and populated numerous worlds, all thanks to the Line technology – a technology humans had found on an alien spaceship and successfully replicated. The lines allow spaceships to travel through the void, making travel in space instantaneous. There are a total of 10 lines on a ship and each one is responsible for a different function, but the most important ones are line 9, which takes the ship in and out of the void, and line 10, which allows the ship to travel through the void to another destination.

However, nobody really understands how those lines work or why only certain people have the affinity to repair and maintain those lines. These people care called linesmen and they are ranked from rank 1 to 10, by the number of lines they can interact with. Level 10 linesmen are the rarest and the most important, thus the most sought after.

Then there is Ean Lambert who, while a certified 10, is a joke even among his peers. He came to the cartels late in life and pretty much taught himself how to communicate with the lines. And his method is very unorthodox to say the least. He sings to the line, because he perceives them as music, not as energy like all other linesmen. And he is persuaded that the lines are sentient. No wonder everyone else thinks he’s crazy. Until an alien ship appears in human space and it has a line that only Ean Lambert can hear and interact with…

I absolutely loved Ean. He has a huge chip on his shoulder because he has always been made to feel inadequate. Because of his origin as a kid from the slumps. Because he came to the cartel house as a teenager instead of a small child. Because his methods are unlike the standard methods thought by the cartels, thus are considered wrong. Because he’s always been the laughing stock of his peers.

What I love is that even though he doesn’t have much self-esteem at all, he still refuses to bend and conform to the “traditional” way of doing things. When it comes to the lines, he will always do what feels right, even if it means singing until his voice breaks and everybody looks at him like he has a few screws loose in his brain. He loves these lines, and amazingly enough, they return that feeling. I am happy with the personal growth Ean goes through in this book and that he finally finds a place where he belongs and where he is happy.

The world of Linesman is also really complex and interesting. There are several different factions and world alliances that are at the brink of war, and the appearance of a potential new weapon has all of the scrambling to get to it first.  Political alliances are brokered and broken, tensions run high, and skirmishes threaten to degenerate into a full-blown armed conflict.

There is a sense of urgency throughout this book that keeps your turning the pages, because you want to know what happened to Ean and the crew of the Lancastrian Princess and make sure that they are all okay.

Anyway, I strongly recommend this book to all science fiction lovers and I’m looking forward to Book 2 that’s supposed to come out in February.

Dead Witch Walking (The Hallows book 1) by Kim Harrison.

Stars: 4 out of 5.

Dead Witch Walking is a solid first novel in a brand new series. I loved the characters and the world Kim Harrison has created and I thoroughly enjoyed the story as well. I have only one gripe with this book, but it’s big enough to deduct a whole star out of the score.

Rachel Morgan is a witch and she has a big problem, because until she finds a way to pay off her contract with I.S., she is literally a dead witch walking.  Nobody has breached a contract with this organization and survived long enough to tell the tale. But she has a plan – with the help of Ivy, a living vampire bounty hunter and Jenks, a pixie bodyguard, she will track and shut down the biggest illegal Brimstone operation in Cincinnati.  That ought to get I.S. off her back, no? Either way, it’s not like she has much of a choice…

Welcome to a world where a virus hiding in genetically modified tomatoes wiped out 3/4 of the human population… which made things rather complicated for the supernatural races who turned out to be immune. With the population numbers shrinking, they cannot hide in the shadows anymore and had to make their presence known.

Thus Cincinnati has been split into two very distinct cities – on one side of the river is the “normal” town, where most of the human population lives, and the other side belongs to the Hallows, where everything supernatural gathers and thrives. Oh, humans can take a walk on the wild side and venture into the Hallows, but they are not guaranteed to come back in the same state as they entered, or come back at all.

It’s a rich and interesting world, even if the premise for the apocalypse is rather silly. A tomato responsible for the end of the world as we know it, really? But the new world in which Rachel lives is complex and fascinating, with real problems and engaging characters.

Speaking of characters, a series cannot be popular without a good protagonist, and I absolutely love Rachel Morgan. She is a kick-ass heroine. No matter how many times she is kicked down, she always finds the will to get up and keep going.

I loved Ivy and Jenks. They are just as complex and interesting as Rachel and both have their own sets of problems. I like how those 3 very different people chose to stick together and help each other get through this very difficult situation.

My only complaint is that I didn’t like Rachel’s love interest. I tried, I really did, but he just rubbed me the wrong way almost from the moment he was introduced. He is too nice, too good, too everything to be believable and likable. I kept thinking that he has just assumed this “nice guy” persona to get closer to Rachel and that he will turn out to be somebody awful in the end, because of how unbelievably nice he was. Nope, seems like that’s real. Works for some, I guess, but for me, his character definitely lacks depth, especially compared to the rest of the cast.

But other than that, Dead Witch Walking is an excellent read that I would definitely recommend. I already bought the second book in the series and I can’t wait to dive into it as well.

Under the Empyrean Sky by Chuck Wendig.

Stars: 4 out of 5

I rarely read and review young adult books, but I had read Chuck’s Atlanta Burns which I also reviewed and loved it. Plus the premise of this book sounded interesting. Carnivorous corn? Dystopian society? Heck yeah! So I requested Under the Empyrean Sky from NetGalley when it became available.

I liked it. Less than Atlanta Burns, but it was still an enjoyable read. The world is interesting. Who would have thought that the world would be destroyed not by a plague or natural disaster or alien invasion but by genetically modified corn that turns carnivorous? Most of the land is covered in it. It’s so virulent that it kills all other plants, so that’s the only thing that grows anymore. And it’s not even edible to bout!

This world has a very clear separation between the have and the have nots – the Empyreans living on their floating ships sailing high above the corn and dictating their law to the few people who still live in the Heartland. The Empyreans have everything: the best technologies, the best food, the best healthcare, while the Heartlanders live on scraps that sometimes fall from the sky.

The Heartland is a bleak, hopeless world. There is no future for those born amongst the corn. The only jobs available is to grow, harvest or process the corn. Cancer and other diseases are rampant due to the highly toxic chemicals used to process corn and keep it away from the villages. There is no school, no sports, no entertainment. Even marriages are arranged by the Empyreans who send down a list of who will marry whom on Obligation day. The only way out is the Lottery that is held once a year and which gives one family a chance to relocate into one of the Empyrean flotillas. Only everyone knows that the Lottery is rigged, though it doesn’t prevent people from hoping…

Cael and his crew are salvagers. They have a glider they use to scout the sea of corn around their village for broken harvesters they can salvage for parts or anything else that could earn them a few ace notes. Cael’s dream is to become rich and famous, to build a better life for his family, to be a better man than his father whom he sees as weak and incapable of providing for his sick wife and his children.

Even though I found Cael’s narrative to be a bit too angry at times, I could understand it and even empathize a little: I still remember how it feels to be a teenager in full rebellion.  Everything is either good or bad, black or white. There are no shadows or demi-measures. Cael is at that age when he is at odd with the rest of the world. He thinks that adults don’t understand him. He doesn’t want to conform to their rules. He wants the freedom to find his own path. The fact that his crew is the ultimate underdog in this town doesn’t help either. No matter what they do, it ends up in disaster. All their small victories morph into failures and things go from bad to worse.

So yes, I understand why he is angry, but this is also something that didn’t sit quite right with me and why I gave this book only 4 out of 5 stars. Since we see the world through Cael’s eyes, all the bad people are horribly bad, with no redeeming qualities. The Empyreans are painted in such thick dark colors that they could be demons feasting on poor Heartlanders’ souls for all I know. I find that a bit heavy handed. I like my worlds to be more nuanced and my villains to be a little less of a caricature and a little more real. Real people have both good and bad in them, and they can do bad things for entirely honorable reasons.

But other than that, I did enjoy Under the Empyrean Sky quite a lot and I would definitely recommend it. And I will certainly read the next book in the series.

PS. I received a free copy of this book from NetGAlley.

Late Eclipses (October Daye 4) by Seanan McGuire.

Stars: 5 out of 5.

This is my favorite book in the October Daye series so far. It’s well written and the plot is fast-paced and keeps you on the edge of your sit until the end. I think it’s because the problems that October faces in Late Eclipses are a lot more personal than in the previous books.

This time, she isn’t investigating a murder on behalf of her liege, Duke Sylverster Torquill, or trying to save lost children. This time, disaster strikes a lot closer to home – Lily, Lady of the Tea Gardens and October’s closest friend, gets struck by a mysterious illness, leaving her fiefdom in disarray. What is more, someone is very determined to pin that on October…

We get a bigger insight into the world of the fae and their hierarchy in this book, which is always interesting. I love how Seanan McGuire manages to weave her fae into the modern world without it feeling cheesy or unbelievable. Her world is complex and interesting, and it’s one that I enjoy exploring with every book.

October undergoes a tremendous leap in character growth in this book, probably because this case is so personal to her. She is forced to face her own fears about being a changeling, finally decide on her place in the world of the fae, come to terms about her feelings for Tibald and face an old enemy.

In the end of this book, October emerges changed both physically and mentally, but I think she becomes stronger and more mature. And we finally discover why she is always referred to as Amandine’s daughter. The answer wasn’t what I had expected, I must admit!

I’m also glad that we finally got to close one of the long-running story lines – the kidnapping of Sylvester’s wife and daughter, that had started this whole mess in book 1. We don’t know the whole story just yet and the main perpetrator hasn’t been caught, but at least, everybody got some answers… and some heartbreaks.

I am interested to see how October will handle her new status and the fact that she now has a fiefdom and people who depend on her. I am also looking forward to watching how her relationship with Tibald will develop. I would also like to see the path May, October’s fetch, will chose for herself now that she isn’t an exact copy of the original.

All in all, I absolutely loved this book. This series just keeps getting better and better.

Rubberman’s Cage by Joseph Picard.

Stars: 4 out of 5.

I have been lucky to read some good books lately and Rubberman’s Cage is one of them. When I was given a free copy of this book in exchange for an honest review, I was a bit cautious at first. The title and the cover looked a bit ominous. I knew it would be either post-apocalyptic or dystopian, but I was afraid that it would be dark and dreary as well. I’m glad that this fear turned out to be unfunded.

This is the story of a young man named Lenth who has lived his whole life in a room with his three Brothers and a Rubberman watching over them through the grated ceiling above. This room is all he’s ever known. To him, that’s the extent of the world. But one night the shackle that they all have to put before they go to bed malfunctions and one of his Brothers is shocked until he dies. He is gone the next morning and there is a stranger sleeping on his bed instead. Everyone else takes this change in stride, but Lenth just can’t let go. He wants answers. He wants to find his missing Brother, and he wants to see what’s beyond the grated ceiling that the Rubberman walks.

The book follows Lenth’s journey in search of his missing brother while he explores this strange world full of rooms with Brothers and Rubbermen. It is a coming of age story, because Lenth is as innocent as a child. He can’t read; he’s never seen a woman and doesn’t know what they are; he has no concept of death. He is told that his brother died, but when he can’t grasp the fact that death if final, that you can’t repair a dead person. He thinks that he just needs to find him and wake him up…

This is also a chilling tale of a society how has regressed so much that they are reduced to repeating rigid tasks and protocols that had been set up years ago and the meaning of which has long been forgotten (and became obsolete). Nobody really knows why they need Rubbermen, or why men and women are kept separately, or how all the machinery really works. They know just enough to maintain the status quo. The sad part is that nobody questions it. Brothers think that Rubbermen know what they are doing and why. Rubbermen are persuaded that the Providers have that knowledge because they are clueless themselves, and so on.

So it was an interesting and rather endearing read. The book is well written and I liked Lenth, with his child-like candor and curiosity while he explores this ever-growing world. My only gripe is that it almost seems too easy for him to do so. He manages to get from level to level without too many problems and none of them really life-threatening. And everybody treats him well, considering. You would think that in a society where Brothers are constantly shackled in place (in bed, in the shower, on the treadmill, at the workstation) and shocked when they disobey, the reaction of those who find one just wandering around would be more violent.

All in all though, I think it’s a solid and entertaining story that I thoroughly enjoyed reading. I would definitely recommend it to my friends!

Dark Star by Oliver Langmead.

Stars: 5 out of 5.

Dark Star is one of the strangest books I’ve read in a while. It’s written entirely in epic verse, even though the story it tells is more reminiscent of a noir movie than an epic ballade. I admit that this format was rather off-putting at first. I almost closed the book when I saw it. I’m glad I didn’t.

This book is like a dark vortex – it moves slowly at first, luring you with a false sense of security, then sucks you in faster than a whirlpool. Once you start reading, you cannot put it down. And the epic verse gives this story a fascinating depth as well: the format doesn’t allow for wasted words, so the author has to make all of them count. As a result, they have a bigger impact on the reader, highlighting the story like the beam of a good flashlight. Once I started reading it, I simply couldn’t put it down.

Vox is a world of eternal darkness, a planet revolving around a start that’s just a dark hole in the sky, absorbing all light. The city of Vox is powered by three Hearts that had been taken out of the starships that had crashed on this inhospitable world. Light is a precious commodity in this world. People could kill for a functioning lightbulb. And light is growing dimmer and dimmer with each passing year, so it’s no surprise that when one of the Hearts is stolen, the city is plunged into chaos.

But for Inspector Virgil Yorke, the theft of the Heart is not as important as the discovery of a dead girl with so much light in her veins that she glows brighter than any lightbulb even in death. And he will investigate the circumstances of her death with the tenacity of a pit-bull, especially since everyone in the precinct wants this death to be swept under the rug…

It’s rare for me to write a raving review for a book. It seems like no matter how much I enjoy a story lately, I can’t help but find some flaws in it that dampen my enthusiasm. Dark Star is the rare exception to that rule. There is absolutely nothing I can critique here. I loved every single world of this strange epic poem.

I loved Yorke. He is broken. He is hopeless. He is drowning in darkness and haunted by his own ghosts just as Vox is drowning in the non-light of its dark star with light-starved people haunting its streets. He is the best possible guide through this dark world. No wonder that his first name is Virgil. Like Dante’s Virgil, he is leading the reader through his own version of dark hell, and you can’t help but stick for the ride, because no matter how broken and disenchanted Yorke is, he is also very human.  I liked him. I understood him. I empathized with him. And I knew that even if he found out who had killed Vivian North and why, it would not change his own circumstances.

Yes, Dark Star does not have a happy ending, not entirely. It just brings a little bit of light and maybe some peace to the tortured souls of Vox before the end. And allows Virgil Yorke to finally let go of his ghosts…

Do you want to read a wonderful book with a profound story that touches you? That reads like a song, a strange and haunting melody that will stay with you long after you close the book, like the memory of light in a dark room? Then pick up Dark Star. Don’t let the unusual format put you off. This is a must read and re-read in my books.

PS. I received and advanced copy of this book courtesy of NetGalley.

The Shadow Revolution: Crown & Key 1 by Clay Griffith, Susan Griffith.

Stars: 2.5 out of 5.

This is the first book in a new series and as such, it has the thankless task of introducing a brand new world and new characters while keeping it interesting with a good plot. Because of that, I always try to be more lenient when reading and reviewing them.

All in all, The Shadow Revolution was an entertaining read. The plot moved along at a steady pace with the right balance of action and explanation to keep it interesting but also give the reader time to breathe between action-packed scenes.

I liked the two main protagonists as well. Simon Archer is a spell-casting scribe as well as a dandy, well known in the upper society circles for his romantic conquests. Kate Anstruther is an alchemist as well as a true lady who never loses her composure even in the heat of battle.  It was interesting to see those two very different people try and work together and slowly move from grudging mutual respect to admiration and then even affection.

However, that’s where the good ends and the problems start. There isn’t much to say about the supporting characters, which was disappointing. I almost felt like they were a collection of stereotypes.

Nick Barker, Simon’s mentor and friend, prefers getting drunk in a pub than risking his life battling the things that go bump in the night. It’s hinted that he is powerful and rather old, but nothing in his behavior throughout the book really shows that.

Then we have Imogen, Kate’s younger sister, who is a carbon copy of one of the air-headed sisters from Pride and Prejudice. She is rebellious against the control her sister has over her life and sure of her own feminine powers over men at the beginning of the book, then vulnerable, driven mad and otherwise useless for the rest of the book. Basically, Imogen gets fridged just to drive Kate’s character development and involvement in the whole story, which is a cheap move, in my opinion.

Malcolm MacFarlane is another walking stereotype – a Scottish monster-hunter who embodies all the tropes about Scotsmen that I hate. He is loud, he is rude, he is boorish and uneducated, oh, and he has a short temper. Really? I’ve lived a year in Edinburgh, I can assure you that not all Scottish people are like that. In fact, most of them are not. It’s like saying that all Russians are drunks, or that all French wear berets and those ridiculous striped sweaters. I call that lazy worldbuilding.

Speaking of worldbuilding, it’s next to non-existent. I know that it’s hard to find the right balance in a book between showing the reader this new world the author has created and not boring them to death with info dumps, but the authors went into another extreme – they put no world building whatsoever.  It feels like they decided that just indicating that their story takes place in Victorian London is enough. Well, it’s not.

The world is a jumbled mess in this book. We have Victorian Society. We have magicians. We have werewolves. We have other creatures. But how all that works, we have no idea. The authors didn’t deem it important to explain the rules of their own world. So there are scribes and alchemists and other kinds of magicians, but what kinds? How do they differ? How do they coexist? No clue. There are brief mentions of an Order of mages that existed before, but is gone now, other than that – nothing.  I don’t need long info dumps. I’m more than willing to stick along for the ride and progressively discover more about the world, but I need at least some breadcrumbs to keep me going. I need to understand the rules to still be interested in the story. Here, I felt like the characters were just running through cardboard decoration, not a living breathing world.

As I said at the beginning, this is the first book in a series, so I’m willing to give it the benefit of doubt. Hopefully the next one will flesh out this world a bit more. If not, I don’t think I’ll stick with this series.

PS. I received an advanced copy of this book courtesy of NetGalley in exchange for a honest review.

 

Jabberwocky by Theodore Singer.

Stars 2 out of 5.

 

I received a free copy of this book in exchange for an honest review, and I really wanted to like this story more than I did.

The premise sounded interesting enough: A young man decides to undertake an epic quest which had been passed from father to son for 500 years. The quest is to find and kill the fantastic beast called Jabberwocky. Even though he has never been further away from home than a 2 days travel distance, he is enthusiastic about what he believes to be the biggest adventure of his life. He will encounter many strange and fantastical creatures on his journey and realize that his quest is not as much about a mystical monster, but about discovering his own worth.

So yes, this had the potential to be a very good tale of self-discovery where the hero, young and idealistic in the beginning of the story, slowly grows up and becomes a real man. Unfortunately, the realization fell short of my expectations.

I feel like a need to put a disclaimer here. I love stories with a strong and memorable voice. If the protagonist doesn’t jump from the page and straight into my head in the first chapter, chances are that I won’t finish the book. Unfortunately, Jabberwocky has no voice.

Oh, don’t get me wrong, it’s well written. The descriptions are beautiful and often even nostalgic. It feels though, that the author sometimes gets carried away by the strange places he is describing and the action slacks off. It’s a short novella, but I had to force myself not to skip ahead in some passages.

My problem is that I couldn’t empathize with Astreus. I couldn’t “see” him. Even after I finished the story, he remained a faceless name for me. It’s hard to follow a character you don’t care about.

I think the main reason for this is that the writing is too formal and indifferent shall I say? The author uses exactly the same voice to describe the city of cats and the island of immortals. But in the first place, Astreus just spends some time helping a cat in exchange for information on the Jabberwocky, whereas on the island, he encounters his first love and his first betrayal that almost brings him to suicide. Where is the passion and the desperation of this? I felt absolutely nothing.

My other problem is that the dialogues feel stilled and staged. Once again, everybody Astreus encounters talks the same, whether it’s a cat or an old noble who spent most of his life locked in his castle. A highly educated cat with a passion for chess cannot use the same words and phrases as a noble who barely knows how to read and write.

It’s a quick read and I liked exploring some of the places the author’s vivid imagination has created, but the novella would have been much more enjoyable if the writing had a bit more “life” to it.

Moon Called (Mercy Thompson book 1) by Patricia Briggs.

Stars: 3 out of 5.

 

Since I had absolutely loved the Alpha and Omega series (you can read my review of Book 1 and Book 2), I decided to give this older series a go as well. They are set up in the same world after all, and some of the characters play a recurring role in both series.

 

What can I say? I was happy to come back to this world Mrs. Briggs created, because it’s fascinating and the worldbuilding is very well done. It’s a world where the fae have come out into the light of day, and now the whole world is trying to live with the consequences. And the werewolves might be forced to do that as well, because with the medical and technological advances, it’s getting harder and harder to keep their existence a secret. I was also happy to learn a bit more about pack structure and the complex hierarchy between the dominants and the submissive wolves and what it meant to be an Alpha.

 

I was NOT impressed with the role of women in this structure.  They are basically just an addition to their male mates (oh, not traditional relationships are also frowned upon). So if a dominant female mates with a submissive male, she is treated like a submissive wolf on the very bottom step of the hierarchy ladder. And if she is not mated, she is treated like an object to be protected / courted / dominated. Not cool, Mrs. Briggs, not cool at all.

 

I love Mercy. She is a fun character to follow – she is smart, independent, stubborn and tough as nails. She also loves to do a bit of mischief from now and then, so it’s no wonder that she shifts into a coyote. My problem with this book is that, unless the author plans on making the werewolf packs undergo a significant shift in mentality when they reveal themselves to the human world, if Mercy accepts to become a werewolf’s mate, she will lose everything that makes her such a great protagonist to follow.  She would become just one more female to be protected and robbed of her own agency.

 

And she understands that, that’s why she’s resisting tooth and nail and rejecting the advances of a certain very determined Alpha…  yet she still lives next to Adam, the Alpha of the local pack, and allows Samuel, who is another werewolf and who she used to have (possibly still has) a crush on to move in with her.  And no matter how much she resists and snarls, she still allows both of them to manipulate her and try to decide what’s best for her.

 

This is a very worrying tendency that I really hope not to see in the next book. I am also extremely surprised to see this kind of one-sided approach to relationships in this book, because it’s diametrically opposite to the relationship Anna and Charles have in Alpha and Omega, and they are part of the same world, after all.

 

The other thing that dampened my enthusiasm for this book is the love triangle between Mercy, Samuel and Adam. Or is it a rectangle, if you take Stefan the vampire into consideration as well? But that’s a particular pet peeve of mine. Call me naĂŻve or deluded, but I believe that if you can’t choose between two people you supposedly love, then you don’t love either one of them. But that’s a personal quirk, and plenty of people love reading about love triangles it seems – just look at the YA shelves.

 

Anyway, I liked Moon Called, but definitely not as much as I loved the Alpha and Omega series.  I will probably give the second book a go, but if the worrying tendencies I’ve seen in this book persists, I might drop this series altogether and just read about Charles and Anna.