Tag Archives: 2 stars

A Touch of Light (Ashes of Avarin 1) by Thiago Abdalla

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Stars: 2 out of 5.

I grant it to the author, he is trying to tell an ambitious story here, so that necessitates a lot of set up and worldbuilding. Unfortunately, that also means that most of these 700 some pages are exactly that – setup.

The story is very slow going and broken into three distinct POVs that don’t even converge until the very end of this book. And even then, only two of them somewhat converge, I don’t think Nasha ever made it to where Lunn and Adrian were. So we slowly get three different stories developing simultaneously, and up until the end, there was no indication at to how they were connected. Heck, even having finished the book, I’m not sure I understand fully what’s going on.

I wouldn’t have minded this too much if the characters were engaging, but as it stands, I couldn’t connect with none of them. Yes, the author did a good job explaining their motivations, but there was some spark missing with the characters. They felt more like a set of characteristics than real people. So in the end I didn’t particularly care for any of them, which made this story very difficult to commit to.

That lack of fleshed out characters compounded with a slow moving stories that were only loosely tied together made it for a very long read. I thought about DNFing it several times, but but then I had already committed so much time that I wanted to at least see what it was all about.

And that brings me to the final problem I have with this book. There is no conclusion to this story. Nothing is resolved, nothing is explained. These 700 pages are just introduction to the world and setup for the series, I guess. Where did the madness come from? We have no answer. Why some people loose their minds and other seem to still function normally when infected? No clue. What does that have to do with the clan lands and the sickness that kills the land? Your guess is as good as mine. 

All this book did was set up the pieces on the board for the bigger story. I know that first books in a series have the thankless job of introducing the reader to a brand new world and characters as well as planting the seeds for the arching story for the whole series, but there also needs to be a completed storyline for that book. Readers need an emotional payoff after sticking around for so many pages. This book didn’t give me that. 

And since I didn’t get an emotional payoff for reading this book, and I frankly don’t care about any of the characters, I will not be continuing with this series.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Shadow Scale (Seraphina 2) by Rachel Hartman

Stars: 2 out of 5.

I loved the first book in this duology so much that I rated it 5 stars. Needless to say, I had high hopes for the second book as well. Unfortunately, none of my hopes were realized, so this book left a bitter taste in my mouth and a sense that I had wasted several hours of my life. Now I realize that some of this might be subjective, and some of it might be higher than usual expectations, but I think the biggest issue for me is that the story didn’t go in the direction I expected it to go.

I expected a direct continuation of the events that happened at the end of Seraphina – a war with the dragons, and Seraphina, Krieggs and Celda in the middle of it, trying to protect the kingdom of Goredd from the scaly monsters who try to destroy them…

Instead we get this road movie where Phina travels to different places throughout the book, meeting new people that she will never talk to again once she leaves, in search of the other half-dragons she saw in her mind garden. It makes for a very disjointed and rather boring story, to tell you the truth. Gone is the sense of urgency we experienced at the end of last book. Yes, Seraphina has a deadline by which to reach her final destination, but it has nothing to do with the imminent war with the dragons. And honestly, the book drags until about three quarters of the way through when things finally pick up.

The issue here is that I, as a reader, don’t care about the new people Seraphina encounters, and the author doesn’t give me enough time to get to know them to actually care about them before the story moves towards another location, leaving them behind. And I am once again introduced to a whole different set of new characters who stay on the page just as fleetingly.

But I think my biggest problem is the villain in this story. Jannoula is so overpowered that it’s almost laughable at the end. Also, her powers are inconsistent. First, it’s mentioned that she can only control one person at a time, and even that tires her, but by the end of the book, she is suddenly able to control all the half-dragons and make her aura “glow” so that it’s visible to humans, and she can manipulate humans at her will. Not to mention that she always seems one step ahead of Seraphina, no matter what she does or what happens. And the way she is defeated at the end stinks of deus ex machina as well.

Finally, I really hated the ending. I think it wasn’t fair to the characters, especially to Seraphina. She spent all her life hiding and lying. She decided at the beginning of this book that she would not lie about herself anymore… yet she agrees to be the other woman? To live in shadow? To live a lie for the rest of her life? How is that a good ending for her? Not to mention that this paints Krieggs in a horrible way as well. He is a coward who just manipulated her into doing what he wants, not considering how that will impact her life.

Anyway, this was a huge disappointment, and I am kinda glad this was only a duology, because I would not have picked up another book in this series.

The Last Storm by Tim Lebbon

Stars: 2 out of 5.

This book tried to marry two different ideas in the same story – a climate disaster story and a story about people with a special ability that ties them to a different world/dimension. I think the author wanted to pay homage to Stephen King and his many books that did the same thing.  Lisey’s Story comes to mind. That was one creepy and fascinating book.

Unfortunately, where Stephen King managed to marry the weird and the mundane into a seamless buildup of creepiness, this author failed, in my opinion. 

I think it stems from the fact that the power the Rainmaker family has is never truly explained or explored other than as a tool to rain disaster and death on an already ravaged country. That and the fact that it is described almost like a drug, an addiction, makes it really unpredictable and unattractive. 

Also, it is never truly explained how that power is tied to the horrible draught that is killing a vast part of the States, of if there is even a connection. And if there isn’t a connection, then what’s the point of this power in the story?

My other issue with this book is that all the characters are unlikeable, especially Ash. I mean, I was pretty interested and invested in her story while she was on a quest to assemble her device and make it rain… Until at about 61% in the book where she unleashes rains of blood and horrors upon this town, kills several people… and has absolutely no remorse about it. That’s where she lost all my support, as well as my desire to continue following her story.

I also don’t understand why everyone else is making excuses for her behavior. Oh, she is so special. She can make rain out of a clear sky… Yes, she can also unleash venomous creatures that attack everything in sight along with that rain. Oh, and by the way that rain will turn into a deluge that will make matter so much worse. 

Of the other protagonists we have Ashe’s father, who is a coward who’s response to a traumatic even had been to hide his had in the sand for almost a decade. Her mother who turned her whole life into an obsession. An ex-addict turned into Ash’s insta-groupie. And a psychopatic killer. Honestly, not a single one of them is likeable or even relatable enough follow into the story. 

I think I would have enjoyed this more if Ash wasn’t such an unrepentant addict who made excuses every time she messed things up. Or if the supernatural element was better tied into the rest of the story.

PS: I recieved an advanced copy of this book via NetGalley in Exchange for an honest review.

Malice House by Megan Shepherd

Stars: 2 out of 5.

This book started so well. I was engaged and a little creeped out for the first 25% of the book. Then I was bored for the next 50% of so, because the book dragged its feet and bogged down in little insignificant things. Then it took a swan dive off the cliff and lost any goodwill I had left for the story.

 And now I’m sitting here, looking at raving 5 and 4 star reviews, and don’t understand what other people found so great about it. The story is convoluted and full of plot holes, some of which I can’t ignore no matter how much I suspend my disbelief.

First of all, I don’t think the author ever had to try and survive with almost no money. I mean Haven gets paid maybe 300 dollars per movie summary she does. And as the story progresses, she does less and less of them. She mentions a couple times that her bank account is very close to the red. So how can she afford gas, electric, wi-fi when she install is, food, etc.? Why is her first impulse, when she gets 900 bucks for the typewriter, to go order expensive cameras from Amazon? She doesn’t know what the meaning of frugal is to save her life.

Haven herself is an extremely unlikeable character who is so full of herself that assumes everything revolves around her. By the end of the book I seriously was rooting for the monsters. She is very judgmental and suspicious of other people for no particular reason. Her over the top reaction to the Ink Drinker’s comment on her art was very telling in that regard. 

She also makes decisions that make no sense. Why the heck would you go digging in the woods behind your property in the middle of the night? When to do that you have to climb up a ladder and jump on the other side of the fence… with a hurt ankle? Why don’t you take your cellphone with you? Why would you basically commit breaking and entering when you go check on Kylie? AND steal her laptop? AND steal a weapon from the neighbors? Why won’t you report the disappearance to the police??? 

Why do you decide that going into an isolated house to confront a possible murderer alone is a good idea? Yes, you have a stolen hunting riffle. Do you even know how to use it? The author told us several times how Haven never was an outdoorsy type. That she never went camping, yet alone hunting. How can she be sure she’ll be able to load and fire that riffle? I an assure you it’s not as easy as they show it in the movies. 

Also, who gives a total stranger her spare key just because she is attracted to him and he smells nice? Girl, you don’t know anything about him or his past. You saw him burn something big in his backyard in the middle of the night, but sure, give him access to your home.

The only reason I gave this 2 stars instead of 1 is because the little snippets from Bedtime Stories for Monsters before each chapter are amazing. I would have gladly read a whole book just about that. They were weird and mesmerizing, and much better written than the rest of the book. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.  

Enter the Darkness by Sarah Budd

Stars: 2 out of 5.

I don’t understand all the glowing reviews for this book on Goodreads. I found it boring as fish. For a relatively short 200 page book it, it draaaaged and almost put me to sleep several times. I felt like just reaching the ending was an uphill battle.

My biggest issue was the multitude of grammatical and stylistic errors. I mean, English isn’t my first language, but I’m pretty sure having verbs both in present and past tense in the same paragraph isn’t grammatically sound. It’s jarring to the eye when you read the book, that’s for sure. It creates a cognitive confusion that took me out of the story completely a few times.

Add to that the head hopping that happened in a few places, when the chapter was clearly titles as being from the point of view of one character, but there would be paragraphs that described how another character felt or what they thought. As far as I know, none of the protagonists are omniscient, or telepathic, so how could they know that?

My second issue is that I didn’t care for any of the characters. Yes, they had issues. Yes, the author tried hard to make us understand what moved them and make us empathize. Unfortunately, she failed, at least in my case. Being privy to their inner monologues didn’t make me like them more, but made me annoyed with them at times. Especially Garth. The thoughts that went through his head were downright creepy and disturbing at times. He is certified stalker material. No wonder he had no friends or girlfriend.

Finally, as I mentioned, the story drags. The pacing is very uneven. The first 50-60% of the book is basically set up, then the events unfold at breakneck speed. Honestly, we didn’t’ need that much set up. We could have spent more time in the caves to advance the actual story instead of flashbacks into the pasts of our protagonists. A lot of that information wasn’t necessary. What little we actually needed could have been woven organically into the narrative. As it was, I almost DNFed the book at about halfway point. 

I added one extra star for the description of the caves. You can see that the author did her research. That place is fascinating. Now I really want to visit.

I guess if you did “mesh” with the characters and didn’t mind grammatical errors, this books could be a good read for you.

PS: I received a free copy from NetGalley in exchange for an honest review.

In a Garden Burning Gold (Agryrosi 1) Gold by Rory Powers

Stars: 2 out of 5

I am very disappointed with this book. The blurb promised something new, fresh, and with a unique worldbuilding. The book itself was simply… boring.

I understand that this is book one of a duology, but it seems like the author decided to pack all the worldbuilding and foreshadowing into this first book and leave all the action sequences for the second one. NOTHING happens here. Oh, we get plenty of travel between different locations, and politicking between the immortal rulers of the different countries… There is just… no urgency. No stakes, so to say.

We are told that  the Agryrosi family is in danger, that Baba is loosing his grip on the land and the good will of the Council. That there could be an insurrection and the whole family would be killed and replaced. Okay, that’s the stakes then, right? Problem is that we are told that in the very beginning of the book, then the story unfolds at a very unhurried pace, I would go as far as say glacial. We spend about 75% of the book traveling, getting set up in different locations (which are described in great detail), but there is no action or sense of immediate danger or looming doom. 

Another issue is that the characters act like they are in a bad YA book instead of the adults they are supposed to be. 

Take Rhea for example. She is almost 200 years old, and came to her power when she was 24ish. She also chooses a new consort with every turn of the season, lives with them for the whole season, then kills them at the end to bring forth the next season. She even mentions that a lot of times those relationships are quite intimate and even carnal… Yet she behaves like a blushing virgin when shown even a little bit of attention by Michaeli, her latest consort. Really?

It also makes no sense for Lexos to entrust her with the mission of uncovering the conspiracy her consort is part of. She is a glorified trophy wife. She lives in her consort’s estate most of the time, and everyone knows who she is. Do you really think that people who are planning to rebel against her father will let her into their confidence? 

And let’s be honest, she sucks at playing detective, or at telling lies, which another inconsistency with her character, since we are told that she is a master manipulator. Well, absolutely nothing in her behavior in this book shows that. In fact, for someone who lived for almost 200 years and traveled all over the country, she is strangely incompetent when it comes to reading people and understanding them.

Also, for a family of siblings who profess to love each other very much, there is too much deception and casual cruelty going on. And they don’t TALK to each other. They assume things, but they never talk them through. Lexos just assumes that Rhea will go against their father and do as he asks, because he is her brother and she loves him. He doesn’t even think of the consequences of that disobedience for her. And when he has to dole out the punishment, he doesn’t even apologize afterwards, even though she was beaten for his cause.

Lexos is actually a lot more unlikeable than Baba to me. He shamelessly uses his siblings in the name of protecting the family, never even stopping to think about the damage he does to them. Like that horrible game of chess between him and his little brother, where he destroyed him while Baba was watching, but never even thought to find him afterwards to apologize and explain why he had to play along with their tyrannical father.

So I don’t feel the love and care between the siblings, and I don’t feel the urgency of the stakes. Heck, by the end of the book I still didn’t particularly care if that family lived or died. Which made for a very long and boring read. Needless to say, I won’t be continuing with this series.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Last Heir to Blackwood Library by Hester Fox

Stars: 2 out of 5.

DNF at 75%.

This was going to be a solid 4 or 5 stars book until about 50% into the story. The setup was wonderful. Old manor that used to be an abbey, the moors and the fog, the cold and unwelcoming servants, and a mysterious library… What is there not to like about this?

Unfortunately, things go downhill from there. And not in small part because of the protagonist’s actions. For someone who constantly says that she doesn’t need anyone to take care of her, because she was doing that just fine on her own, thank you very much, she sure makes a lot of stupid decisions. Like not heeding the warnings of her staff about the library, or about associating with certain people. Like trusting a man who she doesn’t really know from Adam, just because he was nice to her and likes talking about books. Like accepting his marriage proposal after barely knowing him a few weeks and going on a couple dates. Especially when even she notices his unhealthy fixation on her library… just because she is lonely and feels unappreciated. Strong independent woman, yeah right. 

That’s the major problem with this book. No matter how much the author tries to show Ivy taking some action, and making some decisions, like organizing a book lending club, she isn’t an active player in this story. She doesn’t push the story forward. None of her actions progress anything. Things happen to her. In essence, she has no agency in this story at all. I understand that it was supposed to convey her dismay and confusion at progressively loosing her memories, but it misses the mark here, in my opinion. She comes across and pathetic and helpless, yet also stubborn and pigheaded when she shouldn’t be. She gives up all resistance the moment she encounters any difficulty.

For example, when she finds her journals shredded, she immediately abandons the idea of keeping a diary of her days. I would immediately create another diary and keep it on my person at all times, and yes, continue to write down everything that happens. She just sweeps all the evidence into the fire and doesn’t even confront her staff about this… or go to town and call her friend Susan, or do anything but continue to flounder in bewilderment. 

This might work for some readers, but this passivity made the book more and more boring to me. To the point that I started skimming ahead to see if Ivy would even try to fight for he freedom and sanity, but by 75% of the book she was just as pathetic – a prisoner in her own home… And I didn’t care to find out what would happen in the end. So I gave up.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review. 

Hollow World by Michael J Sullivan

Stars: 2.5 out of 5

I couldn’t quite mesh with this book, no matter how I tried. Sure, the concept seems fun, and the Hollow World itself is fascinating, but some of the decisions the author took with the story didn’t sit well with me.

I was totally onboard while we were exploring the Hollow World and learning about this very homogeneous society. Heck, I was totally onboard with the murder mystery and trying to understand why somebody would start killing people in a society where murders, or even other crimes, haven’t happened in centuries, so they don’t even have a police force. Then the author threw in this whole Warren angle and the book went downhill from there, at least for me.

First of all, Warren doesn’t work as a villain. He is way too over the top in his misoginistic and patriarchal views. The Warren Ellis spoke to at the beginning of the book was a butthead, but he wasn’t this over the top. Sure, he lived 10 years longer in the past than Ellis, but would he really have changed that much?

Also, the idea that someone like Warren could successfully recreate the experiment that NOBODY else in the world did is ludicrous. Yes, he had Ellis’s notes, but the author tells us that the notes are only half the problem. That Ellis had to make some pretty complicated calculations to make sure he didn’t materialize into space or layers under the earth, or floating a kilometer above the surface in the future. And he had to account for the difference in time between when he was and when he was going and Earth rotation, and a bunch of other factors. Are you telling me that Warren was able to do the same ten years later with completely different parameters? I call bull.

Also, the fact that Warren was Ellis’s best friend turned me off the protagonist. I mean, at one point in the book, Ellis admits that he knew that his friend was a wife beater, yet he let it slide. He never confronted his friend about the physical abuse. Worse, instead of helping, he was making sarcastic comments about the intelligence of the victim for staying with her abuser. After that little gem I lost all respect for the protagonist and all interest for the story. But I was already 80% done by then, so I skimmed until the end and honestly? The ending is disappointing.

What was the point of all this? Yes, we get a pages-long villain monologue from Warren about his motives, but what would have Pol and Hal gotten out of the genocide of their entire species? They can’t reproduce. Did they want to be the last 2 men on Earth forever or what? If so, what stops them from trying it again? They aren’t captured at the end of the book, after all. Yet this fact is treated like some kind of afterthought. Nobody is worried. 

In the end, this was a disappointing read, but at least I managed to tick another book off my TBR list. It’s been languishing there since 2015.

The First Days (As the World Dies 1) by Rhiannon Frater

Stars: 2 out of 5

This was rather disappointing. I’m always on the lookout for a good zombie story, and this one had promise. The first chapter sure packed an emotional punch. Two women thrown together by circumstances and desperately trying to survive in a world gone mad overnight. It looked like it would be a bloody and scary romp through rural Texas fighting zombies and finding strength and friendship in each other. And it was just that for the first 100 pages or so. But once they rescue Jenni’s stepson and join the other survivors, thigs quickly degenerate.

All of a sudden, instead of being decisive, smart and brave, these girls just give up all of their initiative to the first male figure they encounter. It’s like they switch off their brains and switch on their hormones. Big man will protect me! I don’t have to think anymore. I just have to spread my legs! Jenni is the biggest offender on that front. And the whole story becomes this weird love square between Katie, Jenni, Travis and Juan. Did we really need that? The world is literally ending around them, why do I have to read about who hooks up with whom?

Not to mention how false that reads. I mean Katie just witnessed her beloved wife, the one she literally describes as her whole world, become a zombie and try to eat her face off. That was not even a week ago. And suddenly she has strange feelings for Travis and is doubting her sexuality? What happened to loss and grief and time to process the enormity of what happened? Jenni witnessed her abusive husband kill and eat both her children and barely escaped with her life. Yet as soon as she sees an attractive man, she switches off her brain and starts thinking only with her nether parts. But the least said about Jenni the better. Her characterization is problematic at best.

That’s another issue with this book – characterization. It’s inconsistent.  Characters do and say things that sometimes wildly clash with how they behaved before and what they were said to believe in. Some plot points and arcs don’t do anything to advance the plot and are there only either for shock value or to add some zombie gore. Like that whole adventure to rescue Jenni’s stepson, what was that about exactly? He fades into the background almost as soon as they reach the refugee camp and has no further role to play in the story. Heck, the dog has more page time than the kid, and more personality.

And it feels like the characters worry more about who will sleep with whom than the more pressing matters, like how to secure food and other supplies. What will happen when electricity goes down and running water dries out. They should be planning raids on nearby stores and pharmacies, and securing a source of running water. They should be thinking about hygiene and how to prevent the spread of diseases that will inevitably follow. Even the common flu can kill. Not to mention dysentery, which they are all likely to get if they don’t figure out a safe way to preserve food and boil the water they drink. I know, I know, I’m asking too much, but I was looking forward to a good zombie survival book, and instead I got this…

At least I crossed another book off my TBR list, I guess. And this one has been sitting on it since 2018.

Souldier (In the Shadows of Eternity 1) by Andrew Dahms

Stars: 2 out of 5

DNF at 50%

I am honestly amazed at all the 5 stars reviews on Goodreads. Have I read a different book than everyone else? They talk about a good story and gripping action… Well, I had to force myself to read to halfway point, and I honestly saw neither. Maybe things get better in the second half of the book, but if I have to wait until then for the story to get interesting, something is wrong. Plus, I don’t have that much patience. 

I think the biggest problem is that the author doesn’t know how to show anything. All he does is tell. We have paragraphs upon paragraphs of descriptions of everything from buildings to uniforms, to what is happening to the character. But it’s all tell, tell, tell… I mean, he even managed to make the basic training sequence boring as fish. And it lasted way too long, by the way. I mean we are barely out of basic training and actually on the Line by the halfway mark. 

It doesn’t help that Vivian’s character is a non-entity. Because the author tells us everything instead of showing, we are never privy to her inner thoughts or find out how she actually feels about the things that are happening to her. I mean we have several chapters describing how grueling her basic training was, and how the drill sergeant did everything he could to break her… but that’s just words. I have no clue how she felt about it. I don’t see her exhaustion, her frustration, her determination to continue. None of that is there.

And why is she here anyway? Yes, she wants to find out what happened to Sally, but again, apart from what the author tells us, nothing shows us just how much she meant to the protagonist. Show us some flashbacks. Show us their interactions when they were friends. Show us how Vivian felt when Sally left to join souldier, or how she felt when she received the news of her friend’s death… then I will believe that she could drop everything and travel half the world away to seek some answers. As it stands, I don’t care.

And that’s the trend in this book. We are told that the characters are doing something or reacting to something, but we aren’t shown that. And often, we aren’t shown any reactions at all where there should be something. 

For example, when Vivian and her fellow enlistees are sent to help load and unload planes during the new wave, the pilot of one of them has a mental breakdown, literally saying that he brought his squad back in boxes. They were unloading coffins. Surely, there would be a reaction to that? We get nothing. No horror at the realization, no desperation, no fear even. Nothing but the description of how grueling it was to work for such long hours for several days. NOT the thing you want to put the accent on in this kind of story. That was a lost opportunity to immerse the reader in the world and show just how bleak the situation is. 

When I realized that at halfway mark the book wasn’t getting any better, and that I was just getting more and more frustrated with the writing, I gave up.

PS: I received an advanced copy via NetGalley in exchange for an honest review.