Stars: 2 out of 5.

I’m always apprehensive when I start a new series, because you never know if you will like the world and the characters. And I usually try to stick with the series for at least 3 books or so before I decide to drop it, because the first book has the difficult and thankless task of introducing the reader to a brand new world. So even if I am not particularly trilled with book 1, I am more than willing to discount some of my misgivings and give the series another chance by reading book 2… That is if I like the protagonist enough to stick with him / her for another book.

Unfortunately, that is not the case with Wicked Misery.

Oh, don’t get me wrong, I loved the worldbuilding for this series. The fact that we have a different kind of supernatural beings than vampires or werewolves is rather refreshing. It’s also interesting to read about a world where the preds and other supernatural beings are known and more or less integrated into society.

My problem with this series is the protagonist, which is a deal breaker when you are stuck observing the whole story through her eyes. Jessica Moore is a classic case of how the character has to constantly do stupid sh@t to drive the story along. I mean, I understand that the protagonist has to make mistakes, get burned and rise to the challenge, but a good protagonist also has to LEARN from those mistakes and get better, or at least not repeat them over and over again.

In Jessica’s case, she doesn’t seem to learn. AT ALL. And while this might be endearing the first time or two, it gets extremely annoying by the end of the book. She is in deep trouble, framed for a series of gruesome murders, wanted by all sorts of powerful people because of that. Yet, she absolutely refuses to listen to the people who try to help her with this problem. People whom he ran for help in the first place, I might add. It’s like she landed this whole mess on the satyr’s lap, then can’t seem to manage to stay put and let them deal with it. They tell her to hide and lay low, but she runs off to meet with a goblin who might or might not have pertinent information for her instead… without telling anyone where she is going. Ok, that might work once as a plot device, but later on in the book she pulls the same trick again and goes barging into a Fury bar on her own without telling anyone about again, in the middle of a Griffon raid designed to find her btw.

That’s not endearing anymore, that’s called having a death wish. The fact that she seems to emerge from those encounters unscathed and with no consequences at all indicates poor planning on the author’s part. The fact that Jessica’s little escapades are the only thing that drives the story forward also makes me want to put the book down.

My other problem with this book is the romantic relationship between Jess and Lucen, or what will probably become a romantic relationship between them in later books. It doesn’t work, at least not how it’s written. He is a satyr, so a pred whose whole nature is to incite lust in humans. Jess feels that and despises him for it. In fact, even though she run to him for help, all she does during the whole book is belittle and denigrate him, at least in her head (and since we are in her head, we get to read all of it). Then by the end of the book, after a plot twist I won’t tell you about, her ability to sense preds is dampened and she realizes that she still lusts after Lucen. Light bulb moment for our protagonist – so that wasn’t entirely him, I really want him! So it’s okay to finally be with him. News flash, honey, the fact that you want to jump his bones does not a strong relationship make. Especially since you haven’t really changed your opinion on what he is and what he does.

I think that’s my biggest problem with this book – Jess hasn’t really evolved by the end of it. As a person, I mean. Sure, she learned a bit more about her powers and decided that she would use them for good rather than evil, but that’s as far as the character development went. And since she wasn’t a character I was particularly interested in following at the beginning, it doesn’t make me want to follow her into the next book.

So my verdict for Wicked Misery is – interesting world building, but the protagonist is not my cup of tea. I wouldn’t recommend this series to my friends. There are plenty of other excellent series to read instead.

Stars: 4 out of 5.

While this book is the first in the Alpha and Omega series, it’s set in the same world as the Mercy Thompson books and has a prequel in the form of a short story that explains how Charles and Anna met. I haven’t read either of those. Cry Wolf was my first introduction to this world and these characters, and I was surprised at just how much I loved them.

I think it mostly has to do with the fact that their relationship is exactly the sort I like to read about. It’s a solid partnership between two mature, albeit damaged people who make actual efforts to work through their problems together and gain each other’s trust and acceptance. Amongst the sea of one-sided, often abusive relationships we see in the paranormal romance books nowadays, stories like that are a sip of fresh water on a parched throat.

It also has a lot to do with how wonderfully complex those two characters are.

So many things could have gone wrong with this relationship. Charles is his father’s Enforcer. He has the reputation of a ruthless killer, ready to put down anyone who threatens the Alpha’s rule and the safety of the pack and not lose sleep over it. He is feared and even covertly despised even by his own pack because of what he does and how seemingly remorseless and even emotionless he is about it.

He rescues Anna from a horrible situation, but at the same time, he yanks her out of a town where she had at least some kind of support system: a job, a few acquaintances that might have been friends, the familiarity of the big city. Now she has no job, no money and is in a werewolf village in the middle of nowhere with nobody to help her if things go wrong. In other words, she is absolutely and totally dependent on him.

When I first picked up the book, I was scared that this would turn into one of those toxic and abuse relationships with Charles being the typical “alpha male” – possessive and jealous, disregarding Anna’s wishes and opinions and depriving her of her own agency for her own protection. Thankfully, this wasn’t the case at all.

Charles might lead a violent life and be forced to do horrible things out of duty to his Alpha father, but he is always treats Anna with respect. She is his mate, but that doesn’t put her in a subservient position in his eyes. To him, she is an equal partner in this relationship. She has a voice and an opinion that he listens to.

Anna is also not your typical female protagonist. She doesn’t go through life kicking ass and taking names. In fact, she is not a fighter at all. And, surprise of all surprises, she actually thinks before she opens her mouth, can assess a situation and knows when saying nothing might be the best course of action. She is the slow and steady river current to Charles’ firestorm. A soothing presence that can ground him. She helps him remember that no matter what the rest of the pack thinks of him, he is not a monster. That all those glances of fear and barely veiled contempt are directed at the façade he has created, not the man that hides behind it.

It’s never a one-sided relationship, because they both give as much as they take. They complement each other and manage to build something beautiful out of the broken pieces of their lives.

… and this is the first review in which I managed to wax poetic about a love story while saying absolutely nothing about the actual plot! It’s not because the plot was lacking depth, I can assure you. It’s just that it paled in the face of those two wonderful characters, at least in my eyes.

So would I recommend his book? Definitely. But I would suggest reading Alpha and Omega short story in the On the Prowl anthology first, otherwise the beginning of the book might seem a bit confusing.