Tag Archives: zombies

The First Days (As the World Dies 1) by Rhiannon Frater

Stars: 2 out of 5

This was rather disappointing. I’m always on the lookout for a good zombie story, and this one had promise. The first chapter sure packed an emotional punch. Two women thrown together by circumstances and desperately trying to survive in a world gone mad overnight. It looked like it would be a bloody and scary romp through rural Texas fighting zombies and finding strength and friendship in each other. And it was just that for the first 100 pages or so. But once they rescue Jenni’s stepson and join the other survivors, thigs quickly degenerate.

All of a sudden, instead of being decisive, smart and brave, these girls just give up all of their initiative to the first male figure they encounter. It’s like they switch off their brains and switch on their hormones. Big man will protect me! I don’t have to think anymore. I just have to spread my legs! Jenni is the biggest offender on that front. And the whole story becomes this weird love square between Katie, Jenni, Travis and Juan. Did we really need that? The world is literally ending around them, why do I have to read about who hooks up with whom?

Not to mention how false that reads. I mean Katie just witnessed her beloved wife, the one she literally describes as her whole world, become a zombie and try to eat her face off. That was not even a week ago. And suddenly she has strange feelings for Travis and is doubting her sexuality? What happened to loss and grief and time to process the enormity of what happened? Jenni witnessed her abusive husband kill and eat both her children and barely escaped with her life. Yet as soon as she sees an attractive man, she switches off her brain and starts thinking only with her nether parts. But the least said about Jenni the better. Her characterization is problematic at best.

That’s another issue with this book – characterization. It’s inconsistent.  Characters do and say things that sometimes wildly clash with how they behaved before and what they were said to believe in. Some plot points and arcs don’t do anything to advance the plot and are there only either for shock value or to add some zombie gore. Like that whole adventure to rescue Jenni’s stepson, what was that about exactly? He fades into the background almost as soon as they reach the refugee camp and has no further role to play in the story. Heck, the dog has more page time than the kid, and more personality.

And it feels like the characters worry more about who will sleep with whom than the more pressing matters, like how to secure food and other supplies. What will happen when electricity goes down and running water dries out. They should be planning raids on nearby stores and pharmacies, and securing a source of running water. They should be thinking about hygiene and how to prevent the spread of diseases that will inevitably follow. Even the common flu can kill. Not to mention dysentery, which they are all likely to get if they don’t figure out a safe way to preserve food and boil the water they drink. I know, I know, I’m asking too much, but I was looking forward to a good zombie survival book, and instead I got this…

At least I crossed another book off my TBR list, I guess. And this one has been sitting on it since 2018.

Of Starlight and Plague by Beth Hersant

Stars: 1 out of 5

DNF at 52%

I know that zombie books aren’t a paragon of high literature. I expect that. But when I pick up one, I expect to be entertained at least. This is the first boring zombie book I’ve ever read, so that must be a record. I picked it up because it has a bunch of 4 and 5 star reviews on Goodreads, and now I am honestly baffled. Were we reading the same book? Was there a particular lens I forgot to put on before I started this? I came for mindless zombie fun, what I got instead is a poorly written snooze fest. 

I think the biggest problem here is that the characters are skin deep. Granted, I don’t expect great characterization in a zombie book, since most of them will be zombie appetizer, but I expect to have one or two main characters that I can follow through the story. I need to have somebody I can associate myself with and see the world through their eyes. 

Here, we have no such thing. The two people responsible for the plague die by end of part 1. Which is a shame, because it would have been an interesting story to follow them through the pandemic. To see them realize the horror of what they have unleashed and do everything in their power to stop it before the world is destroyed. It’s a wasted opportunity and it’s such a shame.

Then we have Tammany, an old wise mambo in New Orleans. She seemed interesting and had at least a little depth to her character, even if most of that depth was full of  clichés about voodoo practitioners.  But her story was cut short by the end of part 2. 

By the time I decided to part ways with the book, we were introduced to yet another smart old lady who was planning on surviving the plague with her family. That felt redundant. Why not just continue with Tammany? Why introduce a whole new character, when they serve exactly the same purpose. The story of survival would have been in a swamp in New Orleans in Louisiana instead of a farm up north, but it would have served the same purpose. As it stands, that’s yet another character that has to be introduced, yet another conflict that has to be set up from the beginning. 

And that’s another problem with this book. Since the author has to set up so many characters, the action constantly jumps back and forth in time. We get to the inevitable “zombie” outbreak from the point of view of one character… then we switch to the very beginning of the story again for the next one and follow them to the same precise moment of the outbreak again. Rinse and repeat. This made me feel like the story is just spinning its wheels without going anywhere. And if a story isn’t going anywhere, I eventually loose all interest in it. 

Or the author introduces a character just as they get killed or loose their soul to the New Rabbis then backtracks a few days or weeks to show us how they got there. Problem is, we already know that character is zombie food (or zombie themselves), so why invest time in making an emotional connection with them by learning their story? We won’t be following them for long. 

And what about this irritating way all characters have to quote scientific journals or other sources in their conversations or even in their thoughts? Who, in their right mind does that? Who stops in the middle of their dream to explain a term that she’d known since she was a child? A term that is part of her culture? Yes, that term might be confusing for the reader at first, but most of us are smarter than an average monkey. We can figure out what it means based on the context. Explaining it so blatantly in the text does two things – it insults the reader’s intelligence and it immediately pulls them out of the story because it sticks out like a sore thumb.

Same with incessant quotations of scientific articles and research. I get that the author did her research and is proud of it, but why make your characters shove it down my throat in every conversation? If only one character did that, it would have been a quirk and an interesting layer to their character, no matter how strange, but they all do that. The neuroscientists quote medical journals at each other. Wouldn’t they have read them independently if they are so good at their job? Tammany quotes voodoo research… which is even more weird. Why would a mambo read research done into her religion by outsiders anyway?

All this made for a very frustrating and boring read. This book had potential. But it needs a good developmental editor to unearth that potential out of the confusing heap of dirt the story is right now.

PS: I received a copy of this book from NetGalley in exchange for an honest review. 

Spec Ops Z by Gavin G. Smith

Stars: 2 out of 5 for the novelty of the idea.

DNFed at 85%. Yes, I know, I was so close to the finish… I really tried to power through, I promise.

It had a fun beginning and an interesting premise. It was fast paced and fun during their attack on NY and their escape from Manhattan afterwards.

It got boring and yawn inducing during the time on the boat. Too much drama and blatant insubordination. I’m not sure about the author’s background, but spetsnaz are ELITE forces, a bit like Navy SEALS. The shit Gulag was pulling in this book would have gotten him shot back in Afghanistan already… and to add insult to injury, Vadim is an idiot incapable of leading a pack of 5 year old’s, least of all a squad of elite soldiers. He has no authority, no personal charisma, and he doesn’t command respect. He is a joke. Fraulein was a more believable commander than him. Come on, author, you could do better than this.

But even the more than subpar protagonist would have been okay. I was looking for gruesome zombie fun, after all… only we didn’t really get much of it after the escape from NY. Mostly it’s people vs. people with the walking dead as a distraction.

Also, the author seems to forget his protagonists are zombies half the time, only remembering their “condition” when it’s convenient. They go from barely being able to keep their sanity every time they are in proximity of human beings to spending weeks with over 100 live humans on a boat. Not to mention that Princess is still alive and by the end, it didn’t seem to bother the rest of them anymore.

Not to mention that being zombies doesn’t make them superpowered. They are dead. They should start decomposing by now. And there is only so much punishment a dead body can take before it isn’t functional anymore. Yet they walk, talk, shoot, etc. without any problems even over a week after turning… after being shot at, beaten, etc. Yeah, my disbelief meter was slowly reaching boiling point.

At this point, I was still resolved to drag myself painfully across the finish line. But then the author introduced fake (and not so fake) Nazis… in 1980s England. Yeah, no. The level of stupid just overwhelmed my desire to finish the book. Welcome to the DNF graveyard.

PS: Thanks to Netgalley for providing a copy of this book in exchange for an honest review.

The living dead by george A romero

2 out of 5 stars

I was excited to read this book, because I loved the Dawn of the Living Dead and I think that George Romero pretty much invented the zombie apocalypse genre. So I was eager to start the book as soon as I got the ARC from NetGalley, but my excitement soon turned into bewilderment, the disappointment.

First of all, this book is way too long at 700 pages and it feels a lot longer when you read it. At least 250 pages could have been safely cut without loosing any plot, which says something. In all the chapters, action scenes are constantly interrupted by characters’ introspection, flashbacks, and philosophical musings. The worst offender is the scene of their “softie” recovery towards the end of the book which is interspersed verbal accounts by all characters present of how they got to that particular point in time. This makes this one scene last over 100 pages! It could have been tense and heart-pounding, or even deep and poignant, considering their mission, instead it’s a snooze fest. When we finally reached the end of that scene, I wasn’t even sure why the characters were there anymore or why I should have cared.

That’s another problem – of all the impressive cast or characters, I could maybe sorta care for about one or two, and even that is pushing it. To my growing disappointment, almost all the characters I cared about died in the early stages of the book. I would have much rather followed Jenny than Nakamura, especially considering the stupid way she died and that we had to then follow the story of the person who killed her.

The biggest problem though is that when George Romero died, somebody else had to finish the book, and the two parts do no gel well, at least in my opinion. And you can clearly see where the original book ended and the new chapters began – instead of continuing the story in its logical progression, the new author chose to jump 15 years ahead. That wouldn’t have been too bad. A lot of books use this plot device, after all. Unfortunately, it doesn’t work well here.

I was expecting at least some kind of character growth or change between the two parts of the book. After all, nobody stays the same during 15 years. Heck, I’m not the same person I was 15 years ago, and I didn’t have to live through a zombie apocalypse. But these characters, it’s like they were frozen in time for those 15 years. NOTHING changed for them. They still act the same, have the same motivations or quirks, heck, some of them are still hung up about a lover they lost 15 years ago. That’s why the two parts don’t gel for me. You tell us over a decade has past, yet you don’t SHOW us that, not with your characters.

And that’s the biggest problem of the second part of the book for me. Because of that time jump, instead of following the characters through their struggles in this brave new world past the initial days of the zombie uprising, we have to listen to them recount the experience… as a series of interviews. This is the classic mistake of tell, not show. Sure, some authors managed to use this technique brilliantly (just think of World War Z, which is nothing but interviews and verbal accounts of things that already happened), but it DOESN’T WORK here. Sure, the characters are telling these stories, but as a reader, I am not emotionally invested in them, especially considering that the sometimes horrible things they recount didn’t seem to change them at all.

So by the time I got through the interviews and the slog of a “softie” recovery scene, I wasn’t really invested in the book anymore. Why should I care about Richard and the vote for the leader of Old Muddy? I didn’t get a chance to follow the characters while they met and bonded and built that settlement, so I wasn’t emotionally invested in the stakes anymore. I finished the book, but at that point it was out of cheer stubbornness – I was 85% done and didn’t want to quit this close to the end.

To summarize, this is an over-written, disjointed and disappointing book. The only reason I gave it 2 stars instead of 1 is because there was one glorious chapter that I absolutely loved – the chapter with Greer at the trailer park in the very beginning of the book. That was scary, heart-pounding and horrible just like the best zombie books should be. Too bad that nothing that happened afterwards would even come close.

The Rising Dead by Devan Saglian

Stars: 2 out of 5

I like to indulge in a good old zombie book from time to time, and I was fresh out of zombies (no pun intended), so I decided to give this book a try. After all, it had a lot of glowing review on both Amazon and Goodreads… I don’t know why.

Seriously, the story is cookie cutter zombie outbreak: evil corporation plays with viruses, but something goes wrong and the strain escapes. Cue brain eating zombies everywhere. Don’t get me wrong. I don’t mind a predictable story in the zombie-verse. After all, there are only so many ways to make a brain eating undead.

The story can be predictable as long as the characters living (or dying) in these events are interesting, fleshed out and likeable (or hateable) enough for me to want to see who meets their gruesome end and who survives despite all odds. Unfortunately, this book has nothing of the sort. All characters are cardboard cutouts with about as much personality. You can just put labels on them and be done with it: the shy geek, the college baseball jock, the slutty partying girl, the meek girl who gets eaten first, the grizzled paranoid war veteran, etc. They are all essentially faceless and characterless, and I didn’t feel any connections to any of them. Oh, someone else got eaten by zombies? Good for them!

And to add insult to injury, the story is riddled with inconsistencies and plot holes. For example, the patient zero gets infected by just spilling some of the virus and inhaling it because he didn’t have his mask on. So then the pathogen is airborne, right?.. Nope. After that first time, ALL other victims are infected through direct contact only – you get bitten, you turn. So why would the virus suddenly change its MO? Why mention it in the first place? It makes no sense. Patient Zero could have been bitten by a test animal, had a fresh papercut and a hole in his gloves, etc. Possibilities are endless…

The final nail on the coffin for me was the lack of editing. And I’m not talking about spelling and grammar here. I can deal with that if the story is worth it. I’m talking about the constant “head hopping” in the middle of scenes. We would listen to the POV of one character, then suddenly hop into the head of another for 2-3 lines, then go back to the first character. It happened so many times it gave me whiplash. You can write a book with different points of views, but be consistent throughout your scenes!

So to summarize, I finished the book, because it was a slow day and I was particularly bored. But I will not give my money to read the sequel. If I want good fast zombies, excellent action scenes, and characters I can actually care about and be sad when they get bitten, I’ll rewatch Train to Bussan.

The Girl with all the Gifts by M. R. Carey.

Stars: 5 out of 5.

 

Can I just take a moment to say just how much I loved this book? It is rare to find something new in the overly saturated zombie apocalypse genre, so The Girl with all the Gifts was like a breath of fresh air. I loved the premise, I loved the story and the characters, and I loved the author’s unique take on the whole people turning into zombies trope.

Melanie’s life is a well-oiled routine. Every morning, she waits in her cell to be collected by armed guards and taken to class. She likes her classes. She learns all sorts of things about history and the world outside the Compound, a world she will probably never see, even though she likes to imagine herself exploring it when she lays in her bed during quiet time. Her teachers tell her that she was found wandering out there one day, but she doesn’t remember. They tell her that she is special. They call her “our little genius”, but the guns the guards keep pointed in her direction and the fear in their eyes tell her that there is more to the story than she suspects…

I love zombie apocalypse books, whether they are the “OMG shit just started happening and nobody knows why” genre or the “the world went to hell twenty years ago, how do we pick up the pieces” genre. My only requirement is that I get an interesting story with strong characters and no Deus ex machina in the end. And no gratuitous splatter gore that does nothing to advance the story. And that’s where a lot of books in this genre loose me, because a lot of authors concentrate on the horror of the situation (or the joyful elimination of throng upon throng of shuffling zombies) and forget that a story is first and foremost about people and how they change when faced with horrible situations.

That’s what I loved about this book. Since the world as we know it ended over twenty years ago, humanity has already come to terms with what happened, discovered why it happened and is how trying to recover and maybe find a cure. So even though the book doesn’t have the life or death urgency of the first days of the zombie outbreak books (at least in the beginning), this gives the author a chance to explore the drastic changes such an event would bring to the world and our civilization.

I liked the fact that we know what cause the outbreak. I like the fact that there is a scientific explanation that doesn’t sound too farfetched because it makes this story even more chilling. The hungries are not really zombies in the classical sense – they didn’t die and come back to life, they were overtaken by a parasite instead. So they are still alive, even though the parasite is the one at the wheel. And none of these half-rotting, shuffling nonsense either. The Hungries are fast and once they latch to your scent, they don’t stop until you kill them or they feed on you.

I also liked the overall message of this book that this outbreak isn’t something that can be reversed, that it’s only the next step in the evolution of our planet and of the human species as well. Yes, humans as we know them will perish and the first generation of hungries, but the next generation will be like Melanie -smart, strong and capable of individual thought, even though they will still be parasite carriers. Earth will be different than what we know now, but life will carry on and humans will still walk it.

I am actually really interested in revisiting this world and seeing what became of it say 10-20 years after the end of this book, so I am definitely preordering the next book in this series, The Boy on the Bridge, which comes out in May 2017.