Category Archives: Dark fantasy

The Empire’s Ruin (Ashes of the Unhewn Throne 1) by Brian Staveley

Stars: 3 out of 5

This was an okay book, but nothing special. I mean, it kept me engaged enough to plod through 600+ pages, but it never got me engaged enough to be truly invested in the story. 

The world is interesting, and I really wanted to read more about it. I also realized that this was a sequel to an existing trilogy, but I don’t think you need to have read the previous books to understand the world. From what I could gather, this story follows a different set of characters anyway.

So why did I give this only three stars? I had two problems with it. 

The first one is the pacing. There is no sense of urgency, no real stakes for our characters. Gwenna is sent to the butt end of the world to recover kettral eggs, but there is no timeline on this. We are told that the empire is falling apart and that restoring the kettral is crucial in saving it, but nowhere in the book are we given an indication that the fall is imminent. We are TOLD that it’s the case, but we aren’t SHOWN. It’s hard to be invested in a quest when the stakes aren’t known. Gwenna could take years to get those eggs back, and the empire might still stand. Who knows? The readers certainly don’t. 

Same problem with Ruc’s storyline. We are told at the beginning of the book that this supernatural badass “First” is coming with an army and he will subjugate this city… then we don’t hear from him at all until the very end of the book. Again, we are TOLD. We are shown a dead messenger who didn’t even try to resist and some kind of bat creature who, supposedly, killed several people before it was captured. We are TOLD that, but we don’t see that happening. So again, the stakes are unclear. The urgency is minimal. Especially since we spent the entire book in one place – the Arena. The characters kept talking about escaping, but never really actively doing anything about it (apart from almost at the very end). So there is this big army coming, and we keep hearing that Ruc and Bien need to escape the city… yet they are still in the Arena every time the narrative comes back to them.

As for Akiil’s storyline, I still have no clue why it was even necessary to include it, apart from that one little seed at the end. Other than that, he was my least favorite of the characters, so reading through his POVs was a slog. One of the reasons is that I can’t understand his motivation. I figured out Gwenna and was onboard for her slow descent into depression and cheered when she finally clawed her way out of it. I was mildly sympathetic to Ruc’s efforts to suppress his violent tendencies, but Akiil? I still have no clue what motivates him. It honestly felt like he was making bad choices just for the sake of making bad choices. And that whole ark with the Captain and Skinny Gwenn? I’m not even sure what the point of that was…

So all in all, I was engaged enough to finish this book, but I’m not sure if I am invested enough to pick up the next one, or to go back and read the original trilogy.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

City of Songs (The Seven Swords 3) by Anthony Ryan

Stars: 4 out of 5

This book is the best in the series so far. I think it’s because we got the exposition and character background out of the way in the first two books, so the author is free to just tell his story. And it is a compelling story, no doubt about that.

I think what I like the most about this series the fascinating and complex world our characters inhabit. It feels complex and interesting. There are hints at deeper events and history there that the reader has yet to discover. It feels real. It feels like something I wouldn’t mind exploring further. I think this is the reason I keep coming back to these books. The characters are okay, but I don’t feel a deep connection to them. But they places they travel to are unique and worth exploring.

On a different note, this is the third city our characters destroyed so far… that’s an alarming trend, I would say. Yes, this time they weren’t directly responsible for the mass murder and mayhem, but they were still there and maybe served as a catalyst for the events. I’m a little afraid that by the time they finally collect all seven swords, there will be nothing left of the world to save.

I admit that I like the companions Pilgrim is assembling around himself, though I would still love Seeker to have a more layered role than the hunter with arrows that kills bad things. Heck, even the new member to join the team at the end of this book is more complex than her. I think that does a disservice to the story, because we are supposed to care about her search for her daughter, but we simply… don’t. I just hope that the author will give her a chance to shine in the next book.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

The Bone Maker by Sarah Beth Durst

 Stars: 5 out of 5

Most epic fantasy books end with our mighty heroes defeating the big bad and riding into the sunset and their happy ever after. But ask yourself this question – what happens after the sun sets? What does that ever after look like? Especially if you spent years preparing for this one battle, dedicated your whole life to it. If you walked from it physically and mentally scarred and lost your heart in the process? This is what this book is about. 

Kreya was the leader of the Five Heroes of Vos, the brave crew who defeated the nefarious bone maker Eklor… but that was 25 years ago. And she lost everything in that battle – she lost her husband, who took a fatal arrow trying to protect one of their friends. This death broke Kreya – they were supposed to spend their life together after this battle, to travel the world and experience life to the fullest, to see and do everything they had put on hold while they were saving the world. They were supposed to grow old together. Now Kreya had 25 solitary years trying to resurrect her dead husband using the research of the very monster they sacrificed so much to defeat.

It was interesting to see that famed ever after and follow a band of heroes in their lives after the main story had seemingly ended. I found the portrayal of how these people would try to rebuild their lives after such a traumatic event very realistic. Some try to rebuild their lives and become successful, and never ever think about the war again. Some found a family and find happiness in a quiet life. Some are so broken that their mind fractures over time, and some, like Kreya, put their entire life on hold in order to bring back the person they love.

I also loved that even though they hadn’t seen each other in years, when one of them needs help, they all gather around that person and offer all the help they can. Sure, some will grumble about it, but they will still do it. That’s what true friends are. And like true heroes, when a new evil threatens their country, they will still rise to the occasion.

As you can see, I absolutely loved the characters. All six of our heroes are very human, with their flaws and their battle scars. And yes, I include Stren’s wife in this, because she is just as much part of the crew this time around as the original 5. They make mistakes, they doubt themselves, they don’t want to be responsible for saving the world again, but they still do it when they realize that nobody else will. 

I would have loved a bit more details about the world. It’s mentioned that Vos is built entirely on mountaintops, that a perpetual mist shrouds the valleys between the peaks and monsters live in that mist. I would have loved to learn a bit more about that. Is this a natural occurrence? Is this the result of some ancient war? Are other countries like that as well or not? Unfortunately, there are no answers to these questions.

But this gripe notwithstanding, this was an excellent book. I highly recommend it for fantasy fans out there.

PS: I received a copy of this book from NetGalley in exchange for an honest review.

The Moonsteel Crown (Dominion 1) by Stephen Deas

Stars: 5 out of 5

I must admit that I loved this book, despite a couple flaws. But those flaws are too small to mention and didn’t take anything from the sheer pleasure of discovering the rich world the author created and following the characters. 

I think that the characters are the biggest strength of this book. We follow three of them: Seth, a failed priest, Fingers, a thief and pickpocket, and Myla, a sun-monk on the run from her past. They are all flawed. All three have their own fears, hang-ups, and delusions. They aren’t good people by any means, but neither are they bad. They are very human and relatable, even if I had the urge to smack Fingers upside the head on more than one occasion. But truth be told, I have that urge with some of my real life friends as well.

It is truly a delight to follow these three characters through the story and watch them make mistakes, do stupid, and sometimes rather ugly things to each other, and be fully invested in their lives. Because they are human and relatable. Because I understood their motives and I wanted to see them find some kind of meaning to their lives. Not to mention, I wanted them to survive the events of this book so that they could find that meaning.

 I would say that one of the flaws is that the villains are less developed. We get more background with Sulfane eventually, so we understand what makes him do what he does. We don’t get much about Blackhand. He doesn’t seem to have any redeeming qualities. He is ruthless and doesn’t hesitate to double-cross his friends and allies when it suits him. He treats even the members of his own gang like shit most of the time, especially Seth. So I had to wonder why people like Fings and Wil were so loyal to him? Why go to any lengths to rescue him after everything he’s done? I would understand this if Blackhand was ruthless to the outsiders but fair and protective of his own crew, but we never get an indication of that. In fact, he is a shit leader, no matter how you look at it. But that’s a small flaw.

I loved the worldbuilding in this book. Even though the action takes place in one city – Varr (and around it), we get a feeling for a much waster world with a rich and ancient history. Even Varr is a city of many layers, with ruins, palaces, temples and hovels, and forgotten catacombs, that point towards thousands of years of civilization.

I liked that we are introduced to this world organically, through conversations between characters, through snippets in books and stories, through small mentions relevant to the story itself. There are no info-dumps or characters telling each other things they should know just for the benefit of the reader. That way the reader discovers more about the world gradually and is kept interested in learning more. In fact, I definitely want to read the next book and find out more about Dead Men and mages and what happened to the Baleful Eye in the sky. 

While I don’t particularly approve the route Seth chose by the end of this book, and I see the enormous potential for abuse and the risk of him turning into a monster worse than Blackhand, I definitely want to learn more about the secrets he uncovered.

So all in all, this is an excellent first book in a series. It tells a complete story, introduces interesting characters, and makes you want to pick up the next installment. 

PS: I received an advanced copy from NetGalley in exchange for an honest review.

Last Exit by Max Gladstone

Stars: 2.5 out of 5

It pains me to give a less than stellar rating to Max Gladstone, but this is the first book of his I’ve been disappointed with. How can a book about found family, road trip, end of the world, parallel universes and so on be so… boring?

I loved this author’s Craft series. They are wonderfully imaginative and full of interesting characters and thought provoking concepts. So of course I jumped on the chance to get an ARC of this through NetGalley. And my initial state while I was reading this book, before the boredom set in, was that of bewilderment. Is this the author who wowed me with his other books? Am I reading this wrong? What is going on?

Oh, there are glimpses of the author I love in this story. There are moments that are tightly written and intensely terrifying. Like when the Cowboy first becomes aware of Sarah on the interstate, or the confrontation at the Best Western, or when Zelda is in the bug-infested tunnels under an alt New York. Those scenes had me at the edge of my seat, with my heart in my throat, terrified for the well-being of the characters…

Unfortunately, those moments of brilliance are few and far between. And they are bogged down by pages and pages of flashbacks, introspections, inner dialog about how miserable the characters are and how they think that the world is ending. It’s self-pity and self-recrimination on page upon page upon page. So you get this brilliant scene when the action is non-stop, the stakes are high, and the characters in danger… then you have 50 pages of inner monolog topped with a flashback on their first journey. Momentum – shot dead, not by the cowboy in a white hat, but by sheer boredom. In fact, I think that the book is at least 200 pages too long. My Kindle assured me that it was 400 pages long, but it felt like one of those 1000+ pages door stoppers – never-ending.

I think this approach would have worked if I cared for any of the characters, but I didn’t. They are all unlikeable, selfish people who wear their failures like a badge of honor and wallow in self-pity for most of the book. And since the reader has to follow them and be privy to their most inner thoughts, it makes for a very painful read, and not in a good way. 

Also, it is constantly hinted that their first journey to find the crossroads went horribly wrong and resulted in Sal’s downfall, but the book drags the actual story over pages and pages of hints and self-pity. By the time we actually learn what happened it feels… anti-climatic? I was like, “So all this misery is because of this? Are you kidding me?” Not a good thing when Sal’s downfall and Zelda’s guilt about it are the cornerstone of this story. 

By the end of the book I was so bored with the story, that I just skimmed through the last 10%. Also not good. The ending is supposed to be rewarding. It’s supposed to justify the effort the reader put into sticking with 400 pages of story. It was anything but that. And the big reveal and twist wasn’t all that shocking either. 

When I had finished the other books of this author, I had a sense of satisfaction and joy. I had wanted to savor the story, to re-read passages that I liked the most. When I finished Last Exit, all I had is a sense of relief that the slog was finally over and that I could delete the ARC from my Kindle. 

I will not recommend this book. Max Gladstone is a wonderful author though, so I suggest you read his Craft series instead. 

The Black Coast (The God-King Chronicles 1) by Mike Brooks

 

Stars: 2 out of 5

DNF at 51%

This book suffers from the first book in a series syndrome. The author is so excited to introduce the reader to his brand new world, that he throws everything but the kitchen sink into the first book. This leads to a book that is a hefty 700 pages long… that are a slug to read. 

I know there is a story there, but it’s so muddled by the different side-stories and a multitude of different POVs that it progresses at a glacial pace. Well, glaciers move faster than this story, actually. I mean, when I called it quits at 50%, only two weeks narrative time had passed, and only a handful things had happened.

As I already mentioned, this story has too many narrators. I counted at least 8 or 9 different protagonists whose POVs we are privy to. That would work if they all contributed to the same story. Unfortunately, at least 4 of them (that I remember) are narrating events that don’t even happen on the same continent, that I could tell. And have no connection whatsoever to the main events in the story. Maybe the connection becomes evident later in the book, but seriously, if I can’t tell why half of the characters are even in the story after reading half of the book, something is wrong with the plotting. 

It doesn’t help that of all the protagonists, I was truly interested in maybe 2 or 3. Daimon, Saana, and her daughter. They felt fleshed out. I could understand their motives and desires. The rest of the cast? Cardboard cutouts, all of them. I couldn’t care less about them or their stories, especially since they mostly had nothing to do with the main story.

This book would have benefited with sticking with the main story of the Raiders coming to ask asylum from the very people they had been pillaging for generations. Cut all the other POVs out. Put them in the next book in the series if you want, but don’t muddy the waters unnecessarily. This forced cohabitation story was so ripe with conflicts and possibilities! It had so much potential for violence, reconciliation, and character growth! It would have made an excellent book all by itself.

My other problem with this book is the dialogue. I get what the author tried to do, and the idea that different cultures have different languages and different ways to defining genders (one culture has 9 of them) is fun and exciting in theory… but the execution of that was less than stelar.

How do the character define which gender they are and where they stand in the hierarchy of their society? By talking about themselves in third person. I mean seriously! After the tenth “This lord wants you to do this” or “This woman/sister/daughter is telling her brother/father this”, I wanted to scream. After 400 pages of this? I wanted to throw the book at the wall. Since it’s an eBook on my kindle, I had to refrain myself.

This doesn’t sound natural. It makes for stilted and convoluted dialog that grated so much on my nerves that it took me out of the story every time.

Finally, since so little time was spent on the main storyline, the author didn’t explore any of the cultural and historical conflicts that should have arisen between the two people. Oh, some of those conflicts are mentioned… then resolved in what seems like minutes. It’s all too tidy and civilized, when it’s never so in real life. I mean slavery was abolished over 200 years ago, but the repercussions are still felt in modern USA even now. Don’t underestimate the potential for violence the human race has. This easy resolution makes the story less believable and it lessens the stakes. 

But even though I DNFed this, I cannot give this story a one star rating. There is potential here. The world seems really interesting. And dragons! Well, more like dinosaurs, but still. This book would have benefited from a good developmental edit that would have cut the fat, tightened the plot, and moved the extraneous storylines out. As it stands, however, I am not interested enough to continue with the series.

PS: I received a copy of this book via NetGalley in exchange for an honest review.

Foundryside (The Founders 1) By Robert Jackson BEnnett

Stars: 4 out of 5

Robert Jackson Bennett is a Creator of Worlds, and yes, the capital letters are fully intended here. Every time his new book comes out, I am amazed at this man’s imagination. His Divine Cities trilogy is in the top 10 of my most favorite series ever. That worldbuilding was absolutely top notch and like nothing I had ever read before. And he delivers again with Foundryside.

Imagine a world where certain words inscribed into inanimate objects can give the truly magical characteristics? A few glyphs put on a carriage wheels can persuade that wheel that it is going downhill, even if it’s on a flat surface, so the wheel will roll forward even if in reality it goes uphill. What you get is a self-propelling carriage that doesn’t need horses or engines. Imagine the implications for such a technology? Imagine how rich and powerful the Merchant Houses who control this art have become? No wonder they guard their glyphs and techniques with murderous jealousy.

Now imagine a person who, through a horrible and inhumane experiment, can interact with these scribed objects and sometimes use them in ways not intended by their creators. That would make Sancia a very good thief indeed… Until she is commissioned to steal an object from a heavily guarded warehouse. Now all the merchant houses want her dead, and everyone wants the artifact in her possession. All Sancia wants is to stay alive.

I loved everything about this story – the worldbuilding,  the characters, the tension and the seemingly overwhelming odds our protagonists face. I also liked that ultimately this is a story of transformation. Yes, objects are transformed by the art of scrivening, but more importantly, human beings are transformed by the circumstances and encounters they make during that book. Sancia is the best example of it. She starts the story as a loner who doesn’t trust anyone and struggles with her ability, considering it more of a curse than anything else. She comes to the end of this book as an almost different person – she has found friends and has mastered her ability, but she has also found a purpose. And a group of misfits was transformed into a found family as well. But not all the transformations are good ones, unfortunately, because one good man was transformed into a mindless monster, though I think there is still hope for him and he will come back in future books.

The reason why I gave this book 4 instead of 5 stars is because the protagonists seem less mature than in the author’s other series, even though the book isn’t categorized as YA, so that was a little off-putting for me, but that’s only my preference, since I’m not much into young adult books. Hopefully, Sancia will do more maturing in the next books of the series because I definitely want to check them out.

If you like great worldbuilding, like I do. If you like fast paced stories with twists and turns and wonderfully flawed characters, you should definitely check out this book.

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review.

Black Stone Heart (The Obsidian Path 1) by Michael R. Fletcher

Stars: 5 out of 5

I don’t usually like grim dark as a genre, because most books are too grim and too dark for me (and yes, the pun is totally intended). What I mean is that most authors dish out gore and violence for the sake of it instead of integrating it into the plot. So after the gazillionth gruesome murder or ignoble rape, I as a reader become unsensitized to it. Plus, if horrible things (including death) can happen to any of the characters, you get less attached to them, so when bad things happen, you just shrug and move on. 

That’s why I was pleasantly surprised by this book. Yes, it’s dark. Yes, it’s violent. But both of those things are integral to the story and the worldbuilding, not just written for shock value. So while I was squeamish in some parts of the book, and didn’t agree with a lot of the decisions the protagonist made, those were never out of character.

Now let’s talk about the two aspects that make or break a book for me: the worldbuilding and the characters.

The worldbuilding here is wonderful! You can feel the weight of history in the description of the cities and villages the protagonist is traveling through. We know that thousands of years ago, there was a vast and powerful empire that was ruled by the Demon Emperor. The empire was prosperous, but that prosperity came at the price of countless sacrificed souls that were fed to the demons who built and operated the cities, maintained the roads and made sure the vast imperial machine functioned properly. 

We don’t know what happened, but there was a horrible war that scarred the face of the earth and overthrew that demon empire, leaving empty cities that were still perfectly preserved and maintained by bound demons, but stepping into them meant death for simple mortals, because the wizards, who emerged victorious from this war, had eliminated all demonologists. Nobody was left to talk to demons.

It the world better or worse after the war? That would be for the reader to decide. Sure, no more innocent souls are sacrificed to the demons, but what’s left of humanity now lives in the equivalent of our Dark Ages. Poverty, disease, huge disparity in living conditions between the wizards and nobles and the rest of the populace. And this society is stagnant. The wizards are happy to keep the status quo. There had been no progress, no innovation, no effort to improve the living conditions in a thousand years since the Demon Empire fell. So you bet you this place is violent and dark.

Now let’s consider our protagonist. He is a blank slate at the beginning of the book. He literally emerges from the ground with no memories of who he was. But his willingness to kill and commit violence is there from the start. I would say that he doesn’t even bat an eyelash at his first 2 murders. He has some questions about his third one, the young boy, but it’s more in the vein of Was the old me really someone who could kill so easily, than in the vein of OMG what did I just do? I could have incapacitated and bound him. I didn’t have to kill him. 

The more we learn about Khraen’s past, the more we realize that he isn’t much better than the Demon Emperor he used to be, no matter if he keeps telling himself that he will be a better person. He is just as selfish, prone to anger, and ready to commit the worst of atrocities then justify them afterwards. I had to murder that woman because my undead girlfriend needed body part. And since she was already dead anyway, why not collect her soul to feed to a demon later? That sort of things. 

And the further in the story we go, the worst Khraen gets. No matter what justifications he invents in his mind for the horrible things he does, he is slowly become the same monster he sees in his shattered memories. Only the Demon Emperor committed his atrocities to  serve his god and to preserve and empire, the new Khraen just wants revenge on all the wizards who, in his eyes, betrayed him and took what’s his. Neither justification is valid, in my point of view.

Yet despite the violence and the increasingly unlikable protagonist, this book grabs you and keeps you hooked. I want to know what happened to the old Demon Emperor to make all of his allies turn against him. I want to know who shattered his obsidian heart. I want to know which necromancer has Henka’s heart or if she lied about it. I want to know what happens next, so I will definitely be buying the next book in the series.

Papa Lucy and the Boneman by Jason Fischer

 Stars: 3.5 out of 5

That was a very unusual book. I struggle to even put it in a category. Scifi? Fantasy? Post Apocalypse? Grim dark? A little bit of both with a bunch of other stuff mixed in?

I admit that I struggled with rating this book because there are certain aspects of it that I absolutely loved, and others that I was less than thrilled about. I had to make a compromise and settle on 3.5 stars.

Let’s talk about the thing I absolutely loved – the worldbuilding. This is a gritty and unforgiving world that wasn’t created for the human race. In fact, we learn pretty early on that humans came to this world as refugees from their own dimension that was facing immediate destruction. So even though the air is mostly breathable, the water potable, and the soil can grow imported crops, most of the native plant and wildlife can kill you in dozens of imaginative albeit rather painful ways. Not to mention that what livestock and crops the refugees brought with them have slowly been dying out or mutating beyond recognition through the centuries since their arrival.

This is a harsh world and you get a distinct feeling that the human race isn’t welcome there. If fact, it’s on borrowed time. Even without failing crops and livestock dying out, less and less people are born each year. Cities that were full of people and hope for a new future when they just arrived in this world now stand abandoned. Roads and highways are crumbling because if lack of use, and great feats of architecture that had once made life easier (like aqueducts and sewerage channels) are now broken and forgotten…

This general decay and desolation is very reminiscent of some of the darker works by Glen Cook, like the Black Company series, or the Dark Tower cycle by Stephen King. There is a sense of wrongness about the land, like the world had “moved on” and left the humans behind, to slowly die out. And of course, humans being humans, they find new and imaginative ways to abuse and kill each other. Did I mention this book is dark? Very, unforgivably dark.

This is where I will need to mention the part that I didn’t like, and that’s the characters. They are all absolutely depictable horrible excuses for human beings, especially those who fancy themselves gods instead. There isn’t a single one of them that has anything that even resembles a moral compass, and the atrocities they commit seemingly in passing were so bad at times that I found myself rooting for the natives. 

For me, it is rather hard to like a book when I just want to kill all of the protagonists to either put them out of their misery or to prevent them from committing any more atrocities. And in the case of the Boneman, who seems the least horrible of them all, his sin is the one of inaction. He sees the horrors his brother is committing. He saw all the horrors he committed in the past…  yet he follows him nevertheless. Like  fateful hound devoid of free will. Don’t’ know about you, but to me that’s a character that’s extremely annoying to read about.

I understand that the author’s idea was to show that his characters deserve the fates they will be getting and that the horrible actions they committed are counterbalanced by the harshness of their environment… Kinda like they deserve the prison they ended up with because they are all so horrible. 

I can appreciate that idea, but I don’t like it. Maybe because my tolerance for pain and suffering and people behaving like absolute Neanderthals has significantly lowered during these 2 pandemic years. I want to have at least one protagonist I can root for. I am not interested in following a bunch of villains and settle for the less villainous of them surviving in the end. 

But other readers might find this book right up their alley. So I would say give it a try, to discover an unusual world if nothing else.

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review.

The Unspoken Name (The Serpent Gates 1) by A. K. Larkwood

Stars: solid 5 out of 5.

This book has it all – wonderfully weird and detailed world (or worlds?), wonderfully flawed and detailed characters, and a story that keeps you reading. I often struggle with fantasy books because they are so formulistic and predictable, well The Unspoken Name is neither, I’m happy to say. I will definitely be looking forward to more books in this series.

The world described in this book is wonderfully complex and broken. It’s a multitude of worlds, actually, instead of a single one, connected together by a Maze with portal-like Gates leading in and out of it. Some worlds are thriving with life and culture, some are dead and decaying… some are somewhere in between. There are hints at a war between gods that destroyed worlds and shattered the Maze, as well as killing some of them (and the races that worshiped them as well).

And the races populating these worlds are as diverse as their environments, and they worship different gods as well. In fact, magic exists in this world (the existence of portals might have hinted at that), but it is tied firmly to the deity which grants the magical talent to the practitioner… and it exerts a heavy price. See, holding and channeling that much divine essence eventually kills the mage, how soon depends on how often they use that magic and how much power they spend at once. So yes, magic can be deadly and devastating, but most mages will think twice before unleashing it. After all, who wants to end up with goo for insides because you used too much divine power?

I also loved Czorwe, our protagonist and her journey of self-discovery in this book. Her whole life until about the second half of this book has been one of self-negation in the service of someone else. She grew up knowing that she would be sacrificed to her god when she turned 12 and fully accepting that outcome. Then when a mage persuades her to leave with him instead of going through with the sacrifice, she dedicated her whole life to helping him achieve his goals. She never questions why she is doing this, never thinks about what she wants for herself. For the first part of this book, she is just a tool molded and wielded by someone else’s will. Just like she was back in the temple when she was the bride of the Unspoken Name.

I love that this passivity and total disregard of her own desires progressively changes when she discovers someone who she cares about and genuinely wants to help. She finally acts for herself and discovers that she is capable of a lot more than she thought and that she is worthy of love and affection for who she is, not what she can do. I hope that we will see more of Csorwe and her friend in the next books.

And I will definitely be looking for the next books in the series, because even though this book answered one of the mysteries it introduced, there are a gazillion more that can be explored. Not to mention that the Unspoken Name is not done with his runaway bride, not at all.

PS: I received an advanced copy of this book from NetGalley in exchange for an honest review.