Category Archives: Fantasy

Flotsam (Peridot Shift 1) by R J Theodore

Stars: 2 out of 5

DNF at 45%.

There is a good book hidden somewhere in there. Unfortunately, it’s buried under tons of overwritten plot and bad characterization. It feels like this story isn’t quite done yet. It need more time to “cook” in the author’s head, or maybe a strong developmental edit.

The premise is fascinating: a whole planet shattered by a cataclysm that left it in chunks. Yet somehow life still exists there. There is atmosphere and gravity even if that revolves around the “islands” – floating bits of planet. There are five “gods” that remade their respective people in some ways to facilitate their adaptation to this new environment. And these deities are not fictional. They exist, they interact with others sometimes. There is a mysterious ring and some even more mysterious aliens. And the crew of a smuggler’s ship caught in the middle of all of that. Sounds interesting? Sounds like lots of fun and action, doesn’t it?

That promise kept me going for almost half the book. That’s when I realized that the flaws of the book made it almost impossible to enjoy the story. I was skimming most of the chapters just to get to the juicy bits, but even those weren’t enough to keep me interested.

This book is horribly overwritten – I don’t need descriptions of what every character is wearing and all the weapons they have unless it’s relevant to the story. And while yes, I’m interested about how Sub Rosa was founded, I don’t need 6 pages of exposition about it. This kills the momentum and makes the book a chore to read.

The other problem is the extremely stilled and unnatural dialogue. The characters don’t talk like people. In fact, most of the time, the characters barely talk. The protagonist talks and assumes what her crew is about to say from their posture or the look in their eyes, when they barely said a word or two before she interrupts them. This is extremely irritating and makes the protagonist look unstable, even unhinged sometimes. Prone to mood swings and quick to lash out… without any provocation. 

This impression comes from the fact that the author tells us everything, but is very bad at showing it. So the author tells us that the crew is being insubordinate and even disrespectful, but nothing in the scene actually “shows” us that. Half the time, when I read those scenes, I came away confused – exactly why did the protagonist lash out? Nothing in the dialogue provoked that response. I don’t really want to follow a character I don’t like and can’t understand.

All of these flaws just kept adding up and by the time I decided to say goodbye to the book, I was just not getting any enjoyment out of the experience.

PS: I received a free copy via NetGalley in exchange for an honest review.

The Final Empire (Mistborn 1) by Brandon Sanderson

Stars: 3.5 out of 5.

If you can give one thing to Brandon Sanderson, it’s that he has a knack for creating unique and complex magical systems. Allomancy is a delight to read about and you can see that a lot of thought went into figuring out how this system would work and what its rules and limitations are. I love a well-thought out world where the author abides by the rules they created. It makes the world feel more real. Sure, it’s not our world, but something like that could exist somewhere.

I also like a good heist story, and what is bigger than organizing a heist to rob the supreme ruler of the Final Empire? I love the preparations and the unfolding of plans and contingencies when the original plans inevitably fail. I even liked the couple twist we had towards the end. 

So why did I give this book 3.5 stars then if I liked so many things? 

Well, a good world and plot are important for my enjoyment of a book, but I am also very character-driven. I need good characters to follow to fully enjoy a book. Unfortunately, Mr. Sanderson wasn’t very good at creating memorable characters, at least in his earlier books. No, actually, let me rephrase that, because it’s not entirely true. He wasn’t very good at creating memorable protagonists. 

Again, this is just a question of personal preference, but I really didn’t like Vin. She read a bit too much like a YA heroine for me: ball of insecurities that turns out to be a special snowflake, instalove, knows everything better than people who have years more experience than she does, etc. I mean some of the stuff she pulled with the nobility should have gotten her severely reprimanded by her crewmates at the very least. Instead they just shrug and give her a pat on the head. 

In fact, Vin’s arc was the most boring part of this book. I didn’t care about the balls, the gowns, and her budding love for the wonderful nobleman’s son. Especially since his characterization is rather weak. I honestly don’t think that putting a young boy with book knowledge and no experience in charge of reconstructing an entire empire is rather foolish.

The characters I liked were Kelsier and his gang of thieves with a heart of gold. They were “real”. They were interesting. There was criminally too little of them in the book. If we had cut out the balls and winy Vin and added more about Kelsier’s planning and plotting, it would have made a much better book, in my opinion. Then again, I don’t read YA, so any YA tropes make me burst in hives. 

As it stands though, this book made me interested in the world and eager to read the next installment to find out the answers to some of the questions that were left untold – what was the Deepness? Where do the mists come from? Why is the sun red instead of yellow now and why is ash falling from the sky? What really happened at the Well of Ascension one thousand years ago?

I want to learn about that, even if that means I will have to follow Vin once again. Let’s just hope the events at the end of this book made her more mature.

Ashes of the Sun (Burningblade and Silvereye 1) by Django Wexler

Stars: 4 out of 5

This is the third series I have picked up by this author and I can say with confidence that Django Wexler is a creator of worlds, which is good praise in my books. Each of his series has a very distinct feel, with an original world and engaging characters. 

I loved a glimpse of the world in this book, where humans live on the ruins of a war between two Elder races – the Chosen and the Ghouls, who had been intent on mutual annihilation. The Ghouls unleashed the Plague that wiped out the Chosen, but not before they bombed the ghoul underground cities into oblivion. That was 400 years ago. Humanity inherited a planet full of ruins, broken weapons, and magical artifacts. And also plaguespawn – an unfortunate side-effect of the Plague. These monsters have just one purpose – attack anything living and assimilated it, and they prefer humans. Unfortunately, they are also all over the place, so humanity lives in cities and walled villages, and travel is dangerous…

I also really liked both of our siblings – Maya and Gyre. Even though they are on the opposite ends of this conflict, it’s really hard to say who is right and who is wrong. They both believe in their own truths. They are both decent people deep inside. They are also very young, so they still see the world in black and white, even though they allowed a few shades of gray in the end which helped them find a compromise long enough to get out of a very bad situation they were in. 

I liked that they both felt “alive” to me. No, I didn’t agree with all of their actions, especially with what Gyre did in Deepfyre, but I understood their motivations. To me, that’s the most important part. I might not like the character or agree with them, but I need their actions to make sense with what I know about them. That’s exactly what I get every time I pick up a Django Wexler book. 

Of course, there are still a lot of questions left unanswered – who or what is that black spider that Maya keeps encountering. How did it get ahold of Jaedia? What is the Thing on Maya’s chest and why does the spider call her an experiment? What are the plaguespawn and are they really the by-product of the Plague? Are the Chosen really gone? And a lot more. 

So this book accomplishes what a first book in a series is supposed to do – introduces an interesting world with engaging characters and left us with enough questions to pick up the next book. Well done, Mr. Wexler, well done. I am definitely continuing with this series. 

PS: I received a fee copy of this book from NetGalley in exchange for an honest review.

Seven Deaths of an Empire by G.R. Matthews

Stars: 2 out of 5

Well, this was a disappointment. Do you sometimes happen across a book that should, by all accounts, be right up your alley, but realize that it’s a complete miss? This is what happened to me with this book.

First, I didn’t like the worldbuilding itself. The world is too reminiscent of the Roman Empire with a little bit of magic added for good form. Oh and a monotheistic religion that mirrors what Christianity became at it’s worse – intolerance towards other religions, Inquisition, and witch hunts. Though in this case, we should probably say mage hunts. Other than those parts, the world itself has no originality. There is nothing that makes it unique or memorable, or even “fantasy”.

I am still fuzzy about the geography of this world or the different people who live in it. We talk about the forest tribes and the Empire, but it’s mentioned that the Empire conquered a lot of other people as well… yet I don’t see this diversity in the book. Even the tribes looked like a monolithic block to me, despite the fact that Emlyn mentions several times that each tribe is unique. We are told that, but we aren’t shown it.

Same with the Empire itself. It’s just an homogeneous mass of soldiers to me. I can’t even tell you what the main characters look like. Kyron is supposedly descended from the tribes, so does he look different than another citizen of the Empire? One descended from the original invaders that came from overseas? No clue. 

Speaking of that, why is the capital of the Empire on this new continent if the Empire originated elsewhere? Who governs that part of the Empire? Are they aware of the death of the Emperor and all the drama that follows? There is no mention of that. It’s hinted that it’s a big territory, yet it’s not important enough to even mention more than once in the story?

This moves into the second problem I had with this book. There is no sense of scale. The author hints at a huge continent and the Emperor is somewhere north of it with his army… yet it takes them what, one or two weeks to get back out of the forest and almost to the capital? Considering that they were moving on forest trails and with heavy carts full of with provisions, as well as the Emperor’s body, they weren’t moving very fast. Probably even slower as than a normal march. So if this was a big continent, it would have taken them a month or two to get out of the forest and into proper roads. And the author mentions that it took the Princess and her retinue a week to sail to the city with the bridge… yet they were back in the capital rather quickly after that battle. This creates such a confusion about geography and distances. I don’t “see” this world at all, thus I’m not interested in it.

Finally, I didn’t click with the two protagonists either, though I liked Bogan better than the whiny Kyron. Yes, the kid does some growing up in the course of the story, but he is still as selfish in the end as he was in the beginning. And his actions at the end of the book only prove it. His grandfather begged him to leave and do nothing. His master begged him to leave and do nothing. Heck, a lot of other people who know what they were talking about begged him to just save himself. Did he listen to any of them? Of course not. And by acting against the wishes of the person he is trying to save, he makes things so much worse…

Also, if found that the ending was at least 60 pages too long. The battle at the bridge was a very nice climax to the story with a great emotional payoff… but then the story kept going… and going… and going. Frankly, I lost interest and started just scrolling to the end, reading a word here or there. Even the twist and the big reveal didn’t manage to recapture my attention. I think it’s because that twist is so out of character for the actual villain of the story. Either that or Bodan can’t read people to save his life. 

If this book is a standalone, then the story isn’t wrapped up by the end. If it’s the first in a series, unfortunately, it didn’t make me interested enough to wait for the next one.

PS: I received a copy of this book from NetGalley in exchange for an honest review.

Daughter of Redwinter (The Redwinter Chronicles 1) by Ed McDonald

Stars: 3.5 out of 5.

I liked the idea behind this book better than the execution, but it was still an enjoyable read all in all.

Raine in particular is an interesting character with a lot of flaws and a lot of trauma in her past, who manages to stay relatable. I loved her character arc and her emotional growth throughout this book.  From a young girl who constantly doubts her worth and her place in the world, who has been told over and over that she isn’t worth anything, to a young woman who knows exactly who she is, who her friends are, and what she believes in. And who is willing to stand up and fight for that, even if by doing so she is risking her life.

However, I found that the middle of the book feels a bit draggy, because a lot of things happen to Raine instead of being instigated by her.  She’s basically floating along the narrative flow from right after the battle at the monastery to the part where she chooses to rescue her friend from his kidnappers. I understand why it was done this way, and it is justified, narratively speaking. But it makes for a rather dull read. Since Raine herself doesn’t know what she wants to do with her life and just kind of exists day to day, the reader feels like none of the events happening have any meaning. We don’t know what’s important because Raine doesn’t care about anything.

But once Raine finally decides where her place is and what’s important to her, she becomes a really wonderful character – she takes action, she makes tough choices, and she emerges victorious out of what seemed like an impossible situation. I will be curious to see how her life with evolve going forward, now that her big secret is known by several people who aren’t trying to kill her for it.

The worldbuilding is also rather fascinating. It reminds me of Scotland and England back in the middle ages when the Scot were subjugated by the English. Raine comes form the highlands, there is talk of clans, and the scenery is reminiscent of what I’ve seen in Scotland. There is also talk of moon horses that sounds a bit like kelpies, and hidden folk, the fae, etc. I would like to explore this world more, learn more of its secrets. 

I wasn’t as excited with the side characters. The characterizations there aren’t as well-done as Raine. Half the time we had just hints and sketches of character without full definition. Granted, a lot of it steams from the fact that we see this story through Raine’s eyes, and she’d been emotionally shunted for most of the book. It was hard for her to empathize with other or care enough to pay close attention to them. But even the people she seems interested in aren’t as well-defined as I would have liked them to be. 

Also, while I can believe into the motivation of the main villain in the story, I find it hard to believe that he was powerful enough to mind control so many of his followers. So does this mean that some of them followed him willingly even though all he wanted was petty revenge? Or was he so good of a liar that nobody suspected anything until the very end? Then why at least some of them didn’t turn on him after his grand speech in the cavern when the truth came out? Why were they willing to still die for him?

All in all tough, this book accomplished what a first book in a new series should do – it introduced and interesting world that readers want to explore more. It introduced a compelling protagonist that I wouldn’t mind following for a few more books. And it told an interesting story. It also didn’t leave us with a cliffhanger, thank the havens. All the questions relating to this particular story were answered by the end of the book while leaving enough unsaid that I am excited about picking up the next installment. 

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Light From Uncommon Stars by Ryka Aoki

Stars: 3 out of 5.

I feel bad giving this book less than a stellar rating, because it raises some pretty important issues about inclusion and the casual mistreatment of those who are different. It also talks about trauma and healing and finding your purpose in life. So all the things that should be right up my alley, right? Yes this book left me pretty much cold. 

I see several problems with the narrative that made it so this book didn’t work for me.

First, there is too much going on. There are demons ready to buy your soul and the competitive world of violin music. There are aliens escaping the collapse of a distant civilization. There is a traumatized transgender kid who is trying to find her way in this world that has never showed her kindness. There is the Queen of Hell, who already damned the souls of six of her most brilliant violin students and only need to collect one more to buy back her own.

On each own, all these stories would make a wonderful book. Reading about Katrina finding her own voice and melting the Queen of Hell’s heart in the process would have been wonderful. Reading about Lan Thran building a new life on Earth for her family and finding a modicum of happiness. And also realizing that music might be just the thing that could heal the soul of her dying civilization. Or even reading about the strange and cutthroat world of violin competitions and the violin repair shop owner who had the power to repair and exorcise cursed violins. And it is also a story about immigrants and refugees who are trying to rebuild a life on distant shores, as demonstrated by the Asian diaspora in California. 

Unfortunately, mashing them all together into the same narrative did a disservice to all of the stories. First, it felt like a clash of ideas, but more importantly, there wasn’t enough time to develop each story to the extent that it needed to be developed. There were too many characters to keep track of, as a result, almost none of them felt fleshed out. I could honestly say that the only two characters that felt “alive” to me were Katrina and Shirley. Ironic, isn’t it, considering Shirley is an AI?

As it stands, I felt like all the stories were underdeveloped then forcibly woven together to create a happy ending. 

Also, I found that for a book that seemingly had such high stakes – the souls of two women in jeopardy, aliens fleeing the destruction of their civilization, etc. I never felt any urgency in the narrative. We are told that the stakes are high, but we aren’t shown that. Apart from that last competition where Katrina plays her heart out, I never felt like any of the characters were in real danger. 

It might also be because violence is glossed over or threated with a passing shrug and nothing else in this story. Katrina is raped by her roommate and it is barely mentioned afterwards. I mean, she was betrayed by someone she trusted, yet again, but we will not dwell into that? Or when Lan’s son casually kills a civilian and then Lan just disintegrates his friends so that they wouldn’t go to the police? There is no aftermath for her for that. Oh, we just killed four people. Oh well, moving on. That felt very callous to me, especially in a story that talks about how music can heal our souls.

The ending is also something I didn’t like about this book. I understand the author’s desire to end the story on a good note, to create a happy ever after ending. Unfortunately, it cheapens Katrina’s sacrifice and self-realization during the violin competition, and also Shizuka’s real sacrifice after it, when she chose to forfeit her soul instead of damning Katrina. Shizuka was bound to Hell. That was the choice and the sacrifice she’d willingly made. It would have made for a heart-breaking, but beautiful ending of the book. One that I would have remembered and praised. Getting her out of that bargain by cope out space aliens was wrong, in my opinion. It sends the message that no matter what horrible things you did in your life, you can always escape punishment if you have the right friends. 

I would also argue that the way this book treated Katrina’s trauma was very “fairy tale” ending as well. She has severe PTSD from all the abuse she’d suffered from her family and those around her. She has self-loathing and self-image issues. Winning one competition and finding her music won’t solve all that. Finding one person who loves and support you helps, but doesn’t eliminate the trauma. Katrina needs serious therapy and years of work and recovery to be whole. Yet that part is completely glossed over. 

So yes, I like all the ideas in this book and a deep dive into violins and music was fascinating. I just didn’t particularly like how they were blended together in this book. 

PS: I received a free copy of this book in exchange for an honest review.

The Golden Enclaves (The Scholomance 3) by Naomi Novik

Stars: 3 out of 5

This book, even though it was a satisfactory conclusion to the trilogy, felt less well structured than the previous two. Also, it dragged. Hence the 3 star rating where the previous two books were solid 5 stars for me. 

I think my biggest problem is that this book spends too much time spinning its wheels. We pick up right after the awful events at the end of book 2. El is safe. El is back home with her mom, but El’s world has crumbled. She is traumatized by the events of the graduation. She doesn’t know what she wants to do with her life. She is depressed. So she spends a lot of time mopping around. Granted, that was very true to El’s character, since she tends to overanalyze everything to death and circle around the drain, but it makes for rather boring reading. 

I also felt that the middle part of the book dragged and lost its focus a bit. Yes, we learned some big revelations, especially about the correlation between mawmouths and enclave creation, but it felt like we were retreading the same ground again and again after the attack on London. The whole middle part could easily have been condensed and made more fast-paced and exciting without loosing any of the impactful reveals and character development. This is the first time in this series that I was tempted to skip forward and just skim through the pages. 

I loved the confrontation at the gates of the Scholomance. It really felt like this was the culmination of all the threads so carefully set up in the previous books. This was the culmination of Orion’s story. Of the mawmouths and the enclaves, and of the Scholomance itself. I think it would have been a better book if the author had decided to end it right there and then. Unfortunately, she didn’t…

I understand that she wanted to leave her character for a happy-ish ending, but it felt rather forced and shoehorned into what was a rather bleak story at times. I liked how Orion’s arc was resolved at the gates of Scholomance. I would have been happy with him being bound to the school, because that’s what El and all of the wizards had asked of him and the school itself – stay and protect our children. The fact that suddenly he can travel freely everywhere he wants and still has his ability to “eat” mals even though El killed the mawmouth inside him… it feels like a cheep copout. It cheapens the sacrifices and hard decisions both had to make during the battle of Scholomance. 

I also wasn’t completely happy with the solution they found for the enclaves. It’s not sustainable in the long run. After all, El is not immortal. One day she will be gone and there will be nobody there to kill the mawmouths. And yes, people will always choose the path of least resistance if they can. Building Golden Enclaves is harder than normal ones and requires more mana investments from the builders. So give it a generation, and wizards will revert to building modern enclaves again. 

In order to get rid of that practice, there needs to be a huge shift in how people think. Unfortunately, I don’t think the ending of this book laid a good enough foundation for that. So this is a hollow victory, because nothing has really changed. Which is a little disappointing.

It was still a good read though. All in all, I liked El’s growth and emotional journey and the fact that she finally found a modicum of peace.

The Last Graduate (The Scholomance 2) by Naomi Novik

Stars: 5 out of 5

This is an excellent continuation of the Scholomance series. It picks up moments after the end of book one and its ominous warning and leaves El and her friends with a plethora of new problems. The most pressing of which is getting ready for graduation. They all know what is waiting for them down in the graduation hall and that not all of them will make it out alive. It’s time to form alliances and play your cards right. Because surviving graduation is only the first step. If you are lucky enough, you might also get a spot in an enclave after.

I loved El’s character growth in this book. Her slow realization that she had friends she can rely on. And her bigger realization that surviving graduation on her own isn’t enough anymore. She also wants to make sure her friends survive. And most of the other graduates as well, even if some of them are from enclaves, but she is finding out that they are good people after all, flawed, entitles, clueless as to how life is for non-enclavers, but not intrinsically bad. 

It was also interesting to see her progressively feel more and more responsible for the first years that she had to have classes with. To come to the realization that they would have to deal with graduation as well in four years, and that the cleaning measures they had repaired might break again before their graduation. And if that happened, they would have to face a room full of hungry mals and no El or Orion to protect them… El is finally learning how to care about people other than herself and it’s a wonderful thing to see. That’s character growth at its best. 

The stakes felt real in this book as well. Graduation is coming whether our characters want it or not, and they have to work together to survive it. I loved how this idea slowly dawned on everybody and how people finally started cooperating. And that when El came up with her insane plan, mostly everyone backed her up. Granted, the fact that the Scholomance itself was actively encouraging them to be useful was a good inciting factor as well.

Speaking of the Scholomance, loved the revelation that the school was, if not sentient, then at least aware. That all these years, it’s been trying to fulfill its purpose the best it could, even with failing security measures and cleaning spells in the graduation hall. Even if that meant mercilessly training the kids in its charge so that they stood at least a chance to survive graduation. Even if that meant paring the week and feeding them to the mals, so that the strong had a better chance at making it out alive. I mean what an impossible conundrum – it’s tasked to protect all the gifted children of the world… and is forced to make tough choices to protect at least some of them.

The ending was heartbreaking. I really hope that we haven’t seen the last of Orion. On a different note, I love that this didn’t evolve like the typical YA love story.  In fact, romantic interests are the least of our characters problems in this series so far. Sure, they pair up, do the typical teenage things, but it’s not the focus of the story, and I’m glad about it.

All in all, I’m loving this series so far. It’s a well-constructed world with complex characters that you can’t help but empathize with. 

A Deadly Education (The Scholomance 1) by Naomi Novik

Stars: 5 out of 5

This is not your ordinary magic academy book. In fact, I doubt Harry Potter would have survived past the first night in Scholomance, because he wouldn’t have been an enclave kid, but just a looser like El. 

In fact, the world of Scholomance is rather bleak and unforgiving. Being a wizard isn’t something to be excited about, unless you have the privilege to be born in an enclave. Eighty percent of wizard children born outside of enclaves don’t survive to puberty, yet alone adulthood. Why? Because they are considered tasty treats for the myriads of mals roaming the world, looking for a snack. And a kid who barely started manifesting his magic doesn’t have the skills to defend themselves from the mals. So the solution was to create the Scholomance – a magical school that would also serve as shelter for those children lucky enough to be chosen to attend. They would have four years to learn and hone their skills. All they had to do was survive the graduation. Sure, people died there as well, but the survival rates were a lot higher than risking it on your own in the outside world instead.

This paints a grim picture doesn’t it? It’s also a fascinating take on a secluded magical community leaving alongside normal human population, or “mundanes” as they call them. I also loved the explanation why it was so much harder to do magic when surrounded by normal people. The idea of belief influencing the potency of spells is rather unique. 

Oh, and our protagonist is no Harry Potter either. Well, scratch that. She kind of is, I guess? In the sense that she is a chosen one and has a whole prophecy about her. Granted the prophecy goes along the lines of doom and gloom and bringing death to all enclaves. No wonder she is bitter and distrustful. No wonder she is a loner who assumes the worst of people. It also doesn’t help that most of the spells she gets from the school are spells of mass destruction or subjugation, as befitted a Dark Overlord… which she desperately doesn’t want to be. Add all that, and El is a bundle of bitterness with a soft mushy core under all that armor. She is a delight to follow in her slow progression from a loner to someone who finds a purpose and even real friends.

The concept of mana vs malia is also rather unique. I don’t often encounter this conundrum in other books about magic, but if you think about it, it makes sense – you can’t create something out of nothing. So any spell you cast has to be fueled by something. Mana is the fuel you build on your own. Malia is something you syphon out of the world around you – animals, plants… other people. It’s easy to get and you can have an almost unlimited pool of it… if you decide to be evil. Of course, prolonged use of malia corrupts your soul and body, and you risk having your insides rot in the long run, but it gives you a lot of power before that happens.

I found the whole concept of Scholomance fascinating. A school with no adult supervision, no teachers, no vacations. You get in via portal and you get out four years later, if you survive the mals in the school and the Graduation. Between then – the school teaches you by providing books and classes that it thinks you might need. And don’t even think about not completing homework on falling behind on your classes. First, you won’t be allowed in the dinning hall… then accidents will start happen. In other words – you learn or you die. I’d say that staying alive is the best motivation a student could need.

I am glad I was recommended this book. Even though it’s classified as YA, and yes, it has some typical YA elements, it lacks those that I despise the most: inta-love, love triangles, and protagonists too entitled or too stupid to live. This book is smart, intriguing and you can’t help but root for the characters even if El tends to get stuck on her grievances a lot and seems to run in circles before making a decision. But she is what, 16 in this book? So I would give her some slack.

All in all, I am really looking forward to diving in deeper into this world in the next book. And I will certainly check out other books by this author.

Savage Legion (Savage Rebellion 1) by Matt Wallace

Stars: 3 out of 5.

While I mostly liked this book, it didn’t wow me like some other fantasy books I read this year. 

I think the reason for that is that I had too many questions about the worldbuilding that were never answered. Crache is a fascinating concept, but if you start digging a little deeper into it, you realize that it doesn’t work. 

Try as I may, I couldn’t picture this country. Cities are mentioned, but never truly explored apart from the parts of one city where the Gens live and the Bottoms, where the poor, the beggars, the infirm, and the “useless” eke a pitiful existence. What about the people in the middle? What about the simple citizens? They are mentioned once in passing. How do they live? How do they make a living? If you have to form a Gen to do any kind of trade in Crache, then what do the simple citizens subsist on? Are they allowed to work? Or do they just exist on some kind of universal income and do nothing? 

The second problem for me was the whole concept of the Savage Legion. “Brutal. Efficient. Unstoppable.” is what the blurb says. I would have to disagree with the last two statements. There is no way an army assembled from the dregs of society, barely trained, equipped with broken weapons and almost no armor can be efficient. Yes, they can overwhelm some opponents with their sheer numbers, but there is a limit to that as well. The Roman Legions have proven that organization and training trump sheer numbers any day of the week. Legionnaires conquered most of Europe, even though their numbers were much smaller than the Visigoths that opposed them. But they were professional soldiers, skilled, trained, and better equipped. 

With the Savage Legion, we are talking about half-starved and often infirm people who had never fought a battle in their life before. Who are just thrown into the fray as cannon fodder. Any well organized army would make quick work of them.

Finally, the multiple POVs do this book a disservice, in my opinion. They are too distant from each other. I understand that the author wanted to show different aspects of Crache through the experiences of these three women, but as a result, all three stories feel broken and disjointed. As soon as we are immersed in one story and the tension is mounting to some kind of resolution, the next chapter switches to another story. Tension – killed. We try to pick up the thread of that story again and decide whether we care or not. And as soon as we start caring for that story again, the POV switches one more time.

The problem with multiple POVs in this book is also that none of the stories have a resolution. I understand that there is a sequel, but there should be at least some emotional pay off at the end of book 1. A reward for following the story so far, of sorts. Some kind of win for the protagonists. Here, the story just… stops. Well, all three stories just kind of stop in the middle. 

To me that is rather frustrating, and it doesn’t make me want to pick up the next book, even though I already have it on my kindle. But I might give it a go just to see if I get more answers to all my questions.