All posts by Elena Linville

I am a Russian-Swiss-American citizen of the world. I have traveled all over the globe then hopped over the big Atlantic pond and moved to North Carolina, USA, where I lived for eight years. But staying in one place for too long is not in my nature, so when the wanderlust called again, I packed my meager belongings and my cat continued my great migration all the say from NC to Texas. So here I am not in DFW area with my cat who strongly believes she is a dog and the Queen and Ruler of the house. I have an 8 to 5 job as an field force training specialist and the rest of the time I write stories “for fun and pleasure,” though most of the time it feels like pulling teeth or bleeding on the page. I have two novels, Of Broken Things and The Choices We Make, which are both in the fully finished first draft stage. I’m currently editing Of Broken Things and letting Choices sit in a desk drawer for a few months. I’m also editing my novella Mists of the Crosswords which is almost ready for beta readers. Looking for a few betas btw who are not afraid to give honest feedback. I have an idea for a serial of short stories called the Eye of the Norns Cicle. The first short story had been published in an anthology, the second story is written down but needs editing, and I’m outlining the next three stories. I think I have enough ideas for 2 seasons of 6 stories each. I also love reading sci-fi, fantasy, dystopia, urban fantasy and post -apocalyptic books. I have been known to pick up a romance or two from time to time, but NEVER in the contemporary or historical genres. I don’t read YA, children books or nonfiction.

The fear of the blank page.

I had to go back to the drawing board and re-outline my novella Mists of the Crossworlds, because I have realized that there was more to the story than I first thought… like at least 10k words more. This novella is slowly turning into a novel.

But this post is not about yet another transformation this ever-changing story is putting me through. Now that I’m forced to continue this story, I am faced with of the banes of a writer’s existence – the fear of the blank page.

When I first started writing, I thought this was a disease plaguing only new writers, but a year and a half and several finished projects later, I still get paralyzed by the sight of a blank page. The first 200 words of so of each daily session are the hardest to write. Sometimes they feel like pulling teeth. I have a detailed outline. I know where my story is supposed to go. And usually, once I get going, I can put up to 1k words on paper in one session without problems, but those first 200… they are always hard.

Before I started panicking, I dived into the wast ocean of the Internet and discovered that I’m not alone in my plight! That was strangely reassuring, actually. I think all of us creative types (writers, artists, painters) have this moment of fear when we begin something new. We stare at this yet unmarred page (or canvas) and we get scared to waste it, to create something unworthy. We forget for a moment that this is just the first draft, that any mistakes we make now can be corrected later. And no matter how many books you wrote and sold, how much money or recognition we gained, this fear will always be there…

I think it’s important to recognize that and not let it paralyze you. So I decided to analyze what helps me get past this fear and write anyway.

Sometimes, just sitting down and putting pen to paper, no matter what mood you are in, helps, because after those first excruciating 200 words, the story finally starts flowing again.

But sometimes  summoning the enthusiasm to write isn’t as easy. I found that reading good books on writing helps me fall in love with the process all over again. I have two books that I always come back to whenever I am in need of a pep talk. I’m gonna post them here in the hope that they might help somebody else as well.

First of all, I need to mention this book, because without it I wouldn’t be writing today. On Writing by Stephen King gave me the courage necessary to start that very first story a couple years ago. It will probably never see the light of day again, but It nudged me into the right direction. It’s a wonderful view into the life of an author, and while it doesn’t have a lot of technical stuff about the whole writing process, it has a lot of motivational and heartwarming insights. I still come back to it whenever I am in need of inspiration.

Another wonderful book to have on your bedside table, or on your Kindle is Write, Publish, Repeat by Sean Platt, Johnny B Truant and David Wright. It has a lot of nuts and bolts of how to write and publish books, but also funny stories and plenty of encouragement. I think this book is a must read even if you are not planning on self-publishing your stories. I find it extremely motivating.

Another wonderful motivator is going to other writers’ blogs and reading their stories or hopping on Twitter and talking to a few fellow writers about it. Writing a solitary process, yes, but it doesn’t mean we are alone in this struggle. We all have good and bad days. We all get paralyzed by the sight of a blank page from time to time. So reaching out and just talking about it with people who understand exactly what you are going through helps a lot.

So there you have it. My struggle with the blank page and my ways of coping with it. What about you? Do you get blocked by the fear to start something new? If so, how do you get past it? I want to hear from you!

Time Patrol (Area 51: The Nightstalkers) by Bob Mayer.

Stars: 3 out of 5.

This book has a lot going for it. It has time travel / time slip. It has secret organizations dedicated to correct attempts to change our timeline in the present and the past and other secret organization protecting unsuspecting citizens from things that go bump in the night. And all this is supported by some interesting and not too farfetched scientific explanations… All in all, it was an entertaining read.

So why did I only give this book 3 stars? Several reasons, some of which are probably due to the fact that I am new to the series and have never read any other books about the Nightstalkers.

I am not familiar with the characters. I haven’t had time to get to know and love this rag-tag team. So Scout was the only person I could more or less emphasize with because she is also relatively new to the team and gets a little bit of character development. All the others? I could care less if they live or die, so even the death of one of them in the first third of the book didn’t have the dramatic effect it probably should have had on me.

So my first advice would be: don’t make my mistake and go read the first 3 books in the series before getting to Time Patrol. I’m sure that for a reader who has followed the Nightstalkers through many adventures and learned about them in the other books, the death I am talking about was a blow.

My other problem with this book has nothing to do with the fact that I’m not familiar with the world or the series. I found the pacing to be very slow, especially in the first third of the book. We start with the Time Patrol disappearing, but then we have several chapters describing how the various members of the Nightstalkers experience little time slips and inconsistencies due to that disappearance.  While that might be relevant to the story, it also completely kills the forward momentum, because by the time we finally get back to the Time Patrol, it’s 100 pages down the road and I have been yawning through the last 30 of them.

But this complaint put aside, I actually liked the world Bob Mayer has created. The idea of a Time Patrol that would track and correct attempts at changing our timeline throughout history needs to be explored more. I loved the fact that the time patrol has agents in different times, or that arts is the surest way to communicate and send messages about possible changes in the timeline, because art, unlike anything else, survives the ravages of time.

I also loved the concept of parallel universes or timelines and the space between, where things and people who disappear from our timelines sometimes end up. In fact, I liked those concepts so much that I’m debating about going back and getting the first book in the series to familiarize myself with this team and this world some more.

So my final verdict for Time patrol is – very good book for those who are already familiar with the series, but will probably be off-putting for those who aren’t, like me.

PS. I received an advanced copy of this book via NetGalley.

Mists of the Crossworlds – the story changes yet again.

Not over

First of all, I wanted to thank all the wonderful people who had agreed to beta read this story. Your advice was priceless and very insightful, and I owe you big time! You took the time out of your busy life to journey with Lori through the mists of the crossworlds and bring back your impressions, and the story will only get better because of them.

… and the result of it is that the story will change yet again. Oh, all of my beta readers loved the Mists in its present iteration, and I could probably publish this novella as it is, but upon reading the comments, I realized that there was yet another layer to the story that begged to be explored. So I decided to postpone the release to see where else this story could take me.

If you have been following this blog for a while, you probably know that Mists is one of my works that had undergone the most transformation since its inception a year ago. It had started as a measly 4k words short story which described how Lori lead a caravan through the crossworlds. Then It grew to 8k and sent Lori looking for her friend and bringing him home. But then I decided that Theo wasn’t a lot puppy and that having him brought back home safely wasn’t really the end, so they went on another wild adventure that jumped the word count of Mists to 20k and transformed it from a short story into a novella. And now this new layer will add at least another 10k on top of that.

I’m afraid that by the time I’m finally done with them, Mists would have grown to the size of a novel. I am a bit baffled. I have NEVER encountered a story that just kept throwing new content at me every time I thought I was done with it before. It’s almost like it doesn’t want to be finished or something…

Bangs her head on the desk

Sobs hysterically in a corner

Goes back to the drawing board to outline the rest of the story

So yep, I’ll keep you posted on the progress of this one. Now the tentative release date for Mists is June 1st.

On the bright side, I finally found a beautiful cover for it once it’s done and ready to go out into the world, and you are the first to see it. Ta-da!!!!

 

Mists of the Crossworlds.
Mists of the Crossworlds.

Isn’t it beautiful?

And now I’m going back to my dark writing cave to put some more words on the page. I have a vague idea where this story wants to go, so I need to work out the details. Hopefully, once I’m done with this rewrite, Mists will be truly and finally finished and ready to be published. I wouldn’t hold my breath on that though, since I’ve said that at least twice before…

Vision in Silver by Anne Bishop.

Stars: 5 out of 5.

This is the third book in the excellent Others series by Anne Bishop. I have already reviewed the first two books, if you are interested in my opinion – Written in Red and Murder of Crows.

I love this series, I love the wonderfully complex world Anne Bishop has created and the diverse and engaging characters, both Other and human, so I was waiting for this new book with barely concealed excitement. I must admit that I wasn’t disappointed.

Meg and Simon and everybody else in the Lakeside Courtyard are back, and we get a glimpse into other parts of this fascinating world as well.

The story picks up right after the events of the last book and in part deals with the consequences of what happened. I love the fact that Anne Bishop didn’t gloss over the liberation of cassandra sangue and the issues that resulted from this. It would have been so easy to just say, “they were all freed and everything is well for them now.” Well it’s not, and it couldn’t have been.

Most of them have lived all of their lives in a controlled environment, have never been outside of the compound and are not prepared to cope with this huge change. Plus a lot of other  compound owners panic and dump their charges on the side of the road before the Others reach them. So we see a lot of scared and overwhelmed girls let loose in a world they fear and don’t understand.

The results are predictable and rather sad. A lot of the cassandra sangue choose suicide instead of trying to face this new frightening world. They cut too deep and bleed out, spilling prophecies and riding the waves of bliss into their death. Others try to adapt, but they don’t know how, and their new guardians, whether Other or human, are just as clueless about how to help them.

So they turn to Meg and Simon for help, because Meg is a cassandra sangue, but she managed not only to flee her compound and make it to the Lakeside Courtyard, but also to adapt enough to be able to perform her job and interact with others without shutting down every time the information input became too much. I loved reading about how Meg and her human pack start picking apart her routine and analyzing what helps her cope and how it can be applied to the other girls as well. And it works.

The other huge topic in this book is the growing tension between the Others and humans and the rise of the Human First and Last movement. The author does well to instill tension into every word – the whole continent feels like a huge powder keg ready to explode into blood and violence. And the reader knows that humans have the most to lose if that happens, even if they seem to have forgotten that. So it puts even more emphasis on the tentative truce and cooperation between the Lakeside Courtyard and the Lakeside police, because it sets an example that humans and Others can in fact work together. But will that small step be enough to steal the hand of those who roam the Wild Country if they decide that the monkeys have no place on their land anymore?

If you have read my review of Murder of Crows, you probably know that my main complaint had been that there since Meg can predict almost anything that happens to the people she cares about, the reader doesn’t have a sense of urgency or dread when bad things are afoot. Well, that changed in this book… and I won’t say anything else in order not to spoil you.

This is a wonderful series and I would recommend it to everyone. If you are new to the world of the Others, pick up the first book, Written in Red and enjoy. If you are already familiar with the series, fear not, Vision in Silver delivers everything it promised and more.

PS. I received and advanced copy of this book via NetGalley.

All good characters should have scars.

When you read the title of this post, you probably thought, “What is she talking about? Has she jumped off the deep end?” Nope, I’m doing well, thank you, and I promise that the title will make sense after you’ve finished reading the post.

dragon-age-inquisition-characters
All the wonderful characters in Dragon Age: Inquisition.

I have been playing Dragon Age Inquisition for the past two weeks or so, and yes, I know that I’m really late to the party and the game came out in October last year. I was in the middle of my first draft of Choices, so I didn’t want to have any distractions. Getting DA: I was my reward for finishing it.

Now I am a big fan of the Dragon Age series and I’ve played all the games and expansions since DA: Origins. Bioware managed to create a complex and compelling world worthy of some good epic fantasy novels. I enjoy roaming around the different zones and collecting books, letters and codex entries, but you know what keeps me coming back to those games? The characters.

I think I spend more time in camp or in Skyhold talking to all my companions and learning their stories then I do exploring different locations, doing quests and killing baddies. I’ve been knowns to stop dead in my tracks just to listen to the random party banter and switch the companions I run with around just to see how they interact with each other. To me, unlocking a new dialogue option for Zevran, Cassandra, Cullen or Fenris or any other companions is more exciting than defeating a new boss.

So to me the success of Dragon Age franchise has everything to do with the complexity of the characters, and you know what gives them this complexity? Scars.

Cullen battles his lyrium addiction every day.
Cullen struggles with his lyrium addiction every day.

And I’m not talking only about physical scars here, though some of the companions have plenty of those as well. And all those physical scars tell a story. Both Cassandra and Cullen are fighters and their faces and bodies are scarred by countless battles. Iron Bull lost his eye saving the life of one of his Chargers. Fenris in Dragon Age 2 has a different form or scars – the lyrium tattoos that his master branded into his body…

No, what makes all those characters interesting are the psychological scars all of them bear on top of those physical ones. They make them seem more human and fallible and also so much more endearing. We all have scars. They define us and determine how we interact with the rest of the world. They make us unique. They make us real.

The procedure of branding Fenris with lyrium was so painful that he forgot everything he was before that.
The procedure of branding Fenris with lyrium was so painful that he forgot everything he was before that.

That’s why nobody wants to read about perfect characters – they are not interesting. Perfection provokes detachment instead of empathy. Would I want to hang around someone who has a perfect life, always does the right thing just because, and never seems to struggle with anything? Hm… probably not. So why would I spend hours reading about them or interacting with them in a game?

Scars give the characters depth and purpose other than following your main character around. They hint at a life outside of the story you are reading / playing. Each one of Dragon Age companions could be the hero of their own story. In fact I WANT to read their stories or play through them.

And so Cullen fights the ghosts of his memories at night and the demons of his lyrium addiction during the day. Solas has a whole pantheon of ghosts and regrets to deal with every day. Varric jokes and hides behind words, but his devotion to Bianca hints on a heart that had been deeply wounded and is still bleeding. Cassandra might come across as harsh and unbending, though as nails, but she hides a much softer romantic side under all that armor. Dorian jokes and jests, but cares deeply about his home and what’s happening there. And Liliana has evolved from a young and somewhat idealistic bard from Orlais into this cold and uncompromising master spy, the Nightingale that everybody fears and respects…

There is nothing left of the young bard Leliana we saw in Dragon Age Origins in this master spy.
There is nothing left of the young bard Leliana we saw in Dragon Age Origins in this master spy.

 

That’s what makes Dragon Age such a great game and keeps you coming back to it even if you’ve already invested over a hundred hours into the game. You come back for the story, but you also come back for all those side stories and character interactions.

I think this is a lesson every writer should remember. If you want to keep your readers engaged and make them stick with you until the end, you need an interesting story, but I think (and some of you might disagree of course) that characters are much more important. Create a protagonist and secondary characters that the readers invest in and they will follow them even through the moments when the story slows down because they will want to spend time with them and get to know them better. Give your character scars.

 

The Flex by Ferrett Steinmetz.

Stars: 4 out of 5.

Another wonderful book. Frankly, I have been spoiled with good books so far this year.

Flex has a very interesting concept of magic that I hadn’t encountered before. The ‘mancers in Flex are not officially (or unofficially) trained magicians we grew so accustomed to in other fantasy books. No, each one of them has their own particular flavor of magic or ‘mancy. There are illustromancers and musicomancers, videogamemancers and bureaucracymancers. This is a fascinating concept that a person’s believes and obsessions define his or her magic and the set of rules within which it works.

I also loved the fact that the use of magic is not free in this world. Every time there is a Flex, or the active use of magic, there will be a Flux later, or pushback when the laws of nature reascertain themselves and make the practitioner pay for breaking them. The bigger the Flex, the bigger the subsequent Flux, and it usually hits the things or people the ‘mancer cares about the most. So no wonder why ‘mancers in this world are mostly solitary and rather unhappy people – everything they love turns to ash between their fingers the more they use their magic.

Why don’t they stop? You could ask. Well, ‘mancy is like a drug, an addiction. And for a lot of these people, the Flex is the only time they are truly happy, they truly feel alive. So they are willing to risk the Flux just to experience this euphoria even for a little while.

I loved the fact that all the ‘mancers in this book are neither really good nor really evil. They are all broken people who found refuge from the ugliness of this world in their magic. They can do horrible things, but even the worst of them can create ‘mancy that’s absolutely beautiful.

Our protagonist, Paul Tsabo, had spent his life hunting down rogue ‘mancers and handing them over to the Government to be “refactored” – a horrible procedure where their mind is erased and they become no more than puppets linked to a human controller… and then he became a ‘mancer himself. When his daughter is horribly burned in an explosion orchestrated by a ‘mancer bound on destroying human civilization, he must take it upon himself to hunt him or her down and make them pay.

I liked Paul. He is not the typical action hero. He doesn’t rush into danger with guns blazing. He is not good in a fight – too scrawny, not a very good fighter. But he is extremely good with the paperwork. He is the king of forms, the god of bureaucracy. I loved the fact that he stayed true to himself throughout this book. The author didn’t make him discover sudden mad fighting skills or extreme marksmanship. Paul remains a paper-pusher, but his papers can rewrite the world.

My only gripe with Flex is that the author doesn’t give us hardly any background on the origins of this magic. One of the characters attributes the surge of ‘mancers to the birth of the Internet and the ever growing list of obsessions people have. Yet the author also hits that ‘mancers existed even in the previous centuries, way before the invention of the Internet. In fact, a full on magical battle during World War II opened a huge broach over Europe and transformed the whole continent in to a smoldering landscape full of demons.

It’s implied that ‘mancers started being hunted down and “refactored” after that incident, but the author doesn’t explain how it was before that. How did ‘mancers deal with their Flux? How did society deal with them? I would have loved to have a bit more details. I would also have loved to see more of that strange world than just New York. Hopefully, the author will expand his universe in the next book.

But even as it stands, Flex is a definite must read. It’s well written and fast paced, and the story is really interesting.

PS. I received an advanced copy of this book via NetGalley.

A call for Beta Readers.

helpwanted

Those of you who follow my blog more or less regularly know that I have several projects in various stages of competition.

I’ve just finished the first draft of The Choices we Make, a 110k words novel, so I needed to relax and switch focus for a bit. This I have been editing and outlining smaller projects, like the short stories in my Eye of the Norns Cycle.

I have concentrated most of my efforts on my novella Mists of the Crosswords, and I have taken it as far as I can take it on my own. But before I start looking for a professional editor to go over it with a fine tooth comb and fix my wonky grammar and punctuation, I need a fresh set of eyes on the story. This is where you come in.

This is a call for a few brave souls dedicated beta readers. I am looking for someone who will take the time to go over my story and tell me what works and what doesn’t, whether I left a plot hole big enough to drive a truck through, or if the actions of my characters stopped making sense all of a sudden. In other words, anything that jumps at you from the page and that I just don’t see anymore because I went over this story so many times.

I would like to point out that accepting to beta read is a hard job and can’t be taken lightly. Yes, you get to read a brand new book before anybody else, but I expect you to put some effort into it and give me constructive feedback. And I will need that feedback before the deadline.

The Mists of the Crossworlds is a fantasy novella aimed mostly towards Young Adults. Here is the blurb:

Lori has the ability to shift into the crossworlds, the strange plane that connects different words together. She guides merchant caravans for the Guild who has absolute monopoly on crossworld travel. But one day, her best friend goes missing and the mists start calling her name. Lori is faced with a though choice:  will she hide from those voices in the safety of the Guild Tower, or will she dare step off the beaten path in order to save the person that matters to her the most?

  •  All beta readers will receive a .docx file and a Beta Reader’s questionnaire that should help them focus on the areas I need most feedback with.
  • Please write your comments and suggestions directly in the file using Track Changes.
  • I would need all feedback and questionnaires sent back to me by March 9th. The novella is only 22k words long, so I think two weeks should be plenty of time.

All beta readers who accept this task and provide constructive feedback will be mentioned in the  Acknowledgement section once the book is published. They will also receive a free short story as a thank you gift.

If you are interested in beta reading it for me, please either put your email address in the comments to this post, or email me directly at elorenalory@gmail.com.

Murder of Crows by Anne Bishop.

Stars: 4 out of 5.

With Murder of Crows, we are back in the world of the Others, and I am very happy about that! This is a fascinating world and Anne Bishop lets us explore it a bit further in this second book of the series. I have also reviewed the first book in the series, Written in Red.

A lot happens in this book. We learn more about the origins of the drugs “feel good” and “gone over wolf”. We discover that there are human settlements on the Others land that are under the Others’ control. The people who chose to live there did so because they were persecuted by other humans for being different. The Others granted them asylum from persecution in exchange for work and goods. Those humans, Simple Life folks and Intuits, are not considered “meat” per se, but they are not considered friends either – they are simply tolerated as long as they don’t break the rules.

It was interesting to look at the settlements and the human / Others interaction outside of the Lakeside Courtyard. It was also a stark reminder that humans are just tolerated on this continent, and that there are a lot more dangerous terra indigene inhabiting the deep wild country that would not hesitate to wipe them off the land if provoked. It also served to emphasis just how progressive Simon is as the leader of the Lakeside Courtyard. He actually tries to work with the human authorities instead of just dealing with most of the problems the terra indigene way –  eat the intruder, throw the personal belongings out of the Courtyard for the police to find.

Speaking of the humans in the Lakeside Courtyard, we also see changes that are a direct consequence from the previous book. Meg has been accepted by all the inhabitants of the Courtyard. She is part of the Pack, even though she isn’t terra indigene, but she isn’t “smart meat” either. This is a source of confusion for Simon and and some of the other members of the Business association until they decide that she is just The Meg and leave it at that.

Another big change is that the humans working in the Courtyard become Meg’s human pack, so they transition from being just employees who are not eatable unless they misbehave to people the Others feel obliged to protect, especially when the rest of the human population of Lakeside turns on them and dubs them Wolf lovers.

And the Others finally turn their attention to the cassandra sangue  and those who keep them and bleed them for profit. The consequences of that attention will be life-changing for everyone concerned…

I loved this book. I got to spend more time with all the characters I grew to love in Book 1 and watch their relationship develop and become stronger. I got to see more of this fascinating world of Others and discover a bit more about its inhabitants.

So by now you are probably wondering why I only gave this book 4 stars instead of 5? I have one problem with it, but it’s a problem significant enough to deduct a whole star, because it tarnished my enjoyment a little.

There are a lot of things happening in this book, and a lot of different forces threaten Meg and the Courtyard inhabitants, as well as some of the other terra indigene we encounter, but there was almost no suspense, at least not for me. And the reason for this being that Meg would always have a prophesy that would warn them beforehand about the bad stuff coming their way, so that they are prepared. I understand that it’s part of who she is and what this whole world is about, but it kills the suspense. I don’t worry about the characters anymore, because I KNOW nothing will happen to them, no matter how threatening the danger is…

It could have been easily rectified though. Meg is only one blood prophet. The Controller has a whole compound full of them. Why don’t the bad guys get prophesies before they set out to do anything as well? That way they would at least see what would work and what would fail miserably. Or we could have the Others fail to interpret Meg’s visions correctly, or understand the warning only AFTER the fact. If some of the evil plans actually succeeded and there had been casualties among the cast we grew to love, I would have been more invested in the story. It’s hard to be worried about characters when the author portrays Meg’s power as infallible.

But despite that, I enjoyed Murder of Crows and I would definitely recommend it. Can’t wait for Book 3 to come out.

The cyclical nature of the creative process.

WordCount

A couple weeks ago Chuck Wendig wrote an excellent post about the emotional milestones of writing the first draft of a novel. It describes my own experience perfectly with all the highs and lows, so I would definitely say it’s recommended reading.

That post also made me think about the creative process in general and the various stages I go through between the new idea in my head and the finished product. And I realized that that process also has its highs and lows, but that in the end, it’s cyclical. I thought it would be fun to share my observations with my readers and see if anyone’s experience is similar to mine.

1. Shiny new idea aka rabid plot bunny.

That’s the beginning of every new story, isn’t it? A fluffy plot bunny comes hopping  into your brain and kicks every other idea out until its the only thing you can think of. It’s so fresh and new and exciting, and you can’t wait to start writing this story down, because you know without a doubt that it has all the makings of a true masterpiece.

There is only one slight problem. The plot bunny is never a whole story. It might be a scene, or an idea, or a group of characters, or even just a “what if this happened?” moment. No, the true story is still playing hard to get. You need to do some archaeological digging to get to it. That’s where stage two starts for me.

good-luck-road-sign

2. The rough outline.

Now this stage might differ from writer to writer, depending on whether you are a “pantser” or a  “plotter”.  Some writers might even skip this stage altogether. I’m not saying that one method is better than the other. I’m just saying that I’m very much a plotter. I can’t write a story without knowing where it’s going and having an approximation map of how to get there, so I tend to write rather extensive outlines.

That’s the stage where I grab that plot bunny by its fluffy ears and shake it until the details of the story start tumbling out.  By the time I’m done with my outline, I know exactly how the story will start and how it will end, but most of the stuff in between reads like “stuff happens to get the protagonist from point A to point B,” or “I have no idea how she ends up here, but I’ll think of something.”

But it’s a good enough road map to follow and I’m usually so sick with the whole outlining process by that time that I’d rather start on the first draft now, before I get too tired of the story, and work out the kinks later.

3. The First Draft.

Chuck gave a very accurate description of the emotional roller coaster a writer goes through during the first draft. Needless to say that after the three months it usually takes me to finish the first draft of a normal length novel, I am an emotional mess, and the only thing I want to do is throw that draft in a drawer and forget about it.

And I DEFINITELY don’t want to tackle another first draft. Sometimes, depending on how difficult the story had been for me, I feel like I never want to write another new story ever again… So by this time I have reached the next stage of my creative process.

4. The editing adventure.

Since I don’t feel like chasing another plot bunny right at the moment and going through the highs and lows of a first draft again, I go digging into the Dropbox folder where I keep all my stories and unearth a story I had put aside when that plot bunny had gotten me distracted 3-4 months ago. I print out the story, get my faithful blue pen out and dive into editing.

I know a lot of people dread that process, and it can be tedious and heart-breaking to take the jumbled mess of a first draft and make the words better. But after the trials of the draft when you give birth to the story, having a stack of pages to edit feels really good. So I dive into my edits, I hack and slash and rewrite about 80% of the draft until I’m more or less satisfied with the end result. And by the end of that process, I’m so burned out on editing that I start actually looking forward to writing a new story again, even if I had swore in stage 3 that I would never do that again.

So I send my edited story to some brave beta readers and eagerly open my mind to the next plot bunny willing to hop in and take me for a ride. And the cycle begins again…

It’s funny to discover that I start each stage of the process full of excitement and energy, and that I’m usually burned out and eager to move to the next stage by the end.

What are your thoughts? Have you experienced this cycle as well? Is your creative process different? Drop me a few lines in the comments, because I would really like to hear from you!

The Locksmith by Susan Kaye Quinn.

Stars: 5 out of 5.

The Locksmith is a short novella is is set in the Mindjack world (I have reviewed the first book of the series Open Minds if you are interested), and I must admit that it felt good revising it.

This story had all the ingredients I loved about the original books – the complex world, engaging characters and often serious problems they face. I also love that the author doesn’t pull any punches when exploring the social problems that arise when the normal mindreading society discovers the existence of mindjackers…

But I digress, so let’s concentrate on this story. We are following Zeph, who is a mindjacker with a unique ability even for his kind: he can not only jack into other people’s brains, but also modify them (lock or unlock as he puts it). He tried very hard to stay hidden, to pass for normal, even though he is forced to work for the local mindjacker clan. He doesn’t like what he is forced to do for Clan Marshall, but he understands that the jacker would come after his family if he disobeys. Yes, his life is difficult as it is, but at least he manages to pass for more or less normal, even if he has to lie to everybody around him, even his family.

So when Kira drops the bombshell and reveals the existence of mindjackers to the world, I understood perfectly well why Zeph was mad about it. She had just destroyed all hopes for him to live a normal life. Of is she didn’t annihilate them entirely, she made it so much more difficult.

It’s interesting to see the repercussions of Kira’s decisions and the events of the original 3 books of the Mindjacker series on other mindjackers, to see the reaction of another other jacker kid to the fact that hiding his ability had just become 100% harder.

I liked Zeph. He is a completely different character than Kira and he is very far away from the hormone-driven teenager stereotype we encounter so often in YA fiction. He is aware of his powers and slightly afraid of them, because he doesn’t understand what he does or how he does it and he is scared to hurt people. He is also a very responsible young man. Unlike some other mindjackers we encountered in this world, he doesn’t think mind controlling someone to like him is right. When other jackers bask in attention and jack everyone to like them, Zeph skirts the crowds, staying in the shadows and doing just enough to get barely noticed and immediately discounted as insignificant.

His attempts at a normal conversation with Tessa were really rather cute and heartbreaking because he realizes that he can’t have a normal relationship with her without having to lie to her constantly.

I also loved the fact that when Zeph was presented with a very difficult choice, he had the courage to do what’s right, even if it was difficult and dangerous and presented him with potentially dire consequences… And I will not say anything else about the plot of The Locksmith because I don’t want to spoil the story for you!

All I will add is that this is a fast paced story that keeps you on the edge of your sit until the end. It’s only five chapters long, so if you are looking for a quick, but still good and entertaining read this weekend, definitely buy this book. It’s a wonderful new installment in the Mindjacker universe.