Tag Archives: 3 stars

The Empire’s Ruin (Ashes of the Unhewn Throne 1) by Brian Staveley

Stars: 3 out of 5

This was an okay book, but nothing special. I mean, it kept me engaged enough to plod through 600+ pages, but it never got me engaged enough to be truly invested in the story. 

The world is interesting, and I really wanted to read more about it. I also realized that this was a sequel to an existing trilogy, but I don’t think you need to have read the previous books to understand the world. From what I could gather, this story follows a different set of characters anyway.

So why did I give this only three stars? I had two problems with it. 

The first one is the pacing. There is no sense of urgency, no real stakes for our characters. Gwenna is sent to the butt end of the world to recover kettral eggs, but there is no timeline on this. We are told that the empire is falling apart and that restoring the kettral is crucial in saving it, but nowhere in the book are we given an indication that the fall is imminent. We are TOLD that it’s the case, but we aren’t SHOWN. It’s hard to be invested in a quest when the stakes aren’t known. Gwenna could take years to get those eggs back, and the empire might still stand. Who knows? The readers certainly don’t. 

Same problem with Ruc’s storyline. We are told at the beginning of the book that this supernatural badass “First” is coming with an army and he will subjugate this city… then we don’t hear from him at all until the very end of the book. Again, we are TOLD. We are shown a dead messenger who didn’t even try to resist and some kind of bat creature who, supposedly, killed several people before it was captured. We are TOLD that, but we don’t see that happening. So again, the stakes are unclear. The urgency is minimal. Especially since we spent the entire book in one place – the Arena. The characters kept talking about escaping, but never really actively doing anything about it (apart from almost at the very end). So there is this big army coming, and we keep hearing that Ruc and Bien need to escape the city… yet they are still in the Arena every time the narrative comes back to them.

As for Akiil’s storyline, I still have no clue why it was even necessary to include it, apart from that one little seed at the end. Other than that, he was my least favorite of the characters, so reading through his POVs was a slog. One of the reasons is that I can’t understand his motivation. I figured out Gwenna and was onboard for her slow descent into depression and cheered when she finally clawed her way out of it. I was mildly sympathetic to Ruc’s efforts to suppress his violent tendencies, but Akiil? I still have no clue what motivates him. It honestly felt like he was making bad choices just for the sake of making bad choices. And that whole ark with the Captain and Skinny Gwenn? I’m not even sure what the point of that was…

So all in all, I was engaged enough to finish this book, but I’m not sure if I am invested enough to pick up the next one, or to go back and read the original trilogy.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

Shadow Shinjuku by Ryu Takeshi

 Stars: 3 out of 5

I have a hard time formulating my thoughts about this book. I liked it enough to stick around till the end, but it didn’t leave a big enough impact to consider it a really good book. 

There is one aspect I really loved, and that’s Tokyo as a whole and Shinjuku in particular. The author does a really good job describing the city, the atmosphere, the sights, the people who live in it. So much so that the city feels like its own entity and an integral part of the story. As an avid traveler who had been cooped up way to long because of Covid, I loved the chance to travel to a different place at least in my mind. And since I had visited Tokyo in 2018, some of the places described were familiar, like old friends.

Unfortunately, you need more than the atmosphere and a good description of the setting to make a good book. You also need a good story and engaging characters. In my opinion, this book is lacking in both those aspects. 

The story itself is not so bad. It’s about finding a purpose in life and a place where you belong. About family, both found and inherited. However, it starts really slow and meanders around aimlessly for over half of the book, just like Sato does. In fact, it doesn’t really pick up pace until about 60% into the book when the stuff with Kiki happens and Sato finally decides to do something apart from procrastinating.

And that is my second gripe with this book. Sato was just too passive a character to qualify for the role of a protagonist. As I mentioned, he spends over half the book just floating with the current, not engaged with the world at all, just observing it from the shadows. And I understand why the author wrote him this way and fully appreciate his transformation by the end of the book, but it really makes for a boring character to follow.

Also, since Sato doesn’t particularly care about any members of his “found family” for half the book, I found it hard to care for them as well. The bonds haven’t been established or properly showcased beforehand, so when bad things start to happen to them, there isn’t this sense of urgency and outrage that I should be feeling. In fact, I empathized with the dog more than I did with any other characters in this book, so that says something.

All in all, this was an interesting story and a good glimpse into a different culture. It would have been better if Sato had been more involved with the world around him from the get go.

PS: I received a copy of this book from NetGalley in exchange for an honest review.

Goblin by Josh Malerman

 

Stars: 3 out of 5

This was a meh kind of book. It’s a series of short stories book ended by the story of a delivery driver bringing something terrifying to the city of Goblin. The short stories are related only by the location where they happen – the city of Goblin on the same particularly rainy day and night. 

I think that was one of the reasons the book was kinda meh to me. Yes, Goblin in itself is an interesting, if rather unhappy place. A place for the spirits. A place where humans were never supposed to settle and thrive. The short stories illustrate the eeriness of Goblin perfectly. Problem is, they don’t do much more than that. 

I read a book mostly for the characters and then for the worldbuilding. I notice that I tend to lose interest if I don’t have anybody to root for. If I don’t have a tour guide through the world the author is showing me. And that’s what happened here. Goblin is a fascinating place. Unfortunately, the people who live there are a lot less so.

We read stories of several different people who are not connected to each other, so it’s already hard to figure out why we should follow these characters or even care. Those stories are also not connected at all to the prolog, where a delivery driver is bringing something to Goblin. Something horrible… Well, Goblin already has plenty of horrible things. There is the Goblin police, the Witch of the North Woods, the owls, etc. So by the time that horrible thing finally reaches Goblin, it’s rather anticlimactic. It’s just another monster to add to a city already full of them. What’s the point?

Also, none of the stories we read about have any real resolutions, apart from the story of the man who was afraid of the ghosts. That one, we see to it’s logical conclusion. The rest of them leave is suspended in the air, without an explanation or a conclusion to them. I’m still waiting for the other shoe to drop, so to say.  And the arrival of this great terrible thing in the end isn’t enough to satisfyingly end any of those stories. 

In conclusion, it was an okay book to pass the time with, but I probably won’t remember what it is about in a month or so. This is the third book by this author I’ve read and found rather underwhelming, so I think I’m just not the intended audience here. A lot of people love these books, so your mileage might vary. 

PS: I received a free copy of this book from NetGalley in exchange for an honest review.

The Kaiju Preservation Society by John Scalzi

 Stars: 3 out of 5

For most of the book, I thought this would a solid 5 star read. The story was fun to read and fast paced – a perfect book to spend a cold day with, curled up by the fire… Then I hit the last quarter of the book and finished it with my eyes rolling so much it hurt. 

But let’s talk about what worked first, shall we? The story is lighthearted and rather optimistic, which is a plus during this pandemic times that seem never-ending. The protagonist is fun to follow. He never looses his optimism no matter what obstacles life throws in his way. We all could use a bit of that after two years of the global mess we’re in. I also liked that he is an average joe, unlike a lot of other typical protagonists who are either hidden martial artists, or retired military, or chosen ones. He isn’t even the smartest one around. He was hired to “lift things”, not do science. Yet he does indeed lift things and accomplish other dangerous and sometimes gross things with good grace, optimism, and fun. 

I also loved the Kaiju Earth. To imagine a parallel world where life has adapted to a denser atmosphere that is richer in oxygen. A world where some animals are living walking nuclear reactors that sometimes go critical and explode. Only it’s not a catastrophe, like it would be in our world, because everything else around them evolved to absorb that radiation, to use it as fuel and food. So an exploding kaiju is basically like a dinner bell – everything that survives the initial blast and firestorm rushed that way to absorb as much radiation as possible. 

It was fun to imagine a world where giant monsters like Godzilla were an inherent part of the ecosystem. It was also gratifying to have an explanation that worked. I also liked the explanation on how those monsters sometimes ended up crossing to our Earth, and why they couldn’t survive here for long. 

So this was a fun romp until the last twist and the ending, which unfortunately killed the book for me. I almost rage-quit reading at one point, but decided to carry on since I was 80% at that time.

The problem is that the whole plot twist is highly unbelievable. But I could let that slip of the motivation behind it was sound. But as it stands, this book sports the worst antagonist I have seen in a book in looooong time. It’s like Scalzi forgot the true and tried principal that every villain is the hero of his or her own story. Yes, their actions might be atrocious or ridiculous, their plans might be far-fetched, but the motivation behind them must be believable. The antagonist must have a reason for what they are doing. 

Here, they are just being bad for the sake of being bad. I mean, seriously, the author showed this antagonist in such a bad light from the beginning of the book that there isn’t a single redeeming quality in them. They are so evil, they come across as a cardboard cutout. A real person can’t be this horrible all the time. Even the worlds greatest villains and mass murderers have peoples and pets they care about. This antagonist doesn’t. 

I mean, this might work for some readers, since the premise of the book is far-fetched anyway, but this absolutely didn’t work for me. I can’t stay involved in the story if I can’t take the bad guy seriously – I simply stop believing in the stakes. 

Speaking of stakes, that twist with stealing Bella was simply ridiculous. Once again, a plan without any rhyme or reason with consequences that have been tacked on just for maximum damage and to show how villainous our antagonist is. I mean why pull the kaiju to our Earth and let it go nuclear? Those mercenaries had to come close to the kaiju in order to install the devices that would open the barrier, so why not just instruct them to take the samples required and quietly leave? It accomplishes exactly the same thing – the antagonist has all the samples he needs to breed his own living nuclear reactors, and nobody is the wiser. But now, he had to do this dramatic disappearing act, and kill a bunch of people in the process, just because he is evil. 

Oh and the fact that four nerds with absolutely no military training managed to break into a mercenary compound and bring Bella back without getting killed? Yeah, that was absolutely not believable. That’s when my eyerolls reached such a speed that they gave me a headache. 

So kudos for a fun and wonderfully created Kaiju Earth and engaging characters, but the antagonist and the ridiculous ending ruined that book.

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review. 

A Master of Djin by P. Djeli Clark (Dead Djin Universe 1)

Stars: 3 out of 5

I really love this author’s short stories. I’ve read everything he published and each one of the stories was a solid 5 out 5 stars. So I was really looking forward to diving into this full length novel set in the same world as the Haunting of Tram Car 015.

Unfortunately, my high expectations were met with a disappointment. This has all the ingredients that made his short stories great… but the mixture isn’t quite setting right.

I think one of the reasons is that there isn’t enough plot here for a novel, so the author is putting a lot of filler to add to the word count. As a result, the narrative moves at a very sedate pace and feels rather disjointed. I caught myself wondering several times why the the author chose to stay with some minutia details for as long as he did.

When the narrative actually moves the story along, it’s all tight writing and nail-biting action. Unfortunately the “padding” kills that momentum every time. I constantly felt like the story was hitting the break every time it was starting to get good.

My other problem with this book was that I didn’t particularly care for the protagonist. Fatma spends most of the book worrying more about if her tie matches her outfit or what her lover is doing than doing actual detective work. As a result, she comes across as an irresponsible airhead, not a decorated investigator.

And speaking of detective work, Fatma is particularly bad at it in this book. To the point I started wondering exactly how she got her position. Did she get hired as the token female into an all male world? I’m sure that’s not the view the author intended to convey, but Fatma’s seeming ineptitude and worry about her wardrobe above anything else doesn’t make her seem like a capable character. Heck, all the major clues that move the story along are basically handed to her by other characters!

I think the author realized that his protagonist wasn’t doing much detecting, so he decided to give her a new partner. Who is also a female. Fresh out of the academy. Very eager to learn and to jump into action.

This could have been such a wonderful idea to explore – to have those two women used to being tough in a man’s world butt heads, learn how to cooperate, and slowly gel into a cohesive team. And in the beginning it really seemed like that would be the road the author would take… until it wasn’t.

The problem here is that he made the new recruit too perfect. She is skilled in martial arts, she is smart and reads several languages, she never looses her cool even in dreadful situations, and she knows and uncle/cousin/brother-in-law, etc. in any and all departments of Egyptian life. She is basically a glorified Mary Sue.

So we have a wishy washy protagonist paired with a Mary Sue and a story that draaaaaags over pages and pages… and the result is a big disappointment. I think I’ll still with this author’s shorter work for now.

PS: I received a copy of this book from NetGalley in exchange for an honest review.

Glow by Tim Jordan

Stars: between 3 and 3.5 out of 5

This book has magnificent worldbuilding and a rather scary view of what the human race could become in the near future if we continue or technological race for “improvements” without stopping to consider just how much damage we do to our planet and to ourselves in the process. So yes, I had much fun exploring the world created in this book.

The characters, however, were another story altogether. Granted, there were some interesting ones, like Rex or Elaine up in her crumbling ivory tower of an orbital. The major problem though is that there were simply too many of them. It’s like the author tried to throw everything at the wall and see what sticks with this book. Too many ideas, too many plot lines, too many characters.

Unfortunately, he couldn’t give enough attention to ALL his characters, so while some character arcs get satisfying (or at least plausible) resolutions, others are left hanging or shoehorned into other character stories as an after thought.

For example, what was the point of Mira in this book, Beyond having Rex realize that he could care and defend someone other than himself? Why bring her back into the story over and over again?

What was the point of Jaxx by the way? It spends the whole book hunting down the star river and merrily murdering and disassembling humans along the way (granted, that was fun to watch and to read about its thought process while this was happening), but then, when he has the river… he lets it go? What was the point of this character and this particular storyline? In fact, what was the point of the confrontation between the orbital and the artificial construct up in space? It brings nothing to the story itself and dies in the most stupid manner in the end.

And there are a lot of examples of those headscratching characters whose motivations and importance to the story aren’t clear even in the end. That’s what happens when you try to tell too many stories in one book. General confusion and hanging plot lines…

Even the ending, despite its explosions, confrontations, and general destruction and mayhem, is underwhelming. It doesn’t bring any resolution to the story of the star river, the McGuffin that was so important to the future of mankind, or so we are told throughout the book… it stays inactivated in the brain of a man-dog. Oh, and why was it so important by the way? No real explanation apart from doom and gloom prophecies is given.

And what was the whole point of Glow, that drug that the book was named for? Again, no explanation is given.

In summary, I loved the world the author created, but the story itself was confusing and meandering and the ending failed to deliver resolution or any emotional impact. Apart from Elaine. She got exactly what she deserved.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

A pilgrimage of swords by Anthony ryan (The Seven Swords #1)

Stars: 3 out of 5.

This was an okay novella. From what I understood, it serves as a prequel or introduction to a new series, and as such, it did a good job introducing the main character, Pilgrim, as well as giving us a tantalizing glimpse into the world he inhabits.

Unfortunately, the story fell rather short for me. We follow the journey of several characters who are thrown together because all of them chose to undertake a pilgrimage into the domain of a mad god, in the hope that he will grant their most sacred wish. As such, they should all have their own stories, right? Something that pushed them to this act of desperation. And desperation it is, because nobody ever returned from the realm of the Mad God…

Yet, we don’t really SEE those characters, because because they don’t have personalities of their own. They are cutouts with labels put on top of them – the terminally sick woman and her grieve-stricken husband, the fierce huntress searching for a lost loved one, etc. It doesn’t help that we follow this journey through the Pilgrim’s eyes and his voice is just as bland as the description of the other characters. Seriously, the only character with any grain of personality in this book is the cursed sword. He is a homicidal demon, but at least he has some nuances.

As such, it’s hard to empathize with the characters, and if some of them die gruesome deaths, I just shrugged and read along. I think the only character I felt any empathy for was Priest, but mostly because I never learned what his purpose for this pilgrimage was. What was he going to ask of his god? Why had he volunteered to lead this doomed group?

My other problem was that I couldn’t figure out Pilgrim’s motivation either. For seeing this story entirely from his POV, we get no insight into his inner thoughts. Apart from the banter with his cursed sword, there is nothing. He is painted as this ruthless killer, a scourge upon the world, but his actions go against that picture. Also, his reaction when discovering Book’s true identity in the later part of the story goes against his whole character, especially when we learn in the last page of this story that he dedicated his life to destroying that particular church and its adepts.

I liked the little I saw of the worldbuilding and the hints at other cultures and religions inhabiting it, but I’m not sure I liked that enough to follow Pilgrim for a whole book or a whole series.

PS. I received and advanced copy of this book from Netgalley in exchange for an honest review.

Apocalypse Nyx by Kameron Hurley

Stars: 3 out of 5.

This is a  tough review to write. See, I loved the world Kameron Hurley created,  but I deeply disliked our protagonist. Yet Nyx is the product of that word. So that awesome world building that I found so fascinating produced a protagonist so unlikable, that I actually wished the bad guys killed her before the end of the book.

The planet Nyx lives on isn’t Earth, but it was colonized by people from Earth, who brought with them their religion, their problems, and their conflicts.  This is a harsh and unforgiving world: the radiation from its suns produces all kinds of cancers in populations too poor to live behind protective barriers reserved to the elite. Most of the planet is a desert and resources are hard to come by, so nations are in a perpetual war against each other.

It’s a war without rules or boundaries, where radioactive and chemical weapons are used so often, most border towns are contaminated beyond repair, and locals don’t even take cover during daily air strikes.

Nyx lives in a nation that has been at war with its neighbor long before she was born and will still be waging that war long after she dies. Everyone is conscripted into the army when they reach adulthood, but the amount of time men and women serve is different. Women go in for two years and assume most of the command posts. Men go in for 30 years and are considered cannon fodder. Most never come back from that war, or come back broken beyond repair.

Nyx experience unnameable horrors in that war and even perpetrated some of them. She was so badly injured that she had to be “remade”, which means that over 80% of her body isn’t hers anymore. Worse than that, she has been mentally damaged as well. She has severe PTSD and survivor’s guilt. She has vivid nightmares and flashbacks to her times on the front line and she can be unpredictable in those moments. Well, no, I take that back, you can pretty much guarantee that she would lash out with extreme violence.

She chose to think only about her own survival and not get attached to anyone or anything. She is harsh and abrasive, downright violent at times with both her enemies and her partners, and she wouldn’t hesitate to sacrifice them all to save her own skin.

I understand why Nyx is the way she is. At the beginning of the book, I even empathized. After all she’s been through, it would have been surprising if she wasn’t messed up in her head.  My problem is that Nyx doesn’t change. This book consists of three novellas presented in chronological order, and Nyx stays the same unlikable abrasive self through all of them. There is no character growth, no redemption arc, not even a hint that she might mellow or start giving a shit about her companions.

I can stick with an unlikable protagonist as long as there is some hope for character growth. I might not like them, but I can stay invested if I saw an effort to better themselves and overcome their past. Unfortunately, there is no such hope for Nyx.

My other problem with Nyx is that she never faces her problems head on. She never stops to discus them with her companions and try to work out a solution like most adults would do. She chooses to lash out and run instead, then drown her frustration in alcohol until she passes out. Every single time. After the second or third time Nyx bailed and got drunk instead of just talking through the problem, I lost the little respect I had left for her… as well as my investment in her story.

So nice world building, Mrs. Hurley, but I won’t be sticking around for the next book unless Nyx starts growing.

PS. I received an advanced copy of this book via NetGalley in exchange for an honest review.

Battle Hill Bolero (Bone Street Rumba 3) by Daniel Jose Older.

Stars: 3 out of 5

I must admit that I’m disappointed with this book. I had loved Midnight Taxi Tango (which I reviewed as well), so I was looking forward to see what trouble Carlos, Sasha, Reza and Kia would manage to get themselves into next.

Well, bad news is, even though we still get Carlos and Sasha POVs, Kia is virtually non-existent in Battle Hill Bolero, and Reza seems to have taken a long sabbatical or something. Same goes for a few other characters I really liked from the previous books, like Baba Eddie. Instead, we are introduced to a plethora of new characters that seem to have come out of nowhere, like Krys, the River Giants and a bunch of other ghosts. Oh, they are interesting and fully fleshed out, but they seem tacked on to the story and spend most of the book on the outskirts of the main action, sorta hanging there with nothing particularly important to do until the last battle.

Oh, don’t misunderstand me, I really loved Krys. Once again, Mr. Older has a knack for creating wonderfully diverse characters that you WANT to follow. The problem is, the path Krys follows is barely tangent to the story for most of the book. So much so that her story feels disconnected from the main events.

And why is Caitlin even in this book? Her story was pretty much done with the destruction of the blattodeon at the end of Midnight Taxi Tango. Oh, we could have had an excellent revenge arc where she could have sought to destroy Carlos and Sasha for bringing down everything she’d worked for her entire life. Unfortunately, the author chose not to take that route. Instead, she is hangs on the outskirts of the story for most of the book and only plays an important role during the last battle, but even that story arc could have been taken out of the book entirely without any major damage to the story. Caitlin is a non-entity. She gets no personal development at all, which is rather surprising for an author who loves creating characters that feel so alive they jump out of the book page at you. Her only role in the book is to be a weapon and to distract Carlos from the main fight for a few minutes.

This is so disappointing because, like I already mentioned, she could have been so much more. Just imagine – a powerful necromancer going after the people who killed her family, destroyed the cult she had dedicated her entire life to and basically left her future in shambles. That warranted a whole book dedicated to the clash between these powers.

And this is where my major complaint about Battle Hill Bolero lies – the story. It doesn’t feel like the third book in a series and a direct continuation of Midnight Taxi Tango. When I started the book, I had to go on Amazon and make sure that I didn’t skip a couple more books in the series, because I was so confused with the direction of the story. By the end of Midnight Taxi Tango, Carlos, Sasha and their group had defeated the blattodeon and saved their children from a gruesome fate. Yes, there had been rumblings about the Council of the Dead among the ghosts, and Carlos didn’t particularly like his employers, but nothing even hinted at the full-out confrontation we start Battle Hill Bolero with. Where did that come from?

The author implies that only a few months passed between the two books, but for the situation to escalate like this, a lot of things must have happened. Things that aren’t even mentioned or explained. So the reader starts the book with a nagging feeling that they skipped an important portion of the story. As a result, I felt disconnected from most of the new characters. I was so busy trying to figure out the stakes and the whats and the whys of the situation to concentrate on the plethora of new characters that were thrown my way.

It is sad that this happened, because I truly loved this series; the diversity and complexity of the world; the vivid and interesting characters. But this book feels rushed and disjointed at the same time, which almost puts me off this series entirely. I might give the next book a read or I might not, but I won’t be eagerly waiting for it anymore.

PS. I received an advanced copy of this book from NetGalley in exchange for an honest review.

The Big Sheep by Robert Kroese.

 Stars: 3 out of 5

 

Blake Fowler works for Erasmus Keane, a brilliant private detective. When they are called on a case of a missing sheep, he doesn’t even suspect the depth of trouble they will get themselves into if they decide to take the case. And when a rising TV star comes to their agency to seek their help because she thinks someone wants to kill her, things only get more complicated. After all, there is only two of them, so working two cases at once can get complicated. Only the two cases turn out to be more connected then they suspect…

 

Mr. Kroese has created an interesting world here. One that I wouldn’t mind exploring further. After the Collapse of 2028, when the United States briefly descended into anarchy, Los Angeles is a city divided. There is the normal city where law and order rule again, and then there is the DZ or the Disincorporated Zone, a walled off portion of the city where warlords rule, police is none-existent, and human life is cheaper than a penny.

 

We get to explore both sides of LA in this book, but I would have loved to see how the rest of the US and the world fared as well. Does each city have their own DZ? How did other governments cope with the Collapse? Maybe we will learn about that if the author decides to continue this story.

 

So all in all, I liked this book and I really liked our protagonist, Blake Fowler. He isn’t a genius investigator like Keane, but he has a good head on his shoulders. Besides, his function in this duo is not to spin crazy theories, but to keep Keane grounded when he digresses too much and to provide raw muscles when things get dangerous. And when it comes to kicking ass, Blake delivers.

 

Unfortunately, even though the protagonists are good, the same couldn’t be said about the villain. I won’t name names, because that would be big spoiler and certain to ruin the enjoyment of the book, but a lot of times I wanted to hand the antagonist Pete’s Evil Overlord List and make them memorize it, especially the following points:

 

I will not gloat over my enemies’ predicament before killing them.

 

When I’ve captured my adversary and he says, “Look, before you kill me, will you at least tell me what this is all about?” I’ll say, “No.” and shoot him. No, on second thought I’ll shoot him then say “No.”

 

I mean seriously, I have never seen an antagonist spend more time explaining their whole plan in specific details than in this book. Not only does that come across as unrealistic and frankly rather stupid on the villain’s part, but it also gets annoying very quickly. You have several scenes full of action and tension… and then over 10 pages of exposition. Tension killed. Yawn fest begins. I admit that by the end, I skimmed over all that to get to the next action scene, because I didn’t WANT to hear about the reasons behind all the actions anymore. I just wanted to know how it ended.

 

So all in all, it was an enjoyable read, even though it could have been so much better with a villain who didn’t feel the need to tell their life story in great detail to the private investigators they were about to kill anyway.

 

PS. I received an advanced copy of this book through NetGalley in exchange for an honest review.