Tag Archives: #horror

Goblin by Josh Malerman

 

Stars: 3 out of 5

This was a meh kind of book. It’s a series of short stories book ended by the story of a delivery driver bringing something terrifying to the city of Goblin. The short stories are related only by the location where they happen – the city of Goblin on the same particularly rainy day and night. 

I think that was one of the reasons the book was kinda meh to me. Yes, Goblin in itself is an interesting, if rather unhappy place. A place for the spirits. A place where humans were never supposed to settle and thrive. The short stories illustrate the eeriness of Goblin perfectly. Problem is, they don’t do much more than that. 

I read a book mostly for the characters and then for the worldbuilding. I notice that I tend to lose interest if I don’t have anybody to root for. If I don’t have a tour guide through the world the author is showing me. And that’s what happened here. Goblin is a fascinating place. Unfortunately, the people who live there are a lot less so.

We read stories of several different people who are not connected to each other, so it’s already hard to figure out why we should follow these characters or even care. Those stories are also not connected at all to the prolog, where a delivery driver is bringing something to Goblin. Something horrible… Well, Goblin already has plenty of horrible things. There is the Goblin police, the Witch of the North Woods, the owls, etc. So by the time that horrible thing finally reaches Goblin, it’s rather anticlimactic. It’s just another monster to add to a city already full of them. What’s the point?

Also, none of the stories we read about have any real resolutions, apart from the story of the man who was afraid of the ghosts. That one, we see to it’s logical conclusion. The rest of them leave is suspended in the air, without an explanation or a conclusion to them. I’m still waiting for the other shoe to drop, so to say.  And the arrival of this great terrible thing in the end isn’t enough to satisfyingly end any of those stories. 

In conclusion, it was an okay book to pass the time with, but I probably won’t remember what it is about in a month or so. This is the third book by this author I’ve read and found rather underwhelming, so I think I’m just not the intended audience here. A lot of people love these books, so your mileage might vary. 

PS: I received a free copy of this book from NetGalley in exchange for an honest review.

The Deep by Nick Cutter.

Stars: 3 out of 5.

 

I am hard-pressed to grade this book, because I loved it… until I didn’t. And that “didn’t” came in the last 1/3 of the book, including the ending.

 

The premise of The Deep is very promising. There is an incurable disease called the GETS that slowly kills people. First you start forgetting little things like where you put your keys or the name of your boyfriend in high school, then you forget more essential things like how to feed yourself, until you forget how to breath or your heart forgets to beat. It’s always lethal and nobody knows what causes it. But there might be hope for humanity. A substance has been discovered deep in the Mariana Trench that might be able to cure the GETS. A group of scientists had been lowered down to study it in a high tech habitat called the Trieste. Only the base station above has lost contact with Trieste several days ago, and then a horribly broken body of one of the scientists surfaced in the bathyscaphe that had been attached to the habitat. Two people are sent down to investigate what happened. They will face more than just crazy scientists and the crushing pressure of the depths.

 

As I said, I started really liking what I was reading. Loved the main characters and the world Nick Cutter built. Can’t say anything bad about the language either. I read the first 2/3 of the book in two days. It took me a whole week to finally bring myself to finish it. But I need to mention that I don’t think it’s because the last third of the book is bad. I think it’s just that I really didn’t agree with the choices the author made and what he made his characters do.

 

Without going into details, because that would be a huge spoiler, but I don’t think anyone would make the choice the protagonist makes in the end, no matter how crazy they become. There is no mistaking that evil thing for his son. Sorry that’s just not plausible.





 

I have two other gripes with this book.

 

The first one is also deeply personal and might not put off other readers. But for me, there were way too many flashbacks in this book. I understand that they are necessary and an important part of the story, and that the reader wouldn’t understand what’s going on without at least some of them. But they are just too long! And they break the narrative, killing the suspense. I mean one chapter we are on board of the positively creepy Trieste and the tension can be cut with a knife… and then we have a whole chapter about the day the protagonist’s son disappeared. Once we come back to the Trieste, the tension is gone, flushed down the drain.

 

My second gripe is how the characters behave. I mean they are both smart people, they both come to the realization that weird s%&t is happening on board of that station, and that they are more susceptible to it when they are alone. So why oh why do they think that separating and wandering off on their own is a good idea? And why did the author use that tired old trope from every bad slasher / horror movie ever? Especially if bad stuff repeatedly happens when they do it, surely after the third time they would have worked out that staying together might be wiser?

 

*Deep breath*

 

So to summarize, it’s a well-written book with an interesting story. Some of the things in it didn’t work for me, but that doesn’t mean they wouldn’t work for other readers. So I would say, if you like horror, you should give The Deep a try.

PS. This review is for an advanced copy I got from NetGalley.

Pines by Blake Crouch

Stars: 5 out of 5

Blake Crouch says that Pines was inspired iconic TV series Twin Peaks. He wanted to capture the same eerie atmosphere of a  small town that seems perfectly ordinary on the surface, but where something isn’t quite right. I must say that he succeeded.

Ethan Burke is a federal agent who arrives to the small town of Wayward Pines looking for two fellow agents who have gone missing. Within minutes of his arrival, his car is t-boned by a truck. When he comes to, he is in a meadow in the outskirts of Wayward Pines, with no cell, no ID, no wallet and no firearm. He is badly bruised and has a horrible headache. He remembers the accident, but has no idea how he ended up in that meadow instead of a hospital. He is hurt and confused, and the inhabitants of Wayward Pines, who seem friendly enough, aren’t all that eager to help. And why do all the roads out of town just loop on themselves? And why is there a tall electric fence barring the only exit out of the valley?

I loved how the author managed to make the reader feel Ethan’s confusion. He is hurt, he has blackouts, he can’t remember his home number or even his wife’s cell. At several points in the book, he starts doubting his sanity, and so does the reader. I caught myself wondering if this was just a dream, or a hallucination brought by the accident and post-traumatic stress disorder.

Ethan feels that something isn’t quite right, but he can’t put his finger on it. So he tries to contact his superiors back in Seattle, but is given the run around. He tries to get his possessions back, but the hospital staff says the sheriff has them, while the sheriff is sure the EMTs have them, and the EMTs are nowhere to be found…

So the reader struggles with Ethan to understand what is going on and what kind of dark secret hides behind the sunny facades of Wayward Pines. Or maybe there is no secret at all and the local psychologist is right – Ethan is suffering from a mental breakdown.

But then the town itself is positively creepy as well, and Ethan Burke showed this creepiness masterfully. It’s such an idyllic little town with brightly painted Victorian houses and well-manicured lawns, where all the neighbors know each other and everyone is friendly. Like an orchestra playing a perfect melody. Only one of the instruments is slightly off-key. And this discordance keeps reverberating, until the whole melody is ruined.

I loved Ethan as the main protagonist. I loved the fact that he never gave up. That no matter what he was told, he always followed his gut and kept digging until he found out the truth. He was interesting to follow and root for.

I also liked the mystery surrounding the town itself and how the author would slowly uncover more and more details about it. And the more he showed, the creepier it got.

And I also absolutely loved the fact that the ending was NOT what I had expected. The book kept me guessing and turning the pages, and the ending was an absolute shocker.

So the final verdict is – very good book indeed. A must read for fans of Twin Peaks and other creepy mysteries alike.

The Undying by Ethan Reid

Stars: 2.5 out of 5

This review is for the ARC I have received courtesy of NetGalley.

The Undying by Ethan Reid could have been a great book. When I read the blurb, I really looked forward to diving into the book itself. I mean two young American tourists trying to survive an apocalyptic event in Paris, as our civilization falls apart? That ought to be a an interesting read, no? Especially if you add the undying (the author’s version of zombies) into the mix. I love Paris, I love disasters books and I love zombies. So this book was right up my alley.

Unfortunately, my excitement about the premise was quickly dampened by the execution. First of all, the prologue takes place months after the event, and the author tells us right there and then that only Jeanie and the baby will survive. This makes it very difficult to empathize with any characters in the book. I mean why bother caring about Ben, Zou, or Farid if you already know they won’t make it to the end? And even during the episodes when Jeanie is in serious trouble, I wasn’t worried about her, because I knew from the prologue that she would survive. And not being able to care about the characters makes for a very boring read.

The cataclysmic event itself is well described. It was scary to see the familiar topography of Paris transforming into a death-trap for its inhabitants. I also liked the progression of events and how the author slowly plunged our world into Hell. First the light go out, but there is a beautiful Aurora Borealis in the sky, and it’s New Year’s Eve, so nobody pays too much attention to the loss of power, because everyone is too busy celebrating. It’s the next morning, when the skies get shrouded with dust and rocks start falling down, that the chaos really begins. The author built the tension well, with things going progressively from bad to worse, and the appearance of the undying plunging an already scary situation into the realm of cheer terror.

And the undying deserve a special mention. Those “moribund”, which are Ethan Reid’s take on the usual zombie trope, are really scary. Unlike their more mainstream counterparts, they are fast, they are cunning, and they hunt in groups.  In fact, their behavior is similar to a pack of wolves or a pride of lions. Add to that the fact that they can bend shadows around themselves for concealment and that they are very fast learners, and you have a truly terrifying enemy. Most of the memorable moments in the book are tied to the undying, one way or another.  So they deserve the 2.5 stars.

Unfortunately, this building tension is constantly interrupted by Jeanie’s flashbacks to seemingly unrelated events, like the death of her father or the last conversation she had had with him. I understand the need to introduce the readers to her background, but it can be done as a paragraph or two here and there, not a whole chapter thrown in smack in the middle of the action.  By the time I made it through that chapter, all the tension was gone; I didn’t care what happened to the characters anymore.

The author chooses the oddest moments to go into those flashbacks or info dumps. For example, the protagonist and her friends are in the Louvres and they are running out of time. They need to get somewhere safe and underground before the temperatures outside rise to unbearable levels. That moment is full of tension, right? Will they make it? Will the find a place to hunker down?.. Yet the author choses to spend 3 (!) chapters making Jeanie talk to people about what they think happened to cause the disaster. All I wanted to do while I was reading this, was smack the protagonist on the head and yell, “Who cares? You have to get out of here NOW, not speculate on why this happened.”

So when the time runs out and characters start to die, I didn’t feel upset or sorry for them anymore. I felt frustrated with the author, because it felt like the exposition had just been a plot device designed to get rid of some of the characters.

I also couldn’t help but feel that the ending is rushed and rather anticlimactic, like the author ran out of steam and just wanted to wrap up the story really fast.

So The Undying  had sounded like a good book, but turned out a disappointment. But then again, everybody looks for something different in a book, so what I didn’t like, you might love. Personally, I wouldn’t recommend this book, but ultimately it’s up to you to make your own choice.