All posts by Elena Linville

I am a Russian-Swiss-American citizen of the world. I have traveled all over the globe then hopped over the big Atlantic pond and moved to North Carolina, USA, where I lived for eight years. But staying in one place for too long is not in my nature, so when the wanderlust called again, I packed my meager belongings and my cat continued my great migration all the say from NC to Texas. So here I am not in DFW area with my cat who strongly believes she is a dog and the Queen and Ruler of the house. I have an 8 to 5 job as an field force training specialist and the rest of the time I write stories “for fun and pleasure,” though most of the time it feels like pulling teeth or bleeding on the page. I have two novels, Of Broken Things and The Choices We Make, which are both in the fully finished first draft stage. I’m currently editing Of Broken Things and letting Choices sit in a desk drawer for a few months. I’m also editing my novella Mists of the Crosswords which is almost ready for beta readers. Looking for a few betas btw who are not afraid to give honest feedback. I have an idea for a serial of short stories called the Eye of the Norns Cicle. The first short story had been published in an anthology, the second story is written down but needs editing, and I’m outlining the next three stories. I think I have enough ideas for 2 seasons of 6 stories each. I also love reading sci-fi, fantasy, dystopia, urban fantasy and post -apocalyptic books. I have been known to pick up a romance or two from time to time, but NEVER in the contemporary or historical genres. I don’t read YA, children books or nonfiction.

Do you need to be married to your job to be good at it?

This post was born out of a brief exchange I had with a friend on Twitter. She had mentioned that in all the popular TV shows, the cops always hang around the office after hours (and sometimes late into the night), even after the case is done. Why don’t they go home? Don’t they have a life outside their work?

That conversation made me think. I also took a hard look at the shows I like on TV to see if I could confirm or deny that statement. Well, the verdict isn’t pretty – it seems like the TV wants us to think that you cannot be a good specialist (be it a detective, a CSI, an agent, etc.) unless you are literally married to your job.

 NCIS crew courtesy CBS NCIS crew courtesy CBS.

In NCIS, for example, Gibbs has been divorced three times and the relationships he had during the show never lead anywhere. He lives in a house that looks more like a cheap and ran down motel and spends most of his time in the basement working on a boat. Ducky was sharing his home with his mother until she passed away and now lives alone. As far as we know, he has never been married and is not in a relationship. Tony’s romantic life had been a train wreck after train wreck. All of them practically live at work.

CSI, another popular series, also shows us a group of workaholics with almost non-existent social lives or failing relationships. Nick, Greg, Julie and Morgan are all single. Sara’s relationship with Grissom ended a few seasons ago and Brass still has problems with his ex-wife and step-daughter. Heck, even the family man D.B Russell is starting to feel the strain in his personal life.

CSI courtesy CBS.
CSI courtesy CBS.

And there are plenty more shows like that. Heck, the latest example of this was shown in Rizzoli and Isles, when Jane chose her career over marriage to the man she loved, because it meant following him around.

My problem with that portrayal is that it slowly convinces the viewers that if you want to be good at your job, you need to prioritize it above everything else, personal life included. You need to be married to it, even obsessed with it.

Well, I have a beef to pick with that. First of all, obsession is never healthy. Also if you structure all your life around one single thing, once this thing taken from you, your life crumbles. Have you noticed that when those series show us a retired cop, he is usually either a heavy drinker, struggles with depression or bitter at the world? And how many characters took their own lives when they were declared unfit for duty for one reason or another?

I don’t agree that you have to sacrifice everything to be good at your job. I think that in order to be good at something, you need to be a healthy and balanced person. That means having more than one “obsession”, a hobby that you would enjoy doing during your free time, plenty of friends (and not only colleagues), and a good family life / personal relationship. That way, if disaster strikes and you fail at one aspect of your life, you still have all the others to fall back to and help you through. And your work won’t suffer too much, if you leave on time to enjoy a good dinner with your family. On the contrary, you might come to work happier the next day and ready to tackle oncoming challenges.

So that’s the characters whose stories I want to read and watch. I want well-rounded people. I want people who are not defined only by their job, who can balance profession and personal life, and be happy doing both. Those people are not boring. They have their own challenges to overcome. And there is so much more that can be done with characters like that as an author.

So what do you think? Do you think that being married to your job is unhealthy? Do you think that we, as authors need to create more in-depth characters who actually have a life to come home to? I would love to hear from you all.

The more you write, the more ideas you get.

 

pen-and-paper

I remember reading the excellent book On Writing by Stephen King sometimes in 2009, when I had just moved state-side with my husband. And I remember feeling so pumped up and excited to start writing something, because the great Stephen King said that ANYONE could write a story, they only had to start.

So I sat down with my pen and paper, already thinking about printed books and glory and fame… and I hit a wall. I had nothing to write about. My mind was blank. Not a single interesting story idea to be found anywhere. But I wanted to write! So I grabbed the first half-baked story that had the misfortune to wander into the spotlight and tried to run with it. The run quickly became a walk, then a crawl, and finally it died in horrible convulsions. That was my first effort at becoming a writer and, as you can see, it was not a very successful one.

Then in October 2013 a good friend of mine told me, “Why don’t you try doing NaNoWriMo with me?” I looked at the site, I read the rules, and I decided why the heck not? But the last disastrous foray into the land of writing was still fresh in my mind, so I was rather freaked out to just start on November 1 and write 50k in 30 days. And I still had NO IDEA what I would be writing about! Needless to say that the closer that first of November loomed, the more stressed I got.

And then a miracle happened. Around October 15, one a character literally barged into my dream, knocking the door down with his military boots, and said, “Ok, you will write this, and you will write it now.” I woke up with a half-formed idea, three fully-formed characters and an almost feverish need to put pen to paper and get story out, because it was burning me from the inside. I spent the last 15 days before the start of NaNo frantically outlining the story, I hit the month of November running, and I didn’t stop running until I finished the first draft around January 15.

During this exciting journey, I learned a lot about writing in general, as well as what worked and didn’t for me (outlines are a must – I can’t pants it for the life of me). But something even more extraordinary happened in the process as well – all of a sudden, my mind was bombarded with stories clamoring to be told. I was writing one, and at least three more were knocking more or less politely at the door, waiting for their turn. Where I had suffered from lack of things to write about back in 2009, I was overwhelmed with possible ideas now. It was like the trickle had transformed into a downpour!

hourglass_parchment_quill_cover

I now have a list of stories I want to write, and it’s getting longer every month. I must admit that it’s exciting. I am in the middle of the first rewrite / edit of my NaNo novel, and I have a finished short story waiting for a second rewrite, but I am also writing a brand new story that might turn out to be a novella. And I have enough plots for at least two more short stories set in the same word as another short story I just started sending out to magazines. Not to mention, another half-written novel I really want to go back to, because I have finally figured out the outline for it.

I guess it is true what everybody says – the more you write, the more you discover stuff to write about. It’s hard to start the ball rolling, but once it’s on the move, it gathers all sorts of interesting things along the way.

Everlost by Neal Shusterman

Everlost

Stars: 4 out of 5

With Everlost, the first book in the Skinjacker series, Neal Shusterman created a fascinating world that I enjoyed exploring.

Nick and Allie die in a car crash, but instead of going all the way to the light at the end of the tunnel, they collide with each other and go of course. So they end up stuck in a world called Everlost – a place that permeates our real world, but in which things that had meaning in our world, but were for some reason destroyed, still remain. It’s a world where the Twin Towers are still standing in New York, the Titanic still sails the seas, the Hindenburg soars through the skies, and all the fortunes in the fortune cookies are always true.

Nick and Allie soon find out that only places that don’t exist in the real world anymore, that are solid in Everlost only, are safe for them. Everywhere else they start sinking into the ground if they stand still for too long. They also discover that this world is only populated by children, the oldest of which was barely 17 when she died, and that monsters do exist, even if they are man-made.

I absolutely loved the world of Everlost. The idea that the ghosts exit in this world that is near ours, but not entirely like ours, is fascinating. Also loved the fact that landmarks, buildings and objects that had some significance or importance to somebody pass into the Everlost as well when they are destroyed. Or that the Afterlights (because they don’t want to call themselves ghosts) are only safe in those places that passed into the Everlost too.

I loved following the main characters, but most of the supporting characters were just as fun to read about. Mary, and the McGill, and Leaf were all very real and well-portrayed characters with their own personalities and goals. They all are basically in the same boat – trying to make sense of what happened to them and figure out how to spend eternity in this strange place.

I was also happy with the fact that the author didn’t chose to go the easy way and populate this world with monsters or other creepy things. The only monsters our heroes encounter are man-made. In fact, this is one of the messages of the book – that you can chose what to be in Everlost, whether you will have the strength to stay human, or lock yourself in a mindless routine that you would be repeating forever, or even become a monster. Every soul copes with the circumstances differently. There is no right or wrong way. But this world is not sad and gloomy at all, because in the end, there is a coin for every lost soul to get to their final destination. They just have to be ready to take that last step.

I really enjoyed this first book and I can’t wait to dive into Everwild, the next book in the series. So if you enjoy a well-thought world and engaging characters, pick up Everlost and read it. Go do it now!

Editing my novel – first steps.

Editing woes

 

My big adventure as a writer started November 2013 when I attempted to take advantage of NaNoWriMo to write at least part of my first ever novel. I plowed ahead and even won NaNo with a nice 55k word count. My novel, however, was only halfway done. So I persevered. I applied butt to chair for the whole of December (well I made a break for the holidays) and half of January, until I had finally put THE END on my manuscript. I ended up with a 100k word brick and an immense sense of satisfaction. I did it! I had finally finished something. For the first time ever. Yay me!!!

So I put my first draft in a drawer and busied myself with writing a couple short stories. That was also fun and challenging in a different way than writing a whole novel. When you have a very limited amount of words to tell your story, you have to be a lot more careful about the choices you make.

Short stories were also my first serious attempt at editing a piece into something good enough print (still working on that, first story is on version three so far). I had tremendous fun editing and rewriting them, trying to see if I could tell my story better.

But now I am faced with the 100k brick that is my first draft, and I must admit that the task of editing it is daunting. I mean it took me two weeks to tweak a 5k words story well enough to be able to send it to my critique group, how long would going through THAT many words take me? I admit that I am terrified. I have been circling around this text since beginning of March, unsure where to start.

I even sent it to my wonderful beta who had been there with me every step of the way while I was writing the darn thing. I think she sensed my rising panic, because she advised me to break the story into manageable chunks, to re-outline my novel now that it’s finished, breaking it into scenes, and go from there. That’s what I have been busy doing for the past week.

I must admit that this advice was invaluable. Not only do I have a clear Excel spreadsheet with every scene making every chapter, but I also have a better understanding of what is going on in my story. I now know how the events unfold and link to each other. And I already see a few problems that need fixed. I didn’t notice them when I read through the manuscript before, even though I felt that something wasn’t quite right.

So now that I have that clearer picture, I can start working on my plan of attack. Hopefully, I will manage to make my novel better (and not get paralyzed by fear in the prospect of the cheer volume of words I have to edit).

But this is the first lesson I learned about editing a novel – a detailed scene by scene outline is a must.

The process is ongoing, so stay tuned for more!

The Amber Chronicles by Roger Zelazny

The Great Book of Amber

Stars 5 out of 5 (especially for the first 5 books in the series).

The Amber Chronicles by Roger Zelazny will always have a very special place both on my bookshelf and in my heart. I was fifteen years old when I came upon the very first book in the series – Nine Princes in Amber. I had never heard of Zelazny before, I was more of a Ray Bradbury, Stephen King and Gabriel Garcia Marquez type. But I was home with a particularly nasty case of flu and nothing to do, so I cracked the book open, not expecting anything exceptional… and I got lost in the complex and wonderful world that Roger Zelazny had created. So much so that I read the first book deep into the night, until I reached the very last page. And when I did, I could barely wait until morning to rush to the library and get all the rest.

The world of the Amber Chronicles is absolutely fascinating. There are two original words – the House of Amber and the Court of Chaos, and a myriad of other worlds that are Shadows (reflections) of those two. Earth is one of those reflections. Amber has a royal family and a very large one at that, because the king, being immortal, had the chance to have many wives and lovers and father many children. So there are, like the first book says, nine Princes in Amber and about just as many Princesses. They have never been a very close-knit family during the best of times, but now the king is missing, and the rivalry for the succession has started. And everything goes in the battle for the throne of Amber…

I also fell in love with the protagonist of the first five books. Prince Corwin wakes up in a hospital on Earth after a terrible accident, with no memories of who he is and a nagging suspicion that the woman who claims to be his sister and who brought him to the hospital is not to be trusted. We discover this wonderful world through Corwin’s eyes, who is rediscovering it and his place in the grand scheme of things.

I love Corwin’s progression throughout the books. He starts off as an arrogant prince of Amber, who doesn’t give a damn about people born in Shadows and is only interested in getting back to Amber and taking the throne from his brother Eric. His reason behind this? Eric is technically a bastard, so he had no right to the throne. Plus Corwin thinks he is more suited to be King of Amber.

And then we follow this character through his journey and watch him transform into someone better, wiser and ultimately more “wholesome”. He makes some mistakes that have far reaching consequences and suffers the backlash for them. Some of his actions put people he cares about in danger. He also discovers that there is more behind his father’s disappearance than meets the eye. But more importantly, at the end of his personal journey, he decides that he doesn’t want the throne of Amber, because one of his brothers is much better suited to be a better king than he ever would be.

I also loved the whole Tarot system, where each Prince and Princess of Amber had a personal card, as well as some key locations in Amber, and Amberites could talk to each other and even travel through them. The episode where Corwin escapes from his prison cell by painting an image of a lighthouse and stepping into it absolutely blew my mind.

Finally, Roger Zelazny was a master of written word and a true poet. Some of his descriptions are so absolutely beautiful. I think I will always remember his description of Corwin riding his horse from Shadow to Shadow and the scenery changing and morphing around him.

Anyway, if you haven’t read anything by Roger Zelazny yet, I would suggest that you start with these books. The first one might have been written in 1970, but it is still just as beautiful and entertaining to read now than it was then.

A Newbie’s reflections on editing

Editing my short story.
Toss and rewrite.

As far as editing is concerned, I am what the gamer world would call a total “noob”. I have only started seriously applying butt to chair since October 2013, and so far I have a finished first draft of a novel and two short stories to show for that. So I have minimal experience with editing my work (even smaller than my experience in actually writing it).

However, I started this blog not only to share my thoughts and opinions on books and shows I like, but also to track how I progress and evolve as a writer. So based on editing two short stories and finishing the re-read of my first draft, I have made several observations about my writing process.

So far, when I sat down to edit both of short stories, I ended up keeping about 10% of the original text and rewriting everything else. When I noticed that, at first I was depressed, because I felt bad for all that time I wasted writing the first draft only to toss most of it away. But then I started analyzing the differences between the draft and the end product, and the result was not as abysmal as I had thought. Yes, I had tossed 90% of what I had written, but the bones of the story remained the same – the plot stayed in those 10% that were left in its entirety. So I got the structure of the story right the first time around, but it’s the presentation that needed reworking.

Doesn’t that realization make you feel better instantly? I know it did for me. I didn’t waste that time writing the first draft. I put the skeleton of my story together instead. And those scenes that I tossed and rewrote? They served a purpose too. They showed me that first setting / event/ character reaction that came to my mind didn’t work. If I hadn’t put it down on paper and re-read it, I would never have noticed that. Guess what, that made me think of a different way of telling the story. And if the critiques I received on Critters are to be trusted, the story only became better because of that.

And now I am faced with the daunting task of taking the first draft of my novel (which about 95k works longer than my short stories) and trying to make a decent story out of it. I must admit that I am scared: if I have to toss and rewrite 90% of the original, that would be about 90k words. That can potentially take me A LONG time. But I have learned one thing from the short story editing exercise and the read through my draft – the plot is there, the characters are alive and their POVs are visible, so the “bones” of the novel are solid. Now I just need to make sure to flesh it out and dress it in Sunday’s best before I let it fly into the world.

The Last Stormlord by Glenda Larke

Last Stormlord

Stars: 2.5 out of 5

I have very mixed feelings about this book. On one hand I loved the world Glenda Larke created, but on the other hand, the characters left me absolutely indifferent.

So let’s talk about the world first. This is a continent on which water is a precious commodity that is cherished and strictly regulated. In fact, the whole continent depends on the Stormlord to take water out of the distant sea, put it into clouds and guide those clouds towards the mountain range in the middle if the continent. There the clouds break and release the water as rain into the Mother Cistern from which it is distributed to all the cities and villages on the continent through an intricate system of tunnels and holding cisterns. Each city has its own water quota, and each citizen is given a daily ration. To be born waterless is the worst fate possible.

The system worked for centuries. So much so that everybody forgot what the time of Random Rain even was like. But now the old Stormlord is dying, and there is nobody powerful enough in water magic to take his place. Oh, there are plenty of rainlords in the cities, but none of them has the power to extract water vapor from the sea. So the whole continent is on the brink of a disaster and searching parties are sent to every single little village to test people and hopefully find a new stormlord. But the nomads of the Red Quarter are brewing a rebellion and dreaming of the return of Random Rain, and the Rainlord of one of the Scrapen cities has plans of his own. The whole continent is about to explode into violence… if it doesn’t die of dehydration first.

I loved the premise. I loved an entire society structured around the conservation of water, where every single drop is accounted for, and where water tokens are the main currency instead of gold. I think it’s a wonderful idea, and I looked forward to exploring this world.

This is where the book hit a wall, at least for me – I couldn’t empathize with the characters, and I was supposed to discover the world through their eyes.

Of the two main protagonists, Terelle rubbed me the wrong way the most. I mean she was so determined to run away and not become a snuggery girl that she ended up in even worse slavery in a way… and stayed there, not even trying to change her fate. But she kept complaining about her life constantly in her head, and the reader had to be part of all of her monologues. I wanted to shake her and yell, “If you are so unhappy, then grow a pair and CHANGE it!!! Or shut up and live with it if you are too chicken to act.” And she stayed the same throughout the book. Even in the end, when it had seemed that she had finally tried to do something about her situation, she still ended up doing what her master wanted her to do instead.

As for Shale… his whole story is a collection of tropes. Born to be the lowest of the low. Abusive father. Poor family. Tragedy that kills everyone he cares for. But he has a power that everybody wants! At this point the words Chosen One might as well start flashing over his head. This wouldn’t be too bad if the character had an interesting developmental arc in the book, but he doesn’t, at least not from my point of view. In just a couple years, he transforms from an ignorant boy who couldn’t even read and knew nothing about the world outside of his village into a young man who is more mature, educated, smart, talented (insert other qualities here) than everybody else.

That’s my other problem with this book. Apart from the two main characters, none of the supporting cast are interesting enough to empathize with. It seems that they are there to either guide our young heroes, or thwart them, or die in horrible suffering. So since I couldn’t find an emotional connection to anybody in the book, I was left watching the story unfold as an outsider. I finished the book, but I have absolutely no incentive to pick up the next one, sadly.

J. K. Rowling or why telling a bestselling writer to stop writing makes no sense.

I know I am jumping on the wagon way too late, since this article had been posted on February 21st, but I have some thoughts on the subject, so I decided to post them anyway. Hey, this is my blog, so I can do whatever I want in it, right? Wait, where are you all going? Come back!!!

Ahem, back to the subject at hand. I think the idea that bestselling authors somehow steal readers (and thus money) from less known writers by publishing new books is absolutely preposterous. More than that, the reasoning is flawed.

Would I buy a new book by J. K. Rowling? I would read the synopsis first, and if the story interests me, then yes of course I will. But I would do that with any other book as well, regardless of the author. Granted, seeing a big name on the cover would incite me to pick up the book and actually look at the synopsis more than a name I don’t know. Does that mean that bestselling authors sell more books? Yes, definitely. Does that mean that by doing so they steal money away from less known authors? Heck no!

No author, no matter now prolific, can publish more than one or two books a year. Even an average reader goes through at least 12-20 books a year. And a book junkie like me usually goes through at least one book a week (because I still have a full time job, a family and my own writing which chip away at my reading time). So after I am done with the latest Rowling, King or Scalzi (those should have kept me occupied for about a month), will I just sit on my hands and die of boredom the rest of the year waiting for their next book? Of course not! I will go on a hunt for more books to read in the genres I like.

This is why I love Amazon with their neat feature called “Customers who bought this item also bought”, or the recommendations page on Goodreads. I discovered many fabulous authors by browsing through those recommendations, opening each book and reading reviews and synopsis until I found a book I wanted to read. And if I happened to like a book by this new author, I would look for more of his or her books to read.

My point is, if this – if this bestselling author hadn’t written a new book that I read and liked, I wouldn’t have gone looking for something similar, and I would never have discovered a lot of new fledgling authors that I love and follow now.

Bestselling authors shine a spotlight on the genre they chose to write in and attract more readers who might have been unfamiliar with that genre before. And this is good news for everyone, readers and authors alike.

Back to our example, J. K. Rowling wrote a crime novel. Even if only one third of her followers bought it and liked it, chances are they will want to see what other crime novels there are out there, and they will not wait for Rowling to publish a new book. Instead they will go and browse the crime section on amazon or their local bookstore / library. Chances are, they will pick up Lynn Shepherd’s novel next, or the first book of another new author, boosting their sales.

So instead of telling those bestselling authors to put their pen down and retire, we should encourage them to explore more genres so that everyone could benefit from the publicity.

Also, a good writer can never retire, because writing is not a job but a way of life. Telling them to stop writing is like telling them to stop breathing – rather impossible to do.

The Shadow Hero – Severus Snape

At the beginning of this month, I had started a new series of posts about literary (and movie) characters I really liked and the reasons why I liked them. If you are interested, here is my first post about Doctor Who. I would like to continue this series with another famous character that I dearly love – Hogwards Potion Master and spy extraordinaire Severus Snape.

severus snape

I need to warn you now that this post will contain SPOILERS for all seven books, so if you haven’t read them yet for some reason, proceed at your own risk.

Alright, this warning out of the way, let me explain why I love this character so much. I think it’s because he is so complex and has such hidden depths that even the author didn’t suspect until she started writing him. I also think that Alan Rickman fit into this role perfectly in the movies, even though his Severus Snape is a lot older than the one in the books (who, after all, was only 38 in the first book).

Everything in the books is seen through Harry Potter’s eyes, and he takes an instant dislike to his taciturn Potion Master, so of course everything Snape does will be painted in negative light. Oh, don’t get me wrong, Severus Snape is a miserable bastard. He is bitter, angry and full of self-hatred as well as hatred at the world in general, and the way he treats Harry or Hermione is simply inexcusable.

But let’s set aside his horrible personality and consider his actions instead. In the first book, he does everything to try and protect the Sorcerer’s stone and he spends most of the quidditch match muttering counter spells to prevent Harry from falling off his broom. In second year, he is responsible for brewing the potion that would save all the kids that had been petrified by the basilisk, including Hermione.

I think that we see the true mettle of that man in book three though, when he rushes out of the castle and into the Shrieking Shack even though it’s the night of the full moon and he is about to confront a werewolf that almost killed him once already. He doesn’t hesitate though, because the lives of three children are in danger. The image bellow shows it perfectly well – even when faced with one of his worst nightmares, his reflex is to defend the children, even if that means die a horrible death himself.

Always protecting students, even those he hates.
Always protecting students, even those he hates.

I like Severus Snape because, even though he is a profoundly damaged man, he is also a man of honor and principles. He basically sacrificed his entire life to bring the downfall of a madman and thus to repent for a mistake he had made when he was barely out of his teens. He became a double agent, despised and distrusted by both sides, friendless and alone, with nobody to turn to for comfort. He was asked to do unspeakable things for that cause.

I can’t even imagine what the last year in Hogwards must have been like for him, when he had to play the role of the Death Eater Headmaster and bear the scorn and open hatred of his former colleagues and students. Yet, he made sure that none of the students were permanently harmed, even with two clearly unstable Death Eaters on the premises. Not to mention that Harry would never have gotten the horcruxes destroyed without his timely help. No, I am certain that without Severus Snape and all the sacrifices he had to make, Lord Voldemort would have won and Harry Potter would have been the boy-who-died… along with many others.

And even though I don’t buy into the idea of Snape’s undying love for Lily Potter as the driving force behind everything he had done, I can’t help but admire his extraordinary force of character. He truly is the greatest shadow hero of this book.

Outpost and Horde by Ann Aguirre

outpostHorde

Outpost – 3 out 5 stars              Horde – 2 out of 5 stars

I loved Enclave, the first book in the Razorland series, because it was an interesting and fresh take at the post-apocalyptic world with a very strong female protagonist and interesting supporting characters (you can find my review here). So I really wanted to like the next two books in the series, I really did. Unfortunately, those books proved to be a huge disappointment, at least for me.
Oh, the world-building is excellent. Ann Aguirre does a wonderful job describing the different settlements and the different ways people chose to survive after the world we knew suddenly ended. The problem is that, at least in my opinion, she stopped listening to her characters somewhere along the way. While they still behave somewhat in character in the beginning of Outpost, most of them are blatantly out of character during Horde. It’s like the author decided to stick to the plan she had formulated way at the beginning of the series and didn’t take into account that her characters changed in the process. She just clobbered them into submission and made them dance to her tune. Well, they danced poorly, that’s all I can say.

SPOILERS ALERT!!! READ AT YOUR OWN RISK!!!

My biggest disappointment is the evolution of Fade. He was such a strong character in Enclave! I can’t believe that someone who managed to survive in the tunnels on his own for a few months when he was eight years old, and someone who was the best hunter in the Enclave, would just break and fall into pieces after he gets captured. Yes, what he went through was horrible. Yes, he was beaten. Yes, he saw horrible things. But he got out, he survived. Hell, he even managed to walk out of there on his own steam, so he wasn’t beaten that hard. Yet he suddenly transforms into a brooding, self-hating weakling. Even worse, he lashes out on people closest to him because of what happened. Excuse me? This is not the Fade described in such loving details in the previous book and a half. It almost feels like the real Fade died in the Freak camp, and Deuce freed a doppelganger.
My second problem is Deuce’s reaction to Fade’s change. The Deuce I got to know through the first book would not have stood for his endless brooding and would not have excused his constant hostility and lashing out. She would have giving him a good trashing and told him to get his act together. What does this new Deuce do instead? Blame herself and excuse his downright nasty attitude by “Oh poor baby, he got caught, they broke his spirit.”

The whole love story between Deuce and Fade is mishandled in my opinion. Any time Deuce thinks about Fade, she transforms from a tough, rational woman into a doe-eyed simpleton. I get it that she loves him, but fawning over his every move and acting like her brain gets short-circuited every time he is around is so very out of character that it’s not even funny. More than that, this love story turns into a typical YA cliché. This is sad, because it could have been so much more intense and interesting, had Ann Aguirre just listened to her characters instead of imposing her own vision on them.
Thirdly, I am getting really tired of the whole love triangle theme in YA books. It’s been done and overdone. And this love triangle serves to illustrate my point about the author imposing her will on characters. Stalker changes a lot through the books, and for the better. He is still as ruthless, but his develops a conscience, he becomes a decent strong man. In other words, exactly the kind of man that Deuce would fall for if she was acting in character, especially considering the way Fade is behaving… But that doesn’t happen.

My final complaint about this series is that Deuce basically becomes a Mary Sue in Horde. I’m sorry, but I don’t believe that a 17 year old girl would be better suited to lead a whole army than a seasoned warrior. No matter how much she had seen and how many Freaks she had killed before. She is a good fighter yes, a good leader of men she is not. Yet, somehow that’s what happens in book three. A young girl leads them all to victory. Sorry, I don’t believe it.

And that’s how a series that showed so much promised ended up in such disappointment.