Tag Archives: 4 stars

Cry Wolf (Alpha and Omega book 1) by Patricia Briggs.

Stars: 4 out of 5.

While this book is the first in the Alpha and Omega series, it’s set in the same world as the Mercy Thompson books and has a prequel in the form of a short story that explains how Charles and Anna met. I haven’t read either of those. Cry Wolf was my first introduction to this world and these characters, and I was surprised at just how much I loved them.

I think it mostly has to do with the fact that their relationship is exactly the sort I like to read about. It’s a solid partnership between two mature, albeit damaged people who make actual efforts to work through their problems together and gain each other’s trust and acceptance. Amongst the sea of one-sided, often abusive relationships we see in the paranormal romance books nowadays, stories like that are a sip of fresh water on a parched throat.

It also has a lot to do with how wonderfully complex those two characters are.

So many things could have gone wrong with this relationship. Charles is his father’s Enforcer. He has the reputation of a ruthless killer, ready to put down anyone who threatens the Alpha’s rule and the safety of the pack and not lose sleep over it. He is feared and even covertly despised even by his own pack because of what he does and how seemingly remorseless and even emotionless he is about it.

He rescues Anna from a horrible situation, but at the same time, he yanks her out of a town where she had at least some kind of support system: a job, a few acquaintances that might have been friends, the familiarity of the big city. Now she has no job, no money and is in a werewolf village in the middle of nowhere with nobody to help her if things go wrong. In other words, she is absolutely and totally dependent on him.

When I first picked up the book, I was scared that this would turn into one of those toxic and abuse relationships with Charles being the typical “alpha male” – possessive and jealous, disregarding Anna’s wishes and opinions and depriving her of her own agency for her own protection. Thankfully, this wasn’t the case at all.

Charles might lead a violent life and be forced to do horrible things out of duty to his Alpha father, but he is always treats Anna with respect. She is his mate, but that doesn’t put her in a subservient position in his eyes. To him, she is an equal partner in this relationship. She has a voice and an opinion that he listens to.

Anna is also not your typical female protagonist. She doesn’t go through life kicking ass and taking names. In fact, she is not a fighter at all. And, surprise of all surprises, she actually thinks before she opens her mouth, can assess a situation and knows when saying nothing might be the best course of action. She is the slow and steady river current to Charles’ firestorm. A soothing presence that can ground him. She helps him remember that no matter what the rest of the pack thinks of him, he is not a monster. That all those glances of fear and barely veiled contempt are directed at the façade he has created, not the man that hides behind it.

It’s never a one-sided relationship, because they both give as much as they take. They complement each other and manage to build something beautiful out of the broken pieces of their lives.

… and this is the first review in which I managed to wax poetic about a love story while saying absolutely nothing about the actual plot! It’s not because the plot was lacking depth, I can assure you. It’s just that it paled in the face of those two wonderful characters, at least in my eyes.

So would I recommend his book? Definitely. But I would suggest reading Alpha and Omega short story in the On the Prowl anthology first, otherwise the beginning of the book might seem a bit confusing.

 

The Secret Dead by SW Fairbrother.

Stars: 4 out of 5.

Did I mention that I love discovering new exciting series to read? It makes me feel all warm and fuzzy inside, because I know that I still have several more books to spend exploring this new world. The Secret Dead is one of those books. It’s the first one in the London Bones series and it’s a very strong beginning of what promises to be an excellent series.

SW Fairbrother has created a very complex world where the supernatural has coexisted with the “natural” for centuries (or maybe even from the beginning, it’s not quite clear). So everybody considers this as a natural order of things, even though conflicts still arise between different factions. There are laws and regulations in place to facilitate interactions between normal people and supernatural people, though some are better enforced then others.

And of course, there is the small matter of the necroambulation virus that turns people into flesh-hungry zombies after they die. 98% of those who contract it (either via a bite from a zombie or via sexual contact, like an STD) die within 24 hours, then they reanimate and unless they keep consuming human flesh, they slowly lose their mind and become nothing but rotting shambling corpses. The other 2% survive and become carriers and live the rest of their lives knowing that they will turn zombie as soon as they die. There is no cure.

What I like about this new take on zombies is that in this world this virus has existed for generations, and society has tried (and often discarded) several different ways of dealing with it, including burning their newly zombified neighbors in their homes along with all their families. This option was later discarded for being too barbaric. Now the zombies are just thrown into a huge underground pit to rot in the dark, which isn’t a much better solution, one might argue…

Anyway, this whole situation creates a wonderfully complex world that I absolutely loved exploring. And I also loved the protagonist because she is so not the typical female heroine that we so often see in this genre. Vivia Brisk is a hag, a death witch who can travel the world of the dead at will. Problem is, her body dies every time she does that, so she comes back to a more or less advanced state of decomposition, depending on how much time she spent in the Underworld. And even without that unfortunate side effect of her abilities, she is no beauty even in the best of days.

But despite of that, she is a very engaging character that I enjoyed following. Despite a rather gloomy family situation and not particularly sunny future prospects, she never feels sorry for herself, never whines or moans or wallows in self-pity. She goes on with her life, trying to do her best with the cards she’s been dealt, and I can’t help but respect her for that…

My only complaint, and the reason this book got 4 stars instead of 5, is that the ending feels rushed. After a slow and steady build-up of the rest of the book, everything is sort of jammed in the last 20 pages or so. And it ends in a huge cliffhanger. But I didn’t even mind the cliffhanger that much because I am getting the next book in the series anyway.

So in case you haven’t yet noticed from the glowing review above, yes, I definitely recommend this book. Buy it, read it, enjoy it!

The Flex by Ferrett Steinmetz.

Stars: 4 out of 5.

Another wonderful book. Frankly, I have been spoiled with good books so far this year.

Flex has a very interesting concept of magic that I hadn’t encountered before. The ‘mancers in Flex are not officially (or unofficially) trained magicians we grew so accustomed to in other fantasy books. No, each one of them has their own particular flavor of magic or ‘mancy. There are illustromancers and musicomancers, videogamemancers and bureaucracymancers. This is a fascinating concept that a person’s believes and obsessions define his or her magic and the set of rules within which it works.

I also loved the fact that the use of magic is not free in this world. Every time there is a Flex, or the active use of magic, there will be a Flux later, or pushback when the laws of nature reascertain themselves and make the practitioner pay for breaking them. The bigger the Flex, the bigger the subsequent Flux, and it usually hits the things or people the ‘mancer cares about the most. So no wonder why ‘mancers in this world are mostly solitary and rather unhappy people – everything they love turns to ash between their fingers the more they use their magic.

Why don’t they stop? You could ask. Well, ‘mancy is like a drug, an addiction. And for a lot of these people, the Flex is the only time they are truly happy, they truly feel alive. So they are willing to risk the Flux just to experience this euphoria even for a little while.

I loved the fact that all the ‘mancers in this book are neither really good nor really evil. They are all broken people who found refuge from the ugliness of this world in their magic. They can do horrible things, but even the worst of them can create ‘mancy that’s absolutely beautiful.

Our protagonist, Paul Tsabo, had spent his life hunting down rogue ‘mancers and handing them over to the Government to be “refactored” – a horrible procedure where their mind is erased and they become no more than puppets linked to a human controller… and then he became a ‘mancer himself. When his daughter is horribly burned in an explosion orchestrated by a ‘mancer bound on destroying human civilization, he must take it upon himself to hunt him or her down and make them pay.

I liked Paul. He is not the typical action hero. He doesn’t rush into danger with guns blazing. He is not good in a fight – too scrawny, not a very good fighter. But he is extremely good with the paperwork. He is the king of forms, the god of bureaucracy. I loved the fact that he stayed true to himself throughout this book. The author didn’t make him discover sudden mad fighting skills or extreme marksmanship. Paul remains a paper-pusher, but his papers can rewrite the world.

My only gripe with Flex is that the author doesn’t give us hardly any background on the origins of this magic. One of the characters attributes the surge of ‘mancers to the birth of the Internet and the ever growing list of obsessions people have. Yet the author also hits that ‘mancers existed even in the previous centuries, way before the invention of the Internet. In fact, a full on magical battle during World War II opened a huge broach over Europe and transformed the whole continent in to a smoldering landscape full of demons.

It’s implied that ‘mancers started being hunted down and “refactored” after that incident, but the author doesn’t explain how it was before that. How did ‘mancers deal with their Flux? How did society deal with them? I would have loved to have a bit more details. I would also have loved to see more of that strange world than just New York. Hopefully, the author will expand his universe in the next book.

But even as it stands, Flex is a definite must read. It’s well written and fast paced, and the story is really interesting.

PS. I received an advanced copy of this book via NetGalley.