Category Archives: writing advice

first draft, NaNoWriMo, writing advice, writing challenge

NaNoWriMo – lock your inner editor in the basement.

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Well, NaNoWriMo 2014 has now officially started. How did everyone do during their first full weekend of furious writing? Did the words flow out of your head and into the blank page or computer screen? Did you write until you felt like your head was on fire, your brain had turned to mush, and your fingers were bleeding? Or perhaps you stared at that blank page and felt overwhelmed by all the whiteness?

No matter what you have achieved this weekend, I’m sure you have realized something very important. Something that all the seasoned writers know, but that comes as an unpleasant surprise for all of us who decide to put our stories on paper for the first time.  I am speaking about the huge difference between the story that exists in our head and the result that gets put on paper.

I remember the first time I came face to face with this dichotomy. I had this important scene to write, and in my mind it was witty, well-written, full of good dialogue and tension – in other words, absolutely perfect. What I vomited on the page was absolute and utter crap… I was heartbroken. I was horrified. I was ready to press the delete button on the whole sorry excuse for a novel and go back to my day job.

But I did no such thing, and do you know why? Because first drafts are supposed to be bad. They are supposed to be full of typos, and ramblings, purple prose, and bad dialogue. In other words, like Ernest Hemingway said:

Hemingway

Yes, you heard it. Even the great masters of the written word have to struggle through a horrible first draft before they create a masterpiece. The trick to accomplishing that is to accept that your first draft will suck. In other words, you need to bind, gag, and lock your inner editor in the basement for the whole month of November (and maybe December and January as well) until your first draft is done.

That means every time you hear that little voice in the back of your mind telling you that your description sucks, that your dialogue is weak, that your plot is boring… tune it out, crank the music up, put earplugs in your ears, or shout, “La-la-la, can’t hear you!!!!” And keep writing.

Powering through your doubts and writer’s block is the only way you will get a finished draft to show for your efforts. It doesn’t matter if your first 3-4 chapters are a polished work of art if your story isn’t finished. As Kristen Lamb says, the world rewards finishers, not perfectionists.

Inner Editor

And if your inner editor is having a mental breakdown and sobbing uncontrollably in a dark corner of that basement, you can always tell her that she will have free reign over your work once the editing process starts. She will be free to take a chainsaw to your first draft and dismantle it at her heart’s desire. If you hate the scene you just wrote, keep a notebook handy and jot down the chapter and page number and a few words about what doesn’t work for you. Once you are done with your draft, you can use those notes during the editing process.

But for now, shhh, don’t listen to her, just write. Put one word on the page after another, no matter how bad does words seem. You can always edit a bad page, but you can’t edit a blank page.

So go on, wrimos, write your novels!

first draft, NaNoWriMo, writing advice

NaNoWriMo Prep – 10 useful links to stay motivated during the month of November.

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nanowrimo1

NaNoWriMo is just around the corner, and I’m sure that most of you are excited about diving right in and getting a start on your novel. So I’m not going to bore you with another long post about how to prepare for NaNo, or what I learned from my past NaNo experience, blah, blah, blah.

The next month will be a wonderful, but also tiring experience for everyone trying to put 50k words on page in 30 days. There will be days when words fly faster than you can write them and you get 2k down in an hour with no visible effort. Then there would be days when writing even 100 words feels like a gargantuan effort, and every one of them feels like it was written with your own blood. There will be days when you will be motivated and days when you will feel like giving up.

So I thought about what had helped me stick through the worst moments of self-doubt and discouragement and motivated me to keep going last year. The answer was simple: encouragement from fellow writers.

That’s why I created a list of blog posts about NaNoWriMo that I found useful, funny and motivating. I would encourage you to bookmark them and reread them any time you feel like you need a pep talk during the cold month of November. I know I will be revisiting them frequently.

  1. First, a little bit of shameless self-promotion. Last year I had written a post about what helped me stick to my goals during NaNo. I would recommend reading it around week two, when the dreaded burnout starts – NaNoWriMo – 15 days to go.
  1. If you need a good laugh and also a boot in the butt advice to keep going, check out this older post by Chuck Wendig – 25 Things you should know about NaNoWriMo. I love Chuck for his humor, but be advised that the language he uses is definitely not PG-13.
  1. Now, if you need to go deeper into the nuts and bolts of writing your novel, here is a very good guest post by Piper Bayard on Kristen Lamb’s blog about backstory and how much the writer has to disclose and what to keep away from the reader – Backstory: The More You Know, The Less I have to.
  1. And speaking of writing that first draft, here is an excellent post by Kristen Lamb herself about turning off your inner editor during NaNo – Write Fast and Furious! Learning to Outrun “The ?Spock Brain.“
  1. If you write your story from the point of view (POV) of several characters, here is a wonderful post by Jami Gold about which POVs we should use when and how to switch between them without confusing your reader – Ask Jami: Whose Point of View Should We Use?
  1. I try to stick to the advice of “show, not tell,” when I write. So this post by Amy McElroy about integrating all the five senses in our writing was very useful – Sensory Description: Deep Beyond the Five Senses We Learned in Preschool.
  1. We all love our protagonists (otherwise why would we want to write about them in the first place?), but we need to be careful not to make them too much like ourselves. So here is a good post by Anne R Allen about that – 5 Protagonists Riders Hate: Why Writers Shouldn’t Identify too Closely with a Main Character.
  1. And let’s not forget to stay healthy during November madness. So here is a nice infographic article by YogaDork – “Pose before Prose” Yoga for Writers.
  1. Since writing 50k words takes a lot of your free time, cleaning, cooking and having a social life will be next to impossible. So here is a nice link for Easy Recipes for NaNoWriMo on Pinterest.
  1. Last but not least, is the NaNoWriMo site. It’s full of useful resources, how-to guides, pep talks and most of all, all the other wonderful wrimos attempting this challenge with you. Browse, read, visit the forums, find writing buddies, but most importantly, communicate with others. They will be your best cheerleaders, your most devoted fans and a shoulder to cry on when you feel discouraged.

Here you go, I hope this list will be useful to you guys! Feel free to share more useful links in the comments. I’m always looking for good posts to motivate me and help me improve my craft.

first draft, NaNoWriMo, writing advice

NaNoWriMo Prep – Know your Story or the Importance of Outlines.

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nanowrimo1

With NaNoWriMo fast approaching, I wanted to share some of the advice I took out of my own experience with NaNoWriMo 2013. I learned a lot about writing in general and my own writing process last year, so hopefully this will also be useful to somebody else.

Last week I had talked about why I think everyone should do NaNo at least once. This week, I want to talk about outlines.

I know  people who approach who don’t plan or outline their stories; they just start writing on November 1st and see where the story will take them. They enjoy the process of discovering the story, of being surprised by the unexpected plot twists. In writer-speak, they are called pantsers, because they write “from the seat of their pants”. I know a lot of wrimos for whom this approach works wonders, and who can’t imaging writing their first draft any other way. I learned the hard way that I’m not part of that club.

Lost

I am a plotter. I need to be familiar with my story and my characters before I start writing my first draft or I will crash and burn somewhere around the 1/3 mark. So for all of the first time wrimos who had tried to pants it before and didn’t quite succeed, my answer would be – start outlining.

It doesn’t have to be an extensive outline. I know some writers who are happy with just knowing the ending and the general direction in which their story is going before starting to write the first draft.  Others don’t outline the plot, but do extensive profiles on all their characters, then let those character’s reactions decide which way the story is going.

My experience with outlining:

I have learned that if I want to win NaNo (and finish my first draft), I absolutely need to spend some time exploring my story beforehand.

I need detailed background stories and profiles on my main characters, including the so important antagonist. I tell you, in order to get this sucker right, you have to know his / her life story better than your own.

I also need to know the ending. I might only have a vague idea of how my story will progress and which road it will take to reach that ending, but if I don’t know how my story ends, I cannot write. Tried, failed, learned from the experience.

Wriring Of Broken Things for NaNo 2013 had been my first try at outlining beforehand. I had character bios and a brief outline of what I wanted to happen each of the three parts of the book. Oh, and the last scene of course. It worked like a charm – I wrote like my fingers were on fire, and there hadn’t been a single day where I felt stuck. Of course, a lot of the scenes changed and the story evolved in the process, and I took a few detours and alternative routes, but I never felt utterly lost, because I knew my final destination.

This year, I am picking it up a notch. I am applying the process I developed for writing my short stories to my NaNo preparation. When I brainstorm a short story, I write a detailed scene by scene outline. They I start writing the story, trying to follow that outline. Most of the time, it changes drastically during the first draft, but that process allows me to immerse myself in the story and explore several possible courses of action.

I took this process and adapted it to this year’s NaNo novel, but instead of doing a scene by scene outline, I did a chapter by chapter one. So now I have detailed character bios, a general outline of the entire plot, and a detailed outline of what will happen in each chapter. Now I am ready to finally start writing! Is it November 1st yet?

good-luck-road-sign

I want to finish this post with a word of caution though. Don’t consider your outline as something set in stone. It’s more of a roadmap with one route that would take you from point A (the beginning) to point B (the end), but there are a lot of roads and alternative routes. Feel free to take a different turn, stop in a small town, or to take the scenic route instead of the highway. Just keep your destination in mind and make sure you are progressing towards it no matter what road you take.

So how are you guys preparing for NaNo? Plotters or pantsers? How detailed are your outlines? I want to hear from you!

first draft, NaNoWriMo, writing advice

5 reasons everyone should do NaNoWriMo at least once.

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nanowrimo1

We are now midway through October and thousands of writers across the world are frantically preparing for the biggest writing challenge of the year – the National Novel Writing Month or NaNoWriMo. Since I had jumped into it head first last November, I read a lot of blog post and articles about NaNo on the web, and I realized that there are often opposite reactions to the event. Some like it, some don’t; some swear it’s the best thing that ever happened to them, while others think it’s worthless.

Personally, I think that if you think of yourself as a writer, even an aspiring or pre-published one, you should do NaNo at least once in your life. And below are the 5 most important reasons why you should do it.

  1. 50k words is an average a professional writer produces every month, not just in November.

Before I did my first NaNo, the idea of writing 50k words in 30 days seemed almost impossible to me. I could barely manage to write 300 to 400 words a day, and it was a good day when that happened.

But consider that an novel is anywhere between 80k to 120k words. If a professional writer releases one of those a year, he has to go through all the steps (outlining, research, first draft, editing, beta readers, etc) in just 12 little months. That means  the first draft has to be put on paper pretty fast. So 50k words per month is actually not that farfetched.

So if you have a dream to one day become a professional writer, I think NaNo is a good training ground to see what it takes to do this for a living. Plus it’s always interesting (at least for me) to challenge myself and see if I can do this.

  1. NaNo helps you build a habit of writing consistently.

As I had mentioned in point 1, before NaNo, I was lucky to put 400 words on the page in a day, then spend a week or more without writing anything. After NaNo?  My average is about 1000 and I write every day. Or if I’m not working on my first draft, I edit, rewrite or outline something.

NaNoWriMo showed me that waiting for a muse to strike to sit down and write is just an excuse NOT to write. Inspiration can come to you, but it has to find you ready and already at work. I have a day job, I have a family and a social life, but NaNo showed me that I could find a way to balance all that and find time to put words on paper everyday if I wanted it badly enough. And if I managed to balance all that during the month of November and nobody died (and I still have my job), why not try to make a habit of it?

The results are staggering. Before NaNo, I had 3 attempted and abandoned novels. After NaNo, I have a published short story, a finished novel (still editing that one though), a novella, and 2 more short stories. I went from never finishing anything to consistently finishing all my projects.

  1. Lock your inner editor in the basement.

When you have to reach a daily goal of 1667 words, you don’t have time to stop and edit every sentence. Heck, sometimes you don’t even have time to go back and correct a typo. NaNo is about putting that first draft on paper, and even Ernest Hemingway said, “The first draft of anything is shit.”

Hemingway

NaNoWriMo teaches you how to tie you pesky inner editor up, gag her, and throw her in the basement. It allows you to write prose that looks like crap. A scene isn’t turning out quite to your liking? Don’t stop, write it down and move on. You are not quite sure where your character or story is going? Write on, your story might take you to a surprising and interesting turn.

Remember, that you can always go back and edit everything later, once you are done with your first draft, that’s what revisions are for.

  1. Discover which writing methods work for you.

Writing a novel is hard work. Writing one in 30 days is a feat. You need to be aware of all the tools in your writer’s toolbox and put them to good use if you want to achieve your goal. I look at NaNo as a big experiment to test different writing, outlining and time management techniques to determine which ones work for me. Those I keep for further use, the others I discard.

This is how I discovered that if I want to put my butt in the chair and type until my fingers bleed putting that first draft on paper, I need to do all my research and planning beforehand. I need to have a very good idea of what my story is and where it’s going or I get stuck and discouraged.

I didn’t outline any of my failed novel attempts, but for last year’s NaNo, I decided to change things up and wrote a 10 page outline of the whole project. It resulted in a finished draft. Lesson learned. Now I take the time to do extensive outlines on everything I write. This year I’m experimenting with chapter by chapter outlining.

5. Be part of a wonderful writing community.

Last year, over 600,000 people participated in the NaNo challenge. There is a lot to be said about being part of such a large community. Writing is a solitary act, but knowing that thousands of people around the globe are writing their own novels with you makes it considerably less so.

Plus the forums are full of useful resources for writers. There are always people happy to help you out if you are stuck, need help with your plot or character development, or just need some cheering up (or a kick in the butt to make you get off the internet and keep on writing). Browse the site, add some writing buddies, make friends, do some word sprints, and enjoy this special brand of November madness.

2013-Winner-Facebook-Cover

And to conclude this blog post, I wanted to point out that when you wrote your 50k words and won NaNoWriMo, you are still not done. Your novel is probably not finished. So stick with it. Make the commitment to continue writing through December (and January, if necessary) until you can finally put those two wonderful words at the bottom of the page: THE END. It’s a wonderful feeling, I tell you. Makes you forget all the blood and tears and frustration that went into writing that first (and bloody awful) draft. And if this feeling makes you want to do it all over again with a new story, then congratulations, you are a writer!

editing, first draft, NaNoWriMo, writing advice

The More you write, the better you get.

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While I was looking for a novel to write during NaNoWriMo 2014, I did a little archeological foray into my older, unfinished stories. Not only did I find a project to work on, but I also learned something new about my writing.

I read a lot of writing blogs and I talk to a lot of writers on Twitter and Facebook. All of them say that the more you write, the better you get. Up until now, I was skeptical about that, because I wasn’t seeing progress in my own writing. Other people, notably my beta readers, have told me that they noticed an improvement, but I just couldn’t see it. Maybe because I was too close to my work to notice the difference: I usually let my first drafts rest for only a week or two before I dive into edits.

Well, I understand the truth of this saying now. Choices is a story I had last worked on back in 2012. I got stuck about 25k words into the story and abandoned it. Last Monday, I decided to read through what I already had to see if anything could be salvaged. Well, two hours later, I was forced to admit that I was better off just scrapping the whole thing and just starting from scratch.

Finish what you start!
Finish what you start!

But that reread wasn’t all negative. It made me realize how much I had grown as a writer since 2012 when I had tried (and failed) to first write that story.

Back in 2012, I had no idea what I was doing, or what writing a novel required. I had no idea about story structure, tension and plot or character development. Most importantly, I had only a very vague grasp on what my writing process was. The result was a barely reanimated corpse of a novel.

I had no outline. I had no idea where my plot was going or if I even had a plot at all. I had a backstory only on my two main protagonists; everyone else, even the antagonist, was just vague shadows in the background. No wonder I got stuck and abandoned that story!

I have learned since then that I can’t write without a detailed outline, a good backstory on most of my characters, and a lot of worldbuilding. Oh, and I absolutely need a clear idea of the ending. So that’s what I will be working on during October, and once I’m done, I have full confidence that I can write this story to the end without problem.

Editing woes

Reading through my failed first attempt, I also noticed just how many rookie mistakes I had made. In fact, I might keep that draft as a perfect illustration on how NOT to write a story. I started with a small prologue that didn’t bring anything to the story and would have been better situated at the end of Chapter 1 or cut out of the story altogether. Most of my worldbuilding and character backstory were huge info-dumps that almost managed to put me to sleep during my re-read. All the dialogues had some truly “creative” dialogue tags when a simple “he / she said” would have done just fine. And, most importantly, I told about my characters’ reactions instead of showing them.

Back when I wrote those words, I didn’t know any better, but now, one finished novel and several short stories later, the flaws of that draft stood out like a sore thumb.

For me, it was an eye-opening but also reassuring experience: I did become a better writer in the past two years, even if I hadn’t noticed it. And I did that by sticking with my stories, not being afraid to write crappy first drafts that I would later edit within an inch of their lives. And I was not afraid to start all over again with a brand new story each time the old one was done. I also read wildly about writing, editing, and publishing.

I think as writers, we need that sort of reassurance from time to time, especially if we are querying our first novel and getting only silence or rejections back. So my advice would be – do not lose hope. When you feel like giving up, open that dusty box where you banished all of your older failures and read through one of them. See how much you have grown since then and feel proud of what you have accomplished. Then put your pen to paper or your fingers on the keyboard and start working on a new story!

One day I might be confident enough in my skill that I might even unearth some of my unfinished stories from 2004-2005, though I rather dread the horrors that might be lurking between those pages.

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editing, writing, writing advice

Know your story or the importance of world-building.

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Image by Van Assche -Embarcadero
Image by Van Assche -Embarcadero

There are many elements to a good book. I have already talked about the importance of a good antagonist and fleshed-out secondary characters, but none of this will do any good if you haven’t bothered with the world-building.

As authors, we are the absolute gods of the worlds we create, and as such, we NEED to know how those worlds function. We need to know the physics, the magic and religious system, the races and customs of the people we populate our worlds with. Because if your knowledge of this world is patchy, trust me, the reader will know.

Of course, that doesn’t mean that you need to prepare long ancestry lists for all of your characters. The reader doesn’t need to know about your protagonist’s great grand-aunt Bessie, unless she is relevant to the story somehow. But you, as an author, need to know where your characters come from and what they believe in. Your character’s background will help you determine how they will react in different situations. It will also prevent you from making a character act extremely out of character. Trust me, the readers will notice that as well.

If magic exists in your world, you need to know how it works better than the best Magisters in the best Magic Academy. You don’t have to reveal all the rules, you can even mislead your characters (and the reader) about some of them, but you need to know them.

Same goes for different gods and supernatural beings. You need to know their strengths and weaknesses. You need to know how they interact with each other and the humans that inhabit your world (if you have any).

Image courtesy www.tuku.cn
Image courtesy www.tuku.cn

That’s why I consider the world-building to be the most time-consuming process when brainstorming a new story. Creating a character’s backstory is a walk in the park compared to everything you need to take in to account when you start describing the world he or she inhabits. It becomes even more of a headache if your story requires your characters to travel long distances and visit different cultures. Because you can’t just say, “Hey, they are going to cross the Elf Forest. Elves like trees and are extremely arrogant,” and stop at that. Well, you could, but your character’s visit to this Elf Forrest would be extremely shallow and boring. And the readers will notice it.

Even though it’s a time-consuming and demanding job, I really love world-building. I feel like a child in front of an unopened Christmas present – can’t wait to peel off the layers of wrapping and discover what lays underneath. I think it’s the most exciting part of the whole process – discovering a brand new world that nobody has ever visited before and setting its boundaries.

Before I wrap this post up and let you all return to your reading or writing, let me leave you with a word of caution though. NEVER break the rules you have created, even if those rules put your characters in a seemingly impossible situation. Readers will know, if you introduce a Deus Ex Machina to save your protagonist at the last possible moment, and they will not like it. If they are anything like me, they will feel cheated and walk away from your book frustrated with the story.

writing, writing advice

The importance of secondary characters.

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pen-and-paper

We all know that in order for the readers to want to finish our book, we need to create a compelling story. A major part of that is coming up with an engaging and fleshed out protagonist that they would want to spend time with. So as writers, we spend a lot of time creating a backstory for your main character. And since a protagonist needs a good antagonist to create conflict and drive the plot forward, we tend to spend just as much (if not more) time fleshing out our villain as well.

But I have noticed a tendency in the last few books I read which made me go back and look over my own stories with a critical eye. See those books I read were good. The protagonist was likable, the story interesting and fast paced, the villain sufficiently evil, but not insane enough to totally put you off, but something was lacking still. Then I realized what it was – those two were the only fully fleshed out characters in the whole story. The rest of the people the hero met on his journey or who traveled with him were just talking heads with no personality whatsoever. They were just there to toss a few lines of dialogue and help the protagonist along the way. Other than that, they were non-entities. And you know what? That made for a boring read.

Human beings are social animals. We can’t exist in social vacuum. Well, neither can our protagonists. They have a family, they have friends, they have co-workers, acquaintances, people they like, people they don’t like. Heck, even if they were raised in the jungle by a pack of wolves, there would still be certain wolves they would consider friends and others they would consider enemies.

hourglass_parchment_quill_cover

I think the mistake we tend to make when we are planning out our stories is not focusing enough on those secondary characters. We spend so much effort on the backstories of our protagonists and antagonists that we tend to forget about the rest. We feel content to just put labels on them, like the best friend, the love interest, the slightly annoying but useful sidekick. What we forget is that in order to be interesting and to add depth to the story and the world-building, those secondary characters need to have lives of their own, independently of what our protagonist is doing. The best friend doesn’t cease to exist once he leaves the protagonist’s side. The love interest doesn’t just go into her room and stare at the wall for the rest of the day once the hero is off to save the world.

What I am trying to say is that the books that I read and absolutely loved had one thing in common – fleshed-out secondary characters. Sure, they were there to help the protagonist and drive the story forward, but I could feel like they had stories of their own as well. They had their own concerns and goals. They were living, breathing people, not cardboard cutouts. And you know what? It made the books more engaging, because I really cared about what happened not only to the main character, but also to all those other people as well. Heck, I wouldn’t mind reading a standalone book about some of them.

A few examples of good books with a plethora of secondary characters are Three parts Dead by Max Gladstone. Leviathan Wakes by James S. A. Corey (and the rest of the Expanse series), or all of the Malazan Books of the Fallen by Steven Erikson (starting with The Gardens of the Moon).

I think a good indicator of whether a book has good secondary characters is to see how much fanfiction is written about them. Because if readers empathize with your characters, they will want to know more about them, thus they will create their own stories for them. Just look at the hundreds of stories written about secondary characters from the Harry Potter books.

I know it’s a lot of work to plan out and write backstories for often a large number of characters, but the reward for it is well worth it, in my opinion. First of all, your world will feel more “lived in” if people inhabiting it are tridimensional. Secondly, it gives your protagonist more inner depth if he or she has to interact with people who have their own opinions and are not afraid to disagree with him / her. And finally, you never know when you might fall in love with one of the “sidekicks” you created and make him the hero of your next story.

editing, first draft, My Works, Of Broken Things, writing, writing advice

Of Broken Things – five things I’ve learned revising Part 1.

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pen-and-paper

I have passed yet another milestone on my long journey as a writer. Last night I finished rewriting / editing Part 1 of my novel Of Broken Things. Yes, it took me the better part of three months, so some might consider that I’m moving at the speed of a tortoise. But it doesn’t matter to me, as long as I’m moving forward.

It’s interesting to look back and see just how far I’ve come on my journey. Last October, I wasn’t sure I had what it takes to write 50k words necessary to win NaNoWriMo, but I did. Then I was convinced that I would never be able to finish the first draft, but I did that as well.

And when I looked at the 300 pages brick that was my finished first draft, I was convinced that I would never be able to edit that. Heck, I had no idea how to even begin making it better…

Well, three months later, I am a third of the way through with the revision, and it’s not as bad as I thought. Yes, it’s long and painful and rather soul-draining at times, but I can really see my story getting better, so it’s all worth it in the end.

So now that I have some editing experience under my belt, it’s time to share with you a few essential things I’ve learned. Those tidbits of wisdom are, of course, personal, and might not reflect your writing experience, because hey, we are all different, and so is our writing process.

1. The first draft sucks.

My first draft was a hot mess. It doesn’t help that when I write my story down for the first time, I just go with the flow. I never re-read what I wrote the day before or look back to edit, I just charge on ahead. Sometimes I follow my (very loose) outline, sometimes I go on a tangent and get lost in the woods before I limp back on the long and sinuous road to The End. So the end result is full of typos and repetitions, ravings and plot holes big enough to swallow a semi. There is a good story buried somewhere in there, but you need to get out your mining gear and be willing to do some hard work in order to dig it out, clean it up and polish it till it shines.

Which brings me to the next tidbit of wisdom:

2. Editing the first draft = rewriting 90% of it.

Blue blood on the page!
Blue blood on the page!

I had noticed that when I edited my short stories. I had dreaded that when I started editing Of Broken Things, but I had hoped that it wouldn’t be the same. Sadly, it was. If you look at my printed copy, you would think that I bled all over the pages (that is if I my blood was blue), there is so much ink on them. I have moved scenes around, rewritten some of them from scratch, hacked and slashed and merged some of them together. Some pages might have maybe one or two untouched sentences, but most have none.

3. If you didn’t use an outline for the first draft, you better make one before you start editing.

Seeing how many things need to change during the editing process, having a detailed (preferably scene by scene outline) is essential. Starting a major revision without one is like going into the woods without a map or even a compass – you will most certainly get lost and probably do more harm than good. You have already finished this story, so you should know what it’s about (or I hope you do). So re-read it, outline it, mark the scenes that advance your story, those that need to be changed, and those that have no business being there at all. Take notes. They will really help you once it’s time to beat this baby into submission, ahem, start editing.

On a side note, it’s also good to keep a list of all the names and places, as well as a good timeline of your story. After all, you are working on filling in those plot holes, not creating new ones.

4. Save your original version before you start hacking and slashing.

ALWAYS save the original copy of your work before you make any changes. You never know what scene you might desperately need back two days after you happily threw it into the incinerator and pressed the Burn button.

And while you’re at it, save your progress regularly as well… in multiple places. That way if your power goes off expectantly, or your laptop shows you a blue screen of death and refuses to be revived, all that hard work is not lost forever.

5. Keep going.

Finish what you start!
Finish what you start!

It’s hard work. I had thought that writing the first draft was hard; well, it was a walk in the park compared to editing it. There are moments when I want to bash my head against the wall because I have I know a scene sucks but nothing I do makes it any better. It would be so easy to get discouraged and just give up. After all, you’ve done it already, right? You finished that story. You got to THE END once. Why not just leave it and write something new next?

Don’t give up. Leave that scene that makes you want to pull your hair out. Take notes on what doesn’t work and continue with another scene. You’d be surprised at the wealth of ideas you come up with when you come back to it the next day. Even if you’re not happy with something during the first revision pass, you can always change it during the next one. That’s the good thing about writing – nothing is set in stone until the book is published. Once you realize that, the whole process becomes very empowering.

So what do you guys think? What is your editing process? What problems have you encountered during your revisions? What lessons have you learned? I want to hear from you!

Characters, movies, need advice, random musings, tv shows, writing, writing advice

Do you need to be married to your job to be good at it?

2 Comments

This post was born out of a brief exchange I had with a friend on Twitter. She had mentioned that in all the popular TV shows, the cops always hang around the office after hours (and sometimes late into the night), even after the case is done. Why don’t they go home? Don’t they have a life outside their work?

That conversation made me think. I also took a hard look at the shows I like on TV to see if I could confirm or deny that statement. Well, the verdict isn’t pretty – it seems like the TV wants us to think that you cannot be a good specialist (be it a detective, a CSI, an agent, etc.) unless you are literally married to your job.

 NCIS crew courtesy CBS NCIS crew courtesy CBS.

In NCIS, for example, Gibbs has been divorced three times and the relationships he had during the show never lead anywhere. He lives in a house that looks more like a cheap and ran down motel and spends most of his time in the basement working on a boat. Ducky was sharing his home with his mother until she passed away and now lives alone. As far as we know, he has never been married and is not in a relationship. Tony’s romantic life had been a train wreck after train wreck. All of them practically live at work.

CSI, another popular series, also shows us a group of workaholics with almost non-existent social lives or failing relationships. Nick, Greg, Julie and Morgan are all single. Sara’s relationship with Grissom ended a few seasons ago and Brass still has problems with his ex-wife and step-daughter. Heck, even the family man D.B Russell is starting to feel the strain in his personal life.

CSI courtesy CBS.
CSI courtesy CBS.

And there are plenty more shows like that. Heck, the latest example of this was shown in Rizzoli and Isles, when Jane chose her career over marriage to the man she loved, because it meant following him around.

My problem with that portrayal is that it slowly convinces the viewers that if you want to be good at your job, you need to prioritize it above everything else, personal life included. You need to be married to it, even obsessed with it.

Well, I have a beef to pick with that. First of all, obsession is never healthy. Also if you structure all your life around one single thing, once this thing taken from you, your life crumbles. Have you noticed that when those series show us a retired cop, he is usually either a heavy drinker, struggles with depression or bitter at the world? And how many characters took their own lives when they were declared unfit for duty for one reason or another?

I don’t agree that you have to sacrifice everything to be good at your job. I think that in order to be good at something, you need to be a healthy and balanced person. That means having more than one “obsession”, a hobby that you would enjoy doing during your free time, plenty of friends (and not only colleagues), and a good family life / personal relationship. That way, if disaster strikes and you fail at one aspect of your life, you still have all the others to fall back to and help you through. And your work won’t suffer too much, if you leave on time to enjoy a good dinner with your family. On the contrary, you might come to work happier the next day and ready to tackle oncoming challenges.

So that’s the characters whose stories I want to read and watch. I want well-rounded people. I want people who are not defined only by their job, who can balance profession and personal life, and be happy doing both. Those people are not boring. They have their own challenges to overcome. And there is so much more that can be done with characters like that as an author.

So what do you think? Do you think that being married to your job is unhealthy? Do you think that we, as authors need to create more in-depth characters who actually have a life to come home to? I would love to hear from you all.

NaNoWriMo, random musings, writing, writing advice

The more you write, the more ideas you get.

5 Comments

 

pen-and-paper

I remember reading the excellent book On Writing by Stephen King sometimes in 2009, when I had just moved state-side with my husband. And I remember feeling so pumped up and excited to start writing something, because the great Stephen King said that ANYONE could write a story, they only had to start.

So I sat down with my pen and paper, already thinking about printed books and glory and fame… and I hit a wall. I had nothing to write about. My mind was blank. Not a single interesting story idea to be found anywhere. But I wanted to write! So I grabbed the first half-baked story that had the misfortune to wander into the spotlight and tried to run with it. The run quickly became a walk, then a crawl, and finally it died in horrible convulsions. That was my first effort at becoming a writer and, as you can see, it was not a very successful one.

Then in October 2013 a good friend of mine told me, “Why don’t you try doing NaNoWriMo with me?” I looked at the site, I read the rules, and I decided why the heck not? But the last disastrous foray into the land of writing was still fresh in my mind, so I was rather freaked out to just start on November 1 and write 50k in 30 days. And I still had NO IDEA what I would be writing about! Needless to say that the closer that first of November loomed, the more stressed I got.

And then a miracle happened. Around October 15, one a character literally barged into my dream, knocking the door down with his military boots, and said, “Ok, you will write this, and you will write it now.” I woke up with a half-formed idea, three fully-formed characters and an almost feverish need to put pen to paper and get story out, because it was burning me from the inside. I spent the last 15 days before the start of NaNo frantically outlining the story, I hit the month of November running, and I didn’t stop running until I finished the first draft around January 15.

During this exciting journey, I learned a lot about writing in general, as well as what worked and didn’t for me (outlines are a must – I can’t pants it for the life of me). But something even more extraordinary happened in the process as well – all of a sudden, my mind was bombarded with stories clamoring to be told. I was writing one, and at least three more were knocking more or less politely at the door, waiting for their turn. Where I had suffered from lack of things to write about back in 2009, I was overwhelmed with possible ideas now. It was like the trickle had transformed into a downpour!

hourglass_parchment_quill_cover

I now have a list of stories I want to write, and it’s getting longer every month. I must admit that it’s exciting. I am in the middle of the first rewrite / edit of my NaNo novel, and I have a finished short story waiting for a second rewrite, but I am also writing a brand new story that might turn out to be a novella. And I have enough plots for at least two more short stories set in the same word as another short story I just started sending out to magazines. Not to mention, another half-written novel I really want to go back to, because I have finally figured out the outline for it.

I guess it is true what everybody says – the more you write, the more you discover stuff to write about. It’s hard to start the ball rolling, but once it’s on the move, it gathers all sorts of interesting things along the way.