The Ghosts of Beatrice Bird by Louisa Morgan

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Stars: 2.5 out of 5

This book started with a bang, and I really liked the character of Beatrice and her genuine desire to help people. She is a compelling character and easy to like. Though I must admit that I couldn’t quite suspend my disbelief that dropping acid a couple of times would somehow unlock her latent ability to see other people’s ghosts. However, I was willing to let that slide because I liked Bea, and I wanted to see where this story would go. I wanted to see Bea conquer her ghosts and come triumphant on the other end of her ordeal.

I also loved the island and the nuns who run the ferry. Mother Maggie was a pleasure to read about, and I would have loved to hear more about her life and her very pale and washed-out ghosts. Unfortunately, we don’t get nearly enough of her in this story.

The descriptions of island life are also very calming. I wouldn’t have minded living in Bea’s cottage with the cows and the views of the tumultuous sea. So I was fully engaged with the story and read the first 50% of the book in one sitting. Then Anne arrived at the island, and the book went downhill from there.

See, the story shifted from being about Bea to being about Anne and her abusive and controlling husband. Bea was relegated to a side character who was there to build up Anne’s confidence and be a receptive ear for Anne to tell us her story. It would have worked hadn’t Anne been such a meh character. I understand what the author tried to do here – the battered wife who carries all the guilt about being in this situation in the first place and thinks it’s her fault. However, this is written a bit on the nose here. Her husband is a caricature of an abusive and controlling psychopath. He is so over-the-top evil that I couldn’t take him seriously as a character or as a threat to Bea and Anne. There are better books written about this topic. Heck, even Stephen King wrote a book about a battered wife who ran away from her abusive cop husband and managed to build a new life for herself, and that book was more compelling than Anne’s story.

So after the focus shifted to Anne, I slowly lost interest in the book. In fact, I put it down for a few weeks and only came back to it because I don’t like DNFing books unless I absolutely don’t jell with them. But I skimmed till the end more than I read, hitting the major plot points. And even then I can tell that the ending is very overwritten. It should have stopped several chapters before it did. In fact, it should have stopped after James left the island the second time. Everything else could have been summarized in a brief epilogue. 

As it stands, this book had a lot of promise but ended up a disappointment for me, but I am willing to give it 2.5 stars because in the beginning I really thought I would love it.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.

The Atrocity Engine (Custodians of the Cosmos 1) by Tim Waggoner

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Stars: 2 out of 5

I was ready to love this book. On a side note, love that cover! That’s what drew me to the book in the first place. 

The idea behind this series is very intriguing – the world is basically dying (albeit slowly) because there is a giant black hole in the center of the universe called the Geir that is devouring it. Our protagonists work for the Maintenance whose sole purpose is to slow down the destruction of the known universe and delay the inevitable collapse. Our antagonist is an aspiring member of the Multitude, whose purpose is the exact opposite – precipitate the end of the universe and inflict as much death and destruction as possible in the process.

The premise is excellent, and I was all onboard to enjoy a thrilling ride… but I was sorely disappointed. 

There are several issues, but the biggest one is the lack of worldbuilding, or the inconsistency thereof. The author mentions that the Maintenance has existed since at least the Roman empire and that they know everything it’s possible to know about Corruption and entropic energy… Yet they miss some pretty big clues during this book. 

Their agents are supposed to be trained in fighting the Corruption and the corrupted people, yet in all the fights we see, they freeze or behave like this is their first time on the job. The most glaring example is when 4 Interventionists just froze and let their enemies swat them with a car like flies. These people are supposed to be professionals, so why is it that the only two people who know what they are doing are our protagonists? Also, whose stupid idea was it not to arm the agents that are the first in the field? Yes, they their role is to observe and call for backup, but they have a right to defend themselves while backup is getting there. 

But my biggest issue were the characters. They are very one-dimentional. The bad guys are so bad they are almost caricatures of themselves. I mean Rachel takes the cake of psycho bitch who loves making her victims suffer. But she is also not very bright… I would even say stupid. All her actions show a lack of planning and an inability to predict the consequences even two steps in advance.

And Neal and Gina… well, we have the grizzled veteran and the special snowflake. Neither of them are interesting or relatable. 

Neal knows everything better than anyone else at Maintenance, and is always proven right. Constantly goes against the authority of his superior, but somehow never gets even a slap on the hands for it. Then why is he still at the bottom of that ladder?  If he is so great, shouldn’t he be running the joint by now?

Gina comes across as naive to the point of stupidity. Oh, you only now start to wonder if your family is maybe pursuing their personal gain instead of the goals Maintenance has? What, you never noticed that none of the other Maintenance workers lived in mansions and drove expensive cars and wore luxury clothes? You never once stop to consider why your family thinks that is normal when the very core of Maintenance is to live modestly and only take what you need? Yeah, I didn’t connect with her at all, and her POVs were a chore to read through.

The plot itself is full of contrivances and conveniences that drive it to where the author wants it to go instead of letting it evolve naturally as a consequence of the actions characters take. I’m guessing that’s why the villain comes across as brain-dead and making such stupid decisions.

All in all, this was a complete disappointment for me, and I will not be continuing with this series. This was also my first book by this author, and now I’m not even sure if I want to give him another try.

PS: I received an advanced copy via NetGalley in exchange for an honest review.

Ghost Detective (Myron Vale Investigations 1) by Scott William

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Stars: 4 out of 5

This was a surprisingly good book, though not what I expected when I started reading it. I mean, it’s classified as a mystery book, and even though yes, we have a private detective investigating a possible murder, the book isn’t really about that.

This book is about human connections and ties that bound. About love and hate, and everything in between that can spark between two people and can often transcend death. It’s about how we often hurt the people we love, or stay in a toxic relationship because we still love the person hurting us.

I was actually surprised at how much I liked Myron Vale, our protagonist. If you think about it, his life is a bit of a nightmare. He can see ghosts… all of them… all the time. Not only can he see them, but he can also hear them, and smell them, but he can’t touch them. But more importantly, he can’t tell the difference between the dead and the living. To him, they all feel real. The only way for him to differentiate the living from the dead is to touch them. And touching strangers is kind of frowned upon in our society.

I could understand the depth of despair he descends into after the shooting when he realizes that his not being able to differentiate between the living and the ghosts means he can’t do his job as a police detective anymore. When he can’t tell which treat is real and which is just a ghost, he can’t react quickly and efficiently. Worse, he can put his partner in danger.

I wasn’t particularly fond of Billie, but the more I learned about their relationship, the better I understood her as well. Theirs is the perfect example of a love that has turned toxic, but neither is willing to end the torment. In a way, I’m glad about her decision in the end.

The murder mystery case that Myron is paid to investigate in this book isn’t really all that interesting or mysterious, but it was never the emphasis of this book, just a vehicle for the story.

I do have some questions though. Like why did the priest want Myron to drop the case? Why did he imply that if he followed through with it, some entities in the ghost world might consider him a threat and might even eliminate him? This is never brought up again. Maybe this will become important in the following books in the series, and I think I will check out book 2.

Haunted Ground: The Ghosts of Laskin’s Farm by Cailyn Lloyd

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Stars: 2.5 out of 5

I had such great hopes for this book! It started strong, and I thought that finally, this would be a decent ghost story. One where supernatural elements would help the protagonist against the very real threat that the cartel poses.  Alas, it wasn’t meant to be. 

The setup is perfect – an old farmhouse in the middle of nowhere seemingly frozen in time. Fully furnished and provisioned, like the family just stepped out for a minute and never came back home. All their possessions still there. A desperate protagonist who is willing to put up with the creepiness of the situation in exchange for a safe haven from the evil that is hunting her. I loved the beginning of this book with Kat finding the house and setting up, but unfortunately, the story went downhill from there.

The biggest problem is Kat herself. I hate protagonists who are too stupid to live, but survive against all odds (and common sense) because of plot armor, and Kat is a perfect example of such a protagonist. 

So she is on the run from the cartel. She thinks her best bet is to go to ground and disappear off the radar for a while. That makes perfect sense. If I were her, I would leave the state first, and go as far as I could before I found a hole to hide in instead of staying in the vicinity, but okay, to each its own. She finds this abandoned farmhouse by looking through satellite images and Google Maps. Okay, that works too. But then she starts remodeling the place and improving it once she gets there – clears out the backyard, dumps the trash from the house outside, etc, and it never crosses her mind that all those changes will be visible to satellites? Google updates its maps regularly. So a cleared-out backyard in an abandoned farm would stick out like a sore thumb. Does she think that the people looking for her are too stupid to use Google Maps?

Also, if you are trying to hide and keep a low profile, settling near a small town where almost everyone knows each other and the presence of a stranger will be noted is not a very good idea. Biking to said town several times a week for supplies is also rather stupid. People remember a stranger on a bike buying provisions twice a week. At least spread your shopping between several small towns. Go to different ones each week, etc.

My other issue is that I didn’t particularly like how women were portrayed in this book. Other than Kat, who is portrayed as this good person who slipped and make some mistakes, but is turning her life around now, everyone else is bitchy and condescending. Natalie is judgemental and self-serving, oh, and seems to hate rich men for no particular reason. And Gina… don’t even start me on Gina. Power-hungry but insecure she-bitch. I mean, I thought we were done with these cliched representations by now. All the women in Kat’s life are horrible, apart from her cell-mate who is conveniently absent from the story. All the men around her are also horrible, apart from her love interest who is too nice to be true. 

Finally, why did we even mention ghosts in this story? They play no part in it. Everything that happened is a geological phenomenon. Take the ghosts out of the book, and nothing changes. I came for a haunted house book, not for whatever this turned out to be. 

Also, the plume affects literally everyone apart from Kat herself? She is the only one who can keep her wits about her and not succumb to paranoia, violence,e and stupidity? Yeah, I don’t believe that. 

Dead Country (The Craft Wars 1) by Max Gladstone

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Stars: 3 out of 5

I love the world of the Craft that the author so carefully crafted (pun totally intended). However, I didn’t love this book as much as I loved the previous ones in the series. 

It took me a while to figure out why. This book has all the right ingredients: a compelling protagonist (and I love Tara), a mystery that threatens something she cares about, so the personal stakes are front and center, and another facet of this complex world carefully painted and shown to the readers. I should have loved this as much as I loved the previous books! But instead, this book left me mildly irritated while I was reading it, and a bit dissatisfied when I finished.

The biggest reason is that, as much as I like Tara Abenati, she shines when given good secondary characters to bounce her ideas off of. Even though the previous book was mostly about Kai, Tara’s brief appearances were memorable. Or her interactions with Abelar, Shale, and Selene in Alt Columb. Characters make good stories, and good characters make excellent ones.

Unfortunately, secondary characters are sorely lacking in this book. And by that I mean the relationship that is front and center in this story – the one between Tara and Dawn. I was actually looking forward to seeing how Tara in the role of a mentor for once. To see how she would approach this responsibility and what kind of teacher she would choose to be. And the answer is – a rather boring one. 

Yes, I understand that the theory of the Craft is important to the story, but I think the lectures are a bit overdone here. It bogs down the story and kills the momentum. I mean, there is literally nothing going on in this book between the first attack of the Raiders on Tara’s village and the last stand during which the Father is kidnapped. And that’s about a third of the book. I admit that my attention started to wander in that section, and I had to put the book away for a bit and read something more exciting before I came back to it.

It would have been okay if Dawn was a more fleshed-out character. As it stands, we don’t know anything about her apart from the fact that she wandered onto this farm with her father, and was not treated well after he died. We don’t know about her dreams, her fears, or what she is like when she isn’t trying very hard to be the best student Tara could want. Try as I may, I can’t picture her in my head. She is not a person, but a concept. I don’t feel a connection to her like I felt for other characters in previous books. 

And without that connection, everything that happens in the end of the book, and it supposed to have the impact of a gut punch… feels flat. 

Same with Tara’s home village. I know I was supposed to grow to care for it by the end of the book and understand why Tara would fight so hard to save it, but I was mostly irritated with everyone instead, including Tara. And since I didn’t care for the stakes, I wasn’t fully invested either.

Don’t get me wrong, this is still a solid entry in the Craft series and it advances the story. It’s just not the strongest entry to date.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.