Category Archives: Fantasy

Jabberwocky by Theodore Singer.

Stars 2 out of 5.

 

I received a free copy of this book in exchange for an honest review, and I really wanted to like this story more than I did.

The premise sounded interesting enough: A young man decides to undertake an epic quest which had been passed from father to son for 500 years. The quest is to find and kill the fantastic beast called Jabberwocky. Even though he has never been further away from home than a 2 days travel distance, he is enthusiastic about what he believes to be the biggest adventure of his life. He will encounter many strange and fantastical creatures on his journey and realize that his quest is not as much about a mystical monster, but about discovering his own worth.

So yes, this had the potential to be a very good tale of self-discovery where the hero, young and idealistic in the beginning of the story, slowly grows up and becomes a real man. Unfortunately, the realization fell short of my expectations.

I feel like a need to put a disclaimer here. I love stories with a strong and memorable voice. If the protagonist doesn’t jump from the page and straight into my head in the first chapter, chances are that I won’t finish the book. Unfortunately, Jabberwocky has no voice.

Oh, don’t get me wrong, it’s well written. The descriptions are beautiful and often even nostalgic. It feels though, that the author sometimes gets carried away by the strange places he is describing and the action slacks off. It’s a short novella, but I had to force myself not to skip ahead in some passages.

My problem is that I couldn’t empathize with Astreus. I couldn’t “see” him. Even after I finished the story, he remained a faceless name for me. It’s hard to follow a character you don’t care about.

I think the main reason for this is that the writing is too formal and indifferent shall I say? The author uses exactly the same voice to describe the city of cats and the island of immortals. But in the first place, Astreus just spends some time helping a cat in exchange for information on the Jabberwocky, whereas on the island, he encounters his first love and his first betrayal that almost brings him to suicide. Where is the passion and the desperation of this? I felt absolutely nothing.

My other problem is that the dialogues feel stilled and staged. Once again, everybody Astreus encounters talks the same, whether it’s a cat or an old noble who spent most of his life locked in his castle. A highly educated cat with a passion for chess cannot use the same words and phrases as a noble who barely knows how to read and write.

It’s a quick read and I liked exploring some of the places the author’s vivid imagination has created, but the novella would have been much more enjoyable if the writing had a bit more “life” to it.

Moon Called (Mercy Thompson book 1) by Patricia Briggs.

Stars: 3 out of 5.

 

Since I had absolutely loved the Alpha and Omega series (you can read my review of Book 1 and Book 2), I decided to give this older series a go as well. They are set up in the same world after all, and some of the characters play a recurring role in both series.

 

What can I say? I was happy to come back to this world Mrs. Briggs created, because it’s fascinating and the worldbuilding is very well done. It’s a world where the fae have come out into the light of day, and now the whole world is trying to live with the consequences. And the werewolves might be forced to do that as well, because with the medical and technological advances, it’s getting harder and harder to keep their existence a secret. I was also happy to learn a bit more about pack structure and the complex hierarchy between the dominants and the submissive wolves and what it meant to be an Alpha.

 

I was NOT impressed with the role of women in this structure.  They are basically just an addition to their male mates (oh, not traditional relationships are also frowned upon). So if a dominant female mates with a submissive male, she is treated like a submissive wolf on the very bottom step of the hierarchy ladder. And if she is not mated, she is treated like an object to be protected / courted / dominated. Not cool, Mrs. Briggs, not cool at all.

 

I love Mercy. She is a fun character to follow – she is smart, independent, stubborn and tough as nails. She also loves to do a bit of mischief from now and then, so it’s no wonder that she shifts into a coyote. My problem with this book is that, unless the author plans on making the werewolf packs undergo a significant shift in mentality when they reveal themselves to the human world, if Mercy accepts to become a werewolf’s mate, she will lose everything that makes her such a great protagonist to follow.  She would become just one more female to be protected and robbed of her own agency.

 

And she understands that, that’s why she’s resisting tooth and nail and rejecting the advances of a certain very determined Alpha…  yet she still lives next to Adam, the Alpha of the local pack, and allows Samuel, who is another werewolf and who she used to have (possibly still has) a crush on to move in with her.  And no matter how much she resists and snarls, she still allows both of them to manipulate her and try to decide what’s best for her.

 

This is a very worrying tendency that I really hope not to see in the next book. I am also extremely surprised to see this kind of one-sided approach to relationships in this book, because it’s diametrically opposite to the relationship Anna and Charles have in Alpha and Omega, and they are part of the same world, after all.

 

The other thing that dampened my enthusiasm for this book is the love triangle between Mercy, Samuel and Adam. Or is it a rectangle, if you take Stefan the vampire into consideration as well? But that’s a particular pet peeve of mine. Call me naïve or deluded, but I believe that if you can’t choose between two people you supposedly love, then you don’t love either one of them. But that’s a personal quirk, and plenty of people love reading about love triangles it seems – just look at the YA shelves.

 

Anyway, I liked Moon Called, but definitely not as much as I loved the Alpha and Omega series.  I will probably give the second book a go, but if the worrying tendencies I’ve seen in this book persists, I might drop this series altogether and just read about Charles and Anna.

Radiant (Towers Trilogy Book 1) by Karina Sumner-Smith.

Stars: 5 out of 5.

 

This book is a rare mixture of post apocalypse and anti-utopia with magic and even zombies thrown into the mix. It takes an exceptionally good plot and a strong protagonist to make such an mixture work, at least for me, but Karina Sumner-Smith hit the bulls eye with this novel.

 

This is a story about choices and consequences. It’s about growing up and realizing that sometimes the wellbeing of another person is more important than your own comfort. But more importantly, this story is about a true friendship between two very strong but very different girls. Xhea is a girl without magic in a world where everything and everyone lives and breathes magic, but she can see and talk to ghosts when normal people don’t even believe that they exist. Shai is one such ghost, but a ghost that is vibrating with magic when no ghost should be able to generate any.

 

There isn’t much backstory about the world Xhea and Shai live in, which actually makes sense, because Xhea has no way of knowing what brought in the cataclysm that left the extensive ruins she lives in. There are the Towers – beautiful floating semi-organic structures where those who were lucky enough to be born with strong magic live. They live in symbiosis with those Towers: they create and maintain them with their excess magic and in exchange the Towers give them a home and a place to belong. There is a complex web of politics and commercial treaties as well as non-aggression pacts between the Towers. Their citizens live sheltered lives of privilege compared to those who inhabit the Lower City.

 

Anyone who doesn’t possess enough magic to be useful to a Tower is cast down to try and carve a life out of the crumbling ruins of the ancient City that sprawls on the harsh and barren ground below the towers. But even here, on the ground, the level of your magic is important and the stronger spell casters are recruited by the communities living in the husks of several skyscrapers. There, much like in the distant Towers above, magic is the only currency. You can get a meal and a place to sleep for a few renai – plastic pieces infused with the caster’s magic. You can get more if you sign a servitude contract with the skyscraper that sheltered you.

 

Xhea doesn’t fit into this world no matter how much she would love to because she has no magic at all, not a glimmer, not a drop. To everybody else in this society she is worse than useless – she is a burden, an oddity that is to be ignored or eliminated. She manages to stay on this side of starvation by offering her services to those who want to get rid of their ghosts, or who want to talk to them. Business isn’t booming because not many people believe in ghosts, even if the more magically sensitive can sort of feel their presence next to them. Xhea is jaded and bitter and very much out for herself… until a well-dressed man from the Towers asks her to keep the ghost of his daughter for a few days in exchange for renai and food rations.

 

I loved Xhea. She comes across as rude and selfish at the beginning of the book, but, as I described earlier, she has every reason to be. She’d had to survive on her own for most of her life, and the only time she really cared for someone, that person ended up abandoning her. But she evolves. She changes. She goes above and beyond what’s asked of her to help Shai once she discovers what fate awaits the ghost.

 

Shai is a wonderful character as well. She could have been a typical damsel in distress – stuck and helpless, waiting for Xhea to save her, but the author managed to give her agency as well. Which is no small feat considering that she is already dead at the beginning of this story. Yes, Xhea saves Shai, but Shai saves Xhea as well. They are two broken children who had been hurt by the world around them but who manage to comfort each other and draw strength from one another even in the face of very unfavorable odds.

 

The book itself is very well written. Xhea has a distinctive voice that drew me into the story from the first page and kept me engaged and interested until the very last one. I liked this world and I wouldn’t mind discovering more about it in the next books. And I definitely want to know what happens to Xhea and Shai in the next book.

 

In other words, I will definitely recommend this book to my friends. It’s a must read.

The Singular & Extraordinary Tale of Mirror & Goliath by Ishbelle Bee.

Stars: 5 out of 5.

 

I fell in love with this book. Absolutely and totally. But this will also be one of the hardest reviews I’ve had to write so far. Not because the book is bad obviously, since I loved it, but because it’s so different from anything else I’ve read recently. Heck, I don’t even know what genre to put this book into. Gothic? Fairy tale? Horror? New weird? It’s all of that and none of it at the same time. The Singular & Extraordinary Tale of Mirror & Goliath is a genre of its own, that can be summarized by three words: Weird, wicked, wonderful.

 

First of all, this book tells several different stories, some shorter, some longer, but all of them are intertwined and influencing each other.

 

The first story is about Mirror who is and isn’t a little girl. When she was 12, her grandfather locked her inside a big clock painted with ladybirds. When Constable Goliath rescued her out of the clock several months later, she was no longer human, but something else entirely. What, nobody knows, not even her. And Goliath himself is not entirely human either. He is a shapeshifter who can become may other things, like a great big bear or a giant eagle.

 

The second story is about Mr. Loveheart, who used to be an ordinary little boy until the day his aunt poisoned his mother, and Mr. Fingers, the king of the underworld, killed his father and took him into his domain. Now Loveheart has eyes black as tar, wears red hearts on all his clothes and isn’t entirely sure that he still has a heart. He is also pretty sure that he is at least half-mad.

 

When Mirror appears in London, Mr. Fingers sends Loveheart to find her, because he wants to eat her heart and capture the soul she holds inside her. The soul from inside the grandfather clock.

 

This books reads like a fairy tale in parts, but not the sanitized and cheerful version of fairy tales that we got used to see from Disney. No it’s the real deal, the Brothers Grim and Andersen tales where the Little Mermaid sacrifices her life to save her Prince in the end and he never even learns that she loved him.

 

It’s also part horror story, because some really horrible and macabre things happen to all the characters. I mean, the little girl who became Mirror died inside that clock before she became something else. And one of Mr. Fingers other “sons” is the famous Jack the Ripper.

 

I loved the language in which this story is written. It’s simple and clear, but beautiful and poetic at the same time. I could really see, feel and smell everything the author described. And those pictures were strangely beautiful and scary at the same time.

 

This whole book was similar to one of those strangely vivid dreams you have sometimes. Dreams that are so real that they cling to you like smoke tendrils even after you wake up and leave you with the feeling that you had touched a secret world in your sleep.

 

I admit that this kind of book is not for everyone. Some will probably hate it or think it’s too weird for them. But I would definitely recommend it to everyone who used to love fairy tales when they were a child. My opinion: definitely a must read and re-read!

PS. I had received and advanced copy of this book from NetGalley in exchange for an honest review.

Hunting Ground (Alpha and Omega book 2) by Patricia Briggs.

Stars: 5 out of 5.

 

I was a bit apprehensive when I started Hunting Ground. I loved Cry Wolf, the first book in the series (and you can read my review here), as well as the short story that told us how Charles and Anna met. I was scared that the next book wouldn’t be as good, and that I would end up disappointed with the series. Thankfully, that didn’t happen. If anything, I loved Hunting Ground even more than Cry Wolf.

 

The events of Hunting Ground take place just a few weeks after the first book, and all the characters are still dealing with the aftermath of their confrontation with the witch that almost destroyed the Marrok and his pack. But they don’t have the luxury to lay low and lick their wounds because the Marrok has decided to make the existence of werewolves known to the general public, just like the fae have done a few decades ago. The advances in science, technology and medicine leave him no choice – it’s just a matter of time before they are discovered anyway, so the Marrok wants to do a preemptive strike and “come out” on his own terms.

 

Since he is the Alpha of the North American pack, his decision is law, but he decides to call a summit in Seattle as a courtesy to the European, African, Russian and British werewolves, because this decision will impact them as well. The werewolves are coming out of the closet and that is not up for discussion, but Bran is willing to offer terms and aid to the other packs to mitigate the backlash of this announcement.

 

Only the spirits tell Charles, in no uncertain terms, that if the Marrok attends the summit, he will die. So after a lot of werewolf-style discussions (aka lots of snarls, fighting and broken furniture) and a little help from Omega wolf Anna, Bran finally decides to send Charles and Anna in his stead…

 

The story itself is interesting enough, and we get to meet a lot of different werewolves, both dominant and submissive, as well as another Omega. It was interesting to learn more about the structure of werewolf packs and their society, as well as the interaction between different Alpha wolves. The author also reveals more details about what makes an Omega so special and why using Omega powers can be bad in some situations.

 

Oh, and the villain was not who I had expected, so that was a nice plot twist.

 

But what sucked me into this series and kept me reading book after book is the relationship between Charles and Anna. I love how wonderfully detailed those two characters are, and how their backgrounds impact their actions and their perception of the world. More importantly, I love how they grow and evolve in this series so far.

 

They are still pretty much newlyweds, and their past experiences don’t make married life easy. Anna had been raped and abused by her first pack and still has problems with intimacy. Charles has been a loner most of his life. He is used to being treated with fear and disgust because he is the Marrok’s enforcer, the cold-blooded killer who will hunt down and eliminate anyone his father orders him to. He has no friends, because he never knows when he would have to kill someone he’d called friend just a few days ago. So it’s easier for him to build a wall and not get attached to anyone.

 

Needless to say, they both struggle with everything that being a couple entrails. But what I love about this series is that they work on these problems. They don’t just go skulk in different corner after a fight or a misunderstanding. They sit down and talk it out until they uncover the underlying problem and agree on how to make things better. They are a couple, yes, but they are also equal partners, and their relationship is based on mutual respect as well as love.

 

I also love the fact that even though Charles is extremely dominant (he is only a little weaker than the Marrok himself, which makes him the second strongest wolf on the American continent) and has a protective streak a mile wide, he never tries to dominate Anna or to smother her with his care and protection “for her own good.”

 

Oh, the impulse is there, and his protective instincts scream at him a lot. He is just wise enough to stop and think about whether locking Anna in their hotel room or forbidding her from joining the hunt is really the best solution or if it’s just his fear talking. And in the end, he always choses to let Anna do whatever would help her become stronger, even if it means letting her participate in a hunt with a bunch of other Alphas.

 

Anna grows tremendously in this book as well. She finally comes to terms with being a werewolf and an Omega. She even starts using her powers to help Charles and her pack. She also faces her own fears and insecurities. Anna is a very calm and level-headed person, some might even call her passive, but she is no doormat. There is a steal core of resolve under that soft exterior. So it is perhaps symbolic that it’s not Charles, the Marrok’s enforcer, who defeats the antagonist in the end of this book, but shy and broken Anna. I loved the way she does it as well. In fact, I loved that whole scene.

 

My only complaint is how one-dimensional the character of the Beast of Gévaudan, Jean Chastel, was. He is too much horrible bad wolf, maniacal murderer. All darkness and no light. He is so evil he reads like a caricature, especially compared to all the other well-developed characters in this book. I think that he would have been much more interesting if Mrs. Briggs had added a bit more ambiguity to his character.

 

All in all, I will definitely recommend Hunting Ground to my friends, and I can’t wait to start the next one in the series.

Authors who changed my life – Sir Terry Pratchett.

I have decided to start a new series of blog post where I would try to share with you some of the authors who had a significant impact on how I perceive the world. Some of them you will probably have heard of or even read, but others might be a discovery.

 

I want to do this because as authors, we don’t just read books for fun – we usually try to learn something from each and every one of them, even if it is not to make the mistakes that particular author made. But some authors go even further than that. Some authors touch something deep inside us. Their work resonates with something in our hearts and minds and ends up changing us.

Sir Terry Pratchett
Sir Terry Pratchett

For me, Terry Pratchett is one such author. I stumbled into his books during a rather bleak period of my life and I can say with absolute certainty that his dry humor pulled me out of some dark places. There were days when reading about the fantastical world of Discworld was the only bright spot in my day.

 

But this is not the only reason I love Terry Pratchett books so much. Yes, they made me laugh out loud sometimes and just chuckle most of the time, but underneath all that humor and sometimes ridiculous premises, they imparted some very insightful grains of wisdom that made me pause and think… then change the way I see the world.

 

So now I want to introduce my readers to this wonderful author who, sadly, has left us in March.  He has led a long and interesting life, as his Wiki page would tell you, and left a legacy of over 60 books. All of them are good and all will make you laugh or cry, but always teach you something. You can look at his Amazon page for the list.

quote-Terry-Pratchett-light-thinks-it-travels-faster-than-anything-44296

Most of Terry Pratchett books take place on Discworld – a world that is literally a flat disk riding on four elephants standing on a great turtle who travels through space in search of a mate. Legends say that when that happens, the world will end, though debates abound on that subject, the main point of contention being whether the turtle is male or female. So of course, the rules of physics don’t really apply in this weird world. Rules of magic do instead, when they feel like it, that is…

 

And this is the first lesson Sir Terry Pratchett taught me as a writer – no matter how fantastical your world is or how ridiculous the rules are, once you have explained them, you have to STICK with them  till the end. Because everything that happens on Discworld makes perfect sense in the limits of that world’s logic. Always.

 

Another big lesson I learned is that characters are paramount, and creating memorable characters is essential to a good story. Now my immersion into the universe of Discworld didn’t start with book one (though I came back and read it eventually). The very first book I read was Guards! Guards! And to me the series about the City Watch of Ankh-Morpork will always remain my favorite. Because it introduced me to some wonderfully broken, twisted, but also noble characters, one of which is a 6 foot tall adopted dwarf named Carrot, who might or might not be the long lost Heir of Ankh-Morpork defunct ruling dynasty.  It also introduced me to Captain Sam Vimes, a jaded, bitter, tired guard who had seen everything bad and dark that his city can throw at him but who still LOVES it and will do anything to protect it and its citizens.

RIP Sir Terry, you will be missed.
RIP Sir Terry, you will be missed.

This is also the series that gave us Men at Arms, in which the city of Ankh-Morpork introduced the Equal Species Act and wonderful characters like Angua the werewolf, Detritus the Troll and Cuddy the Dwarf joined the motley crew.

 

And if following a bunch of guards who try to fight crime in the most dangerous city of the world is not really your cup of tea, I would recommend reading The Wee Free Men. This book shows us that becoming a witch doesn’t involved going to a fancy magical school and waving a wand around for 7 years. A real witch has to have the common sense to see that something is wrong and the courage to do something about it. A real witch says, “This is my town, those are my people, and I will NOT let you harm them.”

 

No matter where you start your acquaintance with Discworld, Terry Pratchett books are guaranteed to make you laugh, make you feel better about your life and your day and teach you a thing or two in the process.

Cupcakes, Trinkets, and other Deadly Magic y Meghan Ciana Doidge.

Stars: 2 out of 5.

 

I was so excited when I picked up this book! For once, the protagonist is not an almighty witch, but just a half-witch who prefers making cupcakes and a trinket or two to conquering the world of magic! “How refreshing,” I thought. I like trinkets. I love cupcakes (maybe a little more than I should). And I was really looking forward to reading about a down to earth heroine for once.

 

Unfortunately, I was sorely disappointed. Jade turned out to be one of those protagonists I don’t really want to read about: the special snowflake. She seems ordinary at first, but ends up being so unique that the author flirts dangerously close with the dreaded “Chosen One” trope.

 

Her father is unknown but it’s hinted throughout the book that he is definitely not human, which makes her half-witch, half-something else and this something seems to be powerful. Her family lied to her to keep her past and abilities hidden, supposedly for her own protection, but no justification for that is given in this book. She can sense and identify other people’s magic and that makes her extremely desirable for other magical beings for some reason? Once again, no justification is given as to why that would make her important. And there is a hidden portal in the basement of her bakery only she can open.

 

Oh, and I forgot to mention the plethora of extremely powerful, extremely magical, and extremely hot-looking guys that seem to fawn all over her throughout this book for no other reason than her magical uniqueness. Because the author makes sure to tell us that Jade is no great beauty.

 

Story-wise the book is pretty straight-forward as well. Magical beings are found murdered and Jade’s trinkets have been found on all the bodies, so naturally she is suspect number one. Queue a lot of running around with (or away from) some really hot really magical guys and poking at things that don’t need to be poked. I guess that’s supposed to be an investigation. Funny how Jade never things about looking closer to home for the culprit.

 

And that’s my other problem with this book. The ending is predictable and the antagonist is hinted upon with such heavy strokes that she might as well have been jumping up and down and holding a board saying, “I’m the villain.” Yet Jade is totally oblivious of this until the very end, which made me groan and wonder at her lack of brainpower and observation. It’s one thing to be trusting and another to be willingly obtuse.

 

This book gets 2 stars instead of 1 because it was well-written. I didn’t see any glaring grammatical errors and Jade actually has a voice, even if it’s an annoying one at times. And it is an easy read – I finished it in a little over a day. Unfortunately, it’s just as easily forgotten because of the little substance this book has.

I wouldn’t recommend it. There are plenty of better paranormal romance / urban fantasy books out there worth reading instead.

 

Wicked Misery (Miss Misery book 1) by Tracey Martin.

Stars: 2 out of 5.

I’m always apprehensive when I start a new series, because you never know if you will like the world and the characters. And I usually try to stick with the series for at least 3 books or so before I decide to drop it, because the first book has the difficult and thankless task of introducing the reader to a brand new world. So even if I am not particularly trilled with book 1, I am more than willing to discount some of my misgivings and give the series another chance by reading book 2… That is if I like the protagonist enough to stick with him / her for another book.

Unfortunately, that is not the case with Wicked Misery.

Oh, don’t get me wrong, I loved the worldbuilding for this series. The fact that we have a different kind of supernatural beings than vampires or werewolves is rather refreshing. It’s also interesting to read about a world where the preds and other supernatural beings are known and more or less integrated into society.

My problem with this series is the protagonist, which is a deal breaker when you are stuck observing the whole story through her eyes. Jessica Moore is a classic case of how the character has to constantly do stupid sh@t to drive the story along. I mean, I understand that the protagonist has to make mistakes, get burned and rise to the challenge, but a good protagonist also has to LEARN from those mistakes and get better, or at least not repeat them over and over again.

In Jessica’s case, she doesn’t seem to learn. AT ALL. And while this might be endearing the first time or two, it gets extremely annoying by the end of the book. She is in deep trouble, framed for a series of gruesome murders, wanted by all sorts of powerful people because of that. Yet, she absolutely refuses to listen to the people who try to help her with this problem. People whom he ran for help in the first place, I might add. It’s like she landed this whole mess on the satyr’s lap, then can’t seem to manage to stay put and let them deal with it. They tell her to hide and lay low, but she runs off to meet with a goblin who might or might not have pertinent information for her instead… without telling anyone where she is going. Ok, that might work once as a plot device, but later on in the book she pulls the same trick again and goes barging into a Fury bar on her own without telling anyone about again, in the middle of a Griffon raid designed to find her btw.

That’s not endearing anymore, that’s called having a death wish. The fact that she seems to emerge from those encounters unscathed and with no consequences at all indicates poor planning on the author’s part. The fact that Jessica’s little escapades are the only thing that drives the story forward also makes me want to put the book down.

My other problem with this book is the romantic relationship between Jess and Lucen, or what will probably become a romantic relationship between them in later books. It doesn’t work, at least not how it’s written. He is a satyr, so a pred whose whole nature is to incite lust in humans. Jess feels that and despises him for it. In fact, even though she run to him for help, all she does during the whole book is belittle and denigrate him, at least in her head (and since we are in her head, we get to read all of it). Then by the end of the book, after a plot twist I won’t tell you about, her ability to sense preds is dampened and she realizes that she still lusts after Lucen. Light bulb moment for our protagonist – so that wasn’t entirely him, I really want him! So it’s okay to finally be with him. News flash, honey, the fact that you want to jump his bones does not a strong relationship make. Especially since you haven’t really changed your opinion on what he is and what he does.

I think that’s my biggest problem with this book – Jess hasn’t really evolved by the end of it. As a person, I mean. Sure, she learned a bit more about her powers and decided that she would use them for good rather than evil, but that’s as far as the character development went. And since she wasn’t a character I was particularly interested in following at the beginning, it doesn’t make me want to follow her into the next book.

So my verdict for Wicked Misery is – interesting world building, but the protagonist is not my cup of tea. I wouldn’t recommend this series to my friends. There are plenty of other excellent series to read instead.

Cry Wolf (Alpha and Omega book 1) by Patricia Briggs.

Stars: 4 out of 5.

While this book is the first in the Alpha and Omega series, it’s set in the same world as the Mercy Thompson books and has a prequel in the form of a short story that explains how Charles and Anna met. I haven’t read either of those. Cry Wolf was my first introduction to this world and these characters, and I was surprised at just how much I loved them.

I think it mostly has to do with the fact that their relationship is exactly the sort I like to read about. It’s a solid partnership between two mature, albeit damaged people who make actual efforts to work through their problems together and gain each other’s trust and acceptance. Amongst the sea of one-sided, often abusive relationships we see in the paranormal romance books nowadays, stories like that are a sip of fresh water on a parched throat.

It also has a lot to do with how wonderfully complex those two characters are.

So many things could have gone wrong with this relationship. Charles is his father’s Enforcer. He has the reputation of a ruthless killer, ready to put down anyone who threatens the Alpha’s rule and the safety of the pack and not lose sleep over it. He is feared and even covertly despised even by his own pack because of what he does and how seemingly remorseless and even emotionless he is about it.

He rescues Anna from a horrible situation, but at the same time, he yanks her out of a town where she had at least some kind of support system: a job, a few acquaintances that might have been friends, the familiarity of the big city. Now she has no job, no money and is in a werewolf village in the middle of nowhere with nobody to help her if things go wrong. In other words, she is absolutely and totally dependent on him.

When I first picked up the book, I was scared that this would turn into one of those toxic and abuse relationships with Charles being the typical “alpha male” – possessive and jealous, disregarding Anna’s wishes and opinions and depriving her of her own agency for her own protection. Thankfully, this wasn’t the case at all.

Charles might lead a violent life and be forced to do horrible things out of duty to his Alpha father, but he is always treats Anna with respect. She is his mate, but that doesn’t put her in a subservient position in his eyes. To him, she is an equal partner in this relationship. She has a voice and an opinion that he listens to.

Anna is also not your typical female protagonist. She doesn’t go through life kicking ass and taking names. In fact, she is not a fighter at all. And, surprise of all surprises, she actually thinks before she opens her mouth, can assess a situation and knows when saying nothing might be the best course of action. She is the slow and steady river current to Charles’ firestorm. A soothing presence that can ground him. She helps him remember that no matter what the rest of the pack thinks of him, he is not a monster. That all those glances of fear and barely veiled contempt are directed at the façade he has created, not the man that hides behind it.

It’s never a one-sided relationship, because they both give as much as they take. They complement each other and manage to build something beautiful out of the broken pieces of their lives.

… and this is the first review in which I managed to wax poetic about a love story while saying absolutely nothing about the actual plot! It’s not because the plot was lacking depth, I can assure you. It’s just that it paled in the face of those two wonderful characters, at least in my eyes.

So would I recommend his book? Definitely. But I would suggest reading Alpha and Omega short story in the On the Prowl anthology first, otherwise the beginning of the book might seem a bit confusing.

 

The Mirror Empire (Worldbreaker Saga 1) by Kameron Hurley.

Stars: 3.5 out of 5.

There are books that you fall in love with since the very first page. There are books that take time for you to warm up to. There are also books that absolutely fail to keep your interest. Then there are books that have such an enormous potential that you WANT to love them, but have some flaws that seriously dampen that love.

Well, The Mirror Empire falls into that last category. There is so much to love in this book! The world Kameron Hurley has created is fascinatingly complex and unlike anything I’ve ever seen in the fantasy genre before. Too often, we see endless iterations on the worn out theme of elves, dwarves and magicians. Nothing of the sorts here, thankfully. The races are unique and very distinct and they live in a world like nothing I have seen before. It’s wonderfully alien and complex and a delight to explore.

The magic system is rather unique as well. I don’t think I have read about mages who depend on one of the multiple satellites that orbit this world for their powers. Which makes for an interesting dynamic, with different magical schools coming to power with the ascendance of their satellite and waning into obscurity for a few decades when their star moves away.

So as you see, there is a lot in this book to love, at least for me. The problem is that there is TOO MUCH stuffed in one book. Too many locations, too many characters, too many plot lines at once. And because of that, there is not enough worldbuilding. Yes, I never thought I would voice that particular complaint about a book, but with so many things happening simultaneously in so many places, the author doesn’t have time to concentrate on any of them.

The reader is left stumbling from character to character, trying to puzzle out who all those people are and what part of the world they are in and how the heck does it all tie in together? It’s annoying at first and gets extremely frustrating after a while when you discover that almost nothing will be explained the further you get into the book. We will just continue switching POVs and jumping from story to story, desperately trying to figure out how it all falls into the big picture. Usually, I don’t mind doing the leg work. It can even be exciting. The problem with this book is that so many seemingly unconnected stories are told at once, it’s hard to keep up.

And with so many characters to follow, the author doesn’t have time to dive deep and really develop any of them. As a result, I didn’t feel connected to any of them at all. And if I can’t connect to the characters, it takes away a lot of the tension from the story. Because I can’t worry about the fate of a character I don’t empathize with. I think the book would have been noticeably better with half the characters. At least, we would have been able to spend more time with each one of them and get to know them better.

So what’s the take away from this review, you might ask? Is this book worth reading? I think so. Even if it’s only for the wonderfully complex world Kameron Hurley has created. It’s refreshingly new. But if you like character-driven narrative like I do, this book might not be for you.