Category Archives: editing

Of Broken Things – five things I’ve learned revising Part 1.

pen-and-paper

I have passed yet another milestone on my long journey as a writer. Last night I finished rewriting / editing Part 1 of my novel Of Broken Things. Yes, it took me the better part of three months, so some might consider that I’m moving at the speed of a tortoise. But it doesn’t matter to me, as long as I’m moving forward.

It’s interesting to look back and see just how far I’ve come on my journey. Last October, I wasn’t sure I had what it takes to write 50k words necessary to win NaNoWriMo, but I did. Then I was convinced that I would never be able to finish the first draft, but I did that as well.

And when I looked at the 300 pages brick that was my finished first draft, I was convinced that I would never be able to edit that. Heck, I had no idea how to even begin making it better…

Well, three months later, I am a third of the way through with the revision, and it’s not as bad as I thought. Yes, it’s long and painful and rather soul-draining at times, but I can really see my story getting better, so it’s all worth it in the end.

So now that I have some editing experience under my belt, it’s time to share with you a few essential things I’ve learned. Those tidbits of wisdom are, of course, personal, and might not reflect your writing experience, because hey, we are all different, and so is our writing process.

1. The first draft sucks.

My first draft was a hot mess. It doesn’t help that when I write my story down for the first time, I just go with the flow. I never re-read what I wrote the day before or look back to edit, I just charge on ahead. Sometimes I follow my (very loose) outline, sometimes I go on a tangent and get lost in the woods before I limp back on the long and sinuous road to The End. So the end result is full of typos and repetitions, ravings and plot holes big enough to swallow a semi. There is a good story buried somewhere in there, but you need to get out your mining gear and be willing to do some hard work in order to dig it out, clean it up and polish it till it shines.

Which brings me to the next tidbit of wisdom:

2. Editing the first draft = rewriting 90% of it.

Blue blood on the page!
Blue blood on the page!

I had noticed that when I edited my short stories. I had dreaded that when I started editing Of Broken Things, but I had hoped that it wouldn’t be the same. Sadly, it was. If you look at my printed copy, you would think that I bled all over the pages (that is if I my blood was blue), there is so much ink on them. I have moved scenes around, rewritten some of them from scratch, hacked and slashed and merged some of them together. Some pages might have maybe one or two untouched sentences, but most have none.

3. If you didn’t use an outline for the first draft, you better make one before you start editing.

Seeing how many things need to change during the editing process, having a detailed (preferably scene by scene outline) is essential. Starting a major revision without one is like going into the woods without a map or even a compass – you will most certainly get lost and probably do more harm than good. You have already finished this story, so you should know what it’s about (or I hope you do). So re-read it, outline it, mark the scenes that advance your story, those that need to be changed, and those that have no business being there at all. Take notes. They will really help you once it’s time to beat this baby into submission, ahem, start editing.

On a side note, it’s also good to keep a list of all the names and places, as well as a good timeline of your story. After all, you are working on filling in those plot holes, not creating new ones.

4. Save your original version before you start hacking and slashing.

ALWAYS save the original copy of your work before you make any changes. You never know what scene you might desperately need back two days after you happily threw it into the incinerator and pressed the Burn button.

And while you’re at it, save your progress regularly as well… in multiple places. That way if your power goes off expectantly, or your laptop shows you a blue screen of death and refuses to be revived, all that hard work is not lost forever.

5. Keep going.

Finish what you start!
Finish what you start!

It’s hard work. I had thought that writing the first draft was hard; well, it was a walk in the park compared to editing it. There are moments when I want to bash my head against the wall because I have I know a scene sucks but nothing I do makes it any better. It would be so easy to get discouraged and just give up. After all, you’ve done it already, right? You finished that story. You got to THE END once. Why not just leave it and write something new next?

Don’t give up. Leave that scene that makes you want to pull your hair out. Take notes on what doesn’t work and continue with another scene. You’d be surprised at the wealth of ideas you come up with when you come back to it the next day. Even if you’re not happy with something during the first revision pass, you can always change it during the next one. That’s the good thing about writing – nothing is set in stone until the book is published. Once you realize that, the whole process becomes very empowering.

So what do you guys think? What is your editing process? What problems have you encountered during your revisions? What lessons have you learned? I want to hear from you!

Sometimes it’s not quite done when you think it’s done.

onceuponatime

 

I had an interesting experience the other day that I thought I’d share with my fellow writers (and readers). I had finished my second short story and sent it off to my beta extraordinaire. The feedback I got caught me by surprise.

“Loved the story,” she said. “That’s a very good first chapter. Where is the rest?”

“There is nothing more. The story is finished,” I answered.

“But it’s not! I want to know what happens next. This episode is over, yes, but the story itself isn’t finished.”

I didn’t try to argue with my beta because experience taught me that most of the time she was right anyway. Instead I went back to my story and thought long and hard about it. At first, I couldn’t see how I could continue it – in my mind, the story was finished. But something kept nagging at me for the next two days. I was neck deep in the revision of my novel, but my mind kept coming back to that short story, over and over again.

And Friday I finally had that ah-ha moment. You know, that moment when the scene you had been struggling with all of a sudden comes out seamlessly, or when you manage to fill in a particularly baffling plot hole? Yup, that moment. To me it was the realization that my beta had been right – there was more to my story than I thought at first. And I knew exactly where that story still had to go, and where it would end, for good this time. Now I just have to find the time to sit down and write it. So what I thought would be a short story turned out to be a novella instead.

It’s the first time this happened to me, but it’s true that I am just an apprentice, as far as writing goes. So I am wondering, did something similar ever happen to you? And if yes, how often?

I want to hear your stories. How often did you think that your story was done when in reality it wasn’t?

Editing my novel – first steps.

Editing woes

 

My big adventure as a writer started November 2013 when I attempted to take advantage of NaNoWriMo to write at least part of my first ever novel. I plowed ahead and even won NaNo with a nice 55k word count. My novel, however, was only halfway done. So I persevered. I applied butt to chair for the whole of December (well I made a break for the holidays) and half of January, until I had finally put THE END on my manuscript. I ended up with a 100k word brick and an immense sense of satisfaction. I did it! I had finally finished something. For the first time ever. Yay me!!!

So I put my first draft in a drawer and busied myself with writing a couple short stories. That was also fun and challenging in a different way than writing a whole novel. When you have a very limited amount of words to tell your story, you have to be a lot more careful about the choices you make.

Short stories were also my first serious attempt at editing a piece into something good enough print (still working on that, first story is on version three so far). I had tremendous fun editing and rewriting them, trying to see if I could tell my story better.

But now I am faced with the 100k brick that is my first draft, and I must admit that the task of editing it is daunting. I mean it took me two weeks to tweak a 5k words story well enough to be able to send it to my critique group, how long would going through THAT many words take me? I admit that I am terrified. I have been circling around this text since beginning of March, unsure where to start.

I even sent it to my wonderful beta who had been there with me every step of the way while I was writing the darn thing. I think she sensed my rising panic, because she advised me to break the story into manageable chunks, to re-outline my novel now that it’s finished, breaking it into scenes, and go from there. That’s what I have been busy doing for the past week.

I must admit that this advice was invaluable. Not only do I have a clear Excel spreadsheet with every scene making every chapter, but I also have a better understanding of what is going on in my story. I now know how the events unfold and link to each other. And I already see a few problems that need fixed. I didn’t notice them when I read through the manuscript before, even though I felt that something wasn’t quite right.

So now that I have that clearer picture, I can start working on my plan of attack. Hopefully, I will manage to make my novel better (and not get paralyzed by fear in the prospect of the cheer volume of words I have to edit).

But this is the first lesson I learned about editing a novel – a detailed scene by scene outline is a must.

The process is ongoing, so stay tuned for more!

A Newbie’s reflections on editing

Editing my short story.
Toss and rewrite.

As far as editing is concerned, I am what the gamer world would call a total “noob”. I have only started seriously applying butt to chair since October 2013, and so far I have a finished first draft of a novel and two short stories to show for that. So I have minimal experience with editing my work (even smaller than my experience in actually writing it).

However, I started this blog not only to share my thoughts and opinions on books and shows I like, but also to track how I progress and evolve as a writer. So based on editing two short stories and finishing the re-read of my first draft, I have made several observations about my writing process.

So far, when I sat down to edit both of short stories, I ended up keeping about 10% of the original text and rewriting everything else. When I noticed that, at first I was depressed, because I felt bad for all that time I wasted writing the first draft only to toss most of it away. But then I started analyzing the differences between the draft and the end product, and the result was not as abysmal as I had thought. Yes, I had tossed 90% of what I had written, but the bones of the story remained the same – the plot stayed in those 10% that were left in its entirety. So I got the structure of the story right the first time around, but it’s the presentation that needed reworking.

Doesn’t that realization make you feel better instantly? I know it did for me. I didn’t waste that time writing the first draft. I put the skeleton of my story together instead. And those scenes that I tossed and rewrote? They served a purpose too. They showed me that first setting / event/ character reaction that came to my mind didn’t work. If I hadn’t put it down on paper and re-read it, I would never have noticed that. Guess what, that made me think of a different way of telling the story. And if the critiques I received on Critters are to be trusted, the story only became better because of that.

And now I am faced with the daunting task of taking the first draft of my novel (which about 95k works longer than my short stories) and trying to make a decent story out of it. I must admit that I am scared: if I have to toss and rewrite 90% of the original, that would be about 90k words. That can potentially take me A LONG time. But I have learned one thing from the short story editing exercise and the read through my draft – the plot is there, the characters are alive and their POVs are visible, so the “bones” of the novel are solid. Now I just need to make sure to flesh it out and dress it in Sunday’s best before I let it fly into the world.

On editing – did I really write this crap?

When I was in the middle of the first draft of my novel, I ready many blog posts about writing, first drafts, rewriting and editing. I read somewhere that first drafts sucked, and that you were lucky if you kept about 10% of it on the rewrite. I remember thinking this can’t be true! That would be absolutely horrible and heartbreaking to spend months putting one word after the other just to have most of them end up in the dust bin.

Well, once I finished my first draft and put it in a drawer to marinate until I come back to it in February, I decided to distract myself by writing a short story. It was set in a completely different world than my novel and it was fun to write… Then I decided that before I could dive into editing a 100k words manuscript, I should probably try and tackle a 4k words story first, just to see what it entrails.

I read my short story with a critical eye and realized that it had all kinds of inherent problems.

First of all I was so focused on putting the story down and fitting it in a short story format, that I didn’t give my main character a chance to say anything. Basically, it was like I gagged her, tied strings to her arms and legs, and marched her down the story like a brave little puppet. She did all those wonderful deeds and never got a moment to tell the reader why she did them or how she felt about them.

Then I noticed a second problem with my story. My heroine encounters an old dying werewolf and, after hearing the creature’s story, takes pity on it and puts its soul to rest. Well, the werewolf’s story frankly sucked. A woman scorned by a man who turns into a monster and destroys the entire village where the man lived? Including innocent women and children who had done her no harm? No way in hell my character would empathize with a monster like that! But the fact that she connected with the werewolf and understood her pain was important to the story. The conclusion was – the werewolf needed a better story.

 Editing my short story.Editing my short story.

So I sat down with my printed short story, lots of spare paper and a blue pen and went to town: changing, adding, crossing out and rewriting. In the end I think I kept maybe 5% of the original first draft, everything else had been drastically rewritten. I think the story is better now, but that still a lot of words that ended up deleted.

 

This also kind of scares me when I think about the 100k words 350 pages monster waiting for me in my desk drawer. If I have to rewrite my novel just as drastically, it will take me months to accomplish this.