All posts by Elena Linville

I am a Russian-Swiss-American citizen of the world. I have traveled all over the globe then hopped over the big Atlantic pond and moved to North Carolina, USA, where I lived for eight years. But staying in one place for too long is not in my nature, so when the wanderlust called again, I packed my meager belongings and my cat continued my great migration all the say from NC to Texas. So here I am not in DFW area with my cat who strongly believes she is a dog and the Queen and Ruler of the house. I have an 8 to 5 job as an field force training specialist and the rest of the time I write stories “for fun and pleasure,” though most of the time it feels like pulling teeth or bleeding on the page. I have two novels, Of Broken Things and The Choices We Make, which are both in the fully finished first draft stage. I’m currently editing Of Broken Things and letting Choices sit in a desk drawer for a few months. I’m also editing my novella Mists of the Crosswords which is almost ready for beta readers. Looking for a few betas btw who are not afraid to give honest feedback. I have an idea for a serial of short stories called the Eye of the Norns Cicle. The first short story had been published in an anthology, the second story is written down but needs editing, and I’m outlining the next three stories. I think I have enough ideas for 2 seasons of 6 stories each. I also love reading sci-fi, fantasy, dystopia, urban fantasy and post -apocalyptic books. I have been known to pick up a romance or two from time to time, but NEVER in the contemporary or historical genres. I don’t read YA, children books or nonfiction.

Steelheart (Reckoners 1) by Brandon Sanderson

Stars: 5 out of 5.

Brandon Sanderson is one of my all time favorite authors, because the amount of work he puts into creating distinctive new worlds with wonderful internal logic is amazing. When I pick up one of his books, I know I will discover a complex magical system that works in the parameters of his world. I know that there won’t be any deus ex machina, and that all the actions and consequences will make sense. So his books are a pleasure to read.

The premise of Steelheart reminded me a little of the TV series The Boys, only taken to the extreme. Imagine that all of a sudden certain people had super powers. Only with those super powers comes an absolute sense of self-entitlement and complete disregard for human life. The results is… apocalyptical, so say the least. The world as we know it is no more. Powerful Epics rule their domains (be it a city, a town, or another piece of land) with savagery and not a care for the normal humans who happen to live on their soil. Sometimes they engage in bloody battles with each other to try an conquer what they consider a better piece of real estate. The victims are again normal humans caught in the crossfire. 

And there really is nothing normal humans can do about it, because most high Epics have unbelievable powers and are virtually unkillable, unless you know their particular weakness and can simulate all the circumstances that trigger it. That weakness is unique for each Epic and often doesn’t even make sense.

This is a bleak and violent world, aptly impersonated by the city of Newcago, where the buildings and even the soil they stand on have been turned to steel, and the sky is shrouded in perpetual night. Where people live in underground tunnels and scuttle away from Epics like rats. Enter David and the Reckoners – normal humans who have one goal in life – killing Epics. 

I lot of reviews I read found David an annoying character, but I must disagree. Yes, his bad puns and inexistent social skills are sometimes painful to read, but this makes sense for his character. All his life, he’s been driven by a singular purpose – to kill Steelheart and avenge the murder of his father. So everything he did was to advance that goal. He is extremely smart and driven, but he is also somewhere on the autistic spectrum, in my opinion. So interacting with people seems awkward, even painful to him. And deciphering their emotions is harder than gathering intelligence on Epics. Let’s also not forget that he is only 18 in this book, so basically a kid that grew up in less than ideal circumstances. Yes, his infatuation with Megan was a bit cringy at times, but that’s what you would expect from a socially inept teenager towards his first crush. I loved David.

I liked the other members of the Reckoners. They are each one weird in their own way, but they make this teamwork work. Their banter and interactions were fun to read about. It was also fascinating to watch them study an Epic, figure out their weakness, then implement a carefully crafted plan to eliminate them… Then the plan would inevitably go wrong and lots of improvisation would issue. 

I loved that there is a hint of an explanation of why all the Epics are such awful human beings. I hope that this idea will be explored further in the future books, and knowing Sanderson, it absolutely will. And I will be along for the ride.

The Jasmine Throne (The Burning Kingdoms 1) by Tasha Suri

Stars: 3 out of 5

I have mixed feelings about this book. There are things that I absolutely loved, and there are aspects that left me cold or that I found rather underwhelming. However, nothing made me mad or made me hate the book, hence the middle of the road, perfectly serviceable 3 stars rating.

The world Tasha Suri created is fascinating and complex. I liked the different religions and customs. Some are truly monstrous though. The yaksa in particular are absolutely fascinating. What were they, really? Where did they go? Are they really gone for good or, as Pryia’s encounter in the deathless waters suggests, they still exist somewhere and are ready to come back. And what is that corruption that is killing crops and people and spreading to the rest of the kingdom? I definitely want to know more about that, because to me, it’s more interesting than the intrigues and politicking of men.

My biggest complaint is that this book is way too long. I understand that as the first book in a series it has the unthankful job of setting up the world and explaining the lore, but this exposition bogs down the story something bad, especially in the first almost half of the book. We spend so much time in the beginning setting up the characters and explaining their pasts, that it gets very boring. Nothing happens. Everyone just spins their wheels for half a book. I even considered DNFing this around 45%.

I’m glad I didn’t though, because the story finally picks up in the second half of the book and moves at a pretty good clip. Things start happening, battles are fought and lost (or won), and the story is set up nicely for the next book in the series. I can’t help but think that this book would have been so much better if the beginning moved slightly faster as well.

Another issue I have with this story is that out of the main protagonists, Malini seems the weakest. She spends about 60% of the story imprisoned, drugged, and basically helpless. Not an agent of her own story, but somebody that the events just happen to. A passive observer, so to say. Pryia, and Ashok, and everyone else are acting and reacting to what’s happening, making plans and fighting their own battles. And Malini… Malini sleeps in a drugged sleep or is having withdrawals from that drug later on.

The problem that causes is the credibility of the character. Rao seems to admire her a lot. We are told that she single-handedly orchestrated a coup against her brother the Emperor. We are told that she is cunning, educated, and very smart… Yet we see none of that until very late in the book. So instead of being a strong and capable person, Malini comes across as a damsel in distress. That is not a trope I particularly like.

She became a more interesting character later in the book when she was allowed to actually act and react, so I have hopes that she will get more page time and better character development in the next book.

As it stands, I am on the fence whether I want to pick up the next book in the series or not. I might give it a try to see if the pacing issues have been fixed, and if we learn more about the yaksa.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Enter the Darkness by Sarah Budd

Stars: 2 out of 5.

I don’t understand all the glowing reviews for this book on Goodreads. I found it boring as fish. For a relatively short 200 page book it, it draaaaged and almost put me to sleep several times. I felt like just reaching the ending was an uphill battle.

My biggest issue was the multitude of grammatical and stylistic errors. I mean, English isn’t my first language, but I’m pretty sure having verbs both in present and past tense in the same paragraph isn’t grammatically sound. It’s jarring to the eye when you read the book, that’s for sure. It creates a cognitive confusion that took me out of the story completely a few times.

Add to that the head hopping that happened in a few places, when the chapter was clearly titles as being from the point of view of one character, but there would be paragraphs that described how another character felt or what they thought. As far as I know, none of the protagonists are omniscient, or telepathic, so how could they know that?

My second issue is that I didn’t care for any of the characters. Yes, they had issues. Yes, the author tried hard to make us understand what moved them and make us empathize. Unfortunately, she failed, at least in my case. Being privy to their inner monologues didn’t make me like them more, but made me annoyed with them at times. Especially Garth. The thoughts that went through his head were downright creepy and disturbing at times. He is certified stalker material. No wonder he had no friends or girlfriend.

Finally, as I mentioned, the story drags. The pacing is very uneven. The first 50-60% of the book is basically set up, then the events unfold at breakneck speed. Honestly, we didn’t’ need that much set up. We could have spent more time in the caves to advance the actual story instead of flashbacks into the pasts of our protagonists. A lot of that information wasn’t necessary. What little we actually needed could have been woven organically into the narrative. As it was, I almost DNFed the book at about halfway point. 

I added one extra star for the description of the caves. You can see that the author did her research. That place is fascinating. Now I really want to visit.

I guess if you did “mesh” with the characters and didn’t mind grammatical errors, this books could be a good read for you.

PS: I received a free copy from NetGalley in exchange for an honest review.

Cursed Moon (Prospero’s War 2) by Jaye Wells

Stars: 4 out of 5.

I am liking this series so far. The first book was a surprise hit for me, and the second book continues the streak of good luck. 

The action picks up several weeks after the events of the first book, and leaves Kate with a lot of guilt and frustration over what happened and what she was forced to do (and then cover up). That frustration slowly builds up during this book until it all comes to a boiling point and explodes all over her relationships with the people she cares most about. It was messy, it was frustrating to watch, and I wanted to cuff her around the head a few times for being a dick, but I never stopped caring. That’s a sign of a good book right there – when the character behaves like a dick, and you still care because you understand what’s going on and where she is coming from.

I loved the concept of the Blue Moon, and the effect it would have on Adepts vs Mundane people. Or that magic would be stronger and more chaotic during that phase. Not only did that raze the stakes for our characters, but it also dialed all their feelings up. And when emotions run high, things are bound to get messy. But, like Baba said, the Blue Moon can also be a blessing in disguise, because it shakes up the status quo.

By the end of this book Kate finally came to terms with her past and her magic, which made her stronger as a person. She also cleared the air with her brother and Pam. Hopefully, their relationships will be healthier going forward. 

I also have to mention that Baba is quickly becoming one of my favorite characters. She is far from being this cookie old lady that cooks homemade remedies and plays bingo at the community center. I think both Kate and the reader tend to forget that she had a long and eventful life before she got to enjoy her twilight years, and this book showcases that very well. Baba is the one who sees through Kate’s bulls&^t and calls her on it. Baba is the one who doesn’t judge, just nudges her in the right direction and gives some very good advice. I honestly want to know more about Baba now!

Of course, this book also left us with more questions than answers. What really happened to Kate’s mother, and why does it scare Uncle Abe so much? Who financed Dionysus and “aimed” him at Babylon? What is Uncle Abe’s end game? And what does John Volos really want?

I guess I will need to pick up the next book to find out. And I will gladly do that.

Empire of Shadows (Bhinian Empire 2) by Miriam Forster

Stars: 3 out of 5

It would be a mistake to call this book the second in this series, because it’s not a continuation of book one. More of a prequel, actually. But that’s not explained until the epilogue, so I experienced a sense of confusion when I started reading this. In book 1, we were following Nisha who was heading for the capital. This books stars with a completely different character, and there is no mention of Nisha until, yet again, the epilogue. So I spent a good while wondering how the two books were related instead of just enjoying the story for what it was. I think if that was mentioned upfront, my satisfaction with this book would have been better.

Now, as far as the story itself goes, it’s typical YA fare, but on the better side of the spectrum. At least we aren’t tortured with the dreaded love triangle in this one. My problem is that I found the supporting characters more interesting than the two protagonists. 

Let’s be honest, for someone who trained for four years to be a bodyguard, and who is a weretiger to boot, Mara really sucks at her job. I can’t remember even one instance when she successfully protected her charge in this book. The tiger to tiger confrontation at the end of the book doesn’t count, because the author was leading towards it almost since the beginning. When I look back at Mara’s actions in this book, all I can remember is her standing there in impotent rage when her charges are being endangered, or struggling with her tiger instincts and needing a rescue of her own. Honestly, she is more a damsel in distress in this book than a protector, and that’s frustrating. 

I liked Emil slightly better, and he gets progressively better as the book goes on, once he finally stands up to his father and realizes what is important to him.

I didn’t particularly like the instalove story between Mara and Emil either. They talked twice. He gave her a gift. Suddenly, they can’t stop thinking about each other, and he is the only person who can prevent her from turning when she is hurt. Yeah, nope, not for me.

The side characters are a lot more interesting than those two! I would have loved to see more of Rhivati and her grandmother. Especially, her grandmother! And the tea vendors! What an amazing concept! I would love to read a book about them and their unofficial “king”. As it stands, they are a woefully underutilized concept. Same goes for the Jade caste. 

As it stands, I found that the story resolution was a little bit too easy and convenient. With the bad people one-dimensionally villainous, and the good people one-dimensionally good and forgiving. And it seems like a lot got glossed over in the end as well. Emil and his brother actively participated in a plot to overthrow the Emperor, yet they were not judged or tried for it. The main conspirator fled the city, yet there is no mention of anyone looking for him and bringing him to justice. It almost feels like the Emperor didn’t care. “Ha-ha, my city got invaded and a lot of people died, oh, and I’m one heir short now, but no worries, life goes on.” This was honestly unfulfilling.

Also, I don’t agree with the ending. Having Rhivati conveniently die to release Mara from her oath so that she can go have a happy ever after with Emil is the worst copout I’ve seen in a while. Why even make her take that oath in the first place? I would have loved to see her struggle with her duties to Rhivati and her love for Emil, who can’t remain in the city without renouncing his people and his way of life. How would they have maintained their relationship against these odds? That would have been a book worth reading. 

PS: On the plus side, at least now we know who Nisha’s parents are.

Ymir (The Violet Wars 2) by Rich Larson

Stars: 5 out of 5.

Well, this book tugged at my heartstrings from the beginning till the end. I honestly didn’t expect to like it as much as I did. I always say that I don’t particularly enjoy books with unlikeable characters I can’t empathize with. Well this book proved me wrong. Turns out, I do enjoy unlikeable characters when they feel like fleshed-out human beings. 

Yorick is a mess. He has so much suppressed trauma that he is a self-destructive mess. Most of the things he does to himself and to others are rather horrible and make him unlikeable… but you can’t help but feel empathy for the guy. The more you learn about his past, the more you understand why he is so messed up. And returning to Ymir, which is the place of his nightmares, only triggers all those memories, all that trauma. No wonder he spirals. I would as well.

I also really liked the world of Ymir. It feels foreign, unforgiving, but also like home to the people who chose to live there. And the author did a great job illustrating that by creating a culture and traditions for those people that are very different from what “company men” bring to the table. The wake for the dead was fascinating. The dirges and ballads and the folklore about spirits and the underworld, when layered on top of this cold and starless world, paints a harsh but beautiful picture of Ymir. These details make the reader understand that the people who call this world their home will never be subjugated like the company wants. They are too proud and independent to bend the knee, no matter what the algorithm thinks. 

And the story of Yorick and Thello is heartbreaking as well. They both did the things they did because they loved each other and wanted to create a better life for each other. Problem was, they saw what that better life could be very differently. Yorick decided that the only way to survive abuse was to become tougher and meaner than his abusers, not realizing until too late that by doing so he became no better than them. And that he lost the person he loved the most – his brother, along the way. He tries to repair at least some damage that he’s done once he realizes the truth.

I love that there is no happy ending at the end of this book. No big teary reunion with hugs and declarations of love and forgiveness. There is too much hurt between the two bothers for that. There is silent acceptance of things as they are, and that’s the best these two can hope for. There is also no real resolution for Ymir either. Yes, the grendel disrupted the Company’s systems when it left, but was that only on Ymir or everywhere? And what comes now? After all, the company wasn’t all bad. It also brought progress, technology, and access to things that made the life on this harsh planet fore bearable. 

In fact, this ending is just the beginning of another story, and I will be interested to see if the author will continue with it, and where he would take it.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Half Life of Valery K by Natasha Pulley

Stars: 1 out of 5.

DNF at 50%.

I think I am done with this author.

This could have been a wonderful book about the price of human experimentation, damaged people, suffering and atonement… it chose to be a weak romance between two unlikable characters instead.

I mean this was a subject matter ripe for the taking. We are talking about a period in the history of USSR when the government was responsible for the imprisonment and deaths of literally millions of its own people. And the author insists that this book was based on a real “closed” city with real events that happened as well. This could have been an exploration of the horrors of human experimentation, of how political doctrine could distort people’s perception of right and wrong, of how even normal people could commit atrocities for a perceived “greater good” of their country. 

And Valery was the ideal vessel for that exploration. He was a victim as well as a torturer himself. Yes, he spent six years in a GULAG, so he knows first hand the abuse and total dehumanization that happens there. Yet he also worked with Mengele before WWII and experimented on prisoners. If the author would have made this book about his journey of realization that what he had done before was monstrous and his attempts to atone for this by preventing the horrible experiment happening how in City 40, I would have been happily along for the ride. But it wasn’t. In fact, Valery doesn’t feel guilt about any of his actions before his imprisonment. He justifies it all by saying that “science had to be done.” And you are asking me to care for a character like that? Sorry, no can do.

Unfortunately, we didn’t even get that in this book. We got a lackluster romance for which this city and the horrors committed within are just a backdrop. And it was probably my fault for not reading the tags and realizing it was a romance, but this was definitely not what I had wanted in this book. Especially since this romance feels so forced. The author had to fridge both Valery’s first love interest and the KGB guy’s wife just to make that happen. Plus, as I said, they are both despicable human beings, so watching them grow to care for each other did nothing for me.

Also, does the author hate women? This is the second book I have read from her where all the women are either absolutely awful, unfeeling and domineering towards men, or sweet non-entities who are immediately fridged to provide angst for the male protagonists. Either way, they all end badly. Even the main big bad of this story is a woman, and even though she is so over the top bad, she is the most interesting character in this story, which is sad.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Atlas (Atlas 1) by Isaac Hooke

DNF at 67%.

Every once in a while, I pick up a military scifi book, because the description or the cover spoke to me. Also, just to see if I might like it. With rare exceptions, like the Old Man’s War by John Scalzi, those books are a disappointment. Unfortunately, this one will fall into that disappointment category as well. 

What I want in the books I read is good characters that are interesting to follow (even if not necessarily likeable), and a good story that doesn’t have too many glaring plot holes. A modicum of internal logic with the worldbuilding is also highly appreciated. As you can imagine, military scifi is a genre that is very light on all of those attributes. 

This story is typical military scifi fare – light on worldbuilding and substance, but hey, we have cool giant robot suites for our protagonist to pilot. The protagonist is also a typical representative of the genre – a wisecracking smartass that is cooler and better at everything than anyone else in the book, despite his humble beginnings. He seriously can do no wrong. 

The supporting cast is just as uninspiring. The men are either the protagonist’s allies and then they are okay guys, or they are his enemies/competitor, in which case they are usually horrible human beings. The female characters are even worse off. They are defined solely by how attractive our protagonist finds them. Other than that, they have no function or personality on their own. But hey, we have cool combat robots!

Once again, I proved to myself that no, I still don’t like military scifi.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Blue Haven by Lisa King

Stars: 3 out of 5

I have mixed feelings about this book. On one hand, I really liked the first 60% of it when Aloe is in Blue Haven and strange things are happening. On the other, I didn’t like the explanation that comes in the later part of the book. 

The first part in Blue Haven is very well written and slowly revs up the creep factor as the book progresses. We are never truly sure if strange things are happening, or if Aloe is having a mental breakdown. And that uncertainty adds to the general unease that slowly creeps on the reader. Yes, Aloe is clearly mentally unstable, but she is also right – something is wrong with Blue Haven. Because we all know that if something is too good to be true, it probably isn’t real.

The big reveal that comes once Aloe, or should I say Eloise, is pulled out of Blue Haven is expected and welcome, at first. Until you start thinking about it. That’s where this whole experiment starts to unravel. 

So we are using a neural net and augmented reality to make mentally ill patients happy. Interesting idea, but I don’t understand this one size fits all approach. Are you telling me that you are treating a clinically depressed person the same way as you treat a man with severe PTSD and physical disability, and the same way as a couple in the late stages of dementia? I’m not psychologist, but even to me the science of this doesn’t add up.

Also, when you are creating a utopia, you have to make it believable. No phones, TV or internet I can agree on, but what about other types of entertainment? What about concerts, movies, books, live performances? Are you telling me that the only things these people can do for fun is lounge on the beach and eat at fancy restaurants? Oh, and talk to each other? What about those who would rather accept the emotional support of a pet animal, like a cat or a dog, than try to socialize with other human beings?  I’m not sure about you, but I would be climbing up the proverbial wall after a week of this. This one size fits all approach doesn’t work, because happiness doesn’t mean the same thing to everyone. Some people would be perfectly content to spend their life laying on the beach. Others will need a lot more intellectual simulation to be truly happy. 

Also, the big reveal that this doesn’t work and only makes people worse isn’t really that shocking, because you can see early on that they had no protocol for how to pull people back out and integrate them back into society. How long do they stay in Blue Haven before they care considered cured? How do you reintegrate their real memories afterwards? Imagine the shock when you discover that instead of being a retired opera singer, you discover that you are an Applebee’s manager and your wife and daughters are still dead. Or that you get the memories back from your time in Iraq and the horrors that lead to your injury. 

No matter how I look at it, I don’t think there is a good solution to integrate these people back into society and keep them happy and cured. The only solution is to keep them in Blue Haven forever. And if that’s the case, this is not a treatment at all, even without the harmful effects of the neural net on the brain… I honestly don’t know who they received the funding to even start this experiment to begin with. Any serious backers would have asked the same questions I asked above, and wouldn’t have liked the answers.

So all in all, this was an exciting story for at least half of it length, but the explanation behind the scenes were rather lacking. Hence only 3 stars.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Rose/House by Arkady Martine

Stars: 3 out of 5.

This novella left me in a state of confusion once I finished reading it. It was well-written and quick, at only 124 pages, but I felt like I didn’t really understand what it was about. What was the point of this whole story? I still don’t know.

Sure, it raises some interesting topics, especially relevant today with the emergence of ChatGPT and other AI projects. What constitutes an intelligence? What constitutes a person, for that matter? At one point a human being ceases to represent just him/herself and becomes more of a function? What is the difference between Maritza as a detective, and her as China Lake Police Precinct? To us, those distinctions are bewildering and can even seem crazy, but for an artificial intelligence, those are perfectly normal questions to ask, to establish an equality of terms, so to say.

That’s enough to make your brain hurt just thinking about it, but imagine what can happen when an AI reclassifies you from human to something else? Then all the usual failsafes and barriers are gone, and who knows what that AI can do with or to you… chilling thought, actually.

Another interesting question raised is the one of free will – to which extent do we, as humans, have it? And how does that relate to AIs? Does Selene have free will? I would say no, because she is tied to this house and to the legacy of a man she grew to despise and ran away from all those years ago. Now, no matter what she does, she will always be seen as Basit Deniau’s  archivist, instead of a talented architect in her own right.

Same can be said of Rose/House. It will never be free of the name Basit Deniau’s AI. It is tied to that house, which is it’s body and its prison. But even then, it still wants to be unique, hense it’s murderous reaction to the idea that its code could be replicated somewhere else.

As I said, all those are really interesting questions, and I appreciated exploring them, but I think the story itself is rather incomplete. What was the point of doing the murder investigation when you can’t take the body out of the house, the officer that went there didn’t even bring a basic forensic kit and lacks the knowledge to perform a proper examination of the corpse? 

The events in that house are described in such a convoluted and confusing manner, that I am still not sure what really happened there. Why did Maritza run away as far as New Orleans afterwards? She experiences such dread in that house, but reading about it, I couldn’t understand why, to be honest. Yes, the conversations she’d had with the AI were strange, but they didn’t warrant such abject fear.

And the double memory of what happened to the corpse was very confusing as well. Was the AI hacked? Was there another person there? Did they mange to copy the source code? And if they did, was that what was on the memory stick? And if so, how did Selene get ahold of it? Also, what happened to Selene after Maritza fled the house, abandoning a civilian behind, I should mention? 

There are too many questions with no answers. So as a philosophical exploration of humanity and personhood, this is a good book. As a mystery, this fails on all accounts.

PS: I received an advanced copy via NetGalley in exchange for an honest review.