Tag Archives: 3 stars

What Song the Sirens Sang (Gideon Sable 3) by Simon R Green

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Stars: 3 out of 5

I think I am getting a bit disappointed with this series. It’s like the author follows exactly the same blueprint for every book in it. There is a big heist to be accomplished and a big bad horrible person to be robbed (because our protagonists are good guys and only rob those who had it coming). So Gideon puts his crew together, makes a plan, and they merrily waltz into danger and impossible odds… and everything turns out just fine in the end. 

Oh, don’t get me wrong. It’s still a fun ride. The books are action-packed and not awfully long, so they make for a fast read and don’t overstay their welcome. Problem is, there isn’t much substance there either. 

My biggest problem is that we are on book three of the series, but we’ve had zero character development from Gideon or Annie Anybody for that matter. We’ve seen other members of their crew change and evolve (and fall again, as is the case of the Damned in this book), but the protagonist and his girlfriend? Nada. 

We still have no clue who the protagonist was before he stole the name and fame of Gideon Sable. We still don’t know Annie’s backstory and what made her feel like she needs to be anyone other than herself. Heck, we didn’t even learn much more about their relationship prior to the protagonist becoming Gideon. And when they happen to ask each other a question about those times, they just gloss it over, deflect, or say “I don’t want to talk about it.” Well, it’s all good and jolly, but as a reader, I can’t connect to a character that doesn’t evolve, or who never shows me what makes him or her tick.

But there is still a lot of fun to be had with this world. It’s fantastical and slightly horrifying. I loved the Low Road where the souls of the Dead travel to their next destination. It wasn’t at all what I pictured it to be. The author also has a knack of introducing awesome new side characters. It’s a pity that most of the time they outshine the protagonist at every turn.

As it stands, I might give this series one more try and pick up the next book, but if we don’t get any character development for Gideon or Annie, I might throw the gauntlet. 

Wanderlust (Sirantha Jax 2) by Ann Aguirre

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Stars: 3 out of 5.

I liked this book better than the first one, probably because I was already somewhat familiar with the world, so I wasn’t as lost. Plus, the story progresses from the events of the last book, and our protagonist’s actions have some very real consequences.

I am less annoyed with Sirantha in this book as well. She is still an emotional wreak, but she seems more self-aware at least. And she is finally becoming a lot less selfish then she was in the first book. I think she finally realized that she isn’t just a jumper anymore who has no other responsibilities than to get the ship from point A to point B through Grimspace without loosing anyone in the process. Even if in the beginning she only accepted the mission of ambassador to get off planet (and frankly because she didn’t have two coins left to rub together), by the end of the book she started taking this mission very seriously.

I think seeing the Morgut infested space station had a lot to do with that change of heart. You can’t really remain selfish when you realize that there is a species out there who thinks humans are delicious, and destroying the Conglomerate just rang the dinner bell. Honestly, I think the segment of them exploring that space station was the best part of the book. It was scary and intense, and reminded me of some of the best space horror titles I read this year.

I still have issues with Sirantha’s and March’s relationship though. It feels very unhealthy to me. I mean, they claim to love each other unconditionally. To always be there for each other and all that stuff. Yet, they can’t talk things through when they hit a difficult bump on the road and get their feelings hurt. Or just plain abandon the other because someone else needs them more. I’m trying to avoid spoilers here, but I honestly still can’t understand March’s decision on Lachion. Probably because I didn’t give a flying fig about the war between the clans on that planet. Honestly, that part of the book was a slog to read. 

What I am saying is that I don’t understand why the author keeps pushing these two characters together when they are obviously toxic for each other. If that’s her idea of a perfect relationship, I will have a problem with the rest of the books. I like my relationship on the non-abusive spectrum. 

Oh, and the whole subplot about Jax’s mother was very far-fetched in my opinion. Are you honestly expecting me to believe that in all those years Sirantha was growing up, she never noticed that her mother was at the head of a crime syndicate? Right…

However, I am interested enough in the worldbuilding to give the next book a try. If nothing else, I really want to know how they will resolve the Morgut problem. I am also interested to learn a bit more about Grimspace, and why Sirantha can sense it even when not jacked up.

Never Too Old to Save the World: A Midlife Calling Anthology

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Stars: 3 out of 5.

The problem with anthologies is that the stories in them are usually very uneven. You can find some hidden gems, but you will also find stories that are uninspiring to say the least.

In this particular case, the idea behind the anthology was great. The tired trope of the Chosen One has been done into oblivion over the years, but most of the Chosen Ones are children or young adults. It’s like your membership to this club automatically expires once you turn twenty, or something. It’s refreshing to see stories about Chosen Ones who are middle-aged, and have a wealth of experience behind them. Who have lived their lives, had their teenage rebellions, have settled into their lives, and pretty much know who they are and what they want. 

In theory, this premise, this should make for wonderful stories, where the Chosen One doesn’t need prophets or kings to tell them what to do or how to act, and have a strong moral compass on their own. The execution, however, is rather disappointing.

I think the only story I really liked was A Legacy of Ghosts. It felt like a fully fleshed out story with a sympathetic protagonist and some stakes you could feel. The Jackalope Wives was okay as well, but I felt that I liked it more due to the author’s writing style than due to the story itself. Another one I truly enjoyed was Once A Queen. It had that Wayward Children by Seanan McGuire series vibe, and I enjoyed at least the first 2-3 books in that series.

The rest of the stories ranged from meh to frankly mediocre. I went back to re-read the titles of the stories before I sat down to write this review, and I was sad to discover that I couldn’t even remember what some of the stories were about. Yes, they were that unmemorable.

I would say that this is an anthology that you can pick up from your library just to read a few select stories, and don’t feel guilty returning it having skipped the rest.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Faded Steel Heat (Garrett Files 9) by Glen Cook

Stars: 3 out of 5.

This is the weakest of the Garrett stories so far, and compared to the previous ones, it was  a big disappointment.

First things first, it dragged way past the time when it was a polite thing to bow out and say goodbye. I would say at least 50-60 pages past that point. This book seemed way too long in general, with a lot of filler that could have been cut out without hurting the story. 

Second issue – I get it that Garrett is a chick magnet and that his brain goes down south every time he sees a good looking enough woman, but it was a bit of an overkill in this story. It stopped being cute and became irritating at about the halfway point. 

My biggest disappointment however is the reveal about Glory Mooncalled. I think Glen Cook dropped the ball on this big time. I think I get what he was trying to go for – don’t meet your heroes and all that, but this was so anticlimactic… I mean Glory Mooncalled has been the driving force behind most of the background events in this series since book 1. By now, he acquired an almost mythical status. To end it the way the author ended it… I don’t know, I feel like it’s a huge disservice to the character and so much waisted potential.

Honestly, same could be said about Sadler and Crask. That was a bit of an underwhelming ending for those two characters that have always been larger than life.

Another complaint is that we didn’t have nearly enough Morley Dotts in this book, but what had what wonderful. I love the interaction between Garrett and him. 

I feel like it’s then end of an era in the Garrett Files series. So much was tied around Glory Mooncalled and his actions in Kantard that I honestly don’t know where the series will be going not. But even though I was not as thrilled with this book as I was with the previous ones, I am definitely looking forward to continuing the series.

Volatile Bonds (Prospero’s War 4) by Jaye Wells

Stars: 3 out of 5.

Well, this book was a big disappointment, especially compared to book 3. Don’t get me wrong. It started strong with a murder and an explosion and a new actor trying to take over Babylon (again). It’s fast paced and a lot of things happen, and good guys win in the end, well sort of… but it just doesn’t hit the same as previous books.

Problem is, this series is starting to get formulistic. In every book, something happens and Kate looks for clues, but finds nothing. So they go visit Little Man, who gives them some clues. Then they hit a dead and again, so they go talk to Abe in prison… again, and get insulted and not learn much at all. Honestly, what’s the point visiting Uncle Abe in every book apart from reminding the reader what a horrible human being he is? Then by the end of the book Volos swoops in to help save the day… again. No matter which book in the series you pick up, the order of events is exactly the same. 

Are you telling me that Kate doesn’t have any informants other than Little Man? And if Little Man is so knowledgeable in all underground Babylon affairs, why is he living in squalor? Why isn’t he brokering this information better? Also, why do we have to go talk to Abe all the time? Honestly, at this point, you give the creepy guy in prison more intel by showing up there than you are getting from him. Not to mention, it’s getting boring.

My biggest pet peeve though is that the author is trying to push Kate and Volos together by making us believe that Volos can be good for her, or that she still has romantic feelings for him. Erm, bad idea. The author spent three previous books showing us that Volos is ruthless, domineering, cruel at times, and not above using blackmail to get what he wants from anyone, including Kate. He constantly tries to insert himself into her life and dominate it. Their relationship is toxic to the Nth degree. WHY are we all of a sudden trying to put him into the status of love interest? No, just no.

Especially when it’s done to the detriment of Morales’s character. In order to push Kate towards Volos, the author had to paint Morales in less than flattering light, so she makes him shifty and cowardly about telling their superiors about his involvement in the murder of an undercover cop. Problem is, this behavior goes against everything we learned about Morales’s character in the past books. It’s like he had a case of identity switch. And it’s only done so that Kate can’t trust him anymore and would be pushed away. Sorry, but that’s lazy writing. If you absolutely want Kate and Volos together, find an organic way to make that happen. Don’t bring down another character just for that.

I really hope that there is another book in this series coming out soon and it will explain some of the treads left hanging at the end of this one. Like who is the real leader of the Votaries? But more importantly, I hope we get better character development on everybody’s part. 

PS: Loved the guys with the pigeons though.

The Jasmine Throne (The Burning Kingdoms 1) by Tasha Suri

Stars: 3 out of 5

I have mixed feelings about this book. There are things that I absolutely loved, and there are aspects that left me cold or that I found rather underwhelming. However, nothing made me mad or made me hate the book, hence the middle of the road, perfectly serviceable 3 stars rating.

The world Tasha Suri created is fascinating and complex. I liked the different religions and customs. Some are truly monstrous though. The yaksa in particular are absolutely fascinating. What were they, really? Where did they go? Are they really gone for good or, as Pryia’s encounter in the deathless waters suggests, they still exist somewhere and are ready to come back. And what is that corruption that is killing crops and people and spreading to the rest of the kingdom? I definitely want to know more about that, because to me, it’s more interesting than the intrigues and politicking of men.

My biggest complaint is that this book is way too long. I understand that as the first book in a series it has the unthankful job of setting up the world and explaining the lore, but this exposition bogs down the story something bad, especially in the first almost half of the book. We spend so much time in the beginning setting up the characters and explaining their pasts, that it gets very boring. Nothing happens. Everyone just spins their wheels for half a book. I even considered DNFing this around 45%.

I’m glad I didn’t though, because the story finally picks up in the second half of the book and moves at a pretty good clip. Things start happening, battles are fought and lost (or won), and the story is set up nicely for the next book in the series. I can’t help but think that this book would have been so much better if the beginning moved slightly faster as well.

Another issue I have with this story is that out of the main protagonists, Malini seems the weakest. She spends about 60% of the story imprisoned, drugged, and basically helpless. Not an agent of her own story, but somebody that the events just happen to. A passive observer, so to say. Pryia, and Ashok, and everyone else are acting and reacting to what’s happening, making plans and fighting their own battles. And Malini… Malini sleeps in a drugged sleep or is having withdrawals from that drug later on.

The problem that causes is the credibility of the character. Rao seems to admire her a lot. We are told that she single-handedly orchestrated a coup against her brother the Emperor. We are told that she is cunning, educated, and very smart… Yet we see none of that until very late in the book. So instead of being a strong and capable person, Malini comes across as a damsel in distress. That is not a trope I particularly like.

She became a more interesting character later in the book when she was allowed to actually act and react, so I have hopes that she will get more page time and better character development in the next book.

As it stands, I am on the fence whether I want to pick up the next book in the series or not. I might give it a try to see if the pacing issues have been fixed, and if we learn more about the yaksa.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Empire of Shadows (Bhinian Empire 2) by Miriam Forster

Stars: 3 out of 5

It would be a mistake to call this book the second in this series, because it’s not a continuation of book one. More of a prequel, actually. But that’s not explained until the epilogue, so I experienced a sense of confusion when I started reading this. In book 1, we were following Nisha who was heading for the capital. This books stars with a completely different character, and there is no mention of Nisha until, yet again, the epilogue. So I spent a good while wondering how the two books were related instead of just enjoying the story for what it was. I think if that was mentioned upfront, my satisfaction with this book would have been better.

Now, as far as the story itself goes, it’s typical YA fare, but on the better side of the spectrum. At least we aren’t tortured with the dreaded love triangle in this one. My problem is that I found the supporting characters more interesting than the two protagonists. 

Let’s be honest, for someone who trained for four years to be a bodyguard, and who is a weretiger to boot, Mara really sucks at her job. I can’t remember even one instance when she successfully protected her charge in this book. The tiger to tiger confrontation at the end of the book doesn’t count, because the author was leading towards it almost since the beginning. When I look back at Mara’s actions in this book, all I can remember is her standing there in impotent rage when her charges are being endangered, or struggling with her tiger instincts and needing a rescue of her own. Honestly, she is more a damsel in distress in this book than a protector, and that’s frustrating. 

I liked Emil slightly better, and he gets progressively better as the book goes on, once he finally stands up to his father and realizes what is important to him.

I didn’t particularly like the instalove story between Mara and Emil either. They talked twice. He gave her a gift. Suddenly, they can’t stop thinking about each other, and he is the only person who can prevent her from turning when she is hurt. Yeah, nope, not for me.

The side characters are a lot more interesting than those two! I would have loved to see more of Rhivati and her grandmother. Especially, her grandmother! And the tea vendors! What an amazing concept! I would love to read a book about them and their unofficial “king”. As it stands, they are a woefully underutilized concept. Same goes for the Jade caste. 

As it stands, I found that the story resolution was a little bit too easy and convenient. With the bad people one-dimensionally villainous, and the good people one-dimensionally good and forgiving. And it seems like a lot got glossed over in the end as well. Emil and his brother actively participated in a plot to overthrow the Emperor, yet they were not judged or tried for it. The main conspirator fled the city, yet there is no mention of anyone looking for him and bringing him to justice. It almost feels like the Emperor didn’t care. “Ha-ha, my city got invaded and a lot of people died, oh, and I’m one heir short now, but no worries, life goes on.” This was honestly unfulfilling.

Also, I don’t agree with the ending. Having Rhivati conveniently die to release Mara from her oath so that she can go have a happy ever after with Emil is the worst copout I’ve seen in a while. Why even make her take that oath in the first place? I would have loved to see her struggle with her duties to Rhivati and her love for Emil, who can’t remain in the city without renouncing his people and his way of life. How would they have maintained their relationship against these odds? That would have been a book worth reading. 

PS: On the plus side, at least now we know who Nisha’s parents are.

Blue Haven by Lisa King

Stars: 3 out of 5

I have mixed feelings about this book. On one hand, I really liked the first 60% of it when Aloe is in Blue Haven and strange things are happening. On the other, I didn’t like the explanation that comes in the later part of the book. 

The first part in Blue Haven is very well written and slowly revs up the creep factor as the book progresses. We are never truly sure if strange things are happening, or if Aloe is having a mental breakdown. And that uncertainty adds to the general unease that slowly creeps on the reader. Yes, Aloe is clearly mentally unstable, but she is also right – something is wrong with Blue Haven. Because we all know that if something is too good to be true, it probably isn’t real.

The big reveal that comes once Aloe, or should I say Eloise, is pulled out of Blue Haven is expected and welcome, at first. Until you start thinking about it. That’s where this whole experiment starts to unravel. 

So we are using a neural net and augmented reality to make mentally ill patients happy. Interesting idea, but I don’t understand this one size fits all approach. Are you telling me that you are treating a clinically depressed person the same way as you treat a man with severe PTSD and physical disability, and the same way as a couple in the late stages of dementia? I’m not psychologist, but even to me the science of this doesn’t add up.

Also, when you are creating a utopia, you have to make it believable. No phones, TV or internet I can agree on, but what about other types of entertainment? What about concerts, movies, books, live performances? Are you telling me that the only things these people can do for fun is lounge on the beach and eat at fancy restaurants? Oh, and talk to each other? What about those who would rather accept the emotional support of a pet animal, like a cat or a dog, than try to socialize with other human beings?  I’m not sure about you, but I would be climbing up the proverbial wall after a week of this. This one size fits all approach doesn’t work, because happiness doesn’t mean the same thing to everyone. Some people would be perfectly content to spend their life laying on the beach. Others will need a lot more intellectual simulation to be truly happy. 

Also, the big reveal that this doesn’t work and only makes people worse isn’t really that shocking, because you can see early on that they had no protocol for how to pull people back out and integrate them back into society. How long do they stay in Blue Haven before they care considered cured? How do you reintegrate their real memories afterwards? Imagine the shock when you discover that instead of being a retired opera singer, you discover that you are an Applebee’s manager and your wife and daughters are still dead. Or that you get the memories back from your time in Iraq and the horrors that lead to your injury. 

No matter how I look at it, I don’t think there is a good solution to integrate these people back into society and keep them happy and cured. The only solution is to keep them in Blue Haven forever. And if that’s the case, this is not a treatment at all, even without the harmful effects of the neural net on the brain… I honestly don’t know who they received the funding to even start this experiment to begin with. Any serious backers would have asked the same questions I asked above, and wouldn’t have liked the answers.

So all in all, this was an exciting story for at least half of it length, but the explanation behind the scenes were rather lacking. Hence only 3 stars.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Rose/House by Arkady Martine

Stars: 3 out of 5.

This novella left me in a state of confusion once I finished reading it. It was well-written and quick, at only 124 pages, but I felt like I didn’t really understand what it was about. What was the point of this whole story? I still don’t know.

Sure, it raises some interesting topics, especially relevant today with the emergence of ChatGPT and other AI projects. What constitutes an intelligence? What constitutes a person, for that matter? At one point a human being ceases to represent just him/herself and becomes more of a function? What is the difference between Maritza as a detective, and her as China Lake Police Precinct? To us, those distinctions are bewildering and can even seem crazy, but for an artificial intelligence, those are perfectly normal questions to ask, to establish an equality of terms, so to say.

That’s enough to make your brain hurt just thinking about it, but imagine what can happen when an AI reclassifies you from human to something else? Then all the usual failsafes and barriers are gone, and who knows what that AI can do with or to you… chilling thought, actually.

Another interesting question raised is the one of free will – to which extent do we, as humans, have it? And how does that relate to AIs? Does Selene have free will? I would say no, because she is tied to this house and to the legacy of a man she grew to despise and ran away from all those years ago. Now, no matter what she does, she will always be seen as Basit Deniau’s  archivist, instead of a talented architect in her own right.

Same can be said of Rose/House. It will never be free of the name Basit Deniau’s AI. It is tied to that house, which is it’s body and its prison. But even then, it still wants to be unique, hense it’s murderous reaction to the idea that its code could be replicated somewhere else.

As I said, all those are really interesting questions, and I appreciated exploring them, but I think the story itself is rather incomplete. What was the point of doing the murder investigation when you can’t take the body out of the house, the officer that went there didn’t even bring a basic forensic kit and lacks the knowledge to perform a proper examination of the corpse? 

The events in that house are described in such a convoluted and confusing manner, that I am still not sure what really happened there. Why did Maritza run away as far as New Orleans afterwards? She experiences such dread in that house, but reading about it, I couldn’t understand why, to be honest. Yes, the conversations she’d had with the AI were strange, but they didn’t warrant such abject fear.

And the double memory of what happened to the corpse was very confusing as well. Was the AI hacked? Was there another person there? Did they mange to copy the source code? And if they did, was that what was on the memory stick? And if so, how did Selene get ahold of it? Also, what happened to Selene after Maritza fled the house, abandoning a civilian behind, I should mention? 

There are too many questions with no answers. So as a philosophical exploration of humanity and personhood, this is a good book. As a mystery, this fails on all accounts.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

London Falling (Shadow Police 1) by Paul Cornell

Stars: 3 out of 5.

As far as first books in a series go, this one wasn’t particularly impressive. In fact, it was almost a DNF until about 30% into the book. 

It is a very slow start, but it also starts with a story that doesn’t seemingly have anything to do with magic and the rest, so I kept wondering why we are following these two undercover cops who are trying to nick this drug lord. Yes, it is relevant to the case in the end, but it could have been summarized in a lot less chapters and gotten out of the way quickly before we get to the meat of the story. As it stands, it dragged way to long and almost made me DNF the book. It gets more interesting once the team gets the “Sight” and the story actually picks up, but getting there was a slog.

The biggest issue for me were the characters. At least two of them are really unlikeable from the moment we are introduced to them, even if they grow on you afterwards. But that’s not so much of an issue in itself. I read books with unlikeable characters before and loved them. My issue is that we don’t get to know them enough to get to care about them. Yes, we get Ross’s backstory, because it’s essential to the larger story. Yes, we get mentions of one of the UCs being mercilessly bullied when he was a child. Of Quill and the other UC, we know even less. Which means that to me they don’t exist as individuals, but just as coppers tied to this story that’s unfolding. Heck, a few times I didn’t even understand why they reacted the way they did. Maybe I am missing some important cultural background here and didn’t get some of the subtitle hints of social status in different descriptions, but some of their actions and reactions made me scratch my head.

Another problem is that the magic described has no apparent logic at the beginning, and makes only slightly more sense by the end of the book. So is this localized to London only or does each city have something similar? Does it mean that magic is linked to the past and human memory? That nothing new can be magical? Why does it require sacrifice? What are the rules of all of this? 

I mean, I am more than willing to believe in a magical system the author invented, but I want to understand it. And I expect the author to follow the rules of that system as well. Here, we have a lot of random magical occurrences in London that are unrelated to the case. And the main villain seems so overpowered… yet four mundane coppers (with the Sight, but no magic powers of their own), continuously thwart her efforts and manage to overpower her in the end. How? What is the logic behind this?

Coming back to the requirement of a sacrifice. Ross sacrificed the witch in order to beat her. So whom was that sacrifice dedicated to? The smiling man? Does she have a bargain with him now? What will the consequences be for the team? It’s unclear. 

All in all, it’s a very muddled book that lacks structure and drive, especially in the beginning. Though the glimpse of London it gives is interesting enough that I will probably check out the next book in the series, but I expect a few more answers, especially as to how this whole magical system works.