Tag Archives: book review

The Eyre Affair (Thursday Next 1) by Jasper Fforde

Stars: 5 out of 5

 I have a difficult time describing this book other than that I absolutely loved it! It’s well written and engaging, and the world is like nothing I’ve ever seen before. I’m not sure how to classify it. Is it alternate history? Is it urban fantasy? Is it steampunk? Or maybe a little bit of both and none of them at the same time? You see what I mean?

Thursday Next is a Litera Agent who investigates all sorts of literary crimes, which include forgery, book theft and other, more fantastical occurrences, like the kidnapping of famous literary characters straight out of a book and into the real world… or the disappearance of a real person into a book. Yes, things like that happen in Thursday’s world.

And what an interesting world it is. An alternate history Europe where the Crimean war never ended. Where there was no Russian revolution, and airplanes were never invented because why invent something new when blimps work perfectly fine? So it is a weird world that is similar to our in some ways (telephones, cars, etc.), but very different in others: it has a ChronoGuard branch of SpecOps after all, so time travel and time manipulation is a common practice. People use credit cards, but the names of the banks are as foreign to us as if they were written in Chinese. And names like Jack Shitt, Victor Analogy or Thursday Next are common and perfectly normal.

In fact, I could help but think that while Thursday was investigating book theft and manipulation of written narrative, her own world was also a book. Which, ironically, it is. I’m reading it. And it’s so fun to see the author kind of playing with this idea, even if it’s never mentioned. Usually writers try to make their created worlds convincing, so that the readers can get lost exploring this brand new plane of existence at their leisure and forget that they are reading a book. Don’t get me wrong, Thursday’s world is convincing. It has an inner logic. But it’s also very “bookish”. And it’s not a bad thing at all. In fact, it’s a very fun and wild ride.

Part of my enjoyment for this book is due to our protagonist. Thursday Next is an awesome character! She is flawed and deeply wounded by her time fighting in Crimea. She can be stubborn and unyielding, but she is also smart and has a lot of heart. I was really rooting for her from the beginning. Plus, she has a pet dodo. Seriously, you can’t go wrong with a pet dodo! I am glad that Thursday managed to resolve some of her issues by the end of this book, even if that resolution was a little bit on the nose for me.

That might be the only small gripe for me – the villain in this book was very, almost comic-book, villainous. But that works well with the idea that Thursday’s world is also a book, so while I would have loved to have a little more depth to Hades’ character, he worked well for the story.

There are plenty of other interesting characters in this book that don’t get enough spotlight, in my opinion. And judging how well-written this book is, my thought is that they will be covered in the next books. Like we mention Spike and his job policing the vampire and werewolf population, but this isn’t expanded upon. Thursday acts like the existence of supernatural beings is common knowledge in this world, but again, the reader doesn’t get any other explanation. Hopefully, we will explore this aspect of the world more in subsequent books, because I quite like Spike.

There is also the case of Thursday seeing her older self in a rather bad situation and stashing a gun for her other self  to use. That scene doesn’t happen in the timeline of the first book, so I can only hope that this is something significant to the plot in the next instalments. 

All in all, I absolutely loved this book and I will definitely read the next book in the series just to see more of this crazy world and what happens to Thursday.

Midnight, Water City (Water City 1) by Chris McKinney

Stars: 2.5 out of 5

Honestly, my reaction after finishing this book is “meh.” 

I went into this book excited about the premise. An underwater city? Humanity averting the end of the world for once? This sounded so exciting! Unfortunately, we spend little to no time at all in the actual underwater city. 

And the worldbuilding isn’t really fleshed out at all. So the mankind mostly lives underwater to stay safe from solar flares? Okay, I get get onboard with that if you explain to me how that works. How did we manage to combat the enormous pressure in the ocean depths? How do we deal with the endless night, the decompression, etc.? Our protagonist seems to zip in and out of the deepest ocean reaches to the highest mountain in a matter of minutes with no visible side effects. 

Also, how are those seascrapers built? That hints at significant advances in engineering and construction materials, especially considering that today we can barely explore the depths in what amounts to an extremely reinforced safe with small windows. Yet 100 years from now, after some major wars and natural catastrophes, mind you, humanity can build penthouses at the bottom of the ocean that are about 80% reinforced glass. I know this is sci-fi. I am ready to suspend my disbelief, but the author needs to throw me a bone – some kind of explanation is in order.

That’s a trend for every scientific advancement in this book. Things happen because they need to happen for the story, and no thought is given to how feasible they are. This approach really undermines the credibility of the story and the worldbuilding starts to wobble and break around the edges. 

But the biggest problem with this book for me is that I couldn’t care less for any of the characters. Quite frankly, they are all horrible human beings. 

The protagonist used to be a killer for hire. Yes, he killed for the greater good, or at least that’s how he justifies it, but he is still a cold-blooded murderer. Add to that that he is on his fourth marriage and and his fourth kid. He’s lost all contact with his previous wives after the divorce (apart from the one that was killed), and doesn’t even know what happened to his children. He even mentions in the story that he is in the same country as his first ex-wife at one point, but has no desire to check on them. He basically ignores his current wife and avoids his daughter, because “children never interested him.” What a wonderful human being! /end sarcasm.

And the woman he works for is even worse, especially if the story about her lying about the Killing Rock is true. Akira Kimura is a sociopath and a megalomaniac who has zero concern for anyone but herself. Her daughter is even worse. 

So the protagonist’s constant devotion to Akira feels more and more twisted and sick, the further the story progresses and the more we learn about that individual. And his unwillingness to kill Ascalon also makes no sense at all. In fact, the whole ending is a perfect example of a protagonist robbed of his agency. He didn’t make the decision in the end, circumstances did it for him, which makes the payoff extremely unsatisfying in my eyes.

All in all, this wasn’t a book I will remember. And this certainly wasn’t on of the best books I read in 2022. It was okay. It kept me interested enough to finish it, but that’s about it. I’m certainly not interested enough to pick up the next book in the series.

PS: I received a free copy of this book via NetGalley in exchange for an honest review.

Last Exit by Max Gladstone

Stars: 2.5 out of 5

It pains me to give a less than stellar rating to Max Gladstone, but this is the first book of his I’ve been disappointed with. How can a book about found family, road trip, end of the world, parallel universes and so on be so… boring?

I loved this author’s Craft series. They are wonderfully imaginative and full of interesting characters and thought provoking concepts. So of course I jumped on the chance to get an ARC of this through NetGalley. And my initial state while I was reading this book, before the boredom set in, was that of bewilderment. Is this the author who wowed me with his other books? Am I reading this wrong? What is going on?

Oh, there are glimpses of the author I love in this story. There are moments that are tightly written and intensely terrifying. Like when the Cowboy first becomes aware of Sarah on the interstate, or the confrontation at the Best Western, or when Zelda is in the bug-infested tunnels under an alt New York. Those scenes had me at the edge of my seat, with my heart in my throat, terrified for the well-being of the characters…

Unfortunately, those moments of brilliance are few and far between. And they are bogged down by pages and pages of flashbacks, introspections, inner dialog about how miserable the characters are and how they think that the world is ending. It’s self-pity and self-recrimination on page upon page upon page. So you get this brilliant scene when the action is non-stop, the stakes are high, and the characters in danger… then you have 50 pages of inner monolog topped with a flashback on their first journey. Momentum – shot dead, not by the cowboy in a white hat, but by sheer boredom. In fact, I think that the book is at least 200 pages too long. My Kindle assured me that it was 400 pages long, but it felt like one of those 1000+ pages door stoppers – never-ending.

I think this approach would have worked if I cared for any of the characters, but I didn’t. They are all unlikeable, selfish people who wear their failures like a badge of honor and wallow in self-pity for most of the book. And since the reader has to follow them and be privy to their most inner thoughts, it makes for a very painful read, and not in a good way. 

Also, it is constantly hinted that their first journey to find the crossroads went horribly wrong and resulted in Sal’s downfall, but the book drags the actual story over pages and pages of hints and self-pity. By the time we actually learn what happened it feels… anti-climatic? I was like, “So all this misery is because of this? Are you kidding me?” Not a good thing when Sal’s downfall and Zelda’s guilt about it are the cornerstone of this story. 

By the end of the book I was so bored with the story, that I just skimmed through the last 10%. Also not good. The ending is supposed to be rewarding. It’s supposed to justify the effort the reader put into sticking with 400 pages of story. It was anything but that. And the big reveal and twist wasn’t all that shocking either. 

When I had finished the other books of this author, I had a sense of satisfaction and joy. I had wanted to savor the story, to re-read passages that I liked the most. When I finished Last Exit, all I had is a sense of relief that the slog was finally over and that I could delete the ARC from my Kindle. 

I will not recommend this book. Max Gladstone is a wonderful author though, so I suggest you read his Craft series instead. 

The Cat Who Saved Books by Sosuke Natsukawa

Stars: 2.5 out of 5

I’m always eager to discover new voices in literature, especially if they come from other cultures. Those authors always have very unique outlooks at life that you won’t find in our Western civilizations. It definitely broadens my horizon as a reader. So I was very eager to pick up this book when I saw it on NetGalley – a translation of an new Japanese author, and we have a talking cat who saves books? What is there not to like?

Well, the writing, as it turns out. 

The story itself is interesting and rather uplifting – we follow Rintaro, a very shy and introverted high school student, who is trying to deal with the sudden death of his grandfather, who had been his only family for all these years. It doesn’t help that Rintaro is a literal shut-in with severe social anxiety, and that the safe bubble that he’d built in his grandfather’s bookshop is about to burst. Then a talking cat appears and takes him on a fantastical adventure to save books and find his own voice. By the end of the journey, Rintaro finally discovers his own value and decides what he wants to do in life. 

It is a nice coming of age story that would definitely appeal to a younger audience… and a book I would never have picked up if I’d known it was aimed at the younger adult audience. I don’t read YA. This book just reaffirmed all the reasons why I don’t. 

The writing, as I had mentioned earlier, is simplistic at best. I don’t know if it’s due to so many nuances getting lost in translation, as they inevitably do, or if the original was written this way as well. It might have been, if it was intended for a 12+ audience, even if it was classified as General Fiction (Adult) on NetGalley.

Problem with this book is that it does a lot of telling and almost zero showing. Everything has to be spelled out for the reader. We are told how Rintaro feels and what he thinks of his few friends or people he encounters, but there is nothing in the writing that shows these reactions. It might also be that the author is Japanese, so he relies on Japanese stereotypes that would be familiar to a younger Japanese audience, but that are rather foreign to us. For example, Sayo, the class representative, came across as pushy, rude, and judgmental of Rintaro every time I read about her… Yet, he admires her for being a straight talker and very dedicated to her duties. And he just takes her verbal abuse like it’s normal. 

Another problem is that I can’t even visualize these characters. What does Rintaro look like? His only distinctive feature are his glasses that he likes to fiddle with. Same for Sayo. She could be any other Japanese high school student from the street and it wouldn’t make a difference. Or Akiba? Heck, the only character who gets a real description is Tiger the cat. Maybe that’s normal for Japanese novels. Maybe relying on common stereotypes is good enough for that audience. Me, it just left me rather bored. I felt like I was following a shadow play on the wall, where characters are blank cutouts. 

So all in all, it really wasn’t my cup of tea, even if it gave me a peak, of sorts, into the life of an insecure teenage boy living in a second hand book store somewhere in Japan. I wanted a bit more than that though, but it was probably just a matter of managing my expectations.

PS: I received a free copy of this book from NetGalley in exchange for an honest review.

Moon Rising (The Upsilon Series 1) by Daniel Weisbeck

Stars: 3.5 out of 5

This was an interesting novella about an android that’s just different enough to finally achieve consciousness. I liked our main protagonist Silon and her slow realization that everything is not as it seems. I also must admit that the first chapter was really chilling, especially since we didn’t know she was an android yet.

I cared less about the other characters that were introduced and whose POWs we followed during this book. I think this is where the book doesn’t quite work for me. It’s such a short read, but we have so many different POVs relating the events, and often backtracking to re-narrate what we already saw happening. This makes for a very chopped up delivery. In my opinion, this book is too short for this many different narrators.

In my opinion, this story would have benefited from being a bit more fleshed out. It moves too fast, too many things happen one after another, so there is not time for actual character exploration. 

Take Silon, for example, most of the changes she experienced are done either off screen or described through the eyes of other characters. So I didn’t see the progressive evolution of her character. She feels more like a playable character in an RPG – get enough experience to unlock the next level and look – upgrades! The problem with that is that all the changes feel done to her, not chosen by her. 

First, she is stuck in that basement until another character disables her safety protocols and orders her to come out. No real active choice made there, since she just obeys a command. Then at Charlie’s lab she is basically hacked again and a whole new set of programs is downloaded into her brain. I think the only really independent choice she makes is when she decides to stay with Teacher. I would have liked a little bit more agency from her in this story.

The other problem is character motivation. It’s very fuzzy and never really explained for some of them, and very on the nose for others. And that’s also a result of the book being so short. We simply don’t have time to explore the motivations of the different actors in this story. Which makes them seems a lot less like fleshed out characters and a lot more like devices put there by the author to move the story along. And them becoming basically cannon fodder doesn’t have an emotional impact on the reader at all, because we didn’t get to know them enough to care.

But despite these misgivings, this was an enjoyable and quick read that helped me pass a snowy afternoon curled up on my couch. I’m just hoping that the next book will be longer, and that the author takes time to explore the characters more.

PS: I received a free copy from NetGalley in exchange for an honest review.

Goblin by Josh Malerman

 

Stars: 3 out of 5

This was a meh kind of book. It’s a series of short stories book ended by the story of a delivery driver bringing something terrifying to the city of Goblin. The short stories are related only by the location where they happen – the city of Goblin on the same particularly rainy day and night. 

I think that was one of the reasons the book was kinda meh to me. Yes, Goblin in itself is an interesting, if rather unhappy place. A place for the spirits. A place where humans were never supposed to settle and thrive. The short stories illustrate the eeriness of Goblin perfectly. Problem is, they don’t do much more than that. 

I read a book mostly for the characters and then for the worldbuilding. I notice that I tend to lose interest if I don’t have anybody to root for. If I don’t have a tour guide through the world the author is showing me. And that’s what happened here. Goblin is a fascinating place. Unfortunately, the people who live there are a lot less so.

We read stories of several different people who are not connected to each other, so it’s already hard to figure out why we should follow these characters or even care. Those stories are also not connected at all to the prolog, where a delivery driver is bringing something to Goblin. Something horrible… Well, Goblin already has plenty of horrible things. There is the Goblin police, the Witch of the North Woods, the owls, etc. So by the time that horrible thing finally reaches Goblin, it’s rather anticlimactic. It’s just another monster to add to a city already full of them. What’s the point?

Also, none of the stories we read about have any real resolutions, apart from the story of the man who was afraid of the ghosts. That one, we see to it’s logical conclusion. The rest of them leave is suspended in the air, without an explanation or a conclusion to them. I’m still waiting for the other shoe to drop, so to say.  And the arrival of this great terrible thing in the end isn’t enough to satisfyingly end any of those stories. 

In conclusion, it was an okay book to pass the time with, but I probably won’t remember what it is about in a month or so. This is the third book by this author I’ve read and found rather underwhelming, so I think I’m just not the intended audience here. A lot of people love these books, so your mileage might vary. 

PS: I received a free copy of this book from NetGalley in exchange for an honest review.

The Black Coast (The God-King Chronicles 1) by Mike Brooks

 

Stars: 2 out of 5

DNF at 51%

This book suffers from the first book in a series syndrome. The author is so excited to introduce the reader to his brand new world, that he throws everything but the kitchen sink into the first book. This leads to a book that is a hefty 700 pages long… that are a slug to read. 

I know there is a story there, but it’s so muddled by the different side-stories and a multitude of different POVs that it progresses at a glacial pace. Well, glaciers move faster than this story, actually. I mean, when I called it quits at 50%, only two weeks narrative time had passed, and only a handful things had happened.

As I already mentioned, this story has too many narrators. I counted at least 8 or 9 different protagonists whose POVs we are privy to. That would work if they all contributed to the same story. Unfortunately, at least 4 of them (that I remember) are narrating events that don’t even happen on the same continent, that I could tell. And have no connection whatsoever to the main events in the story. Maybe the connection becomes evident later in the book, but seriously, if I can’t tell why half of the characters are even in the story after reading half of the book, something is wrong with the plotting. 

It doesn’t help that of all the protagonists, I was truly interested in maybe 2 or 3. Daimon, Saana, and her daughter. They felt fleshed out. I could understand their motives and desires. The rest of the cast? Cardboard cutouts, all of them. I couldn’t care less about them or their stories, especially since they mostly had nothing to do with the main story.

This book would have benefited with sticking with the main story of the Raiders coming to ask asylum from the very people they had been pillaging for generations. Cut all the other POVs out. Put them in the next book in the series if you want, but don’t muddy the waters unnecessarily. This forced cohabitation story was so ripe with conflicts and possibilities! It had so much potential for violence, reconciliation, and character growth! It would have made an excellent book all by itself.

My other problem with this book is the dialogue. I get what the author tried to do, and the idea that different cultures have different languages and different ways to defining genders (one culture has 9 of them) is fun and exciting in theory… but the execution of that was less than stelar.

How do the character define which gender they are and where they stand in the hierarchy of their society? By talking about themselves in third person. I mean seriously! After the tenth “This lord wants you to do this” or “This woman/sister/daughter is telling her brother/father this”, I wanted to scream. After 400 pages of this? I wanted to throw the book at the wall. Since it’s an eBook on my kindle, I had to refrain myself.

This doesn’t sound natural. It makes for stilted and convoluted dialog that grated so much on my nerves that it took me out of the story every time.

Finally, since so little time was spent on the main storyline, the author didn’t explore any of the cultural and historical conflicts that should have arisen between the two people. Oh, some of those conflicts are mentioned… then resolved in what seems like minutes. It’s all too tidy and civilized, when it’s never so in real life. I mean slavery was abolished over 200 years ago, but the repercussions are still felt in modern USA even now. Don’t underestimate the potential for violence the human race has. This easy resolution makes the story less believable and it lessens the stakes. 

But even though I DNFed this, I cannot give this story a one star rating. There is potential here. The world seems really interesting. And dragons! Well, more like dinosaurs, but still. This book would have benefited from a good developmental edit that would have cut the fat, tightened the plot, and moved the extraneous storylines out. As it stands, however, I am not interested enough to continue with the series.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

One Day All of This Will Be Yours by Adrian Tchaikovski

Stars: 4 out of 5.

This was a delightful little novella and a very nice introduction to the author, as far as first impressions go.

The story itself is quite an interesting take on time travel that I haven’t seen explored before, even though there is a certain logic to it. If someone was sent back in time to change the past, the present they come back to wouldn’t be like the one they left. And if they are sent again to change it back because say another faction changed something in the past to suit their agenda… well, there is no guarantee that the change they make will bring back the same present they were born in. 

So what you have left with in the aftermath of a time war is a bunch of time agents trying to fulfill the agenda of governments that don’t exist anymore, or have never existed, depending on the twists the time war took along the way. That just keep changing things and fighting each other through time because they have no present to come back to. In some cases, they never even existed in the new present, because their parents never met or they died when they were a child.

This is meaningless slaughter both of people and of the time continuum until one time agent realizes that time is already so irrevocably broken that fighting over it doesn’t make sense anymore. His solution? Eliminate all the other time agents, then eliminate anyone who might ever invent a time travel machine. Anywhere. Anywhen. It’s brutal, it’s ruthless, and it’s very in character with our protagonist.

He isn’t a nice person. I would go as far as call him a psychopath, but anyone who’d fought in a time war for endless iterations of said time would have to be. He sits in the bottleneck between the broken remains of the time that was before and doesn’t let anyone with time travel technology get past him into what will become after. And he is perfectly happy to enjoy his little paradise of now in solitude. Until a time traveler comes from that after and claims that he created their whole civilization…

It was a fun read, even though all the characters in it were equally awful. Like I already said, the protagonist is a killer with absolutely no remorse or scruples, and the people he is fighting against are coming from a society that is just as awful, so as a reader I couldn’t really root for either of them. They both deserved to be erased out of time for different reasons. Heck, the only character I was rooting for was the dinosaur, but that’s because how cool would it be to have a pet dinosaur?

But even thought the characters are awful, it’s a fun romp through the broken shards of time watching them heap horrible things on each other. The ending was not what I had expected, but I admit that it has a certain poetic justice to it. It also leaves the door open for a sequel.

All in all, this was an enjoyable read that kept my attention for an afternoon and I wouldn’t mind revisiting this if the author ever writes a sequel.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Exiled Fleet (The Divide 2) by J. S. Dewes

Stars: 5 out of 5.

I thought the first book was excellent (and you can read my review if you are interested), because it introduced us to an unusual world full of flawed but engaging characters who were faced with an impossible situation. It was literally life or death. The book was fast-paced and very readable. 

I’m happy to say that the second book lives up the expectations set up by the first. Rake and the Sentinels have stopped the progression of the Divide and saved the galaxy, but the fact remains that the Legion abandoned them at the edge of nowhere. Their reserves are dwindling, morale is low, and Cav is once again faced with an impossible task – invent a warp drive from scratch to move the giant derelict ship towards the only existing warp gate and into the galaxy proper. If he can’t succeed, all the remaining Sentinels (that’s four thousand people) starve to death. No pressure.

I thought the stakes were high in the first book. Well, they are even higher here. Especially for Rake and Cav. Because it doesn’t matter that you managed to save as many Sentinels as you could from the collapsing Divide. If you can’t get them back into the inhabited part of the universe and find a base of operations.

As I had mentioned in the first book, the author has a talent for creating very relatable characters. And I’m not just talking about the main protagonists, but also about most of the supporting characters. Some of them are only introduced for a couple pages, and I’m already in love with them. Like all the Corsairs and grumpy Gideon.

In this book, most of your characters will have to face the consequences of their past actions and inactions. Rake will call on a life debt she’d never planned to have. Cav will discover an earth shattering truth about his past. and Jackin… let’s just say that we learn a lot more about who he was, and how he ended up with the Sentinels.

All of them will have to deal with the past and also find a new purpose and a way to move on. Because no matter how monumental a task escaping the Divide was, what awaits them is even bigger. Because the universe is about to get a lot smaller, and a lot of races will fight over the available real estate. Humanity has to present a united front or be wiped out. And right now, humanity is anything but united. Rake and Cav have their job cut out for them. But at least now they have a lot more allies and resources. 

I can’t wait to see where this story will go from here. I really hope a certain character is still alive, and that our heroes will mount a successful rescue in the next book.

PS: I received a free copy of this book via NetGalley in exchange for an honest review.

Nothing but Blackened Teeth by Cassandra Khaw

Stars: 2.5 out of 5

I have a hard time formulating my feelings towards this story. On one hand, it was a quick and easy read. The amount of research that went into the Japanese folklore and traditional housing was impressive, though I kept getting a lot of Fatal Frame vibes out of it. Which isn’t bad in itself, because that game scared the crap out of me.

On the other hand, the story itself is rather meh, at least to me. 

It’s a typical haunted house story where a group of friends decide to spend the night in a reputedly haunted house and bad things happen. Well, in this case, two of the friends want to get married in that particular haunted house, like starting your married life by drawing attention of a ghost is such a good idea.

So the premise has been done before. In fact, that’s like the classic of all slasher/horror movies – a group of friends in a confined space, getting offed one by one in horrible ways… Thankfully, this is a ghost story, not a slasher story, so the bloodshed won’t be as pronounced.

My problem with this story is that I hated all of the characters. They were horrible people both to themselves and to each other. Honestly, I had no clue how they could even call each other friends. It seemed like they all hated each other guts. Nothing in their behavior spoke of friendship. Of old resentments that have been left to fester? Yes. Of past infidelities that nobody speaks about but are still there, like a big elephant in the room? Certainly. Real friendship? Not a trace. 

So it doesn’t seem plausible, at least to me, that the protagonist would insist on staying in that house and would follow along with their crazy schemes. From the little background we get on her, I would have imagined that she would have high tailed out of there ASAP, just like their friend Lin suggests. That all “I’m staying because they are my friends” line isn’t plausible when you consider the relationship dynamics described in the book. That’s no friendship. That’s co-dependent abuse.

And because all of the protagonists were such horrible people, I couldn’t care less what happened to them, which also diminished the impact of the story for me. In fact, I’m rather disappointed that more of them didn’t die in that house. If none of them had walked out of there come morning, I would have cheered, actually.

I am beginning to think that this author just isn’t for me. She is great at creating interesting and frankly disturbing worlds and premises, but I simply can’t connect with her characters. I had that problem with the Rupert Wong series, and I have that problem with this novella as well.

PS: I received a free copy of this book from NetGalley in exchange for an honest review.