For me, the two key ingredients of a good book is an interesting plot and engaging characters that I want to follow through the highs and lows and growing pains until the end of the book.
I must admit that characters come before plot for me. I am willing to follow well-made characters through even the most boring plot if I like them enough, because they become like friends to me to the point when I’m sad to say goodbye when the book ends. I think that’s part of the appeal of fanfiction – we readers love the characters so much that they loathe to let them go after the official story ended and invent new stories for them. Or explore side characters that the author didn’t have time or book space to delve into.
But I’m getting side-tracked here. I read a lot. A lot lot. And I’ve noticed that there is one thing that will make me drop a book like a hot potato EVERY SINGLE TIME – when I can’t find a single character, even a side character, to like.
I’ve also identified several reasons for that. I think that keeping them in mind while writing my books will make me a better writer, and reading about them might make you guys think about it as well.
- Characters never evolve past static cardboard cutouts.
We’ve all picked up a book where the characters have no personality, no life. They are just a bag of walking clichés, or they were created to fulfill predetermined roles – the brooding hero, his love interest who is sometimes a damsel in distress and sometimes a badass girl who nevertheless needs rescuing, the super bad who is bad because of reasons, etc. Or sometimes they are just bland and blah. When I read a book and can’t even picture what the protagonist looks like in my head and how he / she behaves, I’m not going to stick with the story.
- Characters are well-developed but they don’t evolve.
This one leave a bitter taste in my mouth every time because the stories begin with great characters that I usually get invested into, but by the time I reach about halfway into the book, I suddenly realize that they hadn’t grown up at all. That despite all the adventures, the difficulties, and the heartbreak they go through during the story, they stay exactly the same. There is no emotional growth. Worst case would be when they never learn from their own mistakes and continue doing dumb things over and over again.
By the time you realize that there is no forward momentum in the character’s evolution, you’ve already invested several hours into the book, so sometimes you feel compelled to power through to the end, often wishing you could get those hour back and spend them on something more productive.
- Characters that behave out of character because the author tries to fit them into a story they’ve outgrown.
When we set off to write a book, we usually have at least a vague idea of where this story is supposed to go and how we would like it to end. Problems arise when our characters take a life of their own and start telling their own story that sometimes clashes with what we had initially in mind.
What I’m about to say is my personal opinion only, but I think it would be a mistake to try and herd them back into the fold and bend them backwards in order to fit the story we had created. It’s like trying to put a square peg into a round hole. Even if you hammer it in there, it still won’t feel right.
That’s when otherwise very logical and well-written characters start behaving in such a manner that makes you scratch your head and wonder what they or the author was smoking. When a heroine how was known to use her head and analyze everything carefully and formulate a plan suddenly rushes into the enemy lair without even a weapon. Or when a cold-hearted jerk suddenly turns into a puddle of goo and declares his never dying love for the heroine WITHOUT any buildup to that change of feelings.
This is what makes me throw a book away in frustration or want to strangle the characters for suddenly becoming mere shadows of themselves. That’s where I feel most betrayed because I loved them how they were and all of a sudden I feel like they had been replaced by a doppelganger.
I think that characters have to come before the story. If they are fleshed out enough, they will tell their own story that will probably be even more interesting than what you initially set off to write. So let your characters speak. Let them grow and evolve. And when they suddenly decide to step off the road you had outlined before them, let them do that and follow them down that rabbit hole. That’s where the most interesting conflicts lie.
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