Category Archives: Space opera

books, Reviews, science fiction, Space opera

Lords of Uncreation (The Final Architecture 3) by Adrian Tchaikovsky

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Stars: 4.5 out of 5

This is a fitting conclusion to an epic trilogy. I must say that Mr. Tchaikovsky created a truly unique world. I don’t think I’ve ever read a book with concepts of real and unreal (or similar) that are so well integrated into the story. This world feels lived in. It has an inner logic and it works. 

Things have gotten from bad to worse since the end of the previous book. You would think that a treat of truly galactic proportions would unite people, right? You couldn’t be more wrong. Humanity fractures and splinters, because each faction has its own idea of how exactly humanity will be saved, one which leaves them in power over the rescued remnants, of course. And none of those ideas include taking the war to the slavemasters of the Architects. 

I even understand why. Fighting something so unimaginable and unreachable is daunting, to say the least. It’s much easier for the human psyche to find a smaller enemy and concentrate on them. Hence Hugh and the Parthenon are at each other throats again. And the Boyarin want their Arcs back. The galaxy is a mess even without Architects popping up at random solar systems to turn inhabited planets into tragic art. 

And the crew of the Vulture God is still stuck in the middle of it all. Though I’m not sure if they are a crew anymore since only Oli and Kit are technically on the ship itself. Idris and Kris are on the Eye, where Idris is killing himself, trying to find the mysterious Masters who send the Architects out into the real. Solace is also there with the Partheny Ints, but it seems like everyone has their own agenda now. Until all hell breaks lose, that is. 

If I had one complaint about this book it’s that the first 30% of it or so drags. I understand that all the pieces had to be put on the board and set in motion, but it made for a rather boring read. However, once the attack on the Eye happens, things pick up. And after Anku brings the hammer down on the whole system, the action doesn’t let down until the end. 

All in all, I liked how things got wrapped up in this book. And the fate that befell the Lords of Uncreation was a fine example of poetic justice. I was a bit surprised bout Oli, but it makes sense and is in tune with her character. Solace had a huge crisis of faith in this book, and I’m happy with the choice she made. Also, she is a badass. The only non-Int to stand in the middle of creation, face a very alien and overwhelming force, and not give ground. “Pret at combattre” indeed. 

I am also happy with Idris’s arc. It felt at times like he was drifting through the story as a passenger more than an architect of the events, and he would make a lousy action hero, but he saved the world in the end. And now Kris might even save the Ints from indentured servitude, but either way, unspace is a lot more welcoming for them from now on. And I like the concept of Saint Idris.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review. 

books, Reviews, science fiction, Space opera

Dark Space by Rob Hart

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DNF at 50%

I love good science fiction or space opera novels. I love space exploration and humanity spreading to the other planets of our solar system before reaching for the stars. So this book should have been right up my alley, right? Well, I’m sad to say that it’s been a massive disappointment instead.

The book is split into two POVs from two characters located in different places – one is on a starship going for an inhabitable planet orbiting another star, and the other is on the Moon. While I liked the Moon storyline well enough, the whole deal with the starship left me frustrated to indifferent. 

I was frustrated with the absurdity of the premise and how all the characters behaved there. Are you telling me that the captain and most of the crew would choose to cover up an attempt to not only sabotage their mission but to destroy the ship and kill them all? That they would retract the transmission to Earth, falsify the investigation results, and act like those who question them are crazy or insubordinate? This makes no sense.

And when I wasn’t frustrated with characters acting like stupid children, I was bored because I could care less for them. Because they have less substance than a cardboard cutout.

The conspiracy on the Moon was more interesting, even if the protagonist there wasn’t very likable either but the main issue there is that I didn’t buy into the premise or the stakes of the story.

The author hints that this is not the near future, so it’s not like this is happening 20-30 years from now. Humanity has a functional base on the Moon. There is talk of space stations and even a foothold on Mars… yet we are still being divided along national lines? Why would a person born on the Moon care about Russia or US or China’s interests versus the interests of the Moon?

In that respect, The Expanse series did politics so much better. Forget national interests. People defend and identify with places they are born in. That’s why we have Earth and Mars at odds with each other, and the Belters squabble and scrape and never quite manage to unite. That makes sense. What we have in this book? Not so much. 

In the end, I stopped reading because I realized that I didn’t care to discover who tried to sabotage the mission or why. And I didn’t care AT ALL about the first contact with an alien civilization whose individuals conveniently speak English. That the tepid interest I had in the Moon storyline didn’t justify wasting more of my time on this book.

There are other excellent space opera books out there, but this one just isn’t for me.

PS: I received an advanced copy of this book via Netgalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Ghostdrift (The Finder Chronicles 4) by Suzanne Palmer

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Stars: 5 out of 5.

When we last saw Fergus, he had been saved from imminent and very painful death by the Asig, while he in turn saved the known galaxy. But all is not sunshine and roses in this book. Yes, Fergus is alive and even whole, but he is the most wanted man in the humanity settled cosmos, with a hefty price on his head and a lot of powerful enemies. So he has been in hiding. Which means that he has been alone with is cat and no contact with his family and friends. But when one such friend finally comes calling and asks for his help to free another friend from pirates, of course he will say yes.

Suzanne Palmer has a gift for creating likeable characters. I mean, we are dealing with a ship full of pirates here, yet I grew rather fond of all of them in the end. I think this is also due to the fact that Fergus always tries to see good in people, or at least to find ways to coexist with those he has no choice but to interact with due to various circumstances. It also helps that all of the characters are painted in different shades of gray and all have their own needs, wants and motivations. The villains aren’t even just for the sake of being evil, they have their own reasons behind their actions. The good guys aren’t always exactly good either. Everyone is human and bound to make an absolute mess out of things.

I also liked the main mystery of this book – a missing ship, possible rogue active jump points. A solitary planet in the middle of the Gap between two sections of the galaxy. Oh, and new kinds of aliens, who turn out not so evil in the end after all. Oh, and Fergus being his usual “interesting” self. We get more Asig as well, and get introduced to some of the other humans they changed.

I had a lot of fun with this story, and I am looking forward to following Fergus on his future adventures.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Redemption Ark (Revelation Space 2) by Alasdair Reynolds

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Stars: 2.5 out of 5.

This is the third book I read by this author, and I’m beginning to see a trend: the worldbuilding is excellent. The ideas are fascinating and thought-provoking. The faraway future of human space exploration and settlement the author paints is definitely worth exploring further. But the characters, oh the characters… the author can’t write engaging characters to save his life.

It was a slight issue for me in the first book of the series, Revelation Space, but the new world was interesting enough to dive into that I overlooked the lack of engaging characters to follow. It was also visible in the prequel Chasm City, but at least that book gave me some answers about other things raised in book 1, so I let is slide. But this problem came to the forefront in this book, because the main storyline is most definitely character driven. Unfortunately, I didn’t have any good characters to latch on to. And by good I mean interesting and realistic, or even engaging. 

I couldn’t care less for Clavain and his identity crisis, mostly because he came off condescending and thinking himself smarter and better than anyone else in the universe… while making some rather stupid assumptions and decisions. I also didn’t like Skade and couldn’t really understand her motivations for being as she is. You would think that it would be better explained, since she is the main villain. But even her story was put aside halfway through, when Clavain and his crew got busy with the big confrontation with the Triumvir. 

Speaking of which, what was that even about? We spent pages upon pages talking about the importance of the weapons, and everyone is fighting for control and possession of said weapons… only to just leave them and run at the end? What was the point of this book exactly then? If they were essential for the fight against the Inhibitors, then why didn’t anyone bother to scoop them up before they turned tail and burned it out of the dying system?

As it stands, the book dragged for me. In fact, it took me the better half of last year and then a couple months in 2024 to finish it, simply because I would start losing interest after 10 pages or so and put the book away. I had to force myself to come back to it every time and finish it. I will still give book 3 a try to see where this story is going, but I hope it will be a much tighter book with at least a couple characters I can latch into.

books, Reviews, science fiction, Space opera

The Jinn-Bot of Shantiport by Samit Basu

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DNF at 60%

I love the cover of this book. It’s what drew me to it in the first place. The content, however, was rather disappointing. 

Part of it is due to the rather non-existent worldbuilding. There is the city of Shantiport that might or might not be sinking, and it’s implied that it’s part of a bigger inter-galactic civilization, but we don’t get much more details than that. What planet is this on? How is this civilization organized? Why are people fleeing it? Is it really sinking? There are hints here and there, but they never form a coherent picture. 

Problem is, since I can’t see the overall picture, I don’t understand the stakes. And since I don’t understand the stakes, I can’t really get invested in the characters’ fights. Will a revolution be good for Shantiport? How is that better or worse than what they have now? 

Another reason for my gradual lack of interest with this book is that the author chose to tell this story through the eyes of dispassionate (at least at first) observer. Yes, Moku ends up getting involved in the action and even taking sides, but it was a little too late for me. Since Moku can’t read Lina or Bador’s minds (after Bador blocks him), he can only observe their actions and speculate to their motives. Problem is, they show very little, especially Lina, who had to live with constant surveillance all her life and learned to show a blank mask to the world in most occasions. 

It’s an interesting concept in theory, but a boring read in execution. I can’t empathize with a character if I have no clue what their motives are. Both Lina and Bador appear shallow and self-centered at times because of their actions, since the reader isn’t privy to their motivations. Which also means that some of their actions come a bit out of the left field as well.

The pacing of the book is also very slow. The action sequences are fun, especially Bador’s intervention during the fight between two giant robots, but they are few and far between. What we have most of the time are pages upon pages of dialog (and sometimes monolog) that go absolutely nowhere. And since the characters are under surveillance, they speak in riddles, which makes those passages even more convoluted and, honestly, boring to read.

I am very disappointed in this book. The cover drew me in and promised something fun and original, but the content let me down.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Redspace Rising by Brian Trent

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Stars: 3 out of 5.

I have a hard time reviewing this book. On one hand, I loved the worldbuilding. It’s complex and interesting, and brutal, to be honest. In a way, it reminded me of Altered Carbon. On the other hand, I honestly couldn’t care less about the protagonist or the other characters. Hence my dilemma, so I will just rate it middle of the road, I think.

This book illustrates perfectly that the value of a human life goes down significantly when technology is advanced enough to achieve near immortality. Why care about the body if your consciousness is backed up on a regular basis, and you can be decanted into a new clone in a matter of days? It opens the door to great deeds of selflessness, but also to horrible abuse. Just thinking about the torture row on Phobos makes my blood boil. Imagine torture that can last forever, because every time you die, they just decant you into a different clone and start all over again. 

On this one, I wish we would have had a chance to explore the theme of identity a bit more in this book. What happens if there are several versions of you running around at the same time? Who is the real one or the “prime”? What rights do the clones have? How do you decide whose memories and experiences merit a backup and whose don’t? Unfortunately, even though we have a character living in two bodies, that particular concern is never explored.

As I had mentioned, by biggest problem was that I couldn’t empathize with the protagonist. In many ways, Harris Alexander Pope is a blank slate. I understand that this was done on purpose, since even the character himself doesn’t know who he really is or what he wants, but it makes it hard for the reader to form an emotional connection. Since Harris doesn’t his own mind or even his motivation in most cases, it’s hard to decide if we should root for him or not. What does he want in life apart from meet up with his brother? Unknown. Why is he pursuing the Patriots so relentlessly? Unknown. Why does he always repeat the same speech word for word before he kill them? Un… no, wait, that is known, but that would be a big spoiler.

It doesn’t help that the supporting characters are rather unlikeable, apart maybe from Umera. And the bad people are so villainous they come across as caricatures. I mean what’s with the supposedly great general and strategist who finishes all his sentences with an exclamation point and loves to drone on and on and on… like he is giving a lecture? I couldn’t take him seriously even if I wanted to!

I also wasn’t satisfied with the ending. I mean, yes, it’s a win for humanity – they get a chance to expand beyond the solar system, but is it a win for Harris? I wouldn’t be so sure. He is still stuck in his hunt and destroy loop, and he honestly doesn’t have any dreams or desires aside from that. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

books, Reviews, science fiction, Space opera

Wanderlust (Sirantha Jax 2) by Ann Aguirre

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Stars: 3 out of 5.

I liked this book better than the first one, probably because I was already somewhat familiar with the world, so I wasn’t as lost. Plus, the story progresses from the events of the last book, and our protagonist’s actions have some very real consequences.

I am less annoyed with Sirantha in this book as well. She is still an emotional wreak, but she seems more self-aware at least. And she is finally becoming a lot less selfish then she was in the first book. I think she finally realized that she isn’t just a jumper anymore who has no other responsibilities than to get the ship from point A to point B through Grimspace without loosing anyone in the process. Even if in the beginning she only accepted the mission of ambassador to get off planet (and frankly because she didn’t have two coins left to rub together), by the end of the book she started taking this mission very seriously.

I think seeing the Morgut infested space station had a lot to do with that change of heart. You can’t really remain selfish when you realize that there is a species out there who thinks humans are delicious, and destroying the Conglomerate just rang the dinner bell. Honestly, I think the segment of them exploring that space station was the best part of the book. It was scary and intense, and reminded me of some of the best space horror titles I read this year.

I still have issues with Sirantha’s and March’s relationship though. It feels very unhealthy to me. I mean, they claim to love each other unconditionally. To always be there for each other and all that stuff. Yet, they can’t talk things through when they hit a difficult bump on the road and get their feelings hurt. Or just plain abandon the other because someone else needs them more. I’m trying to avoid spoilers here, but I honestly still can’t understand March’s decision on Lachion. Probably because I didn’t give a flying fig about the war between the clans on that planet. Honestly, that part of the book was a slog to read. 

What I am saying is that I don’t understand why the author keeps pushing these two characters together when they are obviously toxic for each other. If that’s her idea of a perfect relationship, I will have a problem with the rest of the books. I like my relationship on the non-abusive spectrum. 

Oh, and the whole subplot about Jax’s mother was very far-fetched in my opinion. Are you honestly expecting me to believe that in all those years Sirantha was growing up, she never noticed that her mother was at the head of a crime syndicate? Right…

However, I am interested enough in the worldbuilding to give the next book a try. If nothing else, I really want to know how they will resolve the Morgut problem. I am also interested to learn a bit more about Grimspace, and why Sirantha can sense it even when not jacked up.

books, Military science fiction, Reviews, science fiction, Space opera

Centers of Gravity (Frontlines 8) by Marco Kloos

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DNF at 45%.

I love me a good space opera from time to time. Heck, I’m both a Star Wars and a Star Trek fan. I watch and read plenty of scifi. Problem is, I want my space opera to be, if not smart, then at least entertaining, with a good story and relatable characters I want to invest my reading time into. Not the case here.

The characters here are absolutely lifeless. In fact, I would go so far as to say that they are not characters at all, but cardboard cutouts with a series of threats needed by the author to progress the story. Heck, even the protagonist is so bland that I can’t remember his name a week after I gave up on this book. We don’t know his motivations, we don’t know his needs or wants, or even his fears. Yes, we are told that he is married and misses his wife, but it’s told in such a clinical manner that there is no sentiment behind it. The side characters are even less defined.

My other problem is that there really isn’t much of a female representation in this book. And the little we have are either guys in skirts, or a guy’s wet dream. Which we often see in books written by men, unfortunately. It takes talent to create tridimensional characters, especially those of the opposite sex. And effort. In my opinion, the author simply didn’t put in the effort here. Which might be okay for some if action is all they had come for. Unfortunately, action is usually not enough for me.

Speaking of action, this book takes way to long to set up the stage for it. The first 30-40% is basically set up where nothing happens. Characters fly through space. Characters talk. Characters walk. Characters make plans. It can be made interesting if the characters were interesting which is not the case here. 

The writing is… serviceable when it comes to description and action scenes, but sucks when it comes to dialog. All characters sound the same, which, since they have no personality to speak of, is not surprising. But the dialog also doesn’t sound natural. People don’t speak like that, even in the future. This is when I’m glad that I don’t listen to audiobooks, because good luck trying to instill life into those conversations. 

In summary, this is definitely not for me. I mean, the action might be phenomenal in the second half of the book, but I didn’t care enough to stick around for it.

PS: I received an advanced copy from NetGalley in exchange for an honest review. 

books, Reviews, science fiction, Space opera

Neptune’s Brood (Freyaverse 2) by Charles Stross

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Stars: 3.5 out of 5.

First, I need to point something out for those who just finished the first book in the series. The sequel has absolutely no ties to the first book, apart from happening in the same universe, so be warned if you expect to learn more about Freya – she isn’t even mentioned in this book. My husband launched into this book right after he finished the first one, and he didn’t enjoy it as much precisely because of this. He said the disconnect was too big at the beginning of the book – it is the same universe, but all the characters are new. 

I, however, started book 2 about a year after I read book 1, so I didn’t mind the fact that we are told a completely different story a few thousand years in the future from the events of the first book as much. Sure, I would have loved to find out more about Freya and her sibs, but I was happy enough to explore this new evolution of the world introduced in book one.

And it’s a fascinating world where humanity (at least a variant thereof) spread into the stars and created a vast society of colonies almost everywhere in the universe close to their point of origin (Earth). I found the structure of their society fascinating. When warp drive or hyperspace or faster than light travel don’t exist, interstellar travel takes dozens, sometimes hundreds of years. Even laser uploads via laser arrays, the fastest form or interstellar travel, takes dozens of years. It’s fascinating to read about a society that thinks in scopes of centuries and even millennia when founding a new colony or engaging in any type of financial transaction.

The whole financial and economical system is very interesting as well, and, as far as I remember, this is the first science fiction story in which this aspect of a society is explored in so much detail and is so integral to the story. In fact, it’s a little bit too integral to the story, and the endless explanations on how slow money works and different fraudulent manipulations thereof were a bit tedious to go through after a while.

The biggest problem of the book, at least for me, was the main protagonist, Krina. She is a very passive character that reacts more than acts on her own. For the duration of the book, she had been a victim of the circumstances, kidnapped, altered, thrown into the deep end of a water planet, etc. And when she finally gathers enough power to have her own agency… the story ends. That was very disappointing, especially when you compare Krina to Freya from the first book.

Despite this, I thoroughly enjoyed this story, even if I could have used a little less exposition about the different financial instruments. This is definitely a series worth your time and effort.

books, Horror, Reviews, science fiction, Space opera

The Immortality Thief (The Kystrom Chronicles 1) by Taran Hunt

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Stars: 3.5 out of 5.

Surprisingly, this book pulled at all of my heartstrings. Even though it’s monster horror in space, it made me care about the characters. Well, at least the main ones. 

I mean, you can’t help but feel sorry for Sean, who survived the destruction of his whole city and saw his family and everyone he knew lying dead at the hands of the Ministers. I understand why he clings so desperately to Benny, even though they have absolutely nothing in common apart from that tragedy that defined their childhood. It’s not a healthy relationship and clinging to it is slowly destroying both of them.

I was also impressed by the sheer capacity for compassion Sean has, even after everything he went through. Or maybe because of it? He saw so many people die that now he tries to do everything in his power to help other in need, because he doesn’t want any more deaths. And once he is stuck on the ship full of monsters with two people who, in his eyes, are responsible for the Kystrom massacre, he doesn’t immediately classify them as enemies. He has the moral strength to overcome that anger and see them for what they are – people.

I also liked Tamara and Indigo and how we progressively got to know more of them and get glimpses of humanity from the emotionless Minister and the battle-hardened soldier. They have to collaborate to survive long enough to recover data that is vital for both their races survival. In the case of the Ministers, that meaning is very literal.

The setting itself is the stuff nightmares are made of – a derelict ship left by a dying star. So vast, so dark and silent… and full of monsters that are very very hard to kill, because the scientists who created them were experimenting with immortality. And now those monsters are angry with their creators. For creating them in the first place, for the horrors they were subjected to during that creation, and for abandoning them to die on this ship without a second thought. It reminded me a bit of the video game Dead Space, which I never could finish because I’m a chicken.

There is a lot to love about this book, but there are a few flaws as well. The flashbacks, even though they serve a purpose of explaining Sean’s frame of mind, get annoying after a while. I wish the author could have found other means of passing the information to the reader. The characters other than our main trio are two-dimensional at best, and Benny was so devoid of redeeming qualities it was almost caricatural. 

The story also started dragging towards the end. It was like the author kept putting away the resolution and throwing more and more obstacles in our characters’ way. They had already been through so much though, that I experienced danger fatigue. I just wanted them to be done with this ship one way or another.

All in all though, I really loved this first book in a new series and I will check out the next one, especially considering the twist at the end.

PS: I received a free copy of this book via NetGalley in exchange for an honest review.