All posts by Elena Linville

I am a Russian-Swiss-American citizen of the world. I have traveled all over the globe then hopped over the big Atlantic pond and moved to North Carolina, USA, where I lived for eight years. But staying in one place for too long is not in my nature, so when the wanderlust called again, I packed my meager belongings and my cat continued my great migration all the say from NC to Texas. So here I am not in DFW area with my cat who strongly believes she is a dog and the Queen and Ruler of the house. I have an 8 to 5 job as an field force training specialist and the rest of the time I write stories “for fun and pleasure,” though most of the time it feels like pulling teeth or bleeding on the page. I have two novels, Of Broken Things and The Choices We Make, which are both in the fully finished first draft stage. I’m currently editing Of Broken Things and letting Choices sit in a desk drawer for a few months. I’m also editing my novella Mists of the Crosswords which is almost ready for beta readers. Looking for a few betas btw who are not afraid to give honest feedback. I have an idea for a serial of short stories called the Eye of the Norns Cicle. The first short story had been published in an anthology, the second story is written down but needs editing, and I’m outlining the next three stories. I think I have enough ideas for 2 seasons of 6 stories each. I also love reading sci-fi, fantasy, dystopia, urban fantasy and post -apocalyptic books. I have been known to pick up a romance or two from time to time, but NEVER in the contemporary or historical genres. I don’t read YA, children books or nonfiction.
NaNoWriMo, random musings, writing

Rant – Why the phrase “I don’t read because I don’t want others to influence my voice” makes no sense to me.

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So I had a conversation with an aspiring author on Twitter the other day, and something that she said just absolutely floored me.

 

She is writing fiction, and her latest project is a science fiction / space opera story. When I asked her what science fiction authors she likes and what books influenced her story, she said the following:

 

Oh, I don’t read fiction. I don’t want other authors to influence my voice.

 

I was shocked speechless at first and could only repeat after the 10th Doctor, “What? What!? What!?!”

What? What?! What!?!
What? What?! What!?!

Frankly, I never shared the fear of some writers that reading books in their genre would somehow “contaminate” or alter their writing voice, but I can understand where they come from.  It’s true that we tend to borrow something from every book we read, especially if we really like it. It can be a story idea, a plot twist or, yes, the writing style, but I don’t think that’s a bad thing.

 

I mean, how can you improve your voice and your writing skill if have nothing to compare them to? How can you ever mature as a writer, if you don’t read a wide variety of books?

 

It’s all good and well to say that you don’t want other authors to influence your own unique voice, but I believe that your voice will stay unique no matter what. Even if you try writing like Charles Dickens or Stephen King, you will still be you, and your personality will still shine between the lines. And by experimenting, you will understand what works for you and what doesn’t, thus improving your style.

 

On the other hand, how can you improve your voice and mature as a writer if you never read? There is no growth if you have nothing to compare yourself with. Sure, you can look back at your earlier works and strive to write better, but how do you know what that “better” is if you don’t read anything in your chosen genre?  How can you even write in a genre if you’ve never read any books in it? That just baffles me.

This would be my living room if we didn't have ebooks.
This would be my living room if we didn’t have ebooks.

I’m an avid reader. I read a lot of books in a wide variety of genres, both fiction and non-fiction. Heck, any time I need to do research for my own stories, I browse the Internet, then I hit the library for reference books. Right now, I’m reading a research paper on Shinto, the traditional Japanese religion, for my fantasy book Shadow Hunters. The spirits in my book are not exactly like the kami and yukai, but Shinto gave me many inspirations, and it’s just plain interesting to learn something new!

 

I am not afraid to “muddy” my voice by reading and being influenced by other writers, because I don’t think that it’s going to happen. I know that sometimes I would read a book and think, “I love how this author handles dialogue. It flows the seamlessly and feels natural.” So I would pay very close attention to how it’s done, then try to integrate that knowledge into my own writing. Does that alter my voice? Yes. Does it make it better? Absolutely!

 

So in my opinion, a good writer needs to be first and foremost an avid reader who is willing to learn from others. Everybody is influenced by everything going around them, be it a TV series they watch, a book they read or a video game they play. All of these influences will show up in our writing, whether we want it or not, but that’s a good thing. If we feed our brain with a steady diet of diverse and interesting entertainment, it will produce some wonderful plot bunnies for us to write about! So read on, get influenced by what others do, evolve! And have fun!

There is no such thing as too many books.
There is no such thing as too many books.
research, writing, writing advice

Let your ideas rest – don’t rush in.

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This blog post is sort of a follow up to last week’s post about my Worldbuilding process, as well as friendly advice to new writers. Since NaNoWriMo is right around the corner, I thought it might be a good idea to talk about why you shouldn’t rush your inspiration.

 

I think it happens to all of us – we get this shiny new idea, and we get so excited about it that we want to drop everything we’re doing (including current writing projects) to start working on this new gem. BAD IDEA. Let me explain why.

Finish what you start!
Finish what you start!
  1. That the surest way to never finish anything.

 

Writing is hard. Finishing a first draft is a long process. It can take months of slow and painful progress to get to the end of a story, and some days it feels like you are making no progress at all. Some days it feels like you have to fight for every word you put on the page. So it’s normal to get a bit tired of the story you are telling.

 

So when this brand new idea aka plot bunny jumps in to your head, of course you want to drop that burden you’ve been dragging for so long and run with this shiny gem. It’s new. It’s exciting. Surely, the process of writing it would be less tedious?

 

Well, even though it might seems so in the beginning, but once you run long enough with this new idea, it will become hard to write as well. After all, that other idea you abandoned for this one has been bright new and shiny at one point as well.

 

So you’ll end up with two unfinished stories that are equally difficult to write. And then another bright idea pops into your head, so you jump ship again… Well, you get my drift.

 

  1. An idea does not a story make.

 

That new plot bunny that just jumped into your head might look all fluffy and cute, but I suggest that you take a closer look. You might notice that it’s malnourished and rather worse for wear. That’s because, most of the time, it’s just a scene, or a character, or a vague idea. Yes, it makes us stop and think, “Oh, that would be so cool!” but by itself, it’s not enough to make a whole book out of. You need to put it in a nice little cage and feed it lots of carrots and other tasty foods so that it can grow and evolve.

Image courtesy Badgirlzwrite.com
Image courtesy Badgirlzwrite.com

Or, in other words, you need to work on that idea, ask questions, discover your world and your characters and, most importantly, the actual story you want to tell. All this takes time. Sometimes a lot of time and research before you are ready to sit down and write the first sentence of your very first draft.

 

  1. Write it down and put it on the backburner.

 

Oftentimes you can’t see the story clearly enough at first, no matter how much you want to start writing. Maybe you have a hard time seeing the characters, or maybe you have no idea where that shiny scene that came to your mind fits in the story, if it fits at all. And no matter how much you poke at it, you don’t seem to get the answers you need.

 

That’s when stepping away from the idea and putting it on the back burner is a good idea. Let it simmer on low heat. Let it percolate into your brain while you finish that other story, the one you have already invested so much time into. I am willing to bet that when you are finally done with it and go back to your new idea, you will be surprised at how much more information you have about the world, the characters and the story.

The attack of evil plot bunnies.
The attack of evil plot bunnies.

That’s when you can sit down and start writing it. Yes, it might be months between the time you get the idea and the moment you actually start working on it, but you would have a finished story under your belt and solid direction where your new story is going as well.

first draft, writing, writing advice

Worldbuilding – my process.

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Paiting a new world, what's more exciting then that?
Paiting a new world, what’s more exciting then that?

After I wrote this post about the importance of worldbuilding, I received several comments on Facebook asking for more examples of my process. Since I’m outlining Shadow Hunters, a story that I will be writing during NaNoWriMo 2015, I have a very fresh worldbuilding example to share, so why not write a post about it, huh?

 

Usually, all my stories start with a scene that just pops into my head in its entirety, like it’s been cut out of a movie. In the case of Shadow Hunters, it all started with the following scene:

 

A cable car cabin is slowly making its way above a vast forest. There are two people in it. A man and a woman, both in their late teens / early twenties. They sit on opposite sides of the cabin, as far away from each other as possible. They sit in tense silence, throwing wary glances at each other from time to time. There is definitely history between the two.

 

All of a sudden, the cabin lurches into a stop. Three things happen almost simultaneously. The girl draws her twin long knives and launches at the boy. The cable snaps. The cabin plunges towards the forest floor.

 

That’s it. That’s all I had to work with. One scene does not a story make, so it’s my job as a writer to discover the story this scene belongs to. And the only way to do that is to start asking questions.

Creating new worlds.
Creating new worlds.

The first question that came to my mind, surprisingly, wasn’t “Who are these people?” but “did they survive the fall?” The answer was – yes.

 

Which brought forth another question – how? Because the girl is a Shadow Hunter. But who or what are the Shadow Hunters? That simple question turned out to be the most crucial one, because to answer it fully, I had to build this whole new world and set up the rules.

 

Only after I did that could I go back to the scene and ask all the other questions like did those two know each other? What were they doing in that cable car alone? Did she really try to kill him? All those questions deal with the actual story, but in order to tell that story, I need to know the world these characters live in.

 

So what are the Shadow Hunters? They are a special caste of people who act as intermediaries and mediators between humans and spirits. They are the only ones allowed to travel through the wilderness freely as well as to guide humans along specially designated routes.

 

This answer raises a multitude of other questions. Humans and spirits? Wilderness? Castes? The answer to each of those questions will show me a bit more about this new world and bring forth even more questions.

good-luck-road-sign

In order to answer the question about humans and spirits, I had to do an extensive research and spent four days binge reading everything I could find about Japanese, Chinese and Korean spirits and mystical monsters, as well as everything about Shinto, because this Japanese religion is the closest to what exists in the world of Shadow Hunters.

 

When I raked my brain about the significance of the wilderness, I learned that this world was divided into several human kingdoms that exist within fixed borders and are surrounded by spirit lands called the wilderness. They are connected by several unchanging routes, the cable-car road from the above-mentioned scene being one of them. For a human to venture into the wilderness uninvited or without a shadow hunter guide means certain and often painful death.

 

So why are the shadow hunters able to travel through the spirit lands freely? Because they go through a ritual that makes them more than human, but not quite spirit. They bridge that divide, with their feet in both worlds but belonging to neither.

 

Caste is another word that brought forth more questions. If there is one caste, does that mean there are others? Is this a rigidly divided society like we see in India or ancient China? Another dive into the currents of the Internet and an intensive read about those two countries gave me my caste structure which plays a significant part in the worldbuilding.

 

This also made me think about how people from different castes would recognize each other. That’s important. Their whole attitude and behavior towards each other depends upon knowing where you and the person you are talking to stands on the social ladder. They need a way to determine that quickly and with minimal room for errors. What better way to do that than to integrate the caste into their very names? So I spent a few more days devising a system where certain castes could only begin their names with certain letters, and how those names and surnames changes when they married into different families and (rarely) a different caste.

 

Of course, a lot more questions followed after that, and all of them helped me discover more about this brave new world, but I won’t mention them here because “Spoilers, dear,” as River Song from Doctor Who would say.

River Song from Doctor Who.
River Song from Doctor Who.

But as you can see, after asking myself some very simple questions and taking the time to explore the answers, I managed to go from one scene to a fully fleshed out world.

 

Now I could sit down and ask story related questions like who the hell are you people? What are you doing in that cable car to begin with? What’s the history between you two? But that could be the topic of a whole new blog post.

 

So here is a little insight into my worldbuilding process. How about yours? How do you discover your stories? How do you get to know your world and characters?

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The Good, the Bad, and the Undead (The Hollows book2) by Kim Harrison.

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Stars: 4.5 out of 5.

Rachel Morgan is back! She managed to survive breaking her contract with I.S. and even paid off her debt so there is no more death contract on her head. And she has blackmail material to keep Trent Kalamack from eliminating her. So life should be pretty good for her now, right? Wrong.

Being self-employed is not exactly synonym of job security, and Rachel struggles to make ends meet and come up with her part of the rent money each month. Add to that her uneasy cohabitation with Ivy, who is trying very hard to fight against her living vampire instincts and not claim Rachel as her shadow, because she values the trust and friendship the witch gives her more than getting a live-in blood donor. Especially since Ivy has been off blood for over three years and tries to stay that way. Not an easy thing to do when the scar Rachel was left with after the demon attack in book 1 leaves her vulnerable to vampire pheromones as well as telegraphs to all vamps in the vamps in the vicinity that she is unclaimed…

On top of that, Rachel still owes that demon a debt for saving her life (albeit reluctantly) and that he is sure to come claim it sooner rather than later, and you can see that her life is just as complicated as it was in the first book. So when FIB wants her to consult on a missing person’s case, Rachel is less than thrilled at first… until she discovers that the case might be linked to Trent Kalamack. An opportunity to get back at Kalamack for all he had done to her in book 1 is not something Rachel can pass on.

I absolutely love Rachel. She is capable without being a superwoman. She is funny and sassy, but manages to land herself in ridiculous situation from time to time. But most importantly, she has heart. I love how she grew to care for the rag-tag little family of friends she lives with: a living vampire in denial of her nature and desperately trying to stay off blood, an opinionated pixie with a very large family, and a human  dabbling in magics he has no business dabbling in. Rachel might gripe about their antics and their intrusions into her privacy, but she is also fiercely protective of them and doesn’t hesitate to put their safety above her own.

Some readers complained that Rachel often lets her mouth get the best of her, but I find even that endearing. She is a hot head with a tendency to fly off the handle when angry, but that’s part of who she is. And her big mouth and quick temper land her in hot water more than once in this book.

We also learn a bit more about this fascinating world. It came as a surprise to me that while vampires and weres were originally humans transformed by the lycanthropy and vampire viruses, witches are a completely different species. In fact, unlike weres and vamps, they can’t even have children with humans. Witches are thought to have originated from the demon world and migrated to our world some five thousand years ago along with the elves, hence the animosity between demons and witches.

We also learn a lot more about vampires and the difference between a living and an undead vampire, as well as the intricacies of power and domination between undead vampire and his / her living vamp scions and their human scions / shadows. And we learn more about witches and the difference between earth witches and ley line witches. And  we get some surprising insights into Rachel’s past and her ties to Trent Kalamack!

The plot is intense and fast-paced as well. It kept me turning the pages and screaming, “More please!” when I arrived to the end. Needless to say, I’ve already picked up book 3!

So why did I only put 4.5 stars then? Same problem as book 1 – I can’t stand Rachel’s boyfriend Nick, but he got even more obnoxious in this book. He was just the goodie two shoes boyfriend in book one, but here he showed his reckless side as well. He continues to summon a demon and deal with him even after Rachel reminds him how dangerous that is and that he is slowly losing his soul to him, one little bargain at a time. As a human, Nick is obviously in over his head, yet he insists that he is in no danger, that it’s all gonna be just fine… Yet he flips out and withdraws from Rachel after a certain scene at the end of the book. This reaction showed me that he isn’t a good man, but just a coward. Rant over.

Anyway, I definitely recommend this series for anyone who likes urban fantasy. If you enjoyed Kate Daniels or October Daye series, the Hollows are definitely for you!

Characters, writing, writing advice

Characters should grow and evolve with the story.

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Creating new worlds.
Creating new worlds.

Humanity loves good stories. If we didn’t, there wouldn’t be so many books published, movies filmed and TV series renewed long past the date they stopped being relevant. We love forgetting about our everyday life and losing ourselves in the problems of fictional characters for a few hours. Sometimes we just need a distraction, but sometimes seeing these characters grow and overcome their troubles helps us face ours. That’s why stories are so important.

 

I receive a lot of review requests from self-published authors, so I have been reading a lot of new books lately. And I have noticed a worrying tendency – a lot of books tell a story, yes, but forget that a story is first and foremost about character growth. In the past 2 weeks alone I had started and dropped about 7 books because there was no character progression. They were well written and well-edited. Things were happening, the story was moving, but the main characters remained absolutely the same. It felt like nothing affected them at all. Unfortunately, that is the best way to lose my interest and make me put the book down.

 

I don’t know about you, but to me, all stories are primary about character growth, no matter the genre in which they are written. Even in mystery novels, the detective investigating a story is irrevocably changed by what he finds at the end of the book. The hero who sets off to rescue the princess / save his kingdom / just go on an adventure comes back older and (hopefully) wiser than he was at the beginning of the book.

pen-and-paper

Harry Potter starts book 1 as a naive twelve years old boy who is ignorant about the wizarding world and the role he played and still has to play in it. By the end of book 7, he is a radically different person: he has grown, not only physically, but also mentally. He has suffered great losses and found love and friendship along the way. He has matured and discovered what his priorities are and what he is willing to sacrifice for the people he loves. That’s why his choice to go to Voldemort and basically let him kill him to destroy the last horcrux is so significant. It shows that character growth.

 

The story doesn’t have to be as dramatic as that though. I have finished watching an excellent Korean drama called Queen of Reversals, and it’s all about everyday life. There are no life or death situations, no care chases or serial killers, but the story still pulls you in and keeps you wanting more, making you watch episode after episode. Why? Because it’s all about character growth. The story itself is simple and easy to relate to. A successful woman falls in love and marries after a whirlwind courtship. She gets pregnant and becomes stay at home mom while her husband struggles to earn a living. Unfortunately, he is nowhere as smart and successful as his wife has been, which puts a strain on their marriage, so she is forced to go back to work after 5 years, starting basically at the bottom of the ladder again. The whole story is about her struggle to go back to the top of that ladder again and to regain her self-confidence. A lot of things happen along the way, like her marriage failing and ending in a messy divorce coupled with problems at work that she has to overcome. Nothing earth-shattering. Just everyday stuff that all of us face in our lives as well.

It’s basically  a story about someone who loses everything and sees her life crumble in front of her eyes and has the strength to pull herself back up and fight for her success and happiness. Someone who gets betrayed by the person she loved, but still finds the courage to love and trust again. That’s why we can relate so well, that’s why we root for the heroine and cry and laugh with her until the end of the series.

 

That’s the point of the story, to make the characters change and evolve. If they don’t, then “Houston, we have a problem.” And I have noticed that a lot of first-time writers tend to overlook that character growth for some reason. They throw everything into the story. They add mystery after mystery, twist after twist. They up the stakes, throw dragons, armies and the next apocalypse at their protagonist, but forget that everything that happens MUST change that protagonist somehow, even if it’s in small ways.

hourglass_parchment_quill_cover

If the heroine never learns from her mistakes and is just as loud, obnoxious and clueless at the end of the book as she was at the beginning – I’m sorry, she is not someone I can be bothered with. I want to read about fleshed out people, not  cheap video game characters who never evolve, but just level up and get better gear.

 

A good story is about characters. It’s about their journey and their trials. About how they grow and learn. About how they become a better person in the end… or turn into a monster. Doesn’t matter which way they go, as long as they evolve. Give me a good character arc with a satisfying ending, and I will be happy. But no amount of car chases and explosions will keep my interest if your world is populated with cardboard cutouts frozen in space and time.

 

That’s why when I start working on a story, I don’t think “what’s this story about?” I think “What do I want my characters to learn with this story? How do I want them to evolve?” I find it that the story just sort of comes to you once you determine your character’s arc.

editing, writer's block, writing, writing advice

The Writer’s worst enemy – self-doubt.

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I have noticed that since I started writing almost 2 years ago, I am a more susceptible to extreme mood swings about my work. I can be on cloud nine one day about finally finishing that first draft, and absolutely hate is the next day because I’m certain that it’s just a load of crap and I just want to press DELETE and set my computer on fire.

 

Correct me if I’m wrong, but this must be a problem common to all creative people. I think it’s largely due to the fact that writing a book, creating a painting, or composing a beautiful song often takes a lot of time. Most of that time is spent toiling in our own corner, alone with our muse (if we’re lucky and that sucker actually deigned to grace us with his presence), our thoughts and our doubts.

Lack of Motivation
Lack of Motivation

It’s hard work and there is no instant gratification. You might get praise and admiration once that book is published, that painting is showcased or that song is played. Or you might get critiqued and ridiculed. Either way, there is no way to know until it’s done and out there for the world to see. Until that day, we simply have no way to know if what we create is any good or not.

 

It can be especially daunting when writing a novel, because it takes a LONG time. From the moment this plot bunny on crack happily hopped into your brain and wreaked havoc in it until the moment the finished novel is published, months if not years can pass. You spend time researching, creating your world, getting to know your characters, outlining the story to discover where it’s going. Then you sit down and write that horrible first draft with your own tears and blood. Then you have to edit it to resemble an actual novel that other people might want to read. Then you send it to beta readers who shred it to pieces. Then you get it back and edit it again. Then you send it to the editor who shreds it to pieces. Then you rewrite it yet again. That’s why you really need to be in love with our story when you start writing, because you will be spending  A LOT of time with it.

 

In any case, that’s a lot of work and a lot of time for insidious seeds of self-doubt to start creeping in and growing roots. And soon we start hearing that little voice in our head telling us that nobody will read what we write anyway, because it’s worthless, so we might as well give up now and spare us time and future humiliation. You know the sad part about it? Eight out of ten people who started writing a book will listen to this voice and give up before they even finish their first draft. And an overwhelming majority of those who actually finish it will be to scared by the prospect of dreaded revisions to pick it up again…

revision angst

Self-doubt is the slayer of dreams and the murderer of books. It’s an insidious monster that is very hard to fight against.

 

I must admit that it caught up with me about 3 weeks ago. I suddenly noticed that I wasn’t really motivated to write or edit anymore. I knew I needed to do it, but there always seemed to be an excuse NOT to do it. Dinner needs to be cooked, the day job is hard and demanding, the next episode of my favorite series is out… And when I would sit down to edit Mists, my thoughts would turn down the dangerous path of self-doubt.

 

The following thoughts would start crowding in my head. I’ve been writing non-stop for almost 2 years, but what do I have to show for that? One short story published in an anthology. I have three finished first drafts, but none of the novels is fully edited and nowhere near ready to be released. It feels like I have achieved nothing. And that feeling was dragging me down.

Facewall

So what is the best weapon against self-doubt? First of all, find someone who will cheer you up. Even though writing is a solitary profession, we are never completely alone, especially with the internet at our fingertips. Talk to your family if they support your dreams, or your friends, or that special beta reader whom you share all your ideas with. Get on Twitter or Facebook and shout out to other writers – you will be amazed at the level of support and understanding you will get.

 

But most importantly, try to look at the situation in a positive light. In my case, instead of thinking about what I haven’t achieved in two years, I looked at what I managed to accomplish. I had a short story published. I wrote 3 more short stories in the same series. I actually managed to finish 3 full-size novels. I have at least 3 more novels in various stages of planning. I am so close to finishing my rewrite of Mists that I can almost see the publication date… If you look at it this way, I actually managed to accomplish quite a lot in those 2 years. And what do you know? I am motivated to finish editing that novel now!

 

I am interested in your opinions as well. Do you experience self-doubt? What do you do to fight it off?

books, Fantasy, paranormal romance, Reviews, Urban fantasy

Fair Game (Alpha and Omega 3) by Patricia Briggs.

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Stars: 3.5 out of 5

 

A lot of things happened in Fair Game. The werewolves have finally announced their existence to the world, much like the fae had done over 50 years ago. With the light of the media scrutiny trained on them, the werewolves have to be on their best behavior, so the offenses that ended up with just a trashing or verbal warning are now punishable by death. And it falls to Charles, the Marrok’s enforcer, to carry out the execution.

 

Charles has never been keen about killing, but at least before he agreed that the crimes were on par with the punishment. Now, they are not, but he still has to kill those werewolves for his father’s sake. So instead of being angry at his father for making him do this, his anger turns into self-loathing. Charles is spiraling down into depression and Anna doesn’t know how to help him. Thankfully, the Marroks sends them to Boston where a series of murders point to a serial killer. They will be part of a joint task force between FBI, werewolves and fae, because all the victims were half-fae, but the latest one was a werewolf.

 

There are many things that I liked about this book. First of all, we get a greater insight into this interesting world and about human interaction with the other species. It was interesting to see the contempt and indifference with which they treated the fae and how the justice system was designed to protect humans first and foremost. Which brought us to the conflict at the end of the book that I won’t talk about because major spoilers 🙂

 

Of course, the situation is in part the fae’s fault as well, since they chose to only show the least powerful and non-lethal of their kind making the humans believe that the fae were pathetic weaklings happy to live in their reservations that anyone could bully around. I’m interested to see how the next book will read now that the stakes are up and the fae are done playing nice.

I also loved the giant step forward in character development Anna took since book 1. She was a scared and broken girl in book one, beaten almost to the breaking point. She started dealing with some of her psychological problems in book 2, notably her fear of Alphas and other dominant werewolves, as well as discovering what it means to be an Omega. In this book, we see her finally into her own. I love the person Anna has become. I love that even though she is usually a mild and non-conflictual person, she never covers or bows down to other werewolves or humans or fae. I love that she has her agency and that she isn’t afraid to act upon it. She drives the story of this book, with Charles and the other characters just getting dragged in her wake.

 

So why did I give this book only 3.5 stars then? Because despite the awesome world development and character progress for Anna, there are some flaws that I simply couldn’t overlook. And the biggest one of them is Charles. He was an awesome character in the first 2 books, but I think that the whole angst over killing others was overdone and dragged for way too long. It had started in book 2 and got only exacerbated in book 3. I get it that he feels like a murderer now. I get it that he feels like some of the executions he was forced to carry out were unjust. But he’s been doing that for most of his life, so why break now all of a sudden? And especially, why try to sever all emotional ties with the person who acts as your anchor? I felt like we were rehashing problems that had already been discussed and solved between Charles and Anna in book 2. So while this book was a progress for Anna’s character, it was definitely a regression for Charles. I had to fight the urge to yell at him for the first 3/4 of the book.

 

The second thing that really rubbed me the wrong way is the fact that Anna gets kidnapped… again. Good God, how many times is it now? One or two per book? It’s really getting old. Why does she always have to be rescued by Charles? She is a big bad werewolf as well, please let her get out of a sticky situation on her own for once! I especially hated it in Fair Game because her kidnapping served no other purpose than to make Charles realize that he needs to screw his head back the right way. Really? This is such an old trope that I had to roll my eyes.

 

So all in all, it’s a solid new installment in a series that I still love, but it’s weaker than the first 2 books, in my opinion, even though I appreciated the new world developments. I just hope that the next book will be better and kidnapping-free.

books, Reviews, science fiction, Soft Science Fiction, Space opera

Linesman by S.K. Dunstall.

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Stars: 5 out of 5.

I must admit that I absolutely loved this book. It’s one of those books that grabs you from the first page and doesn’t let you go until you are done with the story. Needless to say that I spent a few sleepless nights finishing it up and was rather useless at work the next day because I just couldn’t put it down.

Humanity has spread through the cosmos and populated numerous worlds, all thanks to the Line technology – a technology humans had found on an alien spaceship and successfully replicated. The lines allow spaceships to travel through the void, making travel in space instantaneous. There are a total of 10 lines on a ship and each one is responsible for a different function, but the most important ones are line 9, which takes the ship in and out of the void, and line 10, which allows the ship to travel through the void to another destination.

However, nobody really understands how those lines work or why only certain people have the affinity to repair and maintain those lines. These people care called linesmen and they are ranked from rank 1 to 10, by the number of lines they can interact with. Level 10 linesmen are the rarest and the most important, thus the most sought after.

Then there is Ean Lambert who, while a certified 10, is a joke even among his peers. He came to the cartels late in life and pretty much taught himself how to communicate with the lines. And his method is very unorthodox to say the least. He sings to the line, because he perceives them as music, not as energy like all other linesmen. And he is persuaded that the lines are sentient. No wonder everyone else thinks he’s crazy. Until an alien ship appears in human space and it has a line that only Ean Lambert can hear and interact with…

I absolutely loved Ean. He has a huge chip on his shoulder because he has always been made to feel inadequate. Because of his origin as a kid from the slumps. Because he came to the cartel house as a teenager instead of a small child. Because his methods are unlike the standard methods thought by the cartels, thus are considered wrong. Because he’s always been the laughing stock of his peers.

What I love is that even though he doesn’t have much self-esteem at all, he still refuses to bend and conform to the “traditional” way of doing things. When it comes to the lines, he will always do what feels right, even if it means singing until his voice breaks and everybody looks at him like he has a few screws loose in his brain. He loves these lines, and amazingly enough, they return that feeling. I am happy with the personal growth Ean goes through in this book and that he finally finds a place where he belongs and where he is happy.

The world of Linesman is also really complex and interesting. There are several different factions and world alliances that are at the brink of war, and the appearance of a potential new weapon has all of the scrambling to get to it first.  Political alliances are brokered and broken, tensions run high, and skirmishes threaten to degenerate into a full-blown armed conflict.

There is a sense of urgency throughout this book that keeps your turning the pages, because you want to know what happened to Ean and the crew of the Lancastrian Princess and make sure that they are all okay.

Anyway, I strongly recommend this book to all science fiction lovers and I’m looking forward to Book 2 that’s supposed to come out in February.

first draft, random musings, writing, writing advice

Why I write my first drafts longhand.

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hourglass_parchment_quill_cover

Several people on Twitter asked why I write all of my first drafts longhand since it’s so much quicker to type it directly into Scrivener. While I answered them, there is only so much you can fit in 140 characters. Plus, I think that this is a good topic for a blog post.

I have been a writer for almost two years now, so I think that I have pretty much found a routine that works best for me. I went through a long process of trial and error to get there, but I’m pretty happy with what I have now (though every process can be perfected indefinitely). So maybe my ramblings and explanations can help someone else who is struggling with their productivity and is still looking for the best way to put words on the page?

Anyway, here are some of the reasons why I write my first drafts longhand.

 

1. You can carry a notepad and pen anywhere you go.

 

I work full time as an Office Manager and writing happens on top of that. My writing time can happen any time I have a spare minute: it could be during a 15 minute coffee break, during lunch, in the bathroom (yes, I have been known to go to the loo with a notepad, shock!), or in bed when my husband is asleep. So with this erratic schedule, it’s much easier to carry a small notepad and a pen in my purse than a tablet / netbook.

Plus, I need a normal keyboard to type fast. I hate the touch screen keyboard on my iPad, plus it seems like it can be laggy. Nothing aggravates  me more than to type up a whole sentence and wait for it to show on screen… only to notice that I mistyped something halfway through and have to break the flow and go back to correct. GRR. I know that some people don’t pay attention to mistakes when they write down their first draft, and mostly I don’t either, but when I notice one, I can’t just press on without correcting it first.

Also, a small notepad is easier to fit on the table during lunch than a tablet / netbook, especially how small the tables in some restaurants are.  And if I spill a drink on it by accident (it’s been known to happen), I only wasted $4-5 instead of $500.

Blue blood on the page!
Blue blood on the page!

2. Keeps you focused on the task at hand.

 

Don’t know about you guys, but when I sit at the computer, I can find a million things to keep me from writing. I would start writing something, then decide to look up a word on google, then read an interesting article, then check on Twitter, oh and Facebook just buzzed me that there is a new post, and where did 3 hours of my life go? End result – almost nothing written and lots of time on stupid stuff.

When I am alone with my pen and paper, I HAVE to focus on what I’m writing instead of letting my brain flutter around like a butterfly on Red Bull (especially if I leave my cell in the purse and resist the temptation to check Twitter every 15 mins as well). So I get a lot more writing done in 1 hour with a pen and paper than sitting in front of my computer, even though my typing speed is much faster than my writing speed.

Usually, during my 1 hour lunch, I manage to write about 600-800 words (and eat something as well, most of the time). As an example, I’ve been trying to write this blog post for the past 3 hours and I barely got to the midpoint. Granted, it’s Monday and I have a lot of work to do as well, but I also spent a lot of time procrastinating on the internet instead of writing.

 

3. Helps organize your thoughts.

 

I don’t know about you, but I have noticed that writing longhand forces me to organize my thoughts better, which in turn results in a cleaner first draft that requires less editing afterwards. Writing longhand gives me the opportunity to think about the scene I’m working on, choose the right words and commit them to paper. While my hand finishes one sentence, my brain is already working on the best wording for the next one.

As I said, I can type really fast, but sometimes my fingers get ahead of my brain. So the resulting text is sometimes less than adequate. Don’t get me wrong, during NaNoWriMo, when I need to write 1666 words per day to get to 50k by the end of November, I usually bypass longhand and mostly write directly into my Scrivener file, but when I don’t have that time constraint, I prefer taking a much slower approach.

Plus, there is just something magical about seeing a pristine white page slowly getting covered with blue ink that motivates you to keep on writing. Seeing the words appear on a computer screen doesn’t quite have the same effect, maybe because the end result is not quite as immediately tangible (unless you print your work every day).

Creating new worlds.
Creating new worlds.

4. First round of editing when typing the text into Scrivener.

 

To me, that’s an added advantage of writing the first draft longhand. On the weekends, I usually try to type up everything I wrote during the week into my Scrivener file, which means that my text goes through a first round of edits almost on the spot. Sometimes I just change a word or two. Sometimes a  few sentences here and there. It also happened that I wasn’t entirely satisfied with a scene when I first put it on paper, but by the time I was typing it up, my brain had come up with a better version that ended up being a full rewrite of the original scene.

So to me, writing longhand has some definite advantages, even if the process takes longer. I think that for those struggling with concentration or motivation, this method might be beneficial as well.

 

What about you, my fellow writers, what are your preferred methods of putting words on paper. What helps you get through that hard to do first draft and get to the end?

books, Fantasy, paranormal romance, Reviews, Urban fantasy

Dead Witch Walking (The Hallows book 1) by Kim Harrison.

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Stars: 4 out of 5.

Dead Witch Walking is a solid first novel in a brand new series. I loved the characters and the world Kim Harrison has created and I thoroughly enjoyed the story as well. I have only one gripe with this book, but it’s big enough to deduct a whole star out of the score.

Rachel Morgan is a witch and she has a big problem, because until she finds a way to pay off her contract with I.S., she is literally a dead witch walking.  Nobody has breached a contract with this organization and survived long enough to tell the tale. But she has a plan – with the help of Ivy, a living vampire bounty hunter and Jenks, a pixie bodyguard, she will track and shut down the biggest illegal Brimstone operation in Cincinnati.  That ought to get I.S. off her back, no? Either way, it’s not like she has much of a choice…

Welcome to a world where a virus hiding in genetically modified tomatoes wiped out 3/4 of the human population… which made things rather complicated for the supernatural races who turned out to be immune. With the population numbers shrinking, they cannot hide in the shadows anymore and had to make their presence known.

Thus Cincinnati has been split into two very distinct cities – on one side of the river is the “normal” town, where most of the human population lives, and the other side belongs to the Hallows, where everything supernatural gathers and thrives. Oh, humans can take a walk on the wild side and venture into the Hallows, but they are not guaranteed to come back in the same state as they entered, or come back at all.

It’s a rich and interesting world, even if the premise for the apocalypse is rather silly. A tomato responsible for the end of the world as we know it, really? But the new world in which Rachel lives is complex and fascinating, with real problems and engaging characters.

Speaking of characters, a series cannot be popular without a good protagonist, and I absolutely love Rachel Morgan. She is a kick-ass heroine. No matter how many times she is kicked down, she always finds the will to get up and keep going.

I loved Ivy and Jenks. They are just as complex and interesting as Rachel and both have their own sets of problems. I like how those 3 very different people chose to stick together and help each other get through this very difficult situation.

My only complaint is that I didn’t like Rachel’s love interest. I tried, I really did, but he just rubbed me the wrong way almost from the moment he was introduced. He is too nice, too good, too everything to be believable and likable. I kept thinking that he has just assumed this “nice guy” persona to get closer to Rachel and that he will turn out to be somebody awful in the end, because of how unbelievably nice he was. Nope, seems like that’s real. Works for some, I guess, but for me, his character definitely lacks depth, especially compared to the rest of the cast.

But other than that, Dead Witch Walking is an excellent read that I would definitely recommend. I already bought the second book in the series and I can’t wait to dive into it as well.