Among These Bones (Among These Bones 1) by Amanda Luzzader

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Stars: 2.5 out of 5.

This started pretty strong but petered out by the end. 

The premise is fantastic – a global pandemic destroyed society as we know it. The survivors must take a serum every year in order not to contract the disease that killed most of humanity. The unfortunate side effect of this serum is that it wipes your memories. So every year you start as a blank slate, with the Agency telling you who you are, who your family is, and what you did in life. But who is to say that any of it is true? Is that child that the Agency shoved into your arms really your son or a random stranger? Is your name really Allison? 

I believe the author wasted the potential of this premise because there could have been so much more she could have done there! Allison in particular seems prone to accept these facts at face value and not even question them until the later part of the book. She is content just to keep her head down, get her rations, and hole up in a ratty house for the rest of her life. It’s Arie that is trying to push the limits of their world and to discover what really happened on Year One. 

And I think that was ultimately the biggest issue for me. Allison is the protagonist, and she is boring as fish. I couldn’t care less for her tribulations because she didn’t really commit to anything until the end of the book. Until then, she just kind of floated along the current and followed whichever person of authority she happened to be with, be it Arie or Ruby. Also, she is written as a bit dim. I mean you know an Agency supervisor took a special interest in you and your son, and you discovered that Arie was being tracked via his chip. Why oh why would you bring a very recognizable truck straight to your house? Especially when working vehicles are so rare? And why would you rush back there after the stint you pulled at the serum storage facility? That’s next level stupid.

Actually, all the characters in this book are written as not very bright, even if the author says otherwise about some of them. They survive and pull a successful heist only because of plot contrivances and kevlar-thick plot armor. And once I realized that, I couldn’t really care for their well-being because it felt like they would survive no matter how dire the situation was. Apart from Gracy that is, but then again, we barely knew the girl. I’m almost convinced that she was introduced only for the purpose of fridging her to create some motivation for Allison.

All in all, this was a rather disappointing read. It started great but devolved into the standard and stereotypical story of an evil corporation doing something to common people for nefarious but nebulous reasons. Also, the bad guys in this story had no shades of gray whatsoever. I don’t think I will be continuing with this series.

Lords of Uncreation (The Final Architecture 3) by Adrian Tchaikovsky

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Stars: 4.5 out of 5

This is a fitting conclusion to an epic trilogy. I must say that Mr. Tchaikovsky created a truly unique world. I don’t think I’ve ever read a book with concepts of real and unreal (or similar) that are so well integrated into the story. This world feels lived in. It has an inner logic and it works. 

Things have gotten from bad to worse since the end of the previous book. You would think that a treat of truly galactic proportions would unite people, right? You couldn’t be more wrong. Humanity fractures and splinters, because each faction has its own idea of how exactly humanity will be saved, one which leaves them in power over the rescued remnants, of course. And none of those ideas include taking the war to the slavemasters of the Architects. 

I even understand why. Fighting something so unimaginable and unreachable is daunting, to say the least. It’s much easier for the human psyche to find a smaller enemy and concentrate on them. Hence Hugh and the Parthenon are at each other throats again. And the Boyarin want their Arcs back. The galaxy is a mess even without Architects popping up at random solar systems to turn inhabited planets into tragic art. 

And the crew of the Vulture God is still stuck in the middle of it all. Though I’m not sure if they are a crew anymore since only Oli and Kit are technically on the ship itself. Idris and Kris are on the Eye, where Idris is killing himself, trying to find the mysterious Masters who send the Architects out into the real. Solace is also there with the Partheny Ints, but it seems like everyone has their own agenda now. Until all hell breaks lose, that is. 

If I had one complaint about this book it’s that the first 30% of it or so drags. I understand that all the pieces had to be put on the board and set in motion, but it made for a rather boring read. However, once the attack on the Eye happens, things pick up. And after Anku brings the hammer down on the whole system, the action doesn’t let down until the end. 

All in all, I liked how things got wrapped up in this book. And the fate that befell the Lords of Uncreation was a fine example of poetic justice. I was a bit surprised bout Oli, but it makes sense and is in tune with her character. Solace had a huge crisis of faith in this book, and I’m happy with the choice she made. Also, she is a badass. The only non-Int to stand in the middle of creation, face a very alien and overwhelming force, and not give ground. “Pret at combattre” indeed. 

I am also happy with Idris’s arc. It felt at times like he was drifting through the story as a passenger more than an architect of the events, and he would make a lousy action hero, but he saved the world in the end. And now Kris might even save the Ints from indentured servitude, but either way, unspace is a lot more welcoming for them from now on. And I like the concept of Saint Idris.

PS: I received an advanced copy of this book via NetGalley in exchange for an honest review.