Tag Archives: 2 stars

The Atrocity Engine (Custodians of the Cosmos 1) by Tim Waggoner

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Stars: 2 out of 5

I was ready to love this book. On a side note, love that cover! That’s what drew me to the book in the first place. 

The idea behind this series is very intriguing – the world is basically dying (albeit slowly) because there is a giant black hole in the center of the universe called the Geir that is devouring it. Our protagonists work for the Maintenance whose sole purpose is to slow down the destruction of the known universe and delay the inevitable collapse. Our antagonist is an aspiring member of the Multitude, whose purpose is the exact opposite – precipitate the end of the universe and inflict as much death and destruction as possible in the process.

The premise is excellent, and I was all onboard to enjoy a thrilling ride… but I was sorely disappointed. 

There are several issues, but the biggest one is the lack of worldbuilding, or the inconsistency thereof. The author mentions that the Maintenance has existed since at least the Roman empire and that they know everything it’s possible to know about Corruption and entropic energy… Yet they miss some pretty big clues during this book. 

Their agents are supposed to be trained in fighting the Corruption and the corrupted people, yet in all the fights we see, they freeze or behave like this is their first time on the job. The most glaring example is when 4 Interventionists just froze and let their enemies swat them with a car like flies. These people are supposed to be professionals, so why is it that the only two people who know what they are doing are our protagonists? Also, whose stupid idea was it not to arm the agents that are the first in the field? Yes, they their role is to observe and call for backup, but they have a right to defend themselves while backup is getting there. 

But my biggest issue were the characters. They are very one-dimentional. The bad guys are so bad they are almost caricatures of themselves. I mean Rachel takes the cake of psycho bitch who loves making her victims suffer. But she is also not very bright… I would even say stupid. All her actions show a lack of planning and an inability to predict the consequences even two steps in advance.

And Neal and Gina… well, we have the grizzled veteran and the special snowflake. Neither of them are interesting or relatable. 

Neal knows everything better than anyone else at Maintenance, and is always proven right. Constantly goes against the authority of his superior, but somehow never gets even a slap on the hands for it. Then why is he still at the bottom of that ladder?  If he is so great, shouldn’t he be running the joint by now?

Gina comes across as naive to the point of stupidity. Oh, you only now start to wonder if your family is maybe pursuing their personal gain instead of the goals Maintenance has? What, you never noticed that none of the other Maintenance workers lived in mansions and drove expensive cars and wore luxury clothes? You never once stop to consider why your family thinks that is normal when the very core of Maintenance is to live modestly and only take what you need? Yeah, I didn’t connect with her at all, and her POVs were a chore to read through.

The plot itself is full of contrivances and conveniences that drive it to where the author wants it to go instead of letting it evolve naturally as a consequence of the actions characters take. I’m guessing that’s why the villain comes across as brain-dead and making such stupid decisions.

All in all, this was a complete disappointment for me, and I will not be continuing with this series. This was also my first book by this author, and now I’m not even sure if I want to give him another try.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

The Lost Story by Meg Shaffer

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Stars: 2 out of 5

I was very excited about this book because the blurb gave me the same vibes as the Wayward Children series by Seannan McGuire, and I loved the first few books in that series. Unfortunately, this didn’t live up to the expectations.

One of the reasons is that the story takes too long to get going. We don’t travel to the magical world until almost halfway into the book, so everything before then is set up. That would be fine if the pacing of this section wasn’t so sluggish. I found myself yawning and wanting the author to get on with it on more than one occasion.

My other issue is that I didn’t particularly like the writing choices in this book. The interruptions by the “Narrator” were extremely off-putting and yanked you right out of the story every time they were inserted between chapters. 

Another issue is that I couldn’t connect with any of the characters, so I wasn’t invested in their stories. This is particularly true for Jay and Raif. The author sets them up as these star-crossed lovers destined to be together but separated by circumstances, but that didn’t work for me. Call me old and cynical, but I find it hard to believe that Jeremy would pine for his high school sweetheart for 15 years after the fact. I mean they were 14 when everything happened and were only together for 6 months. Are you telling me that he couldn’t move on? Yeah, not buying it. Same goes for Raif who didn’t even remember those 6 months or that he was in love with Jeremy. 

And I might have been okay even with that if those two characters were interesting. As it stands though, they behave like they never left their teenage years, even though both of them are in their thirties in this book. I’m sorry, that’s not how thirty-year-old people in general behave, not unless they have serious developmental issues. Which I could understand in Raif’s case, because he had amnesia and carried a hidden trauma because of that all those years, but Jeremy seems like a well-adapted individual who traveled the world and saw plenty of good and bad stuff. What’s his excuse for behaving like a hormonal teenager? That’s why I feel like this book reads like a young adult book, even though it’s not marketed as such.

I have nothing much to say about Skya or Emily because they serve more as plot devices than actual people, so their characterization is non-existent. 

My biggest issue with this book is that this fairy tale has no “teeth” – nothing truly bad happens to any of the characters. Everything is too easy and harmless. At no point in this story was I worried about the characters or the decisions they had to make. And since the stakes aren’t all that important, nothing feels earned. Good fairy tales know that there is darkness as well as light in the world, and that to have heroes, there needs to be dragons. Heck, Skya even talks about that in the book! Unfortunately, the author loved her characters too much to truly make them suffer, so her dragons were nothing more than tame lizards, easily defeated.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Red Delicious (Siobhan Quinn 2) by Caitlin Kiernan

Stars: 2 out of 5

This was a letdown from book one, to be honest. I liked Quinn in the first book – she was foul-mouthed and irreverent, and as far from a typical urban fantasy protagonist as you can get. It was fun and refreshing. Unfortunately, the author went all in on that concept in this book. And this is the case in which too much good stuff spoils the brew, at least in my opinion.

Quinn is so snarky, vulgar, and unapologetically evil in this book that it stops being funny and gets rather annoying. Why would I care about what happens to her in this book if she is no better than any of the bad guys? If she is, in fact, also a bad guy who admits that she loves playing with her food and gets drunk on the terror and suffering she causes as much as on the blood she drinks? I like my anti-heroes at least somewhat redeemable. Oh, and that “yeah, I’m a monster, that’s what monsters do, get over it” attitude the author chose to endow her with doesn’t help much either.

My other issue is the constant breaking of the fourth wall Quinn does in her narrative. It’s fun when it’s done once or twice, but when it’s continuous, it gets old fast. Especially when you insert a freaking short story in the middle of the story… That dampens the enjoyment just a tad.

But the biggest issue I have with this book is just how stupid all the characters are. Yes, Quinn repeated several times that a detective she ain’t, but she can at least try to use her brains once in a while, no? Or all those other high and mighty demons, necromancers, and adjacent who want the magical dildo, what exactly was their thought process behind all this? Sit on their hands and wait until the artifact drops on their lap? Throw the most retarded of Mr. B’s minions at it and see if she can find it? That’s a bold strategy, let’s see if it pays off for them.

I kept waiting for Quinn to at least try to use the few brain cells she hadn’t fried with drugs in her past life to try to investigate this, but she never did. I mean, there is no real mystery in this story, no plot Quinn has to puzzle over. She just stumbles from one deus ex machina event to another (and even jokes about it, ha-ha) until she is miraculously alive in the end. And by the way, the author never even tells us how she manages that particular feat, probably because she ran out of ideas on how to make it plausible.

In the end, I was mostly irritated by the story and couldn’t care less who ended up with the magical dildo. Also, why would anyone even want this thing in the first place? It’s cursed. Whatever fleeting bliss it gives you, you forget the moment it’s over, so what’s the point? 

More importantly, I grew more and more irritated with Quinn, to the point that I didn’t even care how the story would have ended. I mean Quinn tells us halfway through that she survived to tell the tale, so even that suspense is gone out of the narrative.

As it stands, I have no desire to pick up the next book in the series.  I believe that Siobhan Quinn and I will be parting ways right here.

Stone Cold Magic (Ella Grey 1) by Jayne Faith

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Stars: 2 out of 5

This was a promising start, and I enjoyed the first three-quarters of the book, but it went downhill after that for a few reasons.

I think first and foremost, at least for me, is that I grew to despise the protagonist. She was mildly irritating at first, but I chalked it off to her upbringing and a recent traumatic experience she went through. The longer I read though, the more I understood that no, this was just how Ella truly was. 

She is extremely selfish, and she is very passive-aggressive when she wants others to do something for her, which is… all the time. She never pauses to think about the consequences of her actions to herself or anyone else she drags into the messes she creates. And, as I said, she gets passive-aggressive when they try to say no, or just brushes off their concerns like they are not important or valid. Because they aren’t to her, either important or valid, because nothing is more important to Ella than Ella. 

Case in point, when Damien, a guy who she met barely a few days ago, tells her that he is not comfortable breaking into a highly fortified compound on a pretend inspection because he doesn’t want word of this to get to his very influential family, she just… brushes this off? And the weird part is that he still goes with her. Why? Why is she portrayed as this special snowflake that all men (even gay men) fall over themselves to help and coddle? 

She also suffers from the TSTL (too stupid to live) syndrome, because she thinks with her hormones, not her brain. Like the decision to keep the reaper’s soul, even though it’s devouring her, just because she saw a vision of someone who might or might not have been her missing brother. Now she is persuaded that this soul is the only way she’ll find him. Erm, why? Did she exhaust any other means of searching for him? Because it doesn’t look to me like she tried all that hard. She even flat-out refused help from a licensed private investigator. Really? 

Or deciding to infiltrate a secure compound to “liberate” a gargoyle with a human stuck in it. All this with only 8 people, none of which are aware that she is planning a kidnapping instead of a simple inspection to make sure the boy is still alive. And the worst part is, there are no consequences for any of that. Ella does the most stupid and hair-brained things and the author just rewards her for this. 

In the end, I didn’t care about whether Ella and co freed Nathan from his stone prison, or whether she would survive the reaper’s soul. In fact, I was rather rooting for the reaper to win her over, so that I didn’t have to read about her anymore. Needless to say, I won’t continue with this series.

A Tempest of Tea (Blood and Tea 1) by Hafsah Faizal

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Stars: 2.5 out of 5

I was attracted to to this book because of the gorgeous cover and a description that promised a fun heist where a group of underdogs went against a tyranical government. What I really got was… not exactly that at all. Partly, this was my fault, because when I bought this book, I didn’t realize that it was young adult. Me and YA books rarely speak the same language, probably because I’m several decades past that particular stage of my life. 

Still, I can enjoy some modern YA books, and I’ve read a couple series that I absolutely loved this year (Like the City Between Series), so my failure to mesh with this book is not just because it was YA, but because of the things the author decided to put their emphasis on instead of what I expected them to concentrate on.

I was coming for an action-filled heist capper with engaging characters and high stakes, where I could root for the good guys and rage against the villains that oppress them. And definitely cheer when they finally managed to pull victory out of the jaws of defeat and save their home and their livelihoods. Overtrowning the current government was optional but would be a cherry on top.

What I got instead was chapters and chapters of characters catching feelings for each other, and being to naive/immature/emotionally repressed/stupid (circle the word that applies) to acknowledge those feelings. Seriously, nobody in this crew is mature enough to face what they are feeling and talk about it like normal adults. Be it Arthie and Laith, or Jin and Flick, they keep putting their heads in the sand and singing “La, la, la, can’t hear you!” every time. Yes, you are attracted to each other, get over it and move on with the darn heist! Flick was especially getting on my nerves with her unwillingness to face the facts about her adoptive mother. I mean, she is so naive, I can’t believe she managed to survive on the street long enough to have a forger business.

My other problem is that the worldbuilding is lackluster at best. The author throws in some description of the world, but they are vague and don’t paint a full picture. We have a masked King that is elected by a council, but exactly how does that work? Also, is this supposed to be steampunk, gaslight mystery or what? Is this world magical, or industrial or a mixture of both? How did the vampires come about? What is their standing in the society? At the beginning of the book the author says that they are treated like parriahs, yet there is an exclusive club for vampires that seems to hold sway over the highest reaches of the government. Everything is vague and half-baked, and honestly, I started loosing interest when I realized that it won’t be explained better.

Also, I never could connect with any of the characters. Jin was okay, apart from becoming a bumbling fool every time he was with Flick, but I couldn’t stand Arthie. For someone who was supposed to be one of the good guys, she is an extremely unpleasant person. Also, I still don’t quite understand her motivation and her backstory, and I couldn’t care less.

In summary, this is a giant miss for me. I finished the book, but I was tempted to quit around 60% in, and only the fact that I was stuck in a place with no internet and this was the only book actually downloaded to the Kindle on my phone made me keep reading.

Red Team Blues (Martin Hench 1) by Cory Doctorow

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Stars: 2 out of 5.

This was my first encounter with cory Doctorow, and the result is rather underwhelming. The blurb sounded very promissing – a forensic accountant, cybercrimes, cryptocurrencies, and all that jaz. I was fully onboard and ready to enjoy a good story. Unfortunately, the book itself was a big disappointment.

My biggest issue with this book, and why me and this story didn’t mesh at all, is the writing style. The prose is extremely dry and impersonal, even though it’s not third person omniscient. We are watching the events unfold from Marin’s perspective. But the book reads more like an instruction manual than a heart-poinding crime story. I mean, the author describes a horrifying scene of death and torture in the same dry language as a romantic encounter our protagonist has with one of his lady friends. Both scenes are supposed to evoke emotions, instead, they just induce boredom.

Part of the problem is also that the author doesn’t particularly do a good job with showing things. We are told that Martin is profoundly shocked by what he saw when he found those slain kids, but we are not shown that. Show us hims having nightmares about it, or a panic attack once he gets out of the crime scene, or something. Don’t just tell me that he didn’t sleep well, then continue with the story like nothing happened. I can’t be emotionally invested in a situation, if the protagonist doesn’t seem to care one way or another either.

My second problem is Marty himself. Boy, does he have plot armor or what? Also, he reads more like the author’s wish fulfilment than a real person. So he is 67, doesn’t exercise or try to keep himself in shape (at least the author doesn’t mention him going to the gym even once or for a hike, or something). He drinks like an Irishman, easts whatever he wants… yet he doesn’t seem to have any health issues (at 67), or have to take medication for anything, and he can spend weeks homeless in the streets of SF and still be a functional human being after that? Oh, and all hot, intelligent, younger women he encounters fall head over heels for him instantly. No seriously, this guy has more intimate encounters in this book than James Bond. Either this dude won the gene pool jackpot, or the author really doesn’t know what being in upper sixties feels like for most of the population.

On top of that, the story got bogged down in useless descriptions of dinners the protagonist cooked and consumed, alcohol he drank, or other rather useless trivia that didn’t advance the plot in any way. I mean, you could easily have trimmed off at least 100 pages. It would have made the book a lot tighter and faster to read. As it stood, I got bored a few times while reading and had to skim along until the plot would pick up again.

All in all, this was a disappointing book for me. I don’t think I will be continuing with this series, and honestly, I don’t know if I will check out other books by this author.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Ghosts of Lewis Manor by Marcia Armandi

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Stars: 2 out of 5.

The premise was promising, but the execution is disappointing. Overwritten prose. Some glaring historical errors that could have been avoided if the author had done a little bit of research before referencing certain things. The US Air Force wasn’t officially established until 1947. During the war they were part of the US Army. Yes, a small detail, but it matters, and Google would have given you the correct answer in like 2 minutes.

My other problem is that there were no characters I could root for in this book. I didn’t particularly care for Seraphina, and the supporting cast of characters aren’t very fleshed out. They are there to serve a purpose, or possess one distinguishable treat and that’s it. I particularly didn’t like the fact that the women in this book are all either older than Seraphina and thus fulfill the role of the town gossip or the wise “motherly” figure. And those who are her age or close are either dead, or rather unsympathetic. It’s the usual trope of portraying the heroine as better (wiser, more beautiful, virtuous, etc.) as everyone else by making other women less than her. Ugh, I hate that trope.

Also, the idea that London somehow has less active ghosts than a little town in New Forest is rather ridiculous. London has been inhabited for thousands of years and saw its fare share of tragedies and deaths. For someone able to see ghosts, the city would be positively teeming with them.

I didn’t particularly care for the romance between Seraphina and Ross either. It read rather lukewarm to me. Like the author just wanted to add a romance into the story to draw a parallel between Seraphina and Ross and Rose and Elliott. 

Though I must admit that the concept that ghosts might exist on different planes from each other and not be able to see other ghosts or communicate with those that aren’t on the same plane is interesting. I don’t think I saw anything like that before.

My biggest issue is with the identity of the killer though. I found that it came out of nowhere. There was no foreshadowing anywhere in the book before the big reveal, no crumbs disseminated throughout the story to make the protagonist, or at least the reader suspect anything. It was just “bham! He is the killer! Queue evil laughter”. It’s almost like the author decided to make him the bad man just for shock value. I am all for shocking reveals, but they need to be justified.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

The Last Night in Amsterdam by Melanie Atkinson

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Stars: 3 out of 5.

I am honestly amazed at the amount of 5 star reviews for this book. Did I read a different book from everyone else?

I mean, yeah, it starts great if a bit slow, introducing us to the two main narrators and showing us what brought them to Amsterdam before the fateful emergency podcast. Problem is, the rest of the book is like watching a train wreck in Zack Snider slow motion with heavy dose of flashbacks and exposition inserted between all the action. Which, you guessed it, kills any type of tension or momentum of the story. It doesn’t help that the two narrators relate that story after they had already survived the events, so there is really no need to worry about them not making it.

I mean, you have a scene where a guy is literally about to get tackled by zombies, and he is running for the door to a building… but our protagonists realize that if they open that door to save him, all the zombies will get into the building as well, so not only he would be dead, but all of them would as well. Tense moment, right? Life or death stakes, right? Why oh why do we have to read through 4 pages of those characters reminiscing about their guilty feelings and PTSD about that episode WHILE that episode is unfolding? No more tension. And my interest in the story is as dead and mangled as the body of that guy once he is savaged by the zombie horde.

And the whole book is like that. I don’t mind the inner monolog and some explanations of the character’s feelings, or a couple flashbacks here and there, but not when it bogs down the story and kills the flow of it. I ended up skimming the last fifty pages of the book ignoring all of the “feelings” just to see what happened. And it was nothing much.

It’s better written then some zombie books I read, but definitely not a 5 stars or even 4 starts read.

Reborn by Stephanie Ellis

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Stars: 2 out of 5.

While this was a dark and immersive world, I didn’t particularly enjoy it for several reasons. 

Firstly, the pacing was off in this book. There is no sense of urgency or how much time actually elapsed between different events. There is talk that the three brothers need to reach Cernunnos before his resurrection, but exactly how urgent is that? This whole book just reads like a long road trip movie where they just meander around and take their time. 

This would have been fine if I had enjoyed the characters, but I didn’t. Tommy, Fiddler, and Betty are horrible beings. Yes, they act according to their nature and the purpose for which they were created, but that doesn’t make them any less monstrous. Or does it make me less inclined to follow their stories. I don’t care if Betty gets a new heart. I don’t care if the Wheel turns and they are reborn. In fact, I’d rather they just pass into oblivion and not repeat the pain and suffering they seem to joyfully rain onto humankind.

I didn’t particularly like Megan either. I found her mopey and dull. But then again, I haven’t read the first book, so she might have a good reason for being this depressed, but it makes for a very unlikeable character to follow.

But I think my biggest gripe with this story is just how hopeless it is. The monsters win in the end. The Wheel is turning again, the weirdkin are running free to murder and torture and terrorize humankind again, and the only human in the group died without accomplishing anything she wanted. She didn’t free her husband. She didn’t get her revenge. She didn’t even get closure, because her husband’s murderer was resurrected and forgiven despite everything he had done. Talk about a depressing end of the story. 

I know that this ending opens the door for another book in the series, but I have no desire to read it. Yes, the world is fascinating, in a dark and horrifying sort of way, but it lacks even a ray of hope or a character I want to root for, so I think I’m done.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Watchers by A.M. Shine

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Stars: 2 out of 5.

How can a horror book be so boring? By being full of overwritten purple prose, that’s how.

The premise was very promising: a mysterious forest where all electronics die. A group of people trapped in a bunker in the middle of it. Haunted and hunted by mysterious Watchers. What’s there not to love. Unfortunately, the execution is more than lacking.

The author doesn’t know how to show, not tell, or that less is more. No, they choose to tell us every little thing the characters are doing or feeling at every given time. ALL the characters, ALL the time…

Well, there is nothing that kills the tension faster than having all the characters reminisce about their pasts or ponder what they are feeling WHILE they are running for their lives through a forest full of monsters. You have to reach the river, find the boat, and escape before the sun sets, or you will be murdered in a horrible way, but yes, by all means, let’s sprinkle this high octane flight with page upon page of useless filler. Tension – gone. Boredom – fully set in.

Every scene in this book that was supposed to be high stakes, heart pounding, and horrifying is diluted to ineffectiveness by constant flashbacks and inner monologs. I got so tired of this that I literally skimmed the last third of the book just to read the major plot points and get to the ending.

You would think that as much as we spend reading the characters’ inner thoughts, I would have grown to care for them? Nope. Not in the slightest. They are all annoying and lack substance. I honestly didn’t care for any of them, so any character deaths that might have happened didn’t have the intended impact.

This book would have benefited from a rewrite that would have cut about 100 pages of purple prose and added better character development.