The Grand Dark by richard kadrey

Stars: 2 out of 5 (and that’s pushing it because at least the language is good)

I love the Sandman Slim series, so I really, REALLY, wanted to love this book… I was so excited to receive the ARC from Netgalley that I pushed all my other half-read books aside to start this as soon as possible. Unfortunately, my excitement soon turned into bewilderment, then annoyance, then boredom. I finished it only because I was already 75% done and felt like I’d already suffered enough torture to stick around and see the ending… which was nothing to call home about.

So what went wrong with this book? Oh where do I begin? Get comfortable, it’s gonna take a while.

First and biggest problem, in my opinion, is the pacing. NOTHING, and I mean, nothing happens in the first 3/4 of the book. The protagonist delivers some packages, then goes home to get high on drugs and have sex with his girlfriend. Rinse, repeat. for over 300 pages!!!

Then the action suddenly picks up around page 300 and we careen to the end at a neck breaking speed. It would be good if the pacing was justified, but it feels exhausting, almost as if the author suddenly realized that he only had 400 odd pages to tell the story and decided to cram all of it in the last 100 instead of editing the beginning and cutting most of the boring bits out. The action feels more like an outline that has been hastily fleshed out just enough to pass mustard. And the big reveal, final big bad, as well as the ending are underwhelming to say the least.

I might have been okay with the lack of story in the beginning if the protagonist was interesting enough to follow along with. But Largo is anything but. He is a doormat. He has no initiative. All his life he simply floats with the current thinking only about his next score or his girlfriend. He doesn’t DRIVE the story, he just floats along in the current. So when it’s not even clear where that current is going, this gets boring very fast.

And even when he actually decides to do something, he doesn’t actually have to work to accomplish anything. There are no real efforts on his part.

He needs to make an urgent delivery and his tires are slashed? Hey, perfect time for character growth and for the author to actually make him DO something to change his circumstance… But no, another courtier, who was never mentioned as being his friend, lends him her bike. Why? Because reasons only known to the author. Mostly, I suspect to move the story along.

He decides to go to Higher Proszawa, which is a battlefield and a quarantine zone off limits for everyone. Does he plan this trip? Does he, you know, gather supplies, investigate the means of getting there an back? Actually do something to get this done? Nope… He just mentions this to his friend Raineer and magically, everything is taken care off. He suddenly has money, and a weapon, and a convenient way in and out via a smuggler his friend knows. Everything handed to him on a sliver platter.

I could go on and on about this, but that would just be beating a dead horse. This character is as interesting as a doorknob. And he is the protagonist, which can tell you a lot about the other characters in this book. They are all cardboard cutouts that have a role to play to push the doormat Largo along. The girlfriend who has zero personality apart from being beautiful and in love with Largo. And her sole purpose in the story is to get captured to push the protagonist into action (or what passes for action for this one). The best friend and wounded veteran that conveniently still has all his contacts and can part with a wad of cash even though he lives in a dilapidated apartment on a meager government pension. And so on, and so forth.

And finally, the worldbuilding really sucks. We are told there was a great war that Lower Proszawa won, but we don’t know when that happened, and who they were fighting against. The other party is only ever mentioned as the Enemy. We also know absolutely nothing about the world outside of this city. I think one other “provincial” town is mentioned once, because a character was born there. Other than that, the rest of the world might as well not exist at all.

In fact, at one point, I even wondered if Lower Proszawa was actually a purgatory for all the souls that died in the war. That would have explained the lack of information about the outside world or why the details of the Great War are so fuzzy, or why they live in constant fear of a new war… Now that’s a twist I would have welcomed. Unfortunately, that wasn’t meant to be.

What we have instead is a sub-par story with a boring protagonist in a barely fleshed out world. Very disappointing book from the author of Sandman Slim series. I definitely won’t recommend it. Save your money and your time for other books.

in the shadow of spindrift house by mira grant

Stars: 2.5 out of 5.

I have bad luck with Mira Grant books. Feed is about to join the permanent DNF pile because I have been stuck at 85% for over six months. Now this book…

The story has promise – four childhood friends on the cusp of adulthood decide to take one last case before disbanding their teen investigation agency. If they succeed at this case, they will earn over 7 million dollars which would have them set for whatever future paths they want to take. Only the case hasn’t been solved in decades for a reason, and the price they all will have to pay might be too high…

I picked up In the Shadow of Spindrift House because of the cover and the decidedly lovecraftian vibe the blurb gave off. To be honest, the story manages to keep that feeling, since it deals with things slithering in the deep and observing the human race run its rat race from the comfortable viewpoint of almost immortality, but the end product is underwhelming, at least for me.

My problem with Mira Grant’s books is that I can’t connect to the characters. I think it’s because the author “tells us” about their emotional connections to each other, but never really “shows us”. Case in point – we are told several times that Harley is in love with Addy, but her actions during this story don’t show this. Plus Addy is portrayed as such a negative light throughout the book that I found it hard to believe that Harley was in love with her. Especially since we don’t “see” that love in her actions, we are just told of that feeling through her thoughts. 

And that’s the case with the dynamics between all four characters. We are told they have been close since childhood. We are told they have been solving cases together and are kinda sorta famous, but we are not shown any of it. So when the horrors start creeping in and bad things happen to the characters… yes, it’s horrible, but not as shocking as it could have been, because as a reader, we haven’t seen that emotional connection that is supposed to exist between Harley and them.

And I think that is the biggest flaw of this story. Harley is too detached from everything, even before she leads her team to the doomed exploration of Spindrift House. Heck, she shows more emotion towards that house than she does towards any of her longtime friends, almost brother, and what she herself calls the love of her life… Yet, she casts them all aside seemingly without as much as an afterthought. 

Maybe if the book wasn’t this short, the author could have had time to build to the horror of this last case by showing us how the characters interacted BEFORE it all happened. Maybe actually show us some of the other cases they did together. Show us the dynamic in their little team… If we saw those connections instead of being told they exist, the stakes of what happened in Spindrift House would have been much higher and more impactful.

So to summarize, it’s a well-written book when it comes to creating descriptions and the creepy atmosphere of the house, but that suffers from the excessive case of tell, not show.

PS: I received and advanced copy of this book via Netgalley in exchange for an honest review. 

cinders on the wind by louis emery (The tapestry of retha 1)

Stars: 2.5 out of 5

I made it halfway through the book before I decided that enough was enough. Unfortunately, I am DNFing this one. I’m sure there is a good story somewhere in there, but even after reading half the book, I’m still waiting for it to grip me. The author would have benefited from a good content editor, because this book suffers from a lot of pitfalls rookie authors encounter:

1. Infodumps. We got literally the whole geopolitical introduction to the world in the first few pages. Problem with that? My eyes glazed over after a few paragraphs. I didn’t know those countries or kings or events, so I didn’t know to CARE about remembering them. So when they are mentioned again a few chapters later, I’m lost. I already forgot who was fighting with whom and why.

2. Endless flashbacks. Every time a character is introduced, we get a 4-6 pages flashback that explains their story, their motivation and what brought them to the moment in time we are reading about. EVERY SINGLE TIME!!! We are in the middle of an action scene, there is a build up in tension, then bham! new character… and a snooze-fest of a flashback. Yes, let’s kill the pace of an already very slow moving story even more.

3. Lots of tell, not enough show. You might have inferred that from the infodumps and flashbacks, but the author doesn’t know how to show very well. Or thinks that the reader isn’t intelligent enough to understand the character’s reactions and actions unless it’s fully explained to them. Trust me, the reader is smarter than you think, and being spoon fed the information is very annoying. 

4. The blurb is misleading. That young Seer mentioned in the blurb? Haven’t heard or seen her after the first 3 chapters or so. The Kingsguard that is supposed to protect her on her journey? He is off to a neighboring kingdom waging war for his king. There is no mention of that journey and I am halfway through the book. Instead we have 4 characters stuck in different locations doing seemingly unconnected things. There is talk of a rebellion, but who is rebelling, and who is attacking whom is cryptic to me. Probably because my brain switched off during the 6 page infodump in chapter one.

5. I don’t think the author has a very clear idea about his own mythology and divine system. He mentions that the main divinity is the Dragonmother and that there are a bunch of minor gods. The kingdom where most of the action takes place worships the Dragonmother… yet their elite soldiers are called God’s Burden? Yes, with a capital G…

So after wading through half the book and battling with the above mentioned irritating details, I am throwing the towel. This is not for me.

PS. I received an ARC from Netgalley in exchange for a honest review. Sorry, it had to be negative

The last policeman by ben h. winters (the Last policeman book 1)

Stars: 5 out of 5

Wow, that’s the most different pre-apocalypse book I ever read.

What do you do when the end of the world is coming in just 6 months and there is nothing anyone can do to prevent it? A huge meteor is on collision course with the Earth and it will hit, it’s a 100% probability, the only uncertainty is where the point of impact will be. But even that doesn’t really matter, because what isn’t destroyed during impact, will slowly die in the nuclear winter that will follow as the catastrophe puts enough debris in the atmosphere to obscure the sun for decades. So 6 months to expiration date for the human race.

How do you cope? Some people walk out on their jobs and go through their bucket list. Some people find fate and religion, or join a cult. Some commit suicide (there is a lot of those). Officer Palace is dead set on solving a murder. Despite the fact that nobody seems to give a damn about it anymore, despite the slowly crumbling infrastructure, and even faster crumbling social structures. He will solve that murder because this is what keeps him sane while the days count down to the final big impact.

I loved the main character in this story, how obstinate he was in solving this murder, despite anything and everything. How desperately he clings to police procedures, rules and regulations. Because that’s what helps him cope with the end of the world.

I also loved the other characters we encounters, each one representing a different way of coping with the inevitability of death. Some drink, some do drugs, some just give up and wait to die, and some cling to any sliver of hope they can find, even the maddest one.

I also liked that despite certain violence in this book, the world didn’t dissolve into bloody chaos. People are still mostly decent to each other. Things are still getting done. Some people still come to work, mostly because what else would they do? Sit at home and wait to die?

It’s that air of melancholy that surprised me the most about this book. Yes, Henry solves his murder case in the end, but does that really matter? Does any of it matter when the Earth will die in 6 months? And the sad part is – he knows that it doesn’t matter to anyone but him either.

Dead Eye (Tiger’s Eye Mystery 1) by Alyssa Day

Stars: 4 out of 5

I liked this book surprisingly more than I expected, even though the story isn’t particularly original and neither is the world. We have typical vampires, werepeople of various kind, witches and other supernatural creatures briefly mentioned. I think one of the characters mentions having a gorgon for sister-in-law, and another brief mention of a banshee.

The world building itself is rather confusing. It’s implied that their existence is known to the general public, but the book stays vague as to how this works. Jack was part of the rebellion and fought in vampire wars, but apart from those mentions, we don’t know what that means to the characters in this world. He sure isn’t considered a criminal or wanted by the authorities, even though he was practically the leader of the rebellion at one point. So, confusing. Hopefully, the author will expand on this a bit more in subsequent books.

So with confusing worldbuilding and ordinary story, it seemed at first that this book was heading towards a 1 star review or even my DNF pile, but then something magical happened: I actually really loved the characters. Loved them enough to continue reading and even wanting to get the next book in the series.

Tess is a refreshingly normal protagonist, even if she can see how people will die when she touches them. By normal I mean, she isn’t a shrinking violet, or a “strong female protagonist” which usually means someone who talks back, doesn’t accept any kind of authority and never pauses to think before she starts kicking asses. She is no damsel in distress either. She is just a normal girl who loves her pawn shop, cares about her family and friends, and doesn’t want anything bad to happen to them. So she resolves to do something about it, because seems like nobody else is there to step up and do it. No, she won’t suddenly learn kung fu. No, she won’t discover some badass magical abilities that would help her overpower the big bad. No, she won’t turn into Sherlock Holmes and save the day with her uncanny powers of deduction. But she will stand up, strangle that fear that makes her insides quiver, and do what she can to protect those she loves and to right a wrong. I loved Tess. I want more protagonists like her.

And I also loved Jack because, surprisingly for the alpha male love interest in a paranormal romance book, he is not an asshole. Oh he tries to be pushy and protective from time to time, but he also knows the boundaries and that no means no. It is hard to find a male character in paranormal romance who actually respects the protagonist enough to back down when she tells him no. Or one that treats her as a smart capable individual who is equal to him, instead of a sexual partner who needs to be protected, coddled, and occasionally listed to… maybe… to stop the whining.

I also loved the fact that the author avoided the typical cringe worthy tropes of evil / psycho exes for both protagonists. Owen is a sweet person. A genuinely good guy. And their break up isn’t because he mistreats Tess or because the author needed to clear out the way for Jack. It’s two adults deciding that while they like each other and are good friends, they do not love each other enough to be more than that.

I think that’s what I like the most in this book and what made me give it 4 stars – most of the characters feel like real people. They might be good, bad, or somewhere in between, but they feel like real tridimensional people with their own needs and wants and personal agendas that are separate from the story and the protagonist. Dead End feels like a real town and I would love to explore it more.

So to summarize, if you want a light story with engaging characters and minimum fabricated drama – definitely give Dead Eye a try. I will be buying the next book in the series for sure.

The Rising Dead by Devan Saglian

Stars: 2 out of 5

I like to indulge in a good old zombie book from time to time, and I was fresh out of zombies (no pun intended), so I decided to give this book a try. After all, it had a lot of glowing review on both Amazon and Goodreads… I don’t know why.

Seriously, the story is cookie cutter zombie outbreak: evil corporation plays with viruses, but something goes wrong and the strain escapes. Cue brain eating zombies everywhere. Don’t get me wrong. I don’t mind a predictable story in the zombie-verse. After all, there are only so many ways to make a brain eating undead.

The story can be predictable as long as the characters living (or dying) in these events are interesting, fleshed out and likeable (or hateable) enough for me to want to see who meets their gruesome end and who survives despite all odds. Unfortunately, this book has nothing of the sort. All characters are cardboard cutouts with about as much personality. You can just put labels on them and be done with it: the shy geek, the college baseball jock, the slutty partying girl, the meek girl who gets eaten first, the grizzled paranoid war veteran, etc. They are all essentially faceless and characterless, and I didn’t feel any connections to any of them. Oh, someone else got eaten by zombies? Good for them!

And to add insult to injury, the story is riddled with inconsistencies and plot holes. For example, the patient zero gets infected by just spilling some of the virus and inhaling it because he didn’t have his mask on. So then the pathogen is airborne, right?.. Nope. After that first time, ALL other victims are infected through direct contact only – you get bitten, you turn. So why would the virus suddenly change its MO? Why mention it in the first place? It makes no sense. Patient Zero could have been bitten by a test animal, had a fresh papercut and a hole in his gloves, etc. Possibilities are endless…

The final nail on the coffin for me was the lack of editing. And I’m not talking about spelling and grammar here. I can deal with that if the story is worth it. I’m talking about the constant “head hopping” in the middle of scenes. We would listen to the POV of one character, then suddenly hop into the head of another for 2-3 lines, then go back to the first character. It happened so many times it gave me whiplash. You can write a book with different points of views, but be consistent throughout your scenes!

So to summarize, I finished the book, because it was a slow day and I was particularly bored. But I will not give my money to read the sequel. If I want good fast zombies, excellent action scenes, and characters I can actually care about and be sad when they get bitten, I’ll rewatch Train to Bussan.

Apocalypse Nyx by Kameron Hurley

Stars: 3 out of 5.

This is a  tough review to write. See, I loved the world Kameron Hurley created,  but I deeply disliked our protagonist. Yet Nyx is the product of that word. So that awesome world building that I found so fascinating produced a protagonist so unlikable, that I actually wished the bad guys killed her before the end of the book.

The planet Nyx lives on isn’t Earth, but it was colonized by people from Earth, who brought with them their religion, their problems, and their conflicts.  This is a harsh and unforgiving world: the radiation from its suns produces all kinds of cancers in populations too poor to live behind protective barriers reserved to the elite. Most of the planet is a desert and resources are hard to come by, so nations are in a perpetual war against each other.

It’s a war without rules or boundaries, where radioactive and chemical weapons are used so often, most border towns are contaminated beyond repair, and locals don’t even take cover during daily air strikes.

Nyx lives in a nation that has been at war with its neighbor long before she was born and will still be waging that war long after she dies. Everyone is conscripted into the army when they reach adulthood, but the amount of time men and women serve is different. Women go in for two years and assume most of the command posts. Men go in for 30 years and are considered cannon fodder. Most never come back from that war, or come back broken beyond repair.

Nyx experience unnameable horrors in that war and even perpetrated some of them. She was so badly injured that she had to be “remade”, which means that over 80% of her body isn’t hers anymore. Worse than that, she has been mentally damaged as well. She has severe PTSD and survivor’s guilt. She has vivid nightmares and flashbacks to her times on the front line and she can be unpredictable in those moments. Well, no, I take that back, you can pretty much guarantee that she would lash out with extreme violence.

She chose to think only about her own survival and not get attached to anyone or anything. She is harsh and abrasive, downright violent at times with both her enemies and her partners, and she wouldn’t hesitate to sacrifice them all to save her own skin.

I understand why Nyx is the way she is. At the beginning of the book, I even empathized. After all she’s been through, it would have been surprising if she wasn’t messed up in her head.  My problem is that Nyx doesn’t change. This book consists of three novellas presented in chronological order, and Nyx stays the same unlikable abrasive self through all of them. There is no character growth, no redemption arc, not even a hint that she might mellow or start giving a shit about her companions.

I can stick with an unlikable protagonist as long as there is some hope for character growth. I might not like them, but I can stay invested if I saw an effort to better themselves and overcome their past. Unfortunately, there is no such hope for Nyx.

My other problem with Nyx is that she never faces her problems head on. She never stops to discus them with her companions and try to work out a solution like most adults would do. She chooses to lash out and run instead, then drown her frustration in alcohol until she passes out. Every single time. After the second or third time Nyx bailed and got drunk instead of just talking through the problem, I lost the little respect I had left for her… as well as my investment in her story.

So nice world building, Mrs. Hurley, but I won’t be sticking around for the next book unless Nyx starts growing.

PS. I received an advanced copy of this book via NetGalley in exchange for an honest review.

American Elsewhere by Robert Jackson Bennett

Stars: 4 out of 5.

 

Mona’s life has been a mess ever since a car accident took her unborn baby from her. Since then, she’s been drifting town to town, shitty job to shitty job, with no idea what to do with herself. Until she goes to her father’s funeral and discovers that her mother, who killed herself when Mona was seven years old, had owned a house in a little New Mexico town called Wink. At first glance, Wink seems like a perfect little American town where everybody is happy and friendly, and time stopped somewhere in the 1970s. Only nobody ever leaves, and walking outside at night is strongly discouraged…

 

This is a difficult review to write because a huge part of what makes the book excellent is the mystery behind the town and the identity of some of its inhabitants. So I can’t dwell on the story too much as to not reveal any spoilers. Let me just say that the idea is original and the execution is very well done. For more details, get the book and read it for yourselves. You won’t regret it, I promise.

 

So since I cannot talk about the story, let me talk about Mona Bright. I love me a strong independent heroine and I’m happy to say that Mona is one.

Yes, She had an unhappy childhood with a harsh and distant father and a mentally unstable mother, so human interaction doesn’t come easy for her. She chose to be a cop because her life until then was more about weapons and hunting with her father than about dolls and socializing with other people her age. She isn’t good at that, at socializing. But she is very good at shooting things and making split second decisions under pressure. She tried to create something she never had – a happy family with a husband who loved her and a little girl she wanted to love and cherish like her mother never cherished her. Only that dream was cut short by a drunk driver running a red light.

 

By the time she learns about the property her mother owned in Wink, Mona really has nothing to lose, so it’s easy for her to pack all her possessions into the trunk of her car and drive to the middle of nowhere to a town that doesn’t show on any maps except a few local ones, and all that in the hope that this house and this town would give her a glimpse into her mother’s past. All she wants is to see that time when her mother was a happy, accomplished scientist, not a broken ruin scared of her own shadow.

 

My description might have made you think that Mona is all doom and gloom and maybe not someone you would want to follow for 300 pages, but you would be wrong. Yes, Mona is not exactly the soul of a party and she tends to lean on the pessimistic side, but she never lies to herself. And she doesn’t bend. When threatened or attacked, she gives as much as she gets.

 

And when what she finds in Wink leaves her with more questions than answers, she doesn’t hesitate to dig deeper, even if what she uncovers suggests things that should be impossible. In fact, I would argue that Mona is the only person who could have done what needed to be done in Wink because she was the only one willing not to play by the rules…

 

I loved this book. It was fast-paced and interesting and never predictable. And I’m glad that the author chose to leave it as a standalone. The story is done. What happens to Mona after Wink is entirely up to her, and just like the ending suggests, the possibilities are endless.

 

So why did I give this book 4 stars instead of 5? Two things. First, the fact that the author chose to tell this story in third person present tense threw me off at the beginning and made it harder to get into the story. I got used to it eventually, but this stylistic choice can be a turn off for some readers. Second, I found some of the POVs rather useless to the story. A character would hijack the story for a small section to never reappear again until the grand finale.

 

But overall, I would strongly suggest this book to all my friends and readers who love a good science fiction mystery or urban fantasy, because this can kinda sorta be considered both and neither. Just get the book and find out for yourselves.

Welcome to Outcast Station by Jeanne Adams and Nancy Northcott.

Stars: 4 out of 5.

This book is composed of two distinct novellas which tell two distinct stories. The only thing that connects them is the location – Paradise Station, better known as Outcast Station, a backwater space station orbiting a backwater planet.

The Accidental Plague by Jeanne Adams tells the story of Bvax Scientist Ravinisha Trentham, who has lived all her life as an outcast simply because of the planet she was born on. Her compatriots once conspired to overthrow the global governmental system and the rest of the planets haven’t forgotten about it, even 60-some years later. It doesn’t matter that Ravi doesn’t embrace the same beliefs, she looks like one of the outcasts, so she is treated like one.

Even though she finished her apprenticeship as a Bvax Scientist with flying colors; even though she was the best in her class; the dispatch to Outcast Station is the best she could hope for. But, as Jeanne Adams slowly shows us in her story, even outcasts can build a place they can call home. Ravi’s story is one of hope. She begins by being sneered at and belittled, but proves her worth, helps the station and finally becomes a respected member of the small community.

The protagonist of The New Badge by Nancy Northcott is the complete opposite of Ravi. Hank Tremaine was a successful marshal on one of the inner planets… until he crossed the wrong person and landed at Outcast Station as punishment. While for Ravi this assignment is a chance to prove her worth, Hank considers it more like a prison sentence – unpleasant, but if he keeps a low profile, he might be paroled sooner rather than later.

Hank is fully resolved to do his job and keep his head down and stay out of trouble. Unfortunately for him, trouble finds him as soon as he lands on the planet. Now Hank is faced with a moral dilemma: agree with his superior officers and do a half-hearted investigation, or dig more and incur their wrath, thus  annihilating his chances of getting transferred out of this back-end of the known space early.

While the two novellas have no common characters, they cover very similar themes: The courage it takes to stay true to your convictions despite the circumstances, even if abandoning them would make your life easier. The realization that there are bad people, but also good people even on a backwater station like Paradise, and that friends and allies can be found in the most unlikely places. And finally that home is what you make of it.

I liked the world of Outcast Station and the characters that inhabit it. I especially liked the concept of The Accidental Plague that with humanity spreading throughout the galaxy and interacting with other species, there is a need for a strict disease control and prevention protocol. After all, a space station is a very fragile ecosystem where viruses and pathogens would spread like fire. Without strict control and rapid response protocols put in place by Bvax scientists, a thriving station could transform into a tin can full of dead bodies in a matter of weeks.

So why did I give this book four stars instead of five? Because there are several plot lines in both stories that are started, but never resolved. Like the whole conversation between the station master and an unnamed individual about some shady deals going on (smuggling maybe?), and a couple others.

Now I haven’t read any other books by these authors, so I don’t know if those two novellas are part of a bigger series where all those questions are answered. To me, this is a standalone volume, so I would have appreciated to have all the loose ends tied when I turned the last page of the book.

This little complaint aside, I enjoyed both stories and wouldn’t mind revisiting Outcast Station again if the authors decide to write more.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

Graveyard Shift by Michael F Haspil.

Stars: 5 out of 5

Alex and Marcus are detectives at the Nocturne Squad in modern day Miami.  Except in this Miami, vampires live in the open and are considered as much citizens of the United States as humans are, obeying the same laws and enjoying the same rights. Oh and “vampire” is not a politically correct word. They are called nocturnes, and the Nocturne Squad is in charge of investigating all crimes perpetrated by and against nocturnes.

Oh I forgot to mention that Marcus is a few thousand years old vampire who knew Julius Ceasar, and Alex is even older than that. He is the mummy of pharaoh Menkaure, cursed to walk this world until the end of times…

I have been spoiled with excellent first books in new series lately and Graveyard Shift is no exception. I love the world; I love the main characters. I really have nothing to complain about.

So the worldbuiding. After the discovery and mass production Hemo-Synth, an artificial blood substitute, the vampires revealed their existence to the general public. And thanks to a successful PR campaign, they even persuaded said general public that they weren’t a danger to anyone and that human and vampires could coexist peacefully.

I like how much thought the author put into this idea. If vampires are regular citizens now, they also need regular jobs and places to live, places to go to relax and have fun, places to buy their artificial blood at. So there is a huge economical shift worldwide – the world literally never sleeps. Everything is open 24/7. Humans work during the day, and vampires do the same jobs at night. Even the smallest bodegas and grocery shops carry Hemo-Synth blood on their shelves.

And there is a bigger legislative shift as well. What was considered a monster and a creature of legend before is now a citizen of the United States. Staking a nocturne through the heart and cutting their head off will land you behind bars for premeditated murder just as easily as shooting a regular guy through the head. Now there are laws and procedures in place to deal with the paranormal citizens. Which calls for nocturne cops, or the Nocturne Squad.

Alex and Marcus are a few thousand years old each, and it shows in their generally pessimistic outlook on life and the world in general. But where Marcus tends to be mostly broody, Alex exhibits a pronounced lack of interest for anything. Alex, or Mankaure, has pretty much grown tired of petty human squabbles that never change, no matter how many millennia pass him by. He does his job not because he likes it or needs the money, but because the shadow powers that stand behind the government  said so. And since those powers have a certain set of canopic jars in their possession that Alex might possibly not be able to exist without, he has no choice but to comply. It is implies that they hold something against Marcus as well but what that is Alex never asked his partner.

There is also no love lost between the two. Alex thinks (for good reason) that all vampires are predators and ruthless killers, no matter the tamed and friendly picture the media are painting of them. A wolf in sheep’s skin is still a wolf. And Marcus… well Marcus is an Ancient who thrives in secrets within secrets, and who lives for intrigue and conspiracies. And also doesn’t care about anybody but himself.

And at the same time, those two have a grudging respect for one another and sufficient trust that their partner will have their back in a bad situation. After all, they had been partners for the better half of a century: first as part of a secret organization called UMBRA in charge of eliminating the vampires, and that killing them is frowned upon by society, as cops trying to uphold law and order.

I also love how dark and gritty this world is. These vampires are the sparkly type with a tortured soul. They are ruthless predators who prefer real blood to the synthetic thing whenever possible. And while some are content to visit bleeder bars and take a little from willing participants, others prefer the trill of the hunt and the kill, and a bit of torture thrown in the mix as well…

The story itself was really well done. It kept you at the edge of your sit from the very first page. And since I couldn’t help but love the characters, I was hoping for their survival and well being.  And while this books story arrived to a rather satisfying resolution, it left a lot of questions as to what will happen next, which is an excellent tactic for a first book in a series.

I want to know what happens to Alex and Marcus now. I want to see the fallout the events in this book have on human-vampire relations. And I want to learn more about Father Aguirre and his church. And is it really possible for vampires to grow back their soul?

So good job Mr. Haspil, good job. I am a fan now and I am eagerly awaiting the next book.

PS: I received and advanced copy of this book via NetGalley in exchange for an honest review.

My dreams and stories. The life of a writer.

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