Tag Archives: 3 stars

The Jasmine Throne (The Burning Kingdoms 1) by Tasha Suri

Stars: 3 out of 5

I have mixed feelings about this book. There are things that I absolutely loved, and there are aspects that left me cold or that I found rather underwhelming. However, nothing made me mad or made me hate the book, hence the middle of the road, perfectly serviceable 3 stars rating.

The world Tasha Suri created is fascinating and complex. I liked the different religions and customs. Some are truly monstrous though. The yaksa in particular are absolutely fascinating. What were they, really? Where did they go? Are they really gone for good or, as Pryia’s encounter in the deathless waters suggests, they still exist somewhere and are ready to come back. And what is that corruption that is killing crops and people and spreading to the rest of the kingdom? I definitely want to know more about that, because to me, it’s more interesting than the intrigues and politicking of men.

My biggest complaint is that this book is way too long. I understand that as the first book in a series it has the unthankful job of setting up the world and explaining the lore, but this exposition bogs down the story something bad, especially in the first almost half of the book. We spend so much time in the beginning setting up the characters and explaining their pasts, that it gets very boring. Nothing happens. Everyone just spins their wheels for half a book. I even considered DNFing this around 45%.

I’m glad I didn’t though, because the story finally picks up in the second half of the book and moves at a pretty good clip. Things start happening, battles are fought and lost (or won), and the story is set up nicely for the next book in the series. I can’t help but think that this book would have been so much better if the beginning moved slightly faster as well.

Another issue I have with this story is that out of the main protagonists, Malini seems the weakest. She spends about 60% of the story imprisoned, drugged, and basically helpless. Not an agent of her own story, but somebody that the events just happen to. A passive observer, so to say. Pryia, and Ashok, and everyone else are acting and reacting to what’s happening, making plans and fighting their own battles. And Malini… Malini sleeps in a drugged sleep or is having withdrawals from that drug later on.

The problem that causes is the credibility of the character. Rao seems to admire her a lot. We are told that she single-handedly orchestrated a coup against her brother the Emperor. We are told that she is cunning, educated, and very smart… Yet we see none of that until very late in the book. So instead of being a strong and capable person, Malini comes across as a damsel in distress. That is not a trope I particularly like.

She became a more interesting character later in the book when she was allowed to actually act and react, so I have hopes that she will get more page time and better character development in the next book.

As it stands, I am on the fence whether I want to pick up the next book in the series or not. I might give it a try to see if the pacing issues have been fixed, and if we learn more about the yaksa.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Empire of Shadows (Bhinian Empire 2) by Miriam Forster

Stars: 3 out of 5

It would be a mistake to call this book the second in this series, because it’s not a continuation of book one. More of a prequel, actually. But that’s not explained until the epilogue, so I experienced a sense of confusion when I started reading this. In book 1, we were following Nisha who was heading for the capital. This books stars with a completely different character, and there is no mention of Nisha until, yet again, the epilogue. So I spent a good while wondering how the two books were related instead of just enjoying the story for what it was. I think if that was mentioned upfront, my satisfaction with this book would have been better.

Now, as far as the story itself goes, it’s typical YA fare, but on the better side of the spectrum. At least we aren’t tortured with the dreaded love triangle in this one. My problem is that I found the supporting characters more interesting than the two protagonists. 

Let’s be honest, for someone who trained for four years to be a bodyguard, and who is a weretiger to boot, Mara really sucks at her job. I can’t remember even one instance when she successfully protected her charge in this book. The tiger to tiger confrontation at the end of the book doesn’t count, because the author was leading towards it almost since the beginning. When I look back at Mara’s actions in this book, all I can remember is her standing there in impotent rage when her charges are being endangered, or struggling with her tiger instincts and needing a rescue of her own. Honestly, she is more a damsel in distress in this book than a protector, and that’s frustrating. 

I liked Emil slightly better, and he gets progressively better as the book goes on, once he finally stands up to his father and realizes what is important to him.

I didn’t particularly like the instalove story between Mara and Emil either. They talked twice. He gave her a gift. Suddenly, they can’t stop thinking about each other, and he is the only person who can prevent her from turning when she is hurt. Yeah, nope, not for me.

The side characters are a lot more interesting than those two! I would have loved to see more of Rhivati and her grandmother. Especially, her grandmother! And the tea vendors! What an amazing concept! I would love to read a book about them and their unofficial “king”. As it stands, they are a woefully underutilized concept. Same goes for the Jade caste. 

As it stands, I found that the story resolution was a little bit too easy and convenient. With the bad people one-dimensionally villainous, and the good people one-dimensionally good and forgiving. And it seems like a lot got glossed over in the end as well. Emil and his brother actively participated in a plot to overthrow the Emperor, yet they were not judged or tried for it. The main conspirator fled the city, yet there is no mention of anyone looking for him and bringing him to justice. It almost feels like the Emperor didn’t care. “Ha-ha, my city got invaded and a lot of people died, oh, and I’m one heir short now, but no worries, life goes on.” This was honestly unfulfilling.

Also, I don’t agree with the ending. Having Rhivati conveniently die to release Mara from her oath so that she can go have a happy ever after with Emil is the worst copout I’ve seen in a while. Why even make her take that oath in the first place? I would have loved to see her struggle with her duties to Rhivati and her love for Emil, who can’t remain in the city without renouncing his people and his way of life. How would they have maintained their relationship against these odds? That would have been a book worth reading. 

PS: On the plus side, at least now we know who Nisha’s parents are.

Blue Haven by Lisa King

Stars: 3 out of 5

I have mixed feelings about this book. On one hand, I really liked the first 60% of it when Aloe is in Blue Haven and strange things are happening. On the other, I didn’t like the explanation that comes in the later part of the book. 

The first part in Blue Haven is very well written and slowly revs up the creep factor as the book progresses. We are never truly sure if strange things are happening, or if Aloe is having a mental breakdown. And that uncertainty adds to the general unease that slowly creeps on the reader. Yes, Aloe is clearly mentally unstable, but she is also right – something is wrong with Blue Haven. Because we all know that if something is too good to be true, it probably isn’t real.

The big reveal that comes once Aloe, or should I say Eloise, is pulled out of Blue Haven is expected and welcome, at first. Until you start thinking about it. That’s where this whole experiment starts to unravel. 

So we are using a neural net and augmented reality to make mentally ill patients happy. Interesting idea, but I don’t understand this one size fits all approach. Are you telling me that you are treating a clinically depressed person the same way as you treat a man with severe PTSD and physical disability, and the same way as a couple in the late stages of dementia? I’m not psychologist, but even to me the science of this doesn’t add up.

Also, when you are creating a utopia, you have to make it believable. No phones, TV or internet I can agree on, but what about other types of entertainment? What about concerts, movies, books, live performances? Are you telling me that the only things these people can do for fun is lounge on the beach and eat at fancy restaurants? Oh, and talk to each other? What about those who would rather accept the emotional support of a pet animal, like a cat or a dog, than try to socialize with other human beings?  I’m not sure about you, but I would be climbing up the proverbial wall after a week of this. This one size fits all approach doesn’t work, because happiness doesn’t mean the same thing to everyone. Some people would be perfectly content to spend their life laying on the beach. Others will need a lot more intellectual simulation to be truly happy. 

Also, the big reveal that this doesn’t work and only makes people worse isn’t really that shocking, because you can see early on that they had no protocol for how to pull people back out and integrate them back into society. How long do they stay in Blue Haven before they care considered cured? How do you reintegrate their real memories afterwards? Imagine the shock when you discover that instead of being a retired opera singer, you discover that you are an Applebee’s manager and your wife and daughters are still dead. Or that you get the memories back from your time in Iraq and the horrors that lead to your injury. 

No matter how I look at it, I don’t think there is a good solution to integrate these people back into society and keep them happy and cured. The only solution is to keep them in Blue Haven forever. And if that’s the case, this is not a treatment at all, even without the harmful effects of the neural net on the brain… I honestly don’t know who they received the funding to even start this experiment to begin with. Any serious backers would have asked the same questions I asked above, and wouldn’t have liked the answers.

So all in all, this was an exciting story for at least half of it length, but the explanation behind the scenes were rather lacking. Hence only 3 stars.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Rose/House by Arkady Martine

Stars: 3 out of 5.

This novella left me in a state of confusion once I finished reading it. It was well-written and quick, at only 124 pages, but I felt like I didn’t really understand what it was about. What was the point of this whole story? I still don’t know.

Sure, it raises some interesting topics, especially relevant today with the emergence of ChatGPT and other AI projects. What constitutes an intelligence? What constitutes a person, for that matter? At one point a human being ceases to represent just him/herself and becomes more of a function? What is the difference between Maritza as a detective, and her as China Lake Police Precinct? To us, those distinctions are bewildering and can even seem crazy, but for an artificial intelligence, those are perfectly normal questions to ask, to establish an equality of terms, so to say.

That’s enough to make your brain hurt just thinking about it, but imagine what can happen when an AI reclassifies you from human to something else? Then all the usual failsafes and barriers are gone, and who knows what that AI can do with or to you… chilling thought, actually.

Another interesting question raised is the one of free will – to which extent do we, as humans, have it? And how does that relate to AIs? Does Selene have free will? I would say no, because she is tied to this house and to the legacy of a man she grew to despise and ran away from all those years ago. Now, no matter what she does, she will always be seen as Basit Deniau’s  archivist, instead of a talented architect in her own right.

Same can be said of Rose/House. It will never be free of the name Basit Deniau’s AI. It is tied to that house, which is it’s body and its prison. But even then, it still wants to be unique, hense it’s murderous reaction to the idea that its code could be replicated somewhere else.

As I said, all those are really interesting questions, and I appreciated exploring them, but I think the story itself is rather incomplete. What was the point of doing the murder investigation when you can’t take the body out of the house, the officer that went there didn’t even bring a basic forensic kit and lacks the knowledge to perform a proper examination of the corpse? 

The events in that house are described in such a convoluted and confusing manner, that I am still not sure what really happened there. Why did Maritza run away as far as New Orleans afterwards? She experiences such dread in that house, but reading about it, I couldn’t understand why, to be honest. Yes, the conversations she’d had with the AI were strange, but they didn’t warrant such abject fear.

And the double memory of what happened to the corpse was very confusing as well. Was the AI hacked? Was there another person there? Did they mange to copy the source code? And if they did, was that what was on the memory stick? And if so, how did Selene get ahold of it? Also, what happened to Selene after Maritza fled the house, abandoning a civilian behind, I should mention? 

There are too many questions with no answers. So as a philosophical exploration of humanity and personhood, this is a good book. As a mystery, this fails on all accounts.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

London Falling (Shadow Police 1) by Paul Cornell

Stars: 3 out of 5.

As far as first books in a series go, this one wasn’t particularly impressive. In fact, it was almost a DNF until about 30% into the book. 

It is a very slow start, but it also starts with a story that doesn’t seemingly have anything to do with magic and the rest, so I kept wondering why we are following these two undercover cops who are trying to nick this drug lord. Yes, it is relevant to the case in the end, but it could have been summarized in a lot less chapters and gotten out of the way quickly before we get to the meat of the story. As it stands, it dragged way to long and almost made me DNF the book. It gets more interesting once the team gets the “Sight” and the story actually picks up, but getting there was a slog.

The biggest issue for me were the characters. At least two of them are really unlikeable from the moment we are introduced to them, even if they grow on you afterwards. But that’s not so much of an issue in itself. I read books with unlikeable characters before and loved them. My issue is that we don’t get to know them enough to get to care about them. Yes, we get Ross’s backstory, because it’s essential to the larger story. Yes, we get mentions of one of the UCs being mercilessly bullied when he was a child. Of Quill and the other UC, we know even less. Which means that to me they don’t exist as individuals, but just as coppers tied to this story that’s unfolding. Heck, a few times I didn’t even understand why they reacted the way they did. Maybe I am missing some important cultural background here and didn’t get some of the subtitle hints of social status in different descriptions, but some of their actions and reactions made me scratch my head.

Another problem is that the magic described has no apparent logic at the beginning, and makes only slightly more sense by the end of the book. So is this localized to London only or does each city have something similar? Does it mean that magic is linked to the past and human memory? That nothing new can be magical? Why does it require sacrifice? What are the rules of all of this? 

I mean, I am more than willing to believe in a magical system the author invented, but I want to understand it. And I expect the author to follow the rules of that system as well. Here, we have a lot of random magical occurrences in London that are unrelated to the case. And the main villain seems so overpowered… yet four mundane coppers (with the Sight, but no magic powers of their own), continuously thwart her efforts and manage to overpower her in the end. How? What is the logic behind this?

Coming back to the requirement of a sacrifice. Ross sacrificed the witch in order to beat her. So whom was that sacrifice dedicated to? The smiling man? Does she have a bargain with him now? What will the consequences be for the team? It’s unclear. 

All in all, it’s a very muddled book that lacks structure and drive, especially in the beginning. Though the glimpse of London it gives is interesting enough that I will probably check out the next book in the series, but I expect a few more answers, especially as to how this whole magical system works.

Neom by Lavie Tidhar

Stars: 3 out of 5

I’m not sure how I feel about this book. The prose is beautiful, and some of the themes are sufficiently nostalgic to be interesting. It also feels heartfelt. In a way, it reminds me of a mosaic. Each individual piece is like a gem, beautiful and shiny on its own. But when you try to put all those gems together to form a picture, you realize that they don’t quite fit, that the author was more interested in those individual gems than in telling a coherent story.

There are too many points of view, and even though some of those characters are interesting in their own right, we don’t spend enough time with them to really get to know them. We just hop to another shiny gem, then another. Which makes these encounters only surface deep. We simply don’t get to know these characters well enough to care what happens to them, not that any of them ever were in serious danger to start with.

And that’s my second complaint about this story – there are no stakes, there is no tension, there is no danger. At no point in the narration did I have the impression that the characters were dealing with a life and death situation, or something life-altering, or heck, even important. We have all these weapons, and robots, and echoes from past wars all over the place, but the story lacks teeth. Even the climax of the story, when the golden man is awake and all those weapons are headed for the city, is written in such a way that there is no tension to it… Probably because you can’t really care for characters you aren’t invested in.

Seriously, what was the point of this book? To proselytize about the human condition and what makes us an individual versus a machine? Other books have done this better and kept the tension going. To reflect on the consequences of war and the emotional toll it has on all participants? Again, there are better books about that as well. I would suggest reading Look to Windward by Ian Banks, for example. 

The worldbuilding is interesting, with hints and past wars and events that I would have loved to explore more. Humanity has pretty much colonized the whole solar system, as well as the deep oceans on Earth… yet the desert and the city of Neom feels very 21st century Dubai. Are you telling me that hundreds of years into the future, when we terraformed Mars and the Moon, we still haven’t figured out how to restore our own ecosystem? 

Another issue is that the characters don’t seem to “live in” the advanced word that is described to us. It’s more like they have been dropped into it without being fully integrated. They act and behave like people from our century, instead of humans who have augments and implants and all the advanced technologies. In fact, there is very little of those technologies shown in day to day life.

So this leaves me with a conundrum – I enjoyed the writing, but the story is utterly forgettable. In fact, I can’t even name any of the characters now that I’ve finished it. 

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Beholden by Cassandra Rose Clarke

Stars: 3 out of 5

It is sad when you say something like “It was okay,” when you try to describe a book. Unfortunately, this is exactly what this book was. Just okay. The story was okay and moved swiftly enough to keep me interested. The characters were okay, though I question the need for some of them. The worldbuilding was… lacking, honestly. 

There are some aspects that I liked about this book. The relationship between the two sisters being one of them. It felt very real. It wasn’t saccharine sweet. They bickered, they resented each other, they didn’t see eye to eye on some things. But they always cared about each other, even when mad and fighting. 

The sisters were also pretty fleshed out as characters, with distinct motivations and character flaws, so it was easy to empathize and root for them. Though Celestia’s stubborn belief that Lindon would help them and do as she asks “because he is her husband” became a little bit grating overtime. Especially after their first encounter when he proved that no, he wouldn’t do as she asked or even listen to her.

Unfortunately, I cannot say the same about Ico. Honestly, I’m still not sure what purpose he played in this book. He had no motivation for going on this quest (apart from being forced into it for no fault of his own), and he is never a driving force in this story. He is more of a complaining sidekick that the sisters drag along. We could have cut his character out of the book completely and not lost any of the story. The sisters could have hired the help of a nameless boat captain or guide and he would have fulfilled the same role.

I loved the jungle and the valley of the Seraphine river. It is so well described that I could feel the humid heat and smell the sweet and rotting stench of the river. I was less entranced with the other locations in this book, because we spent a lot less time in them, and most of the time spent was indoors, so I couldn’t really picture them in my head.

And speaking of locations, some of them were completely unnecessary. For example, what was the point of the whole visit to the Emperor’s palace? It didn’t move the plot whatsoever. They learned nothing new there. It was just a detour before continuing the story. And it felt shoe-horned into the story as an afterthought.

Finally, I’m still not sure how the magic of this world works, and it’s never really explained. So we have aetheric magic, and the magic of each Airiana is different, but then also you have the Starless mages, and oh wait, the magic in the city of Bloodwine is also different, and there is alchemy… It’s a confusing mess. Don’t get me wrong. I’m more then happy to believe in a complex magical system, if I understand the rules. Here, the author doesn’t even bother explaining them, so that’s frustrating.

Also, I’m not sure I am onboard with the ending. Are we forgetting that the Emperor of the Seraphine had forbidden them to go after Decay? That he kept them as hostages in his palace to prevent them from doing that? That they basically committed treason? And killed a few of his guards escaping the palace? Yet Celestia returns to Cross Winds, like nothing happened. Is she not afraid that Starless Mages will come for her in the night? For her son? The Lady of the Seraphine even told her that those are human affairs that don’t concern her. Yet Celestia seems to continue her life, like nothing happened. 

I am also not particularly sure how I feel about the romance between Celestia and Omaira (spelling). It felt completely unnatural to the story. Probably because it wasn’t woven organically into the story to begin with. Celestia was so focused on finding Decay and preventing her husband from dying that any hint of romance simply wasn’t there (or I missed it). So it was shocking to me to see them so sweet on each other days after her husband died. This as not needed. They could just have been really good friends brought together by pain and loss and the hard times they experienced together. Whatever grew out of that friendship could have been a story for another book.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Equinox by David Towsey

Stars: 3 out of 5

There is a fascinating premise in this book. What if all humans have two souls inhabiting one body? One has the reigns during the day, the other one during the night? And those are completely different people. They have different names and personalities. They want different things in life. They have different professions. Heck, most of them are even married to different people either night or day. Or married at night but single during the day. Or the night-brother had committed a crime and stays in prison during the night, but their day-brother is released to live their life every morning because it’s not fair to punish both souls for the mistakes of just one. 

Some people are lucky enough to live harmoniously with their night or day sibling. Some even hold the same profession on both sides of the ettienne. Others are not so lucky. In fact, it seems like a horrible way to live, if you think about it. You wake up every morning/night next to a stranger that your day/night sibling is married to. How awkward is that? It also seems like one sibling will be more dominant over the other.

Like in the case of our protagonist. The night brother is a special inspector, so his job takes precedence over his day brother who is a musician. When the inspector has to leave town on an investigation, the day brother has no choice but to follow, no matter how inconvenient that is for his professional and personal life. 

I would have loved to explore this fascinating world a bit more. Like what happens to the children of those married couples? If the night sister is the mother of the children, but the day sister is unmarried and leads a completely different life, who takes care of the children during the day? Especially when they are babies? Does the day sister have a choice in the matter or is she forced to care for them no matter what? Wouldn’t that create resentment between the siblings? Wouldn’t the children suffer because of that?

The mystery itself is rather complex and progresses at a very leisury pace. In fact almost half the book is setup, and even though the story picks up in the second half, it can still be a slog. There are also some leaps of logic that I found hard to follow. And some plot holes that were rather glaring. Like we are expressly told that the father packed up his family and left town after his wife was arrested. Yet, both the oldest and the youngest children are conveniently present to be sacrificed for the ritual. How did that happen? Also, where is the middle sister and the father? Also, this horrible murder of children isn’t even mentioned or addressed in any way afterwards. And the mother doesn’t express a single ounce of grief or regret over it. And that is the night-sister that gave birth and raised those children. 

All in all, it was interesting mostly for the unique concept and worldbuilding, but I wasn’t totally onboard for the story itself. And while I liked both Christophor and Alexander, I wasn’t as thrilled with the other characters in this book. And I would have loved a few more answers to the day-to-day conundrum that having two souls in one body represents, because from where I stand, this is the definition of hell.

PS: I received a free copy via NetGalley in exchange for an honest review.

Grimspace (Sirantha Jax 1) by Ann Aguirre

Stars: 3 out of 5

This was a decent first book in a new series that kept me interested enough to read it in a couple days. I hadn’t realized that it was also a romance however, so that skewed my perception a little, because the older I get, the more cynical I get and the less tolerance for romantic tropes I have.

Our protagonist is likeable enough, and I truly feel for her. The trauma she went through, not to mention mental and psychological torture, as no joke. No wonder she is a hot mess for most of this book, unsure of what really happened on her last flight, wracked with guilt because everyone died and she survived. In fact, I would have loved for the author to explore this aspect a bit more in the book. As it is, the other characters kind of shrug it off. Yes, it’s horrible, now get over it and take us places. That was rather irritating.

Speaking of other characters, none of the other members of the Folly’s crew are developed sufficiently for me to care about them. In fact, they feel more like placeholders than real people. The butch mechanic with a foul mouth but secretly a heart of gold. The pacifist doctor who cares more about his experiments than people. The strange alien boy that suddenly imprints on our protagonist, etc. 

In fact, that last character was woefully underutilized. There could have been such a good story there. We could have explored their relationship, and how Jax would have had to cope with having someone dependent on her for his survival. As it stands, this storyline is downplayed, and the character is promptly disposed of, so we don’t get to witness character growth for either of them.

That was my other issue with this book. There are a lot of plotlines that were introduced… and them simply dropped after a few pages without rhyme or reason. Like the whole story with Baby-Z. Again, this was a storyline that was woefully underutilized. It could have served as a bridge of sorts between Marsh and Jax, having them care about an alien baby they inadvertently hatched. It would have made their developing relationship more organic. Instead – baby is gone and forgotten a few chapters later.

You could argue that those sudden deaths are there to reinforce Jax’s belief that she is toxic and that she destroys everything and everyone she touches, but that is the simple way out. 

That’s the biggest problem for me – this book seems to always take the path of least resistance when it comes to resolving its storylines, whether it’s the relationship between Jax and Marsh, or her guilt about the crash and death of her previous pilot and lover, or the situation with baby-Z. 

And let’s not even mention the ending of this book, because it’s laughable in its simplicity and wishful thinking. I’m sorry, but a megacorporation won’t fall apart just because of an unsubstantiated broadcast. Not when it has a monopoly on fast space travel. Yes, it’s a giant PR blunder, but that’s what the Corp has a PR Department for. Oh, and call me a cynic, but Jax and her friends wouldn’t have walked out of that building alive, or if they did, they wouldn’t have remained so for long.

All in all though, this book interested me enough to check out the rest of the series, mostly because the glimpses I got of the world are interesting and I want to learn more about Grimspace and why certain people can navigate it. And I also managed to cross another book off my TBR list.

A Matter of Death and Life (Gideon Sable 2) by Simon R Green

Stars: 3 out of 5

You have to put a specific lens to enjoy this series. If you are looking for an intricate story with life and death situations and complex characters, this is probably not a book for you. But if you are looking for a quick and fun romp through a seemingly impossible heist, then by all means, come right in. 

I like the world this author created. It’s full of weird and unusual things, places, and people. Just take the Moonlight Express, for example, what a wonderful concept. And all the weird and terrible characters we encounter in these books are simply fascinating. Some of them are even more interesting than the main crew doing the heist.

And hence lies my issue with this book. The main crew is… okay, I guess, but they don’t really evolve much compared to the first book, with the exception of Lex. Annie is still anybody but herself, Johnny is still on tedious terms with reality, and Gideon… well, Gideon always has a plan. Problem is, we don’t learn much more about who Gideon is, or, more importantly, who he was before he stole that identity. There is  mention of the fact that he used to run with Switch it Sally before, and that the big bad in this book had two of his friends killed. But that’s it, we don’t get more details. We don’t get any more insight into this character other than he has a few tricks in his pockets and always has a plan.

I would have loved to learn a bit more about him as the series progresses, but as it stands, he is the character that has the least personality in this crew. I see the mask he’d donned, but I don’t see the real person behind it, which is disappointing.

The pacing is also a bit off in this book, even though it moves rather quickly. What I mean by that is that we spend too much time assembling the team. I mean we don’t get to Las Vegas and start the con until almost 70% into the book, so this whole portion feels very rushed. It’s a whirlwind of action that introduces all the villains, sets up the stakes, executes the con, etc. There is never a real sense of danger or realization that the stakes are high. Plus, Gideon always has a plan.

In fact, this book follows exactly the same blueprint as the first book did, but it worked in the first book because we were being introduced to all the characters for the first time. Here however, we already know them, so there was really no need to putter around for over half the book. I would have been more happy if they had gotten to Vegas earlier and infiltrated the casino gradually.

But all in all, this was a quick and fun read. A good palate cleanser between longer books that have more substance to them. So I think I will check out the next book in the series as well.

PS: I received a free copy of this book via NetGalley in exchange for an honest review.