Tag Archives: 2 stars

The Passage (The Passage 1) by Justin Cronin

Stars: 2 out of 5

I am a sucker for an end of the world as we know it book. That’s probably why I regularly dip into zombie books, even though finding good ones becomes a challenge. So the Passage was right up my alley. Unfortunately, this turned out to be a slog of a book.

The main issue is that this book is way too long – at almost 900 pages, it’s a doorstopper if I ever saw one. Which means nothing happens in a hurry. In fact, I would say that the events progress at a glacial pace.  And while that works well in the first part of the book, where the author sets up the story and introduces the characters, it absolutely kills the narrative later on. In fact, I spent 3/4 of this book skimming over endless descriptions and inept dialogue to get to the few exciting parts.

As I said, the first part of this book is the strongest, with the most developed characters and a sense of urgency. Unfortunately, it’s also the shortest. Just as we get to the end of the world, the book jumps 100 years ahead and introduces a whole new set of characters and goes into painstaking details to describe the Colony and everything that happens there (spoiler alert – it’s not much). So we get about 300 pages where absolutely nothing really happens. It wouldn’t be that bad if the characters were interesting, but they are not. They feel flat and one-dimensional. I didn’t care for any of them even by the end of the story. Even some of them dying just elicited a shrug as a continued to skim ahead. 

It doesn’t help that Amy, who is supposedly the center of this story and this chosen child, is a non-entity. She is more a plot point or a magical McGuffin then a person. We don’t know what she thinks. We don’t know what she wants or likes. And we don’t know why she is so exceptional in the first place. What differentiates her from the other Twelve? Why did she keep her humanity when they transformed into something else? Never explained. We never get to be privy to her thoughts and motivations. We only see her through the eyes of other characters, and half the time what she does and says doesn’t make sense. And no matter how much other people tell you that she is exceptional and important, I don’t see it. 

There are also so many threads introduced in this book and never fully explored or even used. Like the vials with the modified virus. Why introduce that as a possible weapon against the Twelve only for Amy to destroy them 50 pages later? And everyone acting like she did them this huge favor by doing so. In fact, everything this child does is treated lie gospel by the other characters, like she is some sort of messiah that can’t do no wrong, when nothing in her behavior supports that. That’s what happens when the author tries very hard to persuade the reader of something but does a bad job showing it.

My final gripe with this book comes from the heavy handed attempt at spiritualism. It’s implied that Amy was special even before the virus (the episode with the animals at the zoo). It’s implied that it was God’s will to destroy the world.  And for Amy to save it later. When? No clue, she sure didn’t do it by the end of this book, even after 900 pages. So we have some characters who do completely irrational things because they “hear God’s will” or “feel that it’s the right thing to do”… and other characters just follow along. If it was me and I was asked to follow somebody across vampire-infected country from California to Colorado, I would at least ask why. And the explanation that there is a 100 year old signal that is talking about a “her” that might be the kid that just brought death and destruction to my home wouldn’t be enough to persuade me. 

This book had so much potential, but I feel like it was squandered. 

Seven Deaths of an Empire by G.R. Matthews

Stars: 2 out of 5

Well, this was a disappointment. Do you sometimes happen across a book that should, by all accounts, be right up your alley, but realize that it’s a complete miss? This is what happened to me with this book.

First, I didn’t like the worldbuilding itself. The world is too reminiscent of the Roman Empire with a little bit of magic added for good form. Oh and a monotheistic religion that mirrors what Christianity became at it’s worse – intolerance towards other religions, Inquisition, and witch hunts. Though in this case, we should probably say mage hunts. Other than those parts, the world itself has no originality. There is nothing that makes it unique or memorable, or even “fantasy”.

I am still fuzzy about the geography of this world or the different people who live in it. We talk about the forest tribes and the Empire, but it’s mentioned that the Empire conquered a lot of other people as well… yet I don’t see this diversity in the book. Even the tribes looked like a monolithic block to me, despite the fact that Emlyn mentions several times that each tribe is unique. We are told that, but we aren’t shown it.

Same with the Empire itself. It’s just an homogeneous mass of soldiers to me. I can’t even tell you what the main characters look like. Kyron is supposedly descended from the tribes, so does he look different than another citizen of the Empire? One descended from the original invaders that came from overseas? No clue. 

Speaking of that, why is the capital of the Empire on this new continent if the Empire originated elsewhere? Who governs that part of the Empire? Are they aware of the death of the Emperor and all the drama that follows? There is no mention of that. It’s hinted that it’s a big territory, yet it’s not important enough to even mention more than once in the story?

This moves into the second problem I had with this book. There is no sense of scale. The author hints at a huge continent and the Emperor is somewhere north of it with his army… yet it takes them what, one or two weeks to get back out of the forest and almost to the capital? Considering that they were moving on forest trails and with heavy carts full of with provisions, as well as the Emperor’s body, they weren’t moving very fast. Probably even slower as than a normal march. So if this was a big continent, it would have taken them a month or two to get out of the forest and into proper roads. And the author mentions that it took the Princess and her retinue a week to sail to the city with the bridge… yet they were back in the capital rather quickly after that battle. This creates such a confusion about geography and distances. I don’t “see” this world at all, thus I’m not interested in it.

Finally, I didn’t click with the two protagonists either, though I liked Bogan better than the whiny Kyron. Yes, the kid does some growing up in the course of the story, but he is still as selfish in the end as he was in the beginning. And his actions at the end of the book only prove it. His grandfather begged him to leave and do nothing. His master begged him to leave and do nothing. Heck, a lot of other people who know what they were talking about begged him to just save himself. Did he listen to any of them? Of course not. And by acting against the wishes of the person he is trying to save, he makes things so much worse…

Also, if found that the ending was at least 60 pages too long. The battle at the bridge was a very nice climax to the story with a great emotional payoff… but then the story kept going… and going… and going. Frankly, I lost interest and started just scrolling to the end, reading a word here or there. Even the twist and the big reveal didn’t manage to recapture my attention. I think it’s because that twist is so out of character for the actual villain of the story. Either that or Bodan can’t read people to save his life. 

If this book is a standalone, then the story isn’t wrapped up by the end. If it’s the first in a series, unfortunately, it didn’t make me interested enough to wait for the next one.

PS: I received a copy of this book from NetGalley in exchange for an honest review.

Book of Sand by Theo Clare

Stars: 2 out of 5.

DNF at 60%

I tried so hard to like this book, or baring that at least finish it before I reviewed. I struggled for the last 10-15% of the story, hoping to get some answer or that the story would get more interesting. Unfortunately, it didn’t, so I am calling it quits.

The beginning was really promising, though I wasn’t a fan of the dual storylines. McKenzie’s story in particular was a little bit too YA for me. I am not a fan of YA, so getting through her parts was a struggle. It was especially hard and off-putting because of how intermingled these parts are – you have several paragraphs with Spider and the family in the Cirque, then we jump to McKenzie for a paragraph, then back again with no warning, no rhyme or reason. 

The desert storyline was intriguing enough to keep me going though. And I wanted to know how the two stories tied together. Unfortunately,  the answer to that question was rather blah. Also, the book went downhill once the two stories merged. There were too many questions left unanswered and too many deus ex machina moments. Also, nobody communicates in this family. Everyone withholds information for no other reason but to keep the mystery of the story. It’s infuriating. 

These people are supposed to be a family, and the author mentions several times how much they love each other. Yet for some reason they all despise Hugo because he is “entitled”. Well, I’m sorry, but I haven’t seen anything entitled about him in this book. He’s been nothing but helpful and self-sacrificing throughout the story. The reaction of the other family members makes no sense. Same with Spider’s constant suspicion towards Noor. Like dude, why don’t you two talk it out, like normal human being would? And why are your so-called Elders speak in riddles and never answer any questions? And why do you constantly just let it go? It’s a life and death situation you guys are in, but Spider would be just like, “cool, you won’t answer me about why I should explore this city, so I will just go away and do something else.” Really?

Also, with such a big cast of characters, it’s sad when the only well-defined and interesting one is a camel. 

And this book is way too long. It sits at a hefty 600 pages. So I made it to about 350 by the time I called it quits, and the story hadn’t given me any satisfying answers yet. Nope, I’m out.

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review.

The Mad Trinkets by Cameron Scott Kirk

 Stars: 2.5 out of 5

I honestly don’t understand all the 5 stars ratings and raving reviews for this book. I didn’t see complex characters or well-realized world. All I saw was gratuitous violence, oversexualization, and very wobbly worldbuilding.

My biggest pet peeve is the worldbuilding, actually. I am a firm believer that in fantasy, you either create your own world with its own geography, mythology and religions, or you use our world, but very carefully. Then it’s called alternative history anyway. 

What we have in this book is a complete mess. It’s set up in the fictional land of White Cloud, where two kings rule and an evil Hungry King had been defeated barely a year ago. Of him, we don’t know much. He was a cannibal, maybe? He had magic, maybe? Who knows. We never get any details on him apart from a few mentions… There is a tall mountain, and a city at the border of a vast desert, and maybe evil metal that fell from the sky. With me so far? Okay. All that is good. All that paints an interesting and fictional world…

And then we get the mention of God and Jesus Christ and real places like Jerusalem. One of the characters is a Norsewoman… who carries a katana. No, seriously, a real Japanese katana… and was given a Japanese name. So are we in our world or some kind of invented one? If we are in the real world, then where exactly is this land of White Cloud on the map of our world? When are these events taking place in reference to our present time? And if it’s NOT our world, why mention a religion from our world? Especially since it has no influence on this story whatsoever? Why give your Viking woman a Japanese katana? Again, it isn’t relevant to the story. All it does is kick me out of the story and irritates me, because I can only suspend my disbelief so far.

The characters are also nothing to write home about. All the women are good and righteous, even in their anger and thirst for vengeance. Other than that, we are not privy to their inner thoughts or desires. All men are overly sexualized pigs… apart from a few obviously good guys who somehow overcome their base nature by the end. Again, we aren’t particularly privy to their thoughts either. 

By the end of the book, I sincerely couldn’t care less for any of the characters. I skimmed the last 10% of the book just to get to the end of the story. This hasn’t become a DNF only because I was almost at the end and I was too stubborn to quit. Honestly, won’t recommend this.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Shadebringer by Grayson W Hooper

Stars: 2 out of 5

I added one extra star for the originality of the premise. A soldier who dies during the Vietnam war ends up in a sort of transitional afterlife world where souls are supposed to heal and deal with their hang-ups before they transition into Heaven or Hell or reincarnate, depending on their religious preferences. Oh, and all the souls in this world are soldiers from all the wars ever fought on Earth. This could have been such an awesome story! I was so looking forward to exploring that! Unfortunately, the execution was mediocre at best.

The story takes a long time to get up to speed. I mean, the protagonist doesn’t even end up in Irgendwo until about 40% into the book. Until then we have a long and tedious account of him fighting in Vietnam. Well, by fighting I mean drinking, cursing, and being a total ass to his subordinates in Vietnam. We don’t get much actual fighting. And when we do, the fight sequences are confusing and not particularly well written.

Once we finally get to Irgendwo, the story doesn’t get much better. The author tells us a lot, but doesn’t show anything. He also doesn’t particularly explain how his world works. We travel through a desert and some woods and reach mountains, but there is no sense of scale. At one point it says that it’s days to the sulfur caves from the city where the protagonist is, yet it seems like an army of over two thousand people covers that distance almost instantaneously. I mean imagine the logistics involved in moving this many people over a long distance? Provisions, tents, etc.? Nope, no mention of that. They cover the distance seemingly by magic.

Speaking of magic. Apparently, there is such a ting in Irgendwo, but how it works is never explained. It’s like, here, put your hands like this and throw a fireball. Look at that, it works! There is mention of necromancers, and scryers, but how any of this works is never explained.

Nothing is explained or actually SHOWN. We are told that the people of Mora are evil and want to destroy this world, but apart from a brief scene where the protagonist witnesses a public hanging, I saw nothing that proves this supposed evilness. Or the goodness of the other guys… who force conscript anyone coming to their city. But it’s for a good cause, because the author said they are the good guys…

Also, we have soldiers from different conflicts throughout human history, including the most recent ones like WW1 and WW2. Heck, the protagonist died in Vietnam… yet all their weapons and armor are stuck in the middle ages. We have swords and maces and bows, but no guns? Why? Once again, nothing is explained. 

I think by now you can see the trend here.

I could have forgiven the lack of decent worldbuilding and explanation, if the characters were interesting. Unfortunately, that is not the case. All the secondary characters have the personalities of a cardboard cutout. And the cutout isn’t of a real person, but of a cartoon. Seriously, I can hardly remember their names, yet alone their descriptions. 

The main protagonist doesn’t fare much better. I found him extremely unlikable. He comes across as an entitled asshole who thinks that he is better than everyone else, so he treat them like dirt. Oh, and he gets away with this because he is the Chosen One. He is so quick to pass judgement on people based on their appearance or actions, yet we have seen him being a horrible excuse for a human being during his time in Vietnam… yet he considers himself so good and righteous. I wanted to slap him or throttle him for most of the book.

I quit reading at 85%, smack in the middle of the last decisive battle that was supposed to decide the fate of Irgendwo, because I realized that I simply didn’t care one way or another. I wasn’t invested in this story and the people. I couldn’t care less if that portal was closed or if the Children (which we know next to nothing about) were finally going to invade and burn everything to the ground. As far as I’m concerned, they are welcome to it.

This is supposed to be the first book in a new series, but I have no interest in picking up the next one. Me and Irgendwo are parting ways.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

Plague Birds by Jason Sanford

Stars: 2 out of 5

If you are looking for a book with a story that keeps you on the edge of your seat and driven by memorable characters… this is not a story you are looking for. If you are looking for a mismatched bag of great ideas loosely wrapped into something resembling a story with characters that have the depth of cardboard, then by all means, give Plague Birds a try.

This was a very disappointing read. I was lured into this book by the excellent cover (I mean, seriously, look at this thing, it’s gorgeous) and a blurb that promised an interesting story set in a unique world. The world is unique, alright, and that’s why this gets 2 stars instead of 1, but the interesting story never materialized.

Instead, I felt like the author had a basketful of interesting concepts that  he really wanted to play with and include in the story, but he couldn’t quite figure out how to weave them into a coherent narrative, so he just tossed them all in, shook it a little and left the end result to chance. So we get villages governed by AI, cannibal monks in a monastery dedicated to preserving the knowledge of a lost human race, a forest that becomes sentient by torturing people who venture into it, and so on and so forth. Yes, those are fascinating and often horrifying concepts that were interesting to explore, but what they add to the main story is unclear.

Speaking of main story. I am still not sure what it was. What was the end goal here? Was it to discover the through behind the death of Crista’s mother? Was it to reach the city of Seed? Was it to catch the villain killing plague birds? The stakes are not clear, and there is no sense of urgency, so the story meanders along with Crista seemingly without purpose. Yes, they need to stop the Veil, but there isn’t a ticking clock to create a sense of urgency. They can hunt those people for hundreds of years without anything bad happening for all we know.

And I could have forgiven this lack of cohesive story if the characters I was forced to follow were interesting. Not the case here. I am still not sure I know Crista even after spending this journey with her. Despite this being told in first person from her point of view, the author does a very poor job actually showing us her thoughts, motivations and inner workings. 

This goes for all the other characters as well. In fact, this book is all tell and almost no show. We get flashbacks and infodumps galore. People react in ways that often puzzle me because the author never explained what made them tick. Though in the case of the main villain, I am not sure even the author knew what made him tick, because his motivation is thinner then rice paper. I mean, he could have killed Crista several times over, but he chose to mess with her mind and/or even help her instead. Why? Never explained.

Another big disappointment for me was that this book reads like a YA story. With all the typical YA shortfalls and tropes. Including insta-love (or should I say insta-lust?). Yet it’s not classified as YA on NetGalley or Goodreads. Had I seen that before I had requested this book, I would never have bothered. I have nothing against the YA genre. I just don’t read it.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

Wakers (The Side Step Trilogy 1) by Orson Scott Card

Stars: 2 out of 5.

DNF at 70%, so you darn right I’m leaving a review for this, since I put so much effort into this book!

I am very disappointed. I loved The Ender’s Game by the same author so I had high hope for this story as well. 

And the beginning was pretty good actually: intriguing and suspenseful. I was along for the ride with Laz, and even his constant monologue and the tendency to over-analyze every little thing to death wasn’t all that annoying at first. He was looking for answers, after all, and we, as the reader were looking for them with him. Yes, the pacing was rather slow, but I was willing to forgive that as long as I got the answers I was looking for in the end.

Then Laz finally wakes up Ivy… and things took a nosedive from there. 

First of all, the pace, which was already slow, became glacial. I mean the story progression grinded to a halt to be replaced by pages and pages of mindless and mind-numbing dialogue between two obnoxious teenagers. It was pointless. It wasn’t interesting. It didn’t bring ANYTHING useful to the story. It made my eyes roll back in my head and make me want to take a nap every time I opened the book. It’s an endless stream of verbal vomit between two people who I found more and more unlikeable the further in the book I got. 

Because most of the book is written in these horrible dialogues, the author does a lot of telling, but almost no showing. The characters debate scientific theories, explain to each other things that should be self-evident for them just so the reader can catch up with the science here. Problem is, the reader has checked out ten pages ago. 

I got no sense of the world, because the descriptions are almost non-existent. It’s all just Laz made a snide remark, Ivy retorted with something the author meant to sound smart, but just made her sound like a spoiled brat, Laz retaliated in the same fashion, blah, blah, blah…. twenty pages later we still haven’t learned anything new and the story hasn’t progressed an inch. Heck, I don’t even know what the dogs in the pack of four look like because mighty Laz didn’t care enough about it to talk about it.

I understand that this is a YA book, but I still didn’t particularly appreciate how all adults are described as complete idiots. Seriously, Laz and Ivy have this “better then everyone else” attitude to them when they talk to anybody else that would never have worked in the real world. You might be smart and possess a unique ability, but you are still a teenager, no you are a clone with fake memories, so if you talk to me this way, you will get smacked. I think that’s my biggest pet peeve with the author’s approach – you CAN create smart and resourceful teenagers without making them disrespectful at the same time. 

It made me hate the main characters more and more, and by the end I didn’t care about them or finding the answers to the big questions enough to read through the last 30% of obnoxious dialogue.

I will not continue with the series. I will definitely not recommend this book. And if this is the author’s new style of writing, I doubt I will try any of his newer book going forward. I’d rather re-read the Ender’s Game.

PS: I received a free copy via NetGalley in exchange for an honest review.

The Black Coast (The God-King Chronicles 1) by Mike Brooks

 

Stars: 2 out of 5

DNF at 51%

This book suffers from the first book in a series syndrome. The author is so excited to introduce the reader to his brand new world, that he throws everything but the kitchen sink into the first book. This leads to a book that is a hefty 700 pages long… that are a slug to read. 

I know there is a story there, but it’s so muddled by the different side-stories and a multitude of different POVs that it progresses at a glacial pace. Well, glaciers move faster than this story, actually. I mean, when I called it quits at 50%, only two weeks narrative time had passed, and only a handful things had happened.

As I already mentioned, this story has too many narrators. I counted at least 8 or 9 different protagonists whose POVs we are privy to. That would work if they all contributed to the same story. Unfortunately, at least 4 of them (that I remember) are narrating events that don’t even happen on the same continent, that I could tell. And have no connection whatsoever to the main events in the story. Maybe the connection becomes evident later in the book, but seriously, if I can’t tell why half of the characters are even in the story after reading half of the book, something is wrong with the plotting. 

It doesn’t help that of all the protagonists, I was truly interested in maybe 2 or 3. Daimon, Saana, and her daughter. They felt fleshed out. I could understand their motives and desires. The rest of the cast? Cardboard cutouts, all of them. I couldn’t care less about them or their stories, especially since they mostly had nothing to do with the main story.

This book would have benefited with sticking with the main story of the Raiders coming to ask asylum from the very people they had been pillaging for generations. Cut all the other POVs out. Put them in the next book in the series if you want, but don’t muddy the waters unnecessarily. This forced cohabitation story was so ripe with conflicts and possibilities! It had so much potential for violence, reconciliation, and character growth! It would have made an excellent book all by itself.

My other problem with this book is the dialogue. I get what the author tried to do, and the idea that different cultures have different languages and different ways to defining genders (one culture has 9 of them) is fun and exciting in theory… but the execution of that was less than stelar.

How do the character define which gender they are and where they stand in the hierarchy of their society? By talking about themselves in third person. I mean seriously! After the tenth “This lord wants you to do this” or “This woman/sister/daughter is telling her brother/father this”, I wanted to scream. After 400 pages of this? I wanted to throw the book at the wall. Since it’s an eBook on my kindle, I had to refrain myself.

This doesn’t sound natural. It makes for stilted and convoluted dialog that grated so much on my nerves that it took me out of the story every time.

Finally, since so little time was spent on the main storyline, the author didn’t explore any of the cultural and historical conflicts that should have arisen between the two people. Oh, some of those conflicts are mentioned… then resolved in what seems like minutes. It’s all too tidy and civilized, when it’s never so in real life. I mean slavery was abolished over 200 years ago, but the repercussions are still felt in modern USA even now. Don’t underestimate the potential for violence the human race has. This easy resolution makes the story less believable and it lessens the stakes. 

But even though I DNFed this, I cannot give this story a one star rating. There is potential here. The world seems really interesting. And dragons! Well, more like dinosaurs, but still. This book would have benefited from a good developmental edit that would have cut the fat, tightened the plot, and moved the extraneous storylines out. As it stands, however, I am not interested enough to continue with the series.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

Sorrowland by Rivers Solomon

Stars: 2.5 out of 5

This book had so much promise! The premise was intriguing, and the book started strong with Vern on the run and not much explanation of what had happened but with a growing sense of urgency that even the reader could feel.

The book was good for the first half at least, while we followed Vern as she learned to live in the woods and tried to raiser her children by herself.

Unfortunately, by the second half of the book, the novelty of the story ran out, and I discovered a couple things that started gradually dampening my enjoyment of the book until they ruined it completely. I’m sad to say that I finished this as a hate read. I was so close to the end that I had to finish it just to say that I did.

First of all, the story just keeps circling the drain for most of the book. Vern knows that the answers to what’s happening to her are back in Cainland, but she never actually does anything to find them. She knows that the woods are not safe anymore for her little family, but her answer is to go back to civilization nilly willy and follow a dream. No recon beforehand, no explanation or basic training for her children before she subjects them to such a traumatic change. It’s a wonder she even got to her destination at all. The way they were dressed and the way they acted, she should have been picked up by cops almost immediately.

I think my biggest problem is Vern herself. I have never seen a more selfish and pig-headed protagonist in my life! It was okay in the beginning because she was young and on the run, overwhelmed by circumstances. Problem is, she never changes. She doesn’t grow up. She doesn’t evolve and mature. She stays the same bull-headed and selfish teenager throughout the book. She is stubborn, and prideful, and rebellious just for the sake of being rebellious, or that’s what it seems at times. She is the kind of person who would stick her arm in the fire and let it burn just because somebody told her not to do that. That’s just incredibly stupid.

She abandons her babies for nights at end alone… in the woods… in a makeshift shelter open to elements. She hurts the only person who had information about Cainland and what was happening to her, instead of listening and trying to get information out of her first. She pouts and shouts, instead of admitting that she can’t read, even though learning to read would help her find the answers she wants.

And the most infuriating part is, despite all those shortcomings and acts of tremendous idiocy, she always escapes scoot free. There are no dramatic consequences to her actions.

She leaves two newborns in the woods all night? Sure, they are all nice and safe in the morning. No animals found them and hurt them. They didn’t get cold or hungry and started crying. In fact, how the heck did they survive for 8 years in the woods and never once got sick with anything?

Vern literally walked them into a mall, dressed them in new clothes, grabbed essential… and just walked out? And the tags on the clothes didn’t’ set off the alarms? The security in the mall didn’t catch her? Right…

The further we venture into the story and out of the woods, the more implausible this lack of consequences gets. To the point that I didn’t even care for any of this anymore. Whatever Vern did, she would get out of it looking better than ever, with an “upgrade” to her supernatural abilities. If the protagonist has a “Mary Sue shield” around her, what’s the point reading her story?

The ending is even more underwhelming because it reads like the final boss level of a video game – Vern gets her maximum upgrades and goes to fight the bad guys who don’t stand a chance. Only it’s all kind of pointless at that point, pun intended.

In conclusion, I wouldn’t recommend this. There are better and more impactful stories out there that don’t need deux ex machina elements to keep the protagonist from dying because of her own stupidity.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

Sleepless by Louise Mumford

Stars: hesitating between 2 and 2.5 out of 5.

This book had such promise! The idea behind it was excellent and the blurb drew me in. Even the beginning was rather exciting. I was really pumped about reading it for about the first 35-40% of the book… Then things went downhill.

There were several reasons for this quick fall from grace, at least for me.

First of all, to create a good mystery, you need tension. To create a good horror story, you need to create the atmosphere of constant unease, when the reader and the characters know that something is wrong, but the tension is slowly winding up, like a tightening spring. Or you can have monsters jumping out of the dark and eating your face off… whatever works. The point is, it has to be scary but BELIEVABLE within the rules and limits of the world the author created.

This is were this book fails spectacularly. All the characters, especially the villains, have never heard of the word “logic”. They turn form a group of sleep study researchers into murderers seemingly in the blink of an eye. So the protagonist is asking questions about an apparition she saw in the ruins? Let’s take her there and try to kill her! But we already moved the crazy patient in a different location, so she won’t find anything. Why kill her? Oh, who cares, let’s just kill her anyway because reasons. Not to mention who is the genius that decided a ruined monastery was the perfect place to keep a sedated patient chained to a hospital bed? When you have a perfectly functional remote lighthouse on the island that has the advantage of having a roof and all the walls intact?

Also, the main premise of this book is completely destroyed about 40% in. So the protagonist is suffering from chronic sleeplessness. She can’t fall asleep… like ever. She does on 1 to 2 hours to sometimes zero a night. She’s been to all kinds of sleep studies and tried all sleep aids under the sun, right? She signs up for this experiment out of desperation… Yet not a week into this study, she is told that she doesn’t have a sleep problem. She has an internal clock problem instead. Meaning, she falls asleep between 7am and 10am instead of doing it night like normal people. Really? All the other doctors hadn’t noticed that? SHE didn’t notice that she can actually sleep on weekends when she doesn’t have to get up for work? Find a different job. Work second or night shift and your problem is solved…

The technology itself is explained rather badly. Nobody would give Thea a straight answer about how it works or what exactly they will do to her… yet she goes along it it all the same. I get it that you are desperate, but this borders on stupid.

But the nail in the coffin of this book for me was the protagonist herself. I can (usually) suffer through a bad plot if the protagonist is believable or likeable. Or suffer a bad protagonist if the story is amazing, but I can’t do both.

Thea is the type of protagonist who let’s the story happen to them, instead of creating that story with her actions. She spends about 90% of the story in an indecisive stupor, doubting herself, terrified, or simply going along with the flow. She is dragged from one place or another, from one plot point to the next by other people or circumstances. When she needs to act, she freezes and watches the action unfold around her. Granted, this is probably a realistic depiction of what an average person would do when presented with these kind of circumstances… but I read fiction to escape from reality. I want to read about characters who take action, even if with disasters consequences instead of being dragged behind the train of the story like so much useless baggage.

So I’m sorry, but this book and I had a rather messy and angry divorce and I hate-read it to the end.

PS: I received a free copy of this book from NetGalley in exchange for an honest review.