Category Archives: Fantasy

Lost and Found by Orson Scott Card

Stars: 2 out of 5.

Sometimes even authors we like disappoint us. Ender’s Game is still close to the top of my list of favorite scifi books. I re-read it several times since I discovered it in my tender teens and had my mind blown away. So to say that I was excited to get my hands on this new book by Orson Scott Card is an understatement. I couldn’t wait to read it! I dove into it as soon as I got it! And… I don’t know… I guess I am not the right audience for his YA books.

I mean the story itself had potential. Kids with micropowers and being ostracized because of them? Excellent. A support group that lets them explore those powers and find useful applications for them or at least to come to terms with having them? Very good. A commentary on friendship and the concept of found family? I’m along for the ride. Add to it a missing person case and cooperation with the police, and this sounded like the perfect book.

Unfortunately, even though these sounded like great individual elements, the mixture turned out to be rather underwhelming. Even though the book is very well written and easy to read, I had several problems with the story.

First of all, the incessant banter between the characters. For a solitary kid, Ezekiel sure talks a lot. While some of it was fun and relevant to the story, but most of it is just that… banter that has nothing to do with the story itself and just fills page after page with words. I think the author wanted to show us how his protagonist thinks and feels by making him talk about irrelevant stuff, but to me it was mostly a snooze fest. I found myself skipping pages upon pages of dialogues that could have been cut without loosing any story at all.

My second problem is with Ezekiel himself. Some of his actions, especially towards the end of the book, make no sense. He is almost 17, not 12. He is painted to be a thoughtful and smart kid… yet he chooses to ditch a cop, who is armed and trained to take down criminals, and go rescue his friend with his dad instead who is… a butcher and doesn’t even own a gun. And that after he HEARD at least 2 criminals being at the place his friend is held at. Two unarmed civilians against criminals who are known to torture and kill their victims. Right. What can go wrong?

And deriving from that second frustration is my next one – there are no consequences to this stupidest move of the century. This whole rescue and taking down of the villains goes way too easily and bloodlessly. The resolution isn’t on par with the stakes. At no point during the book did I feel a real sense of danger or worry for the characters. I understand that this is YA, but the author describes serious crimes here: sex trafficking, kidnapping, murder, etc. Yet the language is so sanitized that it doesn’t grip you. The incessant dialogues about nothing inter-spaced in the story might also be at fault.

Finally, I found that apart from Ezekiel, his dad, and his friend, none of the other characters were particularly developed. The micropower support group kids had no personality beyond their individual powers. Heck, I can’t even remember their names. The cop was… a cop who really wanted to save that little girl and was willing to use unconventional methods to do it. Other than that, he is a blank page. And the school counselor? Why was she even in the story to begin with?

So in the end, this book was a disappointment. The brew didn’t turn out quite like I had expected. Maybe because of the addition of too many different ingredients. I think I might go re-read Ender’s Game.

PS: I received and advanced copy from Netgalley in exchange for an honest review.

The Ten thousand doors of january by Alix E. Harrow

Stars: 3.5 rounded up.

January is an in-between kind of girl. Born to a black father and a probably white mother in the early 1900s, raised by a wealthy patron in huge house full of treasures and wonders pilfered from around the world by her father. Her status is in-between also – not quite a pupil, not quite a servant, maybe a rare find too alive to go into a display case? Until she finds a leather-bound book and opens a door that leads into a different world…

This book is about discovering your own worth and coming into your own strength. It’s about realizing that if you spend your life cutting vital parts of yourself just to fit in to a rigid mold that somebody else created for you, you might look like a perfect little girl on the outside, but you will feel empty and miserable inside.

January tried very hard to be what Mr. Locke expected her to be – silent, almost invisible, perfectly well behaved. A breathing, living doll. What else was she supposed to do when her father was never there to tell her otherwise and when her whole world depended on the good graces of that distant and almighty man who took her and her father in when she was just an infant? But all this time she had felt lonely, empty, miserable, like half of her has been cut off and shut in one of the glass cabinets filling the Locke House.

So when she picks up the silver knife and writes letters into her own flesh, she doesn’t only open a door to a different reality – she also throws open the door to her own cell, the one Mr. Locke had been building around her since her childhood. By stepping through the threshold between worlds, she sets herself free to be what she wants to be – wild and free, and fearless, a wanderer of worlds.

This book is also about our perception of ourselves and the world around us, and about how often things are not what they seem to be. Monsters can hide behind perfectly benign masks. A meek half-blooded girl can turn into a fierce untamed spirit that will blow open all kinds of doors.

I liked this story a lot, but I felt like the beginning dragged. I understand that we needed to immerse ourselves in the oppressive structure of January’s early existence in Locke House, but I feel that this part could have been condensed without loosing much of the effect. She could have found that book earlier. She could have read it over a longer period of time. That way we wouldn’t have had chapter after chapter of seemingly unrelated story wedged into the part of January’s narrative that had just started picking up speed, suspense and tension. It really kills the flow of the book and was a source of frustration for me.

Once the issue of the book is finally over and we don’t get the endless interruptions in the narrative flow, the story picks up speed and becomes much more interesting. There is suspense, there are high stakes and satisfying conclusions. The ending was maybe too neatly wrapped up in a little pink bow for my taste, but I am a cynic at heart, so don’t mind me.

My other complaint about this book is that the only really fleshed-out characters are January, her parents, and her dog Bad (short for Sinbad), and the parents aren’t even present for 90% of the story. All other characters are walking labels put there to advance the story. The mysterious, maybe good, maybe bad Mr. Locke, who serves as a father figure for January in her real father’s continued absence. There is the inevitable love interest, and the mysterious lady protector/friend that was sent by her real father… They never develop personalities outside of those stereotypes. That’s probably why I was more upset when the bad people hurt Bad then when they threatened to hurt January’s love interest (heck, after finishing the book, I can’t even remember his name).

But despite those two gripes, this was a rather enjoyable book. I liked the world, I loved the fact that unlike a lot of urban fantasies now, it’s set in the past century, not in our modern times. I liked the story of one in-between girl deciding to forge her own path and create her own destiny instead of conforming to the image everyone else had of her.

PS. I received an advanced copy of this book from NetGalley in exchange for an honest review.

A pilgrimage of swords by Anthony ryan

Stars: 3 out of 5.

This was an okay novella. From what I understood, it serves as a prequel or introduction to a new series, and as such, it did a good job introducing the main character, Pilgrim, as well as giving us a tantalizing glimpse into the world he inhabits.

Unfortunately, the story fell rather short for me. We follow the journey of several characters who are thrown together because all of them chose to undertake a pilgrimage into the domain of a mad god, in the hope that he will grant their most sacred wish. As such, they should all have their own stories, right? Something that pushed them to this act of desperation. And desperation it is, because nobody ever returned from the realm of the Mad God…

Yet, we don’t really SEE those characters, because because they don’t have personalities of their own. They are cutouts with labels put on top of them – the terminally sick woman and her grieve-stricken husband, the fierce huntress searching for a lost loved one, etc. It doesn’t help that we follow this journey through the Pilgrim’s eyes and his voice is just as bland as the description of the other characters. Seriously, the only character with any grain of personality in this book is the cursed sword. He is a homicidal demon, but at least he has some nuances.

As such, it’s hard to empathize with the characters, and if some of them die gruesome deaths, I just shrugged and read along. I think the only character I felt any empathy for was Priest, but mostly because I never learned what his purpose for this pilgrimage was. What was he going to ask of his god? Why had he volunteered to lead this doomed group?

My other problem was that I couldn’t figure out Pilgrim’s motivation either. For seeing this story entirely from his POV, we get no insight into his inner thoughts. Apart from the banter with his cursed sword, there is nothing. He is painted as this ruthless killer, a scourge upon the world, but his actions go against that picture. Also, his reaction when discovering Book’s true identity in the later part of the story goes against his whole character, especially when we learn in the last page of this story that he dedicated his life to destroying that particular church and its adepts.

I liked the little I saw of the worldbuilding and the hints at other cultures and religions inhabiting it, but I’m not sure I liked that enough to follow Pilgrim for a whole book or a whole series.

PS. I received and advanced copy of this book from Netgalley in exchange for an honest review.

cinders on the wind by louis emery (The tapestry of retha 1)

Stars: 2.5 out of 5

I made it halfway through the book before I decided that enough was enough. Unfortunately, I am DNFing this one. I’m sure there is a good story somewhere in there, but even after reading half the book, I’m still waiting for it to grip me. The author would have benefited from a good content editor, because this book suffers from a lot of pitfalls rookie authors encounter:

1. Infodumps. We got literally the whole geopolitical introduction to the world in the first few pages. Problem with that? My eyes glazed over after a few paragraphs. I didn’t know those countries or kings or events, so I didn’t know to CARE about remembering them. So when they are mentioned again a few chapters later, I’m lost. I already forgot who was fighting with whom and why.

2. Endless flashbacks. Every time a character is introduced, we get a 4-6 pages flashback that explains their story, their motivation and what brought them to the moment in time we are reading about. EVERY SINGLE TIME!!! We are in the middle of an action scene, there is a build up in tension, then bham! new character… and a snooze-fest of a flashback. Yes, let’s kill the pace of an already very slow moving story even more.

3. Lots of tell, not enough show. You might have inferred that from the infodumps and flashbacks, but the author doesn’t know how to show very well. Or thinks that the reader isn’t intelligent enough to understand the character’s reactions and actions unless it’s fully explained to them. Trust me, the reader is smarter than you think, and being spoon fed the information is very annoying. 

4. The blurb is misleading. That young Seer mentioned in the blurb? Haven’t heard or seen her after the first 3 chapters or so. The Kingsguard that is supposed to protect her on her journey? He is off to a neighboring kingdom waging war for his king. There is no mention of that journey and I am halfway through the book. Instead we have 4 characters stuck in different locations doing seemingly unconnected things. There is talk of a rebellion, but who is rebelling, and who is attacking whom is cryptic to me. Probably because my brain switched off during the 6 page infodump in chapter one.

5. I don’t think the author has a very clear idea about his own mythology and divine system. He mentions that the main divinity is the Dragonmother and that there are a bunch of minor gods. The kingdom where most of the action takes place worships the Dragonmother… yet their elite soldiers are called God’s Burden? Yes, with a capital G…

So after wading through half the book and battling with the above mentioned irritating details, I am throwing the towel. This is not for me.

PS. I received an ARC from Netgalley in exchange for a honest review. Sorry, it had to be negative

American Elsewhere by Robert Jackson Bennett

Stars: 4 out of 5.

 

Mona’s life has been a mess ever since a car accident took her unborn baby from her. Since then, she’s been drifting town to town, shitty job to shitty job, with no idea what to do with herself. Until she goes to her father’s funeral and discovers that her mother, who killed herself when Mona was seven years old, had owned a house in a little New Mexico town called Wink. At first glance, Wink seems like a perfect little American town where everybody is happy and friendly, and time stopped somewhere in the 1970s. Only nobody ever leaves, and walking outside at night is strongly discouraged…

 

This is a difficult review to write because a huge part of what makes the book excellent is the mystery behind the town and the identity of some of its inhabitants. So I can’t dwell on the story too much as to not reveal any spoilers. Let me just say that the idea is original and the execution is very well done. For more details, get the book and read it for yourselves. You won’t regret it, I promise.

 

So since I cannot talk about the story, let me talk about Mona Bright. I love me a strong independent heroine and I’m happy to say that Mona is one.

Yes, She had an unhappy childhood with a harsh and distant father and a mentally unstable mother, so human interaction doesn’t come easy for her. She chose to be a cop because her life until then was more about weapons and hunting with her father than about dolls and socializing with other people her age. She isn’t good at that, at socializing. But she is very good at shooting things and making split second decisions under pressure. She tried to create something she never had – a happy family with a husband who loved her and a little girl she wanted to love and cherish like her mother never cherished her. Only that dream was cut short by a drunk driver running a red light.

 

By the time she learns about the property her mother owned in Wink, Mona really has nothing to lose, so it’s easy for her to pack all her possessions into the trunk of her car and drive to the middle of nowhere to a town that doesn’t show on any maps except a few local ones, and all that in the hope that this house and this town would give her a glimpse into her mother’s past. All she wants is to see that time when her mother was a happy, accomplished scientist, not a broken ruin scared of her own shadow.

 

My description might have made you think that Mona is all doom and gloom and maybe not someone you would want to follow for 300 pages, but you would be wrong. Yes, Mona is not exactly the soul of a party and she tends to lean on the pessimistic side, but she never lies to herself. And she doesn’t bend. When threatened or attacked, she gives as much as she gets.

 

And when what she finds in Wink leaves her with more questions than answers, she doesn’t hesitate to dig deeper, even if what she uncovers suggests things that should be impossible. In fact, I would argue that Mona is the only person who could have done what needed to be done in Wink because she was the only one willing not to play by the rules…

 

I loved this book. It was fast-paced and interesting and never predictable. And I’m glad that the author chose to leave it as a standalone. The story is done. What happens to Mona after Wink is entirely up to her, and just like the ending suggests, the possibilities are endless.

 

So why did I give this book 4 stars instead of 5? Two things. First, the fact that the author chose to tell this story in third person present tense threw me off at the beginning and made it harder to get into the story. I got used to it eventually, but this stylistic choice can be a turn off for some readers. Second, I found some of the POVs rather useless to the story. A character would hijack the story for a small section to never reappear again until the grand finale.

 

But overall, I would strongly suggest this book to all my friends and readers who love a good science fiction mystery or urban fantasy, because this can kinda sorta be considered both and neither. Just get the book and find out for yourselves.

Graveyard Shift by Michael F Haspil.

Stars: 5 out of 5

Alex and Marcus are detectives at the Nocturne Squad in modern day Miami.  Except in this Miami, vampires live in the open and are considered as much citizens of the United States as humans are, obeying the same laws and enjoying the same rights. Oh and “vampire” is not a politically correct word. They are called nocturnes, and the Nocturne Squad is in charge of investigating all crimes perpetrated by and against nocturnes.

Oh I forgot to mention that Marcus is a few thousand years old vampire who knew Julius Ceasar, and Alex is even older than that. He is the mummy of pharaoh Menkaure, cursed to walk this world until the end of times…

I have been spoiled with excellent first books in new series lately and Graveyard Shift is no exception. I love the world; I love the main characters. I really have nothing to complain about.

So the worldbuiding. After the discovery and mass production Hemo-Synth, an artificial blood substitute, the vampires revealed their existence to the general public. And thanks to a successful PR campaign, they even persuaded said general public that they weren’t a danger to anyone and that human and vampires could coexist peacefully.

I like how much thought the author put into this idea. If vampires are regular citizens now, they also need regular jobs and places to live, places to go to relax and have fun, places to buy their artificial blood at. So there is a huge economical shift worldwide – the world literally never sleeps. Everything is open 24/7. Humans work during the day, and vampires do the same jobs at night. Even the smallest bodegas and grocery shops carry Hemo-Synth blood on their shelves.

And there is a bigger legislative shift as well. What was considered a monster and a creature of legend before is now a citizen of the United States. Staking a nocturne through the heart and cutting their head off will land you behind bars for premeditated murder just as easily as shooting a regular guy through the head. Now there are laws and procedures in place to deal with the paranormal citizens. Which calls for nocturne cops, or the Nocturne Squad.

Alex and Marcus are a few thousand years old each, and it shows in their generally pessimistic outlook on life and the world in general. But where Marcus tends to be mostly broody, Alex exhibits a pronounced lack of interest for anything. Alex, or Mankaure, has pretty much grown tired of petty human squabbles that never change, no matter how many millennia pass him by. He does his job not because he likes it or needs the money, but because the shadow powers that stand behind the government  said so. And since those powers have a certain set of canopic jars in their possession that Alex might possibly not be able to exist without, he has no choice but to comply. It is implies that they hold something against Marcus as well but what that is Alex never asked his partner.

There is also no love lost between the two. Alex thinks (for good reason) that all vampires are predators and ruthless killers, no matter the tamed and friendly picture the media are painting of them. A wolf in sheep’s skin is still a wolf. And Marcus… well Marcus is an Ancient who thrives in secrets within secrets, and who lives for intrigue and conspiracies. And also doesn’t care about anybody but himself.

And at the same time, those two have a grudging respect for one another and sufficient trust that their partner will have their back in a bad situation. After all, they had been partners for the better half of a century: first as part of a secret organization called UMBRA in charge of eliminating the vampires, and that killing them is frowned upon by society, as cops trying to uphold law and order.

I also love how dark and gritty this world is. These vampires are the sparkly type with a tortured soul. They are ruthless predators who prefer real blood to the synthetic thing whenever possible. And while some are content to visit bleeder bars and take a little from willing participants, others prefer the trill of the hunt and the kill, and a bit of torture thrown in the mix as well…

The story itself was really well done. It kept you at the edge of your sit from the very first page. And since I couldn’t help but love the characters, I was hoping for their survival and well being.  And while this books story arrived to a rather satisfying resolution, it left a lot of questions as to what will happen next, which is an excellent tactic for a first book in a series.

I want to know what happens to Alex and Marcus now. I want to see the fallout the events in this book have on human-vampire relations. And I want to learn more about Father Aguirre and his church. And is it really possible for vampires to grow back their soul?

So good job Mr. Haspil, good job. I am a fan now and I am eagerly awaiting the next book.

PS: I received and advanced copy of this book via NetGalley in exchange for an honest review.

Speaker of the Lost (Lark Nation book1) by Clara Coulson.

Stars: 5 out of 5

Robbie was down on his luck: he’d fought with his girlfriend because he’d had seven beers which was one too many as far as she was concerned. So she took the car and left him stranded at his friend’s house, with no other way to get home but to hike five long miles on a small country road in the middle of the night. Little did he know that his day would soon get from bad to worse. First he lost his girlfriend and his wheels. Then he lost his head… in a very literal and final way.

Now Stella Newport, rookie agent at the FBI’s Paranormal Squad is sent to Bismuth, Maine, to investigate what looks like an attack by a headless horseman. And to make things worse, her partner is Oswald Bolton, who doesn’t keep the same partner for more than a couple months before they beg to transfer or have a nervous breakdown…

I love when the first book in a new series manages the often impossible task of introducing the world, the characters and their backstories, AND manages to tell a compelling story as well. Speaker of the Lost does exactly that.

This book shows us a world much like our own, where normal citizens don’t believe in magic  or the existence of supernatural creatures called the fae. Apart from those few people who can actually perform real magic and even open the gateways between our world and the world of the fae to allow them to step over into our dimension. Usually, because the sorcerers needs something from those fae. And that something is usually rather nefarious for everyone else. Good thing is, the fae demand a rather steep price for their services, often up and not limited to the death of the summoner upon competition of the contract. Another good thing is that the government is aware of their existence as well and even has a few special agencies in charge of paranormal crimes.

The story itself starts as a simple murder, albeit executed by paranormal means, but turns out to be much more sinister and far-reaching than our protagonists had expected. The good people of sleepy Bismuth keep some dark secrets indeed, and the town will never be the same after the investigation is closed.

Speaking of protagonists. This story is told from the alternating point of view of both Oz and Stella, and I must admit that the author did a very good job of creating two very distinctive characters with distinctive voices.

Stella is a joy to read about. She is smart. She is resourceful. She calls Oz on his bull%$#t and she isn’t afraid to let him know when he crosses a line. She is strong and she knows her own worth, but she is also very human. She can be overconfident and has a tendency to rush into things without thinking them through, but she isn’t afraid to acknowledge her mistakes and learn from them.

Oz on the other hand can come across as a total ass, and most of the time he does act like one. A lot of times on purpose because he doesn’t want to be saddled with yet another partner that will turn tail and run in a few weeks or days. He doesn’t want to get attached to another partner and feel responsible for them again. And there are reasons for that. I won’t spoiler here, but let’s just say that the few hints we get about Oz’s backstory explain most of his behavior. I actually cheered for him when he gradually warmed up to Stella, because I understood just how hard it was for him to trust somebody again. Or to allow himself to care for somebody again, because he was scared that he would fail to protect them.

I also liked this new twist on the headless horseman myth and how it was woven into the bigger meta of this particular world.

So as I said at the beginning, this book did an excellent job of getting me interested in the world and invested in the characters. It wrapped up the story of the dullahan and the sorcerer who summoned him, but also hinted at a bigger disaster that is yet to come. And I want to read about it. I want to see Oz and Stella working as equal partners, bickering and helping each other, and being awesome. So when is the next book coming out?

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review.

The Glamour Thieves (Blue Unicorn Book 1) by Don Allmon.

Stars: 2 out of 5.

This book could have been great. It could have been the first book in a new series that I would have really wanted to follow. It had so much potential… and the fact that it frittered it away is extremely frustrating.

The little bit of worlbuilding we get hints at an interesting world. It’s set in the future, so technologies are quite advanced, especially augmented reality, implants, and the connection to the World Wide Web that allows you to experience VR with all five senses. But we also get mentions of a worldwide catastrophe that changed something in the people’s genome so that some were able to do magic. Oh, and orcs and elves became a reality.

There is so much potential in this! The author could have hooked me and kept me going if only he’d thrown a few more hints here and there about that catastrophe, or more about how the orcs and elves became so common place. Where they always there, but just hiding? Or did they come through the cracks in reality at the same time as humans became capable of magic? Or are they also a result of human mutation? Sadly, we get no answers.

I would have loved to have more background on JT and Austin, on their relationship, on what actually really happened three years ago that made them split. We get mentions here and there. We know they were part of a group of thieves and a heist went bad. We know that Austin’s sister died… and nothing else. There is a mention that they were set up, and that another one of their members died as well, but we never learn anything else. What happened? There is a small mention that JT and Austin were captured and experimented on, but by whom? How did they escape? Just dwelling in those questions could have made an awesome book. Alas, it was not meant to be.

Instead we get a book in which every character is obsessed with sex. This is a short 133 pages book, and the actual plot fits in maybe a third of that length. The rest is characters either having sex or thinking about having sex, or obsessing about whether their maybe on and off partner is having sex with someone else. There is so much sexual content in it that at one point I had to go back to Netgalley and check whether I had clicked on the erotica bookshelf by mistake when I selected the book, but no, it’s listed under Science Fiction and Fantasy…

And I would have been okay with some sexual content if it was justified. But when the characters are running for their life from the Triad, I would think they would be more worried about staying alive and figuring out how to get out of the mess they are in instead of jumping each other’s bones. This is just such an unrealistic reaction that it threw me right out of the story.

My other problem with this book is Austin. I hated  him as a character, and since a lot of the narrative was from his point of view, getting through his chapters was a challenge. He is incredibly self-centered. He wants JT because he wants things to go back to how they were, and JT always had his back. He lies, cheats and uses underhanded techniques to get him to agree to this one last job, even though he can clearly see that JT has created a new life for himself. He has a legitimate business that he loves, and he has a protégé he is responsible for. But no, Austin doesn’t care, if he wreaks his friend’s life. He doesn’t even ask himself whether what he is doing will harm JT. Not once. The thought of considering somebody else’s interest apart from his own doesn’t even cross his mind. With Austin, everything is about Austin.

The second thing I hate about Austin is how twisted his sexual desires are. Like that scene in the orc night club. What he did to the bouncer cannot be called anything but rape. No matter how he justifies it, he used his glamour to force that orc to do what he did. And Austin’s thoughts in that moment were exactly what any other rapist would voice to justify his actions – I only exacerbate the desire that’s already there, my glamour wouldn’t have worked if he didn’t want it… No. Just NO. Rape is rape and there is no excuse!

As I mentioned, the book had potential, but the lack of plot and my intense dislike for one of the main characters made it so I have no desire to find out more about this world. That’s one series I will pass on.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

City of Miracles (The Divine Cities 3) by Robert Jackson Bennett.

Stars: 5 out of 5

I love the Divine Cities series and I await every new book with great trepidation and excitement, because I know that Robert Jackson Bennett won’t disappoint. I read and reviewed the two previous books as well, if you are interested to read my opinions: City of Stairs and City of Blades.

City of Miracles is the closing chapter in the stories of a lot of characters that I grew to know and love in the two previous books, so I have a bitter-sweet feeling upon finishing this book. Even if the author continues this series, it will be a different world with different characters, because the events in this book brought the end of an era and paved the road for a new one.

Don’t get me wrong, I will still pick up the next book with just as much trepidation and will be excited to see the direction in which this world will evolve, but it will sure feel empty without Shara and Sigrud and all the others…

Sigrud had been hiding, moving from place to place, from one meaningless job to another, just waiting for Shara to call him back. Instead, he learns one day that the former Prime Minister Shara Komayd had been assassinated. And Sigrud sets out on a journey of revenge, doing what he does best – track and kill those who killed his friend. Only there is a lot more at stake than anyone could have imagined, because all these years Shara had been waging a secret war with a Divinity, and the outcome of this war will change the world.

When previous books were about the Divine wars and its casualties, as well as the guilt of the survivors, City of Miracles is about lost souls. It’s about the war orphans, both human and Divine, whose lives had been shattered by war and who can’t quite fit in this brave new world.

We know that the Radj killed all of the Divinities except one, but what happened to the multitude of Divine children that those Divinities created in the thousands of years of their existence? It was assumed that they simply vanished when their parent Divinities died or were hunted down and exterminated as well. And the most powerful ones certainly met that fate. But what of the weaker ones? The unimportant ones that didn’t have their own followers and had always lived in the shadow of their powerful siblings and parents?

Turns out they survived. Kolkan hid them, made them seem human, erased all memories of their divine nature. He hoped to bring them all back once the war was over and he came out of hiding himself, but we all know how that played out in City of Stairs. So those children, those orphans, are condemned to drift from orphanage to orphanage, from family to family, never aging, never remembering their past, their memories resetting every time their families start to wonder why the child they adopted 7-8 years ago didn’t seem to age. Yes, they survived, but isn’t that a terrible price to pay?

But what happens when some of those Divine children remember who they are? What happens if one of them was captured by the new regime and tortured for years? Wouldn’t he want revenge when he escaped?

I think this book, more than the previous two, shows that no matter what happens to the world, no matter what horrors, humans will find a way to survive, adapt and move past it. And the biggest proof of that is the city of Bulikov – we saw it in ruins in City of Stairs, its citizens beaten down and oppressed, yet in City of Miracles, merely 50 years later, it’s a thriving metropolis again, where the old and the new are intertwined and found a way to coexist. Or Voortyashtan, where Signe’s dream of opening the river to ship traffic again is finally a reality, even if Signe died without seeing it happen…

Legacy is another recurring theme in this book. What do we leave behind when we die? Signe left a dream of an engineering miracle and others made it a reality. Shara spent her whole life trying to change Saypur and bring peace to the continent, and she succeeded. Even Kolkan managed to leave a legacy by saving all those Divine children from certain death.

I think this is the strongest message of this book. That we need to live our lives in such a way that we leave behind a positive legacy, instead of a destructive one, even if this legacy is important only to our family and friends…

So to summarize, this book is a must read, but I would recommend starting at the beginning of the series with City of Stairs, following up with City of Blades, and finishing off with City of Miracles.

Borderline (the Arcadia Project 1) by Mishell Baker.

Stars: 5 out of 5

A year ago, Millie listened to the little voice in her head telling her that her life is worthless and stepped off a roof. She survived, but lost both her legs and was diagnosed with borderline personality disorder. Now she lives in a mental institution and is pretty sure that both her promising filmmaking career and her life is pretty much over. That is until she gets a second chance to make something out of her disaster when she accepts to work for the Arcadia Project.

When you read the blurb for Borderline, it sounds like a generic urban fantasy series. Even the supernatural creatures are generic – fae have been done before. You might be tempted to dismiss this book right away, but that would be a big mistake because you would lose the opportunity to read a very good story.

I picked up this book almost as an afterthought. Nothing in my reading pile sounded good at the time and Amazon put this in the “Also Bought” suggestions, so I gave it a go, not expecting much… I finished it in one day. I literally only stopped long enough to eat and didn’t move of my couch until I turned the last page. Good thing it was a Saturday.

I loved this book. I loved the story. I loved Millie. I loved all the secondary characters. I loved the setting and the world they lived in.

Mishell Baker has an interesting take on the fae and their influence on our world. In Borderline, every creative person has a muse, who is a fae. It’s a symbiotic relationship – the fae gives his or her human inspiration to create art, write books, film movies, and so on. In exchange, the fae who are paired with a human become capable of logical thinking and can grasp such disciplines as mathematics, architecture, engineering, etc. There is a quid pro quo in this relationship with both parties gaining something from each other.

I like that the longer the fae stays on Earth, the more “assimilated” it becomes, slowly losing its creativeness while it acquires more logical aptitudes. That’s why the Acradia Project has rules and regulations in place. That’s why they keep track of all the fae and follow a strict schedule as to when and for how long they can remain on Earth.

It’s not often that you find a disabled protagonist in a book, especially one that doesn’t transform into a disabled superhero by the end of the book or whose disability is conveniently forgotten about or set aside when the plot needs it.

Millie is not like that. She isn’t just token broken. As a double amputee, she faces a lot of everyday challenges and the book doesn’t gloss over that or give her a sudden ability to levitate. She also has a serious mental illness that impacts her everyday life and her interactions with everyone she encounters. You can see that the author did some in depth research into borderline personality disorder and thought about how this illness will impact the plot.

I like that despite the challenges that she faces, Millie has a very serious and down to earth approach to her life and her struggles. Apart from that first fateful jump off a roof, she never exhibits more suicidal tendencies. Once she learns she is a borderline, she learns everything she can about both the illness and the coping mechanisms that would help her function in society. I love the fact that when Millie has episodes, she is rational enough to understand what is happening and that she even tries to apply the techniques she learned to try and deescalate the situation. Sometimes it works, other times it doesn’t, but it’s nice to see a protagonist who tries to lead a normal life despite everything.

The story is well written and fast paced, and if you are anything like me, it will grip you and not let you go until the end.

So I will definitely recommend Borderline to all my friends and I can’t wait to pick up Phantom Pains, the second book in the series.